SKU: HL.14027298
UPC: 884088492526. 14.5x10.0x0.038 inches.
SKU: HL.14027293
SKU: HL.14027295
SKU: ST.H491
ISBN 9790220224874.
Organist Richard Hills introduces this reissue of a neglected Edwardian classic with a timely note on performance-style, the composer and his works. Varied in colour and mood, and written with an idiomatic command of the instrument, these Three Impromptus reinforce the impression of Coleridge-Taylor not only as a versatile presence on the Edwardian scene, but also as a composer whose music is an enduring part of our British musical heritage.
SKU: PL.9702
These trios for organ are wonderfully versatile: they can be used as teaching pieces as well as works for the worship service or for concert. Mr. Martinson has stated in his preface that he conceived these short works as a 20th century equivalent of the Ten Trios of Josef Rheinberger. The pedal parts are graded in difficulty and can be extracted as pedal exercises. The pieces can be used as exercises in touch and registration on the mechanical action organ. The trios are remarkably varied in their melodic and rhythmic invention and use the full range of color on the organ. Great repertoire for organ students and concert organists.
SKU: CA.5022300
ISBN 9790007087401. Language: all languages.
Rheinberger's first Symphony was among the most successful and frequently performed new symphonies following its premiere in 1866. This symphonic tone painting in four movements (Prelude, Thekla, Wallenstein's Camp, Wallenstein's Death), which is based on Schiller's trilogy of dramas, was Rheinberger's only excursion into the realm of programme music. The influence of Beethoven is unmistakable, the lively 3rd movement (scherzo/trio) depicts with much humour the life of a soldier, and the sermon portrays of the zealous capuchin monk.
SKU: CA.5009413
ISBN 9790007223250. Key: A flat major. Language: all languages.
We consider Rheinberger's new Piano Concerto to be one of his most significant and inspired works, wrote a critic following the premiere in 1876 of this virtuoso Concerto op. 94, which enjoyed a spontaneous success in German centers of musical life. vocal score (version for two pianos) available: 50.094/03.
SKU: CA.5009415
ISBN 9790007223274. Key: A flat major. Language: all languages.
SKU: CA.5024700
ISBN 9790007092320.
As a welcome aid to becoming acquainted with new music, in the 19th century piano arrangements fulfilled something of the function of today's broadcasts and recordings. Rheinberger made piano arrangements, mostly for four hands, of many of his works. For example, he presented the successful organ concertos and his most popular chamber music works in this form. He arranged his Piano Concerto for two pianos, and also the Suite for organ, violin and cello. A curiosity is the Tarantella from his op. 122 in a version for two pianos, eight (!) hands.
SKU: CA.5009414
ISBN 9790007223267. Key: A flat major. Language: all languages.
SKU: CA.5009412
ISBN 9790007223243. Key: A flat major. Language: all languages.
SKU: CA.5009419
ISBN 9790007134594. Key: A flat major. Language: all languages.
SKU: CA.5009411
ISBN 9790007223236. Key: A flat major. Language: all languages.
SKU: CA.5021500
ISBN 9790007090265.
Volume 15 reveals a largely unknown treasure of the romantic song for voice with piano accompaniment in which his complete 100 solo songs with opus numbers are united in one collection. The musical spectrum ranges from the naive-witty Kinderlieder op. 152 to the highly dramatic setting of Des Madchens Klage op. 57,7 from Schiller's Wallenstein. Among the authors of these poems Rheinberger's scarcely-known contemporaries are represented, just as are the great names of German literature, including Goethe, Eichendorff, and Scheffel. English and Italian poets are also represented (Burns, Moore, Petrarca, Savonarola).
SKU: CA.5027400
ISBN 9790007298395. Key: G major.
As well as 20 organ sonatas and seven collections of stand-alone organ pieces with opus numbers, Rheinberger composed a whole range of smaller works for organ methods or organ collections for his favorite instrument, mainly at the request of colleagues and friends. The Prelude in G major by Nikolaus Bruhns arranged by Rheinberger in 1882 specifically “for concert performance†shows Rheinberger as an editor skilled at “recreating†older works. He added individual voices or chords to the original composition, and occasionally restructured the part-writing – an interesting version for performing on a late 19th-century organ.Separate edition from Supplementary Volume 3 of the Rheinberger Complete Edition.
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