| Claude Gervaise: Dance Suite (Score) Orchestra Music Sales
Orchestra SKU: HL.14008218 Composed by Claude Gervaise. Music Sales Ameri...(+)
Orchestra SKU: HL.14008218 Composed by Claude Gervaise. Music Sales America. Classical. Score. Music Sales #NOV090067. Published by Music Sales (HL.14008218). $3.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Just Brass 34: Old French Dances (Reeve)- Score/Parts Brass ensemble [Score and Parts] Chester
By Claude Gervaise / Pierre D'attaignant. Peter Reeve - Author. For 4 Trumpets, ...(+)
By Claude Gervaise / Pierre D'attaignant. Peter Reeve - Author. For 4 Trumpets, Horn, 4 Trombones, Tuba. Just Brass. Renaissance. Sheet Music. Published by Chester Music.
$39.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Royal Coronation Dances Concert band - Intermediate Manhattan Beach Music
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Su...(+)
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Suitable for advanced middle school, high school, community and college bands. Conductor score and set of parts. Duration 4:45. Published by Manhattan Beach Music (MH.1-59913-054-8). ISBN 9781599130545. Royal Coronation Dances is the first sequel to the Fanfare Ode & Festival, both being settings of dance music originally arranged by Gervaise in the mid 16th-century (the next sequel is The Renaissance Fair, which uses music of Susato and Praetorius). Fanfare Ode & Festival has been performed by many tens of thousands of students, both in high school and junior high school. I have heard that some of them are amazed that the music they are playing was first played and danced to over 400 years ago. Some students tend to think that music started with Handel and his Messiah to be followed by Beethoven and his Fifth Symphony, with naught in between or before of consequence. Although Royal Coronation Dances is derived from the same source as Fanfare Ode & Festival, they are treated in different ways. I envisioned this new suite programmatically -- hence the descriptive movement titles, which I imagined to be various dances actually used at some long-ago coronation. The first movement depicts the guests, both noble and common, flanked by flag and banner bearers, arriving at the palace to view the majestic event. They are festive, their flags swirling the air, their cloaks brightly colored. In the second movement, the queen in stately measure moves to take her place on the throne as leader and protector of the realm. In the third movement, the jesters of the court entertain the guests with wild games of sport. Musically, there are interesting sonorities to recreate. Very special attention should be given to the tambourine/tenor drum part in the first movement. Their lively rhythms give the movement its power. Therefore they should be played as distinctly and brilliantly as possible. The xylophone and glockenspiel add clarity, but must not be allowed to dominate. Observe especially the differing dynamics; the intent is to allow much buzzing bass to penetrate. The small drum (starting at meas. 29) should be played expressively, with attention to the notated articulations, with the brass light and detached, especially in a lively auditorium. It is of some further interest that the first dance is extremely modal. The original is clearly in G mixolydian mode (scale: G-A-B-C-D-E-F-G). However, other editors might put in F-sharps in many places (changing the piece almost to G major), in the belief that such ficta would have been automatically put in by the 16th-century performers as they played. I doubt it. I have not only eschewed these within the work, but even at the cadences. So this arrangement is most distinctly modal (listen to the F-naturals in meas. 22 and 23, for instance), with all the part-writing as Gervaise wrote it. In the second movement, be careful that things do not become too glued together. In the 16th century this music might have been played by a consort of recorders, instruments very light of touch and sensitive to articulation. Concert band can easily sound heavy, and although this movement has been scored for tutti band, it must not sound it. It is essential, therefore, that you hear all the instruments, with none predominating. Only when each timbre can be heard separately and simultaneously will the best blend occur, and consequently the greatest transparency. So aim for a transparent, spacious tutti sound in this movement. Especially have the flutes, who do this so well, articulate rather sharply, so as to produce a chiffing sound, and do not allow the quarter-notes to become too tied together in the entire band. The entrance of the drums (first tenor, then bass) are events and as such should be audible. Incidentally, this movement begins in F Major and ends in D Minor: They really didn't care so much about those things then. The third movement (one friend has remarked that it is the most Margolisian of the bunch, but actually I am just getting subtler, I hope) again relies upon the percussion (and the scoring) to make its points. Xylophone in this movement is meant to be distinctly audible. Therefore, be especially sure that the xylophone player is secure in the part, and also that the tambourine and toms sound