By David Lanz. Piano Solo Personality. Softcover. 74 pages. Published by Hal Leonard

String Quartet (Parts)

SKU: HL.14037707

Parts. Composed by Kevin Volans. Music Sales America. Contemporary. Softcover. Composed 2010. 80 pages. Chester Music #CH7452501. Published by Chester Music (HL.14037707).

ISBN 9781849385916. UPC: 884088578626. 8.25x11.75x0.262 inches.

Kevin Volans' String Quartet No. 9: Shiva Dances was commissioned by BBC Radio 3 and first performed by the Smith Quartet at the 2004 Huddersfield Contemporary Music Festival.

Kevin Volans (the composer) notes on the piece:
In the past I have been interested in trying to go beyond historicism (1970s), beyond style(1980s) and beyond form (1990s) in my work. Looking back over the music of the twentiethcentury I was struck by the fact the nearlyall of it is extremely 'busy', almost cluttered. Italmost seemed that composers felt compelled to look industrious. In the new millennium Ithought it would be interesting to try and eliminate content. I also aspired to movingfrommusic (sound as art) to art (art as sound). This, of course, has already been done by a numberof composers (many from New York - Phil Niblock and La Monte Young, to name but two), butit was something I had never tried.AlthoughI found it annoying that the label 'minimalist' was given to my African-based work,and fearing this would make the label stick, I set out to write a piece which reflected my loveof minimal painting and architecture. The Japanesehave a term 'wabi' meaning 'voluntarypoverty' or 'emptiness' to describe their restrained minimal aesthetic, an aesthetic which,however, pays greatest attention to the quality of material and fine detail. I like to think thatthelack of excessive pitch material in this piece reflects a kind of voluntary poverty.When Shiva is portrayed dancing (as Nataraj) He is depicted in a circle of flames crushing asmall figure - the ego - underfoot.You get theimpression He dances on the spot, not movingaround at all. I like that.
The piece is dedicated to Pablo Pascual Cilleruelo.

By Mary Dolen. For piano solo. Center Stage Solos & Duets. Level: Intermediate. Single sheet. 5 pages. Published by Neil A. Kjos Music Company.

Trumpet Solo

SKU: SU.50006140

For Trumpet Solo. Composed by Michael Cunningham. Brass, Trumpet. Score. Seesaw Music Corp #50006140. Published by Seesaw Music Corp (SU.50006140).

Op. 8g. Dance solo: Audrian (Rod) Rogers. Elements of this score were incorporated into Piano Suite, Op. 82.Copyright 2005. Published by: Seesaw Music.

Includes Full Performance CD. By John Jacobson, Alan Billingsley. (Listening CD). Expressive Art (Choral). CD only. Published by Hal Leonard.

4 Saxophones SATBar

SKU: AP.1-ADV7428

For SATBar Saxophone Quartet. Arranged by Bill Perconti. Quartet; Solo Small Ensembles; Woodwind - Saxophone Quartet. Advance Music: Holiday Celebration Series. Christmas; Sacred; Traditional; Winter. Score and Part(s). Advance Music #01-ADV7428. Published by Advance Music (AP.1-ADV7428).

ISBN 9783892215820. UPC: 805095074284. English. Traditional.

Infant Holy, Born So Lowly is one of the oldest traditional Polish Christmas songs and can be found in present day hymnals. A simple folk tune, the origins of this stately melody date from the 13th or 14th century. The lyrics depict a manger song, and the music has been performed as a circle dance.

This arrangement for saxophone quartet (SATBar), rather than favoring a soprano solo with accompaniment, strives to include all the players in the music making by distributing the melodic material. In addition, all dynamics and articulations, minimally marked, should be taken as suggestions only, as performers are encouraged to make their own interpretations.

By Ruth Elaine Schram. For 2-part (SSA) choir, Descant and piano. New Horizons. Concert. Octavo. Published by Heritage Music Press. (15/2223H)

(Entertaining folk tunes for flexible string ensemble with optional piano accompaniment) Arranged by Mary Cohen. Score and accompaniment CD for flexible string ensemble (violin, viola) and optional piano accompaniment. 24 pages. Published by Faber Music Ltd.

Big band (Woodwind 1 (Solo), Woodwind 2, Woodwind 3 (Solo), Woodwind 4, Baritone Sax, Flugelhorn/Trumpet 1, Flugelhorn/Trummpet 2, Trumpet 3, Flugelhorn/Trumpet 4 (Solo), Trombone 1-3, Bass Trombone, Piano, Guitar, Bass, Drums (Solo)) - difficult

SKU: M7.SMP-207

Celtic. Composed by Bill Whelan. Arranged by Bob Curnow. Sheet music. Celtic. Score and parts. Duration 8'. Handelsware #SMP 207. Published by Handelsware (M7.SMP-207).

English.

The chart everyone has been waiting for!! Eight minutes of amazing, dynamic, exciting sounds! This arrangement was commissioned and recorded by the SWR Big Band of Stuttgart, Germany. It is, of course, based on the centerpiece of the wildly popular show. Everytime this chart was performed in live concerts in Germany (and elsewhere), the audience just erupted with applause and standing ovations. This isn't an easy chart to play, but it is well worth the effort (similar to The First Circle in that respect). All ranges are fairly reasonable, with the 1st Tpt. part topping out at a written high E. This is recorded on the highly acclaimed CD Towednack, Bob Curnow and the SWR Big Band (available from Sierra Music). 5-4-4-4.

645 Songs from 285 Shows. Composed by Various. Fake Book. Broadway. Softcover. 696 pages. Published by Hal Leonard

Harp

SKU: UT.HS-231

Arranged by Sara Simari. Saddle stitching. Classical. Ut Orpheus #HS 231. Published by Ut Orpheus (UT.HS-231).

ISBN 9790215324558. 9 x 12 inches.

Tarascone; Tarantella Capuanese; Valzer; Polka di Vittorio; Tarantella Stiglianese

The history of the Viggianesi, strolling musicians, winds over a period of about four centuries and esprimeun ‘unicum’ musically and anthropologically. Heirs of a travelling musical tradition that from the late Middle Ages inhabited more than just the streets of the Kingdom of Sicily and Naples, the harpists of this extraordinary story made their first appearances as early as the end of the 1600s engaged in musical practices at shrines.
Armed with an urgent need to make a living together with a strong musical inclination, adaptability and versatility, the groups of musicians, almost always belonging to the same family circle, became the promoters of the great Italian musical tradition (Southern in particular), and with their harps on their shoulders they became the identification symbol of a well-defined and limited area of Italy: the Agri Valley, in Basilicata.
From the many documents examined, a very wide and varied musical repertoire emerges mixing the pastoral tradition with classical tradition (mainly opera, devotional music with songs from the cities (from the Neapolitan tradition to international production). The pastoral repertoire, the subject of this publication, consists of a strongly characterized native repertoire which the Viggianesi had consolidated in both public and private ritual occasions in their native land, even if performing in distant lands.

This collection is included among the compulsory pieces of The 7th International Harp Contest in Italy Suoni D’Arpa, 2017, Category A – Associazione Italiana dell’Arpa – www.associazioneitalianarpa.it

By Beth Mehocic. For percussion quartet. Intermediate-advanced. Published by HoneyRock Publishing