3-5 octave handbells - Level 3

SKU: BP.HB775

Composed by Linda Scholes. General. Score. Beckenhorst Press #HB775. Published by Beckenhorst Press (BP.HB775).

UPC: 748769307755. 8.5 x 11 inches.

Victorious is an energetic and triumphant original handbell piece. Throughout the piece are moments of respite and reflection, where the melody softens and the harmonies become more introspective. It's an inspiring celebration of strength and resilience suitable for church or concert use.

By Cynthia Dobrinski. For handbell choir (3-5 octaves). Original Handbell, Sacred. Grade 3. Part (Handbells). 12 pages

Concert Band Concert Band - Grade 3

SKU: XC.RCB2015

Composed by Valerie Laney-Rowe. Rhapsody Band Series. Concert and Contest. Concert and contest. Set of parts. Excelcia Music Publishing #RCB2015. Published by Excelcia Music Publishing (XC.RCB2015).

UPC: 812598033991. 9 x 12 inches.

This new work for concert band is both exciting and uplifting. Victorious has all the positive energy you and your students need to push to the next concert. Perfect for any aspects of a concert program, this work, in overture form is also well-suited for festival adjudication.

Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 1.5

SKU: CF.FAS108F

Composed by Bud Woodruff. First-Plus String Orchestra (FAS). Full score. With Standard notation. 8 pages. Carl Fischer Music #FAS108F. Published by Carl Fischer Music (CF.FAS108F).

ISBN 9781491151761. UPC: 680160909261. 9 x 12 inches.

Annie's Gone Home, composed in the style of a spiritual, was written as a tribute to composer Bud Woodruff's mother. The tune is built on phrases of easily understandable material, but the poignant nature of the piece is marked with profundity. From the subtle bass solo to the emotional high points, the piece is inspired by this strong woman in the life of the composer.

Annies Gone Home is a tribute to my Mother, Annette Fenner Hains (19232017). Her siblings and cousins always called her Annie. She loved music, and her influence was the primary inspiration for me to go into music. Her tastes were wildly diverse, loving everything from symphonic music to Country/Western, to various styles of folk music, to pop, to marches, but she had a very tender spot for hymns and spirituals.

While it is easy to interpret grief in this music, and its presence is undeniable, it is really intended more as a song of the ultimate triumph of goodness. In her wisdom, she was able to capture deep thoughts within simple phrases, which I have also tried to capture. Her life was one of frequent struggles, yet she was inspiring to many. She emerged from every difficulty, never unscathed, but always victorious, with clear eyes and head held high, until her last battle, which brought about her greatest victory. This sentiment is what I tried to capture. If too slow a tempo is taken, that feeling is lost and a sense of grief takes over. That may be what a conductor wants to convey, but is not what I intended.

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Annieas Gone HomeA is a tribute to my Mother, Annette Fenner Hains (1923a2017). Her siblings and cousins always called her aAnnie.a She loved music, and her influence was the primary inspiration for me to go into music. Her tastes were wildly diverse, loving everything from symphonic music to Country/Western, to various styles of folk music, to pop, to marches, but she had a very tender spot for hymns and spirituals.

While it is easy to interpret grief in this music, and its presence is undeniable, it is really intended more as a song of the ultimate triumph of goodness. In her wisdom, she was able to capture deep thoughts within simple phrases, which I have also tried to capture. Her life was one of frequent struggles, yet she was inspiring to many. She emerged from every difficulty, never unscathed, but always victorious, with clear eyes and head held high, until her last battle, which brought about her greatest victory. This sentiment is what I tried to capture. If too slow a tempo is taken, that feeling is lost and a sense of grief takes over. That may be what a conductor wants to convey, but is not what I intended.

.

Annieas Gone HomeA is a tribute to my Mother, Annette Fenner Hains (1923a2017). Her siblings and cousins always called her aAnnie.a She loved music, and her influence was the primary inspiration for me to go into music. Her tastes were wildly diverse, loving everything from symphonic music to Country/Western, to various styles of folk music, to pop, to marches, but she had a very tender spot for hymns and spirituals.

While it is easy to interpret grief in this music, and its presence is undeniable, it is really intended more as a song of the ultimate triumph of goodness. In her wisdom, she was able to capture deep thoughts within simple phrases, which I have also tried to capture. Her life was one of frequent struggles, yet she was inspiring to many. She emerged from every difficulty, never unscathed, but always victorious, with clear eyes and head held high, until her last battle, which brought about her greatest victory. This sentiment is what I tried to capture. If too slow a tempo is taken, that feeling is lost and a sense of grief takes over. That may be what a conductor wants to convey, but is not what I intended.

.

Annie's Gone Home is a tribute to my Mother, Annette Fenner Hains (1923-2017). Her siblings and cousins always called her Annie. She loved music, and her influence was the primary inspiration for me to go into music. Her tastes were wildly diverse, loving everything from symphonic music to Country/Western, to various styles of folk music, to pop, to marches, but she had a very tender spot for hymns and spirituals.

While it is easy to interpret grief in this music, and its presence is undeniable, it is really intended more as a song of the ultimate triumph of goodness. In her wisdom, she was able to capture deep thoughts within simple phrases, which I have also tried to capture. Her life was one of frequent struggles, yet she was inspiring to many. She emerged from every difficulty, never unscathed