good. This movement must fly or it will sink, so rev up the band and conduct it in 1 for this mixolydian jesting. I suppose the wildly unrelated keys (clarinets and then brass at the end) would be a good 16th-century joke, but to us, our put-up-the-chorus-a-half-step ears readily accept such shenanigans. Ensemble instrumentation: 1 Full Score, 1 Piccolo, 4 Flute 1, 4 Flute 2 & 3, 2 Oboe 1 & 2, 2 Bassoon 1 & 2, 1 Eb Clarinet, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 2 Eb Alto Clarinet, 1 Eb Contra Alto Clarinet, 3 Bb Bass & Bb Contrabass Clarinet, 2 Eb Alto Saxophone 1, 2 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 2 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 4 Horn in F 1 & 2, 2 Trombone 1, 4 Trombone 2 & 3, 3 Euphonium (B.C.), 2 Euphonium (T.C.), 4 Tuba, 1 String Bass, 1 Timpani (optional), 2 Xylophone & Glockenspiel, 5 Percussion. $95.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Tastenzauberei Band 3 Piano solo Ricordi
Piano - beginner SKU: BT.1582-08-400-M Klavierschule Band 3. Compo...(+)
Piano - beginner SKU: BT.1582-08-400-M Klavierschule Band 3. Composed by Aniko Drabon. Tastenzauberei. Method. Book, CD and Audio Online. Composed 2008. 96 pages. Mitropa Music #1582-08-400 M. Published by Mitropa Music (BT.1582-08-400-M). ISBN 9789043130868. 9x12 inches. German. Ein zauberhafter Einstieg ins Klavierspiel! Das ist Tastenzauberei: • für Kinder ab dem Vor- und Grundschulalter • sowohl für den Einzel- als auch für den Gruppenunterricht • Quereinstieg in die Arbeit mit jedem der Bände ist möglich • kindgerechtes Lerntempo • Motivation der Schüler durch die ansprechende Gestaltung und Smiley-Aufkleber als Bonbon“ • viele Spielstücke (oft vierhändig für Schüler und Lehrer oder zwei Schüler) machen Tastenzauberei von Anfang an zu einem klangvollen Erlebnis • professionelle Mitspiel- und Demo-CDs, eingespielt von der Autorin selbst Inhalte von Band 3 sind u. a.: Intervalle, Dreiklänge, Dur- und Moll-Tonarten, Rhythmen und Tänze, Zusammenspiel. $27.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Targeting Music - Year 5 [Sheet music + CD] Schott
Year 5 Book/CD SKU: HL.49030432 A Year-by-Year Series for Teachers in ...(+)
Year 5 Book/CD SKU: HL.49030432 A Year-by-Year Series for Teachers in Primary Schools. Composed by Dorothy Taylor and William McVicker. This edition: Paperback/Soft Cover. Book with CD. Edition Schott. Classical, Instruction. Book with CD. 96 pages. Schott Music #ED 12642. Published by Schott Music (HL.49030432). ISBN 9781902455013. English. John Minnion. In this sixth book of the series, the authors builld upon the lower junior stage, and use a similar modular format. Designed to extend skill acquisition in performance, improvising and composing, listening and appraising, and notating music, pupils are challenged by incresingly demanding musical materials. At the same time there is an emphasis on pupils acquiring knowledge and expertise of the deep structures of a range of music, and a greater acknowledgement of musical purpose and context. Attuned to the National Curriculum experiences, particular features of this book are: a consolidation and deepening of vocal and instrumental techniques and performance * an integrated approach to improvising and composing, combing skills in listening and appraising, knowledge and understanding * a module focusing on aural observation, representation, recording and notation of sound * an active, analytical and frequently physical approach to listening and appraising * a focus on music in its social and historical context in relation to dance. $30.95 - See more - Buy online | | |
| Sun Dance Organ Oxford University Press
Solo organ - Moderately Difficult SKU: OU.9780193532915 From Organ Dan...(+)
Solo organ - Moderately Difficult SKU: OU.9780193532915 From Organ Dances. Composed by Bob Chilcott. Organ (Solo). The Oxford Organ Library. 12 pages. Duration 3.5'. Oxford University Press #9780193532915. Published by Oxford University Press (OU.9780193532915). ISBN 9780193532915. 12 x 9 inches. Sun Dance is a slightly modified version of the fifth movement from the composer's Organ Dances. The music is for the most part celebratory in character, its spiky rhythms driven along by the pervasive alternation of 3/8 and 4/4 metrical groupings, although the composer also has fun with 7/8 and 5/8 patterns. $13.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Slavonic Dances No. 7 and 8 Concert band - Intermediate/advanced De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1114864-140 From opus 46(+)
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1114864-140 From opus 46. Composed by Antonin Dvorak. Arranged by Wil van der Beek. Great Classics. Transcription. Score Only. Composed 2011. 40 pages. De Haske Publications #DHP 1114864-140. Published by De Haske Publications (BT.DHP-1114864-140). 9x12 inches. English-German-French-Dutch. In 1878, on a commission from his publisher, Anton n Dvorák wrote a series of eight Slavonic dances. Modelled on Johannes Brahmsâ?? famous Hungarian Dances, although in contrast to Brahmsâ?? work, Dvorák used no original melodies. Wil van der Beek has arranged No. 7, a brisk 2/4 dance, as well as No. 8, a passionate, exuberant furiant in 3/4.
