Grade 2

SKU: CL.058-2457-00

Composed by Shaffer. Marching Band. Score and set of parts. Composed 1992. C.L. Barnhouse #058-2457-00. Published by C.L. Barnhouse (CL.058-2457-00).

Grade 3

SKU: CL.032-2421-00

Jazz Ensemble. Score and set of parts. Composed 1992. C.L. Barnhouse #032-2421-00. Published by C.L. Barnhouse (CL.032-2421-00).

An uptempo rock original with a unique sound, Steeplechase is sure to catch the imagination of your students. Has solos for tenor sax and trumpet (written suggested solos are provided) and lots of hard drivin’ rock for the whole ensemble. Ranges are quite modest for a chart at this level and a great little fugue section after the solos helps make this a very strong arrangement.

Educational Piano Library. Blues Instruction, Jazz Instruction. Softcover. 48 pages. Published by Hal Leonard

Grade 3.5

SKU: CL.032-2476-01

Composed by Spera. Jazz Ensemble. Audio recording available separately (items CL.WFR177 & CL.991-2008-02). Extra full score. Composed 1992. Duration 6 minutes, 26 seconds. C.L. Barnhouse #032-2476-01. Published by C.L. Barnhouse (CL.032-2476-01).

A hot, drivin’ shuffle by Dominic Spera that is sure to be a big favorite at festivals and concerts everywhere. An extremely bold introduction gets things started on the right foot and then it just gets better and better! Easily opened up for as many solos as you wish, this exciting chart is a real showstopper for a solid band.

Grade 3

SKU: CL.032-4858-01

Composed by Berg. Jazz Ensemble. Extra full score. C.L. Barnhouse #032-4858-01. Published by C.L. Barnhouse (CL.032-4858-01).

The Main Attraction is a hard drivin’ shuffle in the style of Basie, Thad and Mel, and Phil Wilson, but with a slightly more modern groove. This is the perfect opener for any concert or festival! The tune is based on a 16-bar blues, features lots of ensemble for the band, and has solo spots for any saxophone, brass player, guitarist or pianist. Your performance can’t go wrong if you’re featuring The Main Attraction!.

A Complete Guide to Learning Jazz-Blues Guitar. Guitar Educational. Book and CD Package. With notes and tablature. Size 9x12 inches. 104 pages. Published by Hal Leonard.

By William Owens. For concert band. FJH Young Band. Full set (score and parts). Score only also available: B1353S. Grade 2. Score and set of parts. Composed 2007

By Gram Parsons. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). 70 pages. Published by Cherry Lane Music.

By Paul Clark. Jazz Ensemble. Grade 3. Score and set of parts. Composed 2006. Duration 0:03:10

By Harvey Pittel With The University of Texas Wind Ensemble. For wind ensemble. Classical. Performance CD

Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 3

SKU: CF.CAS113

Composed by Bruce W. Tippette. Concert String Orchestra (CAS). Set of Score and Parts. With Standard notation. 16+4+16+10+10+10+3+12 pages. Duration 3 minutes, 50 seconds. Carl Fischer Music #CAS113. Published by Carl Fischer Music (CF.CAS113).

ISBN 9781491151327. UPC: 680160908820. 9 x 12 inches. Key: E minor.

Composed by Bruce W. Tippette, Drifting?utilizes musical passages to allude to the image of something drifting down a river in the woods. It journeys through twists and turns, placid streams and roaring rapids, eventually making a grand entrance into open waters.
The musical passages in this piece for string orchestra conjure images of something, perhaps a leaf, gently drifting down a river in the woods. It journeys through twists and turns, placid streams and roaring rapids, eventually making a grand entrance into open waters. As Drifting opens, soft pizzicato strings are uttered in the lower string voices, while the upper voices slowly swell into the appearance of the main motive in m. 9. This theme develops and passes through several voices until being replaced by a new motive in m. 36, accompanied by driving rhythms and frequent modulations. A powerful resurgence of the original motive occurs in m. 60. Melodic remnants of the previous sections are presented in a new fashion as the piece comes to a dramatic close with all voices playing in rhythmic unison in the closing measures..
The musical passages in this piece for string orchestra conjure images of something, perhaps a leaf, gently drifting down a river in the woods. It journeys through twists and turns, placid streams and roaring rapids, eventually making a grand entrance into open waters. As Drifting opens, soft pizzicato strings are uttered in the lower string voices, while the upper voices slowly swell into the appearance of the main motive in m. 9. This theme develops and passes through several voices until being replaced by a new motive in m. 36, accompanied by driving rhythms and frequent modulations. A powerful resurgence of the original motive occurs in m. 60. Melodic remnants of the previous sections are presented in a new fashion as the piece comes to a dramatic close with all voices playing in rhythmic unison in the closing measures..
The musical passages in this piece for string orchestra conjure images of something, perhaps a leaf, gently drifting down a river in the woods. It journeys through twists and turns, placid streams and roaring rapids, eventually making a grand entrance into open waters. As Drifting opens, soft pizzicato strings are uttered in the lower string voices, while the upper voices slowly swell into the appearance of the main motive in m. 9. This theme develops and passes through several voices until being replaced by a new motive in m. 36, accompanied by driving rhythms and frequent modulations. A powerful resurgence of the original motive occurs in m. 60. Melodic remnants of the previous sections are presented in a new fashion as the piece comes to a dramatic close with all voices playing in rhythmic unison in the closing measures.

About Carl Fischer Concert String Orchestra Series

This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians