SKU: HL.14022243
6.75x9.75x0.013 inches.
Part-song for SATB Choir A Cappella by the award-winning Scottish composer.
SKU: HL.385163
ISBN 9781705154656. UPC: 196288022459. 6.75x10.5x0.036 inches.
This delightful arrangement of this Bahamian Folk Song is filled with energy and sparkle! Percussion instruments add drive and vitality to the unison singing and carefully crafted harmony.
SKU: MB.30844M
ISBN 9781513464268. 8.75 x 11.75 inches.
Skip James was one of the most influential early Bluesmen, but his importance as a stylist remained undiscovered until he was brought out of a long retirement by the Folk/Blues revival of the early 1960â??s. Born in 1902 and raised in Bentonia, Nehemiah Curtis James was brought up in a religious family: his father was a bootlegger who reformed and became a Baptist preacher. Skip learned piano in school but picked up guitar from his friend Henry Stuckey. In 1931 Skip was picked up by a scout for Paramount Records and he cut 26 tracks, of which 18 were released, in a two day session at their Grafton, Wisconsin studios. These recordings presented a unique and haunting genius that influenced legendary bluesmen as Robert Johnson, Kansas Joe McCoy and Johnny Temple. But the recordings sold poorly, having been released during the Great Depression, and he drifted into obscurity.
We have included as online downloads Skipâ??s 1931 recordings. The crackling sound of these rare recordings cannot obscure the brilliance of this seminal Blues master.
After over 30 yearâ??s retirement from music, Skip was rediscovered by Blues enthusiasts Bill Barth, John Fahey and Henry Vestine. They persuaded Skip to appear at the Newport Folk Festival in 1964, where his renditions of his old songs were still powerful and moving. His performances as well as his old and new recordings influenced a generation of new musicians: Eric Clapton, Alan Wilson of Canned Heat, Cream, Deep Purple, Chris Thomas King, Alvin Youngblood Hart, Derek Trucks, Beck, Big Sugar, John Martyn, Lucinda Williams and Rory Block to name a few.
Books on legendary Blues musicians written by white musicologists tend to offer a subjective perspective on how the artists felt, thought or reacted. A tainted picture is captured that has more to do with the writerâ??s social and musical experiences. This autobiography is different. The words, thoughts and feelings come directly from the artistâ??s lips. This is the story of Nehemiah â??Skipâ? James told by Nehemiah â??Skipâ? James.
SKU: PR.114414450
ISBN 9781598064087. UPC: 680160597635. 9x12 inches.
Inspired by the tale of a legendary folk hero, Adolphus Hailstork’s tour-de-force for trombone and piano is a riveting portrayal of the steely strength and stamina of John Henry, a former slave who helped build the American railroads and ultimately outperformed a steam engine. This composition uses quotes from the spiritual Every Time I Feel the Spirit and the folk song The Ballad of John Henry. For advanced players. Duration: 13’__________________________________________Text on the scanned back cover:JOHN HENRY'S BIG(MAN vs. MACHINE)FOR TROMBONE AND PIANOInspired by the tale of the legendary hero, Adolphus Hailstork’s tour-de-force for trombone and piano is a riveting portrayal of the steely strength and stamina of John Henry, a former slave who helped build the American railroads and ultimately outperformed a steam engine.PROGRAM NOTES by the ComposerJohn Henry was born a slave in the 1840’s or 1850’s. It is important to remember that no one knows for sure if John Henry existed or is a tall tale created by writers. That is one of the things that makes the legend so intriguing.According to the legend, he grew to stand 6 feet tall, 200 pounds – a giant in that day.Though the story of John Henry sounds like the quintessential tall tale, it is certainly based, at least in part, on historical circumstance. There are disputes as to where the legend originates. Some place John Henry in West Virginia, while recent research suggests Alabama. Still, all share a similar back-story.In order to construct the railroads, companies hired thousands of men to smooth out terrain and cut through obstacles that stood in the way of the proposed tracks. One such chore that figures heavily into some of the earliest John Henry ballads is the blasting of the Big Bend Tunnel, more than a mile straight through a mountain in West Virginia.Steel-drivin’ men like John Henry used large hammers and stakes to pound holes into the rock, which were were then filled with explosives that would blast a cavity deeper and deeper into the mountain. In the folk ballads, the central event took place under such conditions. Eager to reduce costs and speed up progress, some tunnel engineers were using steam drills to power their way into the rock. According to the great American tall tales, on hearing of the machine, John Henry challenged the steam drill to a contest. He won, but died of exhaustion, his life cut short by his own superhuman effort.This composition uses quotes from the spiritual Every Time I Feel the Spirit and the folk song The Ballad of John Henry.JOHN HENRY’S BIG was composed for trombonist David Jackson.