In 1878 schreef Dvoøák op verzoek van zijn uitgever een serie van acht Slavische dansen. Daarbij zouden de beroemde Hongaarse dansen van Brahms als voorbeeld moeten dienen. Dvoøák had echter zijn eigen opvattingover het kunstzinnigvormgeven van (volks)dansen. Waar Brahms meerdere bestaande melodieën van dansen uitHongarije gebruikte, beperkte Dvoøák zich tot karakteristieke ritmische patronen van dansvormen uit zijn vaderland. Oorspronkelijk zijn de Slavischedansen gecomponeerd voor klavier vierhandig. Vrij spoedig maakte Dvoøák zelf een versie voor orkest, waarmee hij wereldroem vergaarde. Het succes was zo groot (zeker ook in financieel opzicht voor de uitgever!) dat een tweedeserie van acht dansen volgde: opus 72 in het oeuvre van Dvoøák.Kenmerken:Dans nr. 4 (Tempo di menuetto, 3/4 maat)Dit is een feestelijke, vrolijke sousedská (te beschouwen als de Tsjechische variant op het menuet), een driedeligedans waarvan de hoekdelen gracieus zijn en het middendeel voor een levendig contrast zorgt.Dans nr. 7 (Allegro assai, 2/4 maat)Dvoøák lijkt hier ge nspireerd te zijn geweest door een snelle dans genaamd skocná. Het hoofdthemawerkt humoristisch doordat het in de vorm van een canon wordt gepresenteerd.Dans nr. 8 (Presto, 3/4 maat)Dit is een temperamentvolle furiant, vol vreugde en uitgelatenheid, gevolgd door een rustiger middendeel, datuitmondtin een zeer krachtig en snel slot.
Im Jahre 1878 schrieb Anton n Dvorák im Auftrag seines Verlegers eine Reihe von acht slawischen Tänzen. Als Vorbild dienten die beru?hmten Ungarischen Tänze von Johannes Brahms, im Gegensatz zu diesem verwendete Dvorák jedoch keine originalen Melodien. Wil van der Beek bearbeitete fu?r dieses Arrangement die Nr. 7, einen schnellen Tanz im 2/4-Takt, sowie die Nr. 8, einen leidenschaftlichen, u?berschwänglichen Furiantâ?? im 3/4-Takt.
En 1878, Anton n Dvorák composa une série de huit danses slaves. Contrairement Brahms, Dvorák sâ??est contenté dâ??emprunter aux danses de son pays natal leurs caractéristiques rythmiques. Wil van der Beek a réalisé un arrangement de deux dâ??entre elles : la danse n° 7, une vive skocná dont le thème mélodique est écrit en forme de canon et la danse n° 8, fougueuse et énergique qui est menée presto. La partie centrale est apaisée. Le _x001C_finale est vif et puissant.
Nel 1878 Antonin Dvorák compone su commissione una serie di otto danze slave. Anche se le celebri Danze Ungheresi di Brahms gli servirono da modello, Dvorák non utilizzò melodie originali. Wil van der Beek ha arrangiato la Danza n.7 caratterizzata da un tempo veloce in 2/4 e la Danza n. 8, un furiant passionale in 3/4. $42.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Slavonic Dances No. 7 and 8 Concert band - Intermediate/advanced De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1114864-010 From opus 46(+)
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1114864-010 From opus 46. Composed by Antonin Dvorak. Arranged by Wil van der Beek. Great Classics. Transcription. Set (Score and Parts). Composed 2011. De Haske Publications #DHP 1114864-010. Published by De Haske Publications (BT.DHP-1114864-010). 9x12 inches. English-German-French-Dutch. In 1878, on a commission from his publisher, Anton n Dvorák wrote a series of eight Slavonic dances. Modelled on Johannes Brahmsâ?? famous Hungarian Dances, although in contrast to Brahmsâ?? work, Dvorák used no original melodies. Wil van der Beek has arranged No. 7, a brisk 2/4 dance, as well as No. 8, a passionate, exuberant furiant in 3/4.
