(Woodwind Solos and Ensemble/Oboe Collection). By George Frideric Handel (1685-1759). Arranged by Andraud, Albert. For Oboe (Oboe). Woodwind Solos and Ensembles - Oboe Collection. Southern Music. Grade 3. 48 pages. Southern Music Company #B108. Published by Southern Music Company

By Wolff. For organ. General, sacred. Published by Concordia Publishing House.
Level: Moderately Easy.

2 cellos, string orchestra and basso continuo (3 Violine I - 3 Violine II - 2 Viola - 3 Violoncello/Kontrabass - 1 Basso continuo) - intermediate

SKU: HL.49019633

Urtext. Composed by Antonio Vivaldi. Edited by Wolfgang Birtel. This edition: Saddle stitching. Sheet music. String Ensemble. Softcover. 28 pages. Schott Music #CON267. Published by Schott Music (HL.49019633).

ISBN 9790001191289. UPC: 841886019614. 9.25x12.0x0.13 inches.

The genre of the violoncello concerto was born in 17th-century Italy. Thanks to the Venetian composer Antonio Vivaldi (1678-1741), there exists today not only a wealth of magnificent violin concertos but also quite a number of cello concertos to whose development he contributed considerably. More than two dozens of his concertos are dedicated to the violoncello, including the probably most famous double concerto: the 'Concerto for Two Violoncellos, String Orchestra and Basso continuo in G minor (RV 531)' written after 1770. The sonorous work with its playful outer movements and expressive largo is published in this critical new edition on the basis of the sources.

With Audio of Full Performances and Orchestral Accompaniments Schirmer's Musical Library Vol. 2145. Composed by Ludwig van Beethoven (1770-1827). Piano. Classical. Softcover Audio Online. Published by G. Schirmer

By Ludwig van Beethoven. Edited by H.-W Kuthen. STUDY EDITION. Urtext edition (Paper-bound). Published by G. Henle.

Double bass (solo: org - 0.2.0.1 - 0.0.0.0 - str - bc)

SKU: BR.OB-5383-26

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman). Solo concerto; Baroque. Part. 4 pages. Duration 12'. Breitkopf and Haertel #OB 5383-26. Published by Breitkopf and Haertel (BR.OB-5383-26).

ISBN 9790004335390. 9 x 12 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman).

Violoncello (solo: org - 0.2.0.1 - 0.0.0.0 - str - bc)

SKU: BR.OB-5383-23

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman). Solo concerto; Baroque. Part. 4 pages. Duration 12'. Breitkopf and Haertel #OB 5383-23. Published by Breitkopf and Haertel (BR.OB-5383-23).

ISBN 9790004335383. 9 x 12 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman).

Basso continuo (solo: org - 0.2.0.1 - 0.0.0.0 - str - bc)

SKU: BR.OB-5383-12

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Arranged by Walter Heinz Bernstein. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman). Solo concerto; Baroque. Part. 8 pages. Duration 12'. Breitkopf and Haertel #OB 5383-12. Published by Breitkopf and Haertel (BR.OB-5383-12).

ISBN 9790004335345. 12 x 9 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman).

Mixed Trios. By Various. Arranged by Daniel Kelley. For Cello or Bassoon. Trios. Music for Three. Classical / Baroque. Level: Intermediate/Advanced. Part 3. Published by Last Resort Music Publishing.

(with original Cadenzas) Piano reduction by Hans Kann, composed by Ludwig van Beethoven (1770-1827), edited by Hans-werner Kuthen. Single piece and for 2 Pianos four-hands. With introductory text and fingerings. Piano Reduction-paper bound. 100 pages. Published by G. Henle.

2 Pianos, 4 Hands. Composed by Sergei Rachmaninoff (1873- 1943). Edited by Dominik Rahmer. Henle Music Folios. G. Henle #HN1214. Published by G. Henle