SKU: HL.49014422
ISBN 9790220129643. English.
SKU: JK.01359
John 6:35, 40; 17:3; Mosiah 26:22.
Anthem arranged for mixed chorus (SATB) and piano, incorporating the hymn The Lord is My Shepherd, with scriptural text from John 6:35, 40; 17:3; and Mosiah 26:22. Part of Robert Millett's Gospel Principles Series.Composer: Robert Millett Lyricist: John 6:35, 40; 17:3; and Mosiah 26:22 Difficulty: Medium-difficult Performance time: 3:43Reference: John 6:35, 40; 17:3; Mosiah 26:22.
SKU: HL.323627
ISBN 9781540071798. UPC: 888680979812. 6.75x10.5 inches.
Set in multiple voicings, this traditional railroad work song tells the dramatic story of John Henry who “died with his hammer in his hand!” A driving piano accompaniment keeps this work on track to be a powerful performance your singers will love.
SKU: HP.C6193C
UPC: 763628961930. John Wimber. Psalm 28:2, Psalm 63:4, Psalm 103:5, Psalm 107:9, Psalm 147:14, Matthew 3:16, Matthew 11:28-30, Mark 1:10, Luke 3:22, John 1:32, John 4:7-15, John 6:37-51, John 7:37-39, John 10:1-10, Acts 2.
Popular contemporary song by Chris Tomlin, Ed Cash & Matt Redman Taking its root from the old gospel hymn, this popular, contemporary version lilts in joyful 6/8 rhythm that truly makes you want to sing along! The underlying message reminds the listener that in any circumstance of life, there is always music and singing because I am loved by the King, and it makes my heart want to sing!.
SKU: HP.C6191C
UPC: 763628961916. John Wimber. Psalm 28:2, Psalm 63:4, Psalm 103:5, Psalm 107:9, Psalm 147:14, Matthew 3:16, Matthew 11:28-30, Mark 1:10, Luke 3:22, John 1:32, John 4:7-15, John 6:37-51, John 7:37-39, John 10:1-10, Acts 2.
Classic hymn with by Henry Lyte and music by Thomas Williams Set to the sturdy tune EBENEZER, this dynamic choral setting expresses the spirit of Psalm 103. Expressing God's grace to his children as ransomed, healed, restored, and forgiven, this is set in a vibrant Celtic style in 6/8 meter with the violin included and choral parts that are quickly learned. This is an energetic, engaging, and powerful anthem of praise.
SKU: GI.G-8825G
English. Text Source: Matthew 11:28–30, John 6:37, 14:6. Scripture: Matthew 11:28D30, John 6:37, John 14:6.
SKU: GI.G-8825
UPC: 785147882503. English. Text Source: Matthew 11:28-30, John 6:37, 14:6. Scripture: Matthew 11:28–30, John 6:37, John 14:6.
This Joncas classic has been updated and expanded with two additional verses written specifically for the 2014 NPM National Convention's Eucharistic Liturgy. Also included in this new edition are parts for two C instruments. This replaces G-3432.