In 1878 schreef Dvoøák op verzoek van zijn uitgever een serie van acht Slavische dansen. Daarbij zouden de beroemde Hongaarse dansen van Brahms als voorbeeld moeten dienen. Dvoøák had echter zijn eigen opvattingover het kunstzinnigvormgeven van (volks)dansen. Waar Brahms meerdere bestaande melodieën van dansen uitHongarije gebruikte, beperkte Dvoøák zich tot karakteristieke ritmische patronen van dansvormen uit zijn vaderland. Oorspronkelijk zijn de Slavischedansen gecomponeerd voor klavier vierhandig. Vrij spoedig maakte Dvoøák zelf een versie voor orkest, waarmee hij wereldroem vergaarde. Het succes was zo groot (zeker ook in financieel opzicht voor de uitgever!) dat een tweedeserie van acht dansen volgde: opus 72 in het oeuvre van Dvoøák.Kenmerken:Dans nr. 4 (Tempo di menuetto, 3/4 maat)Dit is een feestelijke, vrolijke sousedská (te beschouwen als de Tsjechische variant op het menuet), een driedeligedans waarvan de hoekdelen gracieus zijn en het middendeel voor een levendig contrast zorgt.Dans nr. 7 (Allegro assai, 2/4 maat)Dvoøák lijkt hier ge nspireerd te zijn geweest door een snelle dans genaamd skocná. Het hoofdthemawerkt humoristisch doordat het in de vorm van een canon wordt gepresenteerd.Dans nr. 8 (Presto, 3/4 maat)Dit is een temperamentvolle furiant, vol vreugde en uitgelatenheid, gevolgd door een rustiger middendeel, datuitmondtin een zeer krachtig en snel slot.
Im Jahre 1878 schrieb Anton n Dvorák im Auftrag seines Verlegers eine Reihe von acht slawischen Tänzen. Als Vorbild dienten die beru?hmten Ungarischen Tänze von Johannes Brahms, im Gegensatz zu diesem verwendete Dvorák jedoch keine originalen Melodien. Wil van der Beek bearbeitete fu?r dieses Arrangement die Nr. 7, einen schnellen Tanz im 2/4-Takt, sowie die Nr. 8, einen leidenschaftlichen, u?berschwänglichen Furiantâ?? im 3/4-Takt.
En 1878, Anton n Dvorák composa une série de huit danses slaves. Contrairement Brahms, Dvorák sâ??est contenté dâ??emprunter aux danses de son pays natal leurs caractéristiques rythmiques. Wil van der Beek a réalisé un arrangement de deux dâ??entre elles : la danse n° 7, une vive skocná dont le thème mélodique est écrit en forme de canon et la danse n° 8, fougueuse et énergique qui est menée presto. La partie centrale est apaisée. Le _x001C_finale est vif et puissant.
Nel 1878 Antonin Dvorák compone su commissione una serie di otto danze slave. Anche se le celebri Danze Ungheresi di Brahms gli servirono da modello, Dvorák non utilizzò melodie originali. Wil van der Beek ha arrangiato la Danza n.7 caratterizzata da un tempo veloce in 2/4 e la Danza n. 8, un furiant passionale in 3/4. $176.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Paris Dance Alto Saxophone and Piano - Intermediate De Haske Publications
Alto Saxophone and Piano - intermediate SKU: BT.DHP-1155655-401 Composed ...(+)
Alto Saxophone and Piano - intermediate SKU: BT.DHP-1155655-401 Composed by Pascal Proust. De Haske Saxophone Series. Book Only. Composed 2015. 8 pages. De Haske Publications #DHP 1155655-401. Published by De Haske Publications (BT.DHP-1155655-401). ISBN 9789043147507. English-German-French-Dutch. Who could play a waltz more beautifully than a saxophone? This little waltz could have been played in the Roaring Twenties in the fashionable districts of Paris. The composer Pascal Proust has many years’ experience as a musician and music teacher. His output includes several hundred compositions for the most diverse instrumentations. He wrote Paris Dance for saxophonists at the level of approximately3 4 years’ study and paid special attention to an easy-to-follow, attractive musical style. As a result, Paris Dance is an ideal performance or competition work for young musicians.
Wie kan een wals mooier spelen dan een saxofonist? Dit fraaie walsje zou zomaar gespeeld kunnen zijn in de jaren twintig van de vorige eeuw in de modieuze stadsdelen van Parijs. De componist Pascal Proust kan bogen op een jarenlange ervaring als muzikant en muziekdocent. Zijn oeuvre omvat honderden composities voor de meest diverse instrumentaties. Hij schreef Paris Dance voor saxofonisten die ongeveer drie tot vierjaar les hebben gehad, waarbij hij speciaal aandacht heeft besteed aan een makkelijk te volgen, aantrekkelijke muziekstijl. Daardoor is Paris Dance een ideaal voordrachts- of wedstrijdstuk voor jonge muzikanten.
Wer könnte einen Walzer schöner spielen als das Saxophon? Diese Walzertakte könnten genau so in den zwanziger Jahren des vorigen Jahrhunderts in einem berühmten Stadtviertel von Paris erklungen sein... Der Komponist Pascal Proust kann aus seiner langjährigen Erfahrung als Musiker und Musikpädagoge schöpfen; sein Oeuvre umfasst mehrere hundert Kompositionen für verschiedenste Besetzungen. Er schrieb Paris Dance für Saxophonisten mit ungefähr3 4 Jahren Unterrichtserfahrung und legte besonderes Augenmerk auf einenleicht verständlichen, attraktiven musikalischen Stil. Dadurch eignet sich Paris Dance ideal als Vortrags- und Wettbewerbsstück für junge Musiker.
Quel instrument ferait mieux valser que le saxophone ? Voici quelques mesures que l’on aurait pu entendre il y a quelques décennies dans un quartier populaire de Paris. Le compositeur Pascal Proust puise volonté dans son immense expérience de musicien et professeur de musique ; son catalogue d’oeuvres englobe plusieurs centaines de compositions pour divers instruments. Il a notamment écrit Paris Dance poursaxophonistes ayant environ 3 4 années de pratique, dans un style musical accessible et coloré. De ce fait, Paris Dance est la pièce idéale pour tout examen ou audition de jeunes musiciens. $17.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Desert Dances Concert band - Intermediate Anglo Music
Score and Parts Concert Band (Score & Parts) - Grade 3 SKU: HL.4006900 Co...(+)
Score and Parts Concert Band (Score & Parts) - Grade 3 SKU: HL.4006900 Composed by Philip Sparke. Anglo Music Concert Band. Concert. Softcover. Duration 290 seconds. Anglo Music Press #AMP474-010. Published by Anglo Music Press (HL.4006900). UPC: 840126945539. Henderson is a city in Clark County, Nevada, just southeast of Las Vegas and surrounded by desert: this was the inspiration for the title. Desert Dances opens with a lively introduction, mostly in 3/4, which pervades the faster sections of the piece. This subsides to introduce a slower dance which expands to a full-band climax. The introduction soon returns and leads to the main theme of the piece, a waltz-like melody played by the full ensemble. A short bridge passage follows, which leads to a legato central theme. This is played twice and heralds the return of the main theme and a short coda which closes the work. An imaginative work for concert or contest with nice features throughout all groups of the band. $143.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Dueling French Dances String Orchestra - Easy FJH
Orchestra String Orchestra - Grade 2 SKU: FJ.ST6453 Composed by Claude Ge...(+)
Orchestra String Orchestra - Grade 2 SKU: FJ.ST6453 Composed by Claude Gervais. Arranged by Deborah Baker Monday. Series; String Orchestra. FJH Developing Strings. Form: Dance. Masterwork Arrangement. Score and Part(s). Duration 2:45. The FJH Music Company Inc #98-ST6453. Published by The FJH Music Company Inc (FJ.ST6453). UPC: 241444388198. English. These vibrant and lively French Renaissance dances have a wealth of teaching material and will be a huge hit with your students. In the friendly keys of G and D, the music features simple rhythms and bowings so your students will have a stunning performance. Fantastic music that will complement any concert or festival program. About FJH Developing Strings Slightly more advanced than Beginning Strings, this series begins to involve more position work and a slightly more complex rhythmic figures. Rehearsal piano is often provided. Ideal for middle school and smaller high school programs. Grade 2 - 2.5 $50.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Desert Dances Concert band - Intermediate Anglo Music
Concert Band (Score) - Grade 3 SKU: HL.4007380 Composed by Philip Sparke....(+)
Concert Band (Score) - Grade 3 SKU: HL.4007380 Composed by Philip Sparke. Anglo Music Concert Band. Concert. Softcover. Duration 290 seconds. Anglo Music Press #AMP474-140. Published by Anglo Music Press (HL.4007380). UPC: 196288019725. Henderson is a city in Clark County, Nevada, just southeast of Las Vegas and surrounded by desert: this was the inspiration for the title. Desert Dances opens with a lively introduction, mostly in 3/4, which pervades the faster sections of the piece. This subsides to introduce a slower dance which expands to a full-band climax. The introduction soon returns and leads to the main theme of the piece, a waltz-like melody played by the full ensemble. A short bridge passage follows, which leads to a legato central theme. This is played twice and heralds the return of the main theme and a short coda which closes the work. An imaginative work for concert or contest with nice features throughout all groups of the band. $26.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The William Bay Collection - Plectrum Guitar Solo Anthology Guitar [Sheet music + Audio access] - Intermediate Mel Bay
Guitar - Intermediate SKU: MB.WBM58M Traditional, Wire bound, Celtic. Fol...(+)
Guitar - Intermediate SKU: MB.WBM58M Traditional, Wire bound, Celtic. Folk. Book and online audio. 216 pages. Mel Bay Publications, Inc #WBM58M. Published by Mel Bay Publications, Inc (MB.WBM58M). ISBN 9781736363058. 8.75x11.75 inches. A comprehensive collection of 172 guitar solos for the flatpick or plectrum guitarist. All solos are written in standard notation with accompanying online recordings by the author. The solos include beautiful American, British and Celtic airs and ballads, Celtic dance tunes, lute and early music, popular classical repertoire and contemporary etudes. Includes access to online audio. $34.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Nora's Dance Piano solo Theodore Presser Co.
Chamber Music Piano SKU: PR.140401310 Composed by Nora Holt. Edited by La...(+)
Chamber Music Piano SKU: PR.140401310 Composed by Nora Holt. Edited by Lara Downes. Sws. Score. 8 pages. Duration 2 minutes. Theodore Presser Company #140-40131. Published by Theodore Presser Company (PR.140401310). ISBN 9781491134153. UPC: 680160684250. 9 x 12 inches. Key: G major. NORA’S DANCE is a jazz-influenced rag from 1921, and among the only surviving compositions by Nora Douglas Holt. A charming and exciting work rejuvenated by Lara Downes’ 2021 recording for the Rising Sun label, the rag is both a fun 2 minutes for pianists and audiences, and also a fascinating time capsule. Composed several years after Scott Joplin’s death, and several years before the Charleston pervaded popular music, NORA’S DANCE blossoms with the energy and jazz harmony starting to emerge as The Roaring 20’s, using ragtime and stride as the seed for pianistic style. My own life in music has been driven by a quest to find strong female role models, trails to follow, shoulders to stand on. In Nora Douglas Holt, I find an inspiring example of creativity, independence, and resilience – with a dash of troublemaking. She was a free spirit, a force of nature, and she lived a fascinating and eventful life on her own terms. She reinvented herself through five marriages and at least as many careers. From her beginnings at the piano at age four, she explored many avenues of musical expression – performing, composing, music journalism, broadcasting, teaching – all with inventiveness, style, and zeal.She made the most of the Roaring ’20s, as an artist, socialite, jetsetter, muse, and patroness of the Harlem Renaissance. In 1921 she started an independent arts journal called “Music and Poetry,†where the charming piano solo Nora’s Dance was first published. I think the piece captures beautifully, in a little under 2 minutes, the energy and excitement of those heady years.In 1926, Nora left New York to travel the world, performing in nightclubs throughout Europe and Asia. She put her belongings in storage before she left, and when she came back she discovered that many of her things had been stolen, including more than 200 of her musical compositions. She never composed again.When the Depression hit, she moved out to Los Angeles, where she studied music education at USC, taught music in the LA public schools, and opened her own beauty salon. She returned to New York in the ’40s and worked as a music critic for several major newspapers, then launched yet another career, this time in broadcasting. Her popular radio concert series “Nora Holt’s Concert Showcase†broadcast to New York’s classical music audience, with a focus on Black composers and performers.Ahead of her time, larger than life, full of ideas…. I am so pleased to introduce you to the feisty and free spirited Nora Douglas Holt! $9.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Dancescapes - String Quartet No. 1 String Quartet: 2 violins, viola, cello Fennica Gehrman
String quartet SKU: FG.55009-420-8 Composed by Juhani Nuorvala. Score. Pu...(+)
String quartet SKU: FG.55009-420-8 Composed by Juhani Nuorvala. Score. Published by Fennica Gehrman (FG.55009-420-8). ISBN 979-0-55009-420-8. Dancescapes (Nuorvala's String Quartet No. 1) professes to be a three-movement work, but the introduction, main movement and epilogue are played without a break and leave impression of a one-movement form. The dominating trait of Nuorvala's quartet is without doubt its incredibly rich and subtle use of rhythm - an aspect which the works subtitle leads us to expect. $24.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Dein Klavier wird Dich lieben Piano solo - Easy Music Distribution Services
Piano - easy SKU: M7.ART-42092 19 leichte, mittelleichte und gefühl...(+)
Piano - easy SKU: M7.ART-42092 19 leichte, mittelleichte und gefühlvolle Klavierstücke für Kinder und Erwachsene. Composed by Tatjana Davidoff. Score with online audio files. 48 pages. MDS (Music Distribution Services) #ART 42092. Published by MDS (Music Distribution Services) (M7.ART-42092). ISBN 9783866420922. Du hast Schwierigkeiten Noten zu lesen? Besonders der Bassschlüssel bereitet Dir Schwierigkeiten? Du stehst auf gefühlvolle, schön klingende Klaviermusik? 'Dein Klavier wird Dich lieben' enthält 19 Klavierstücke, die sehr leicht und fast nur in Viertelnoten geschrieben sind, dabei aber dennoch anspruchsvoll klingen. Dadurch hast Du die Möglichkeit sehr entspannt die Noten sowie den Bassschlüssel zu erlernen und zu spielen. Die Kompositionen in diesem Klavierbuch legen den Grundstein für den Umgang mit Intervallen (Terzen, Quinten usw.). Die einfachen Dur- und Mollharmonien schulen Dein Gehör und die ausführlichen Fingersätze erleichtern Dir das Spielen selbst. Da Du die hier gesammelten Stücke ohne Schwierigkeiten spielen kannst, empfindest Du das Üben nicht als etwas Mühsames und Anstrengendes. Ganz im Gegenteil: Du erlebst das Klavierspielen so, wie wir es lernen und spielen wollen - als eine wundervolle Art und Weise, die eigenen Gefühle in Musik auszudrücken. $25.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Permission to Dance Choral 3-part SSA A Cappella Alfred Publishing
Choir Secular (Women's Choir) SKU: AP.49835 Recorded by BTS. Compo...(+)
Choir Secular (Women's Choir) SKU: AP.49835 Recorded by BTS. Composed by Ed Sheeran, Jenna Andrews, John McDaid, and Steve Mac. Arranged by Bryan Sharpe. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Contemporary A Cappella; Pop; Radio; Secular. Choral Octavo. 10 pages. Alfred Music #00-49835. Published by Alfred Music (AP.49835). UPC: 038081571492. English. Trying to get that contemporary a cappella sound with a developing ensemble? Here's an accessible arrangement with just three voice parts, a soloist (or small group), and some poppy vocal percussion. Smaller and younger groups will LOVE this smart setting of the good-time dance hit by BTS. Conservative vocal ranges, detailed articulation and phrasing, plus clearly notated beatboxing, do most of the work for you, so you can get straight to the fun---no permission required! About Alfred Pop Choral Series The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs. $2.35 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Renaissance Fair Concert band [Score and Parts] - Intermediate/advanced Manhattan Beach Music
By Bob Margolis (After Claude Gervaise). Concert band. Suitable for high school,...(+)
By Bob Margolis (After Claude Gervaise). Concert band. Suitable for high school, community, and college bands. Level: Grade 4. Conductor score and set of parts. Duration 4:30. Published by Manhattan Beach Music.
$135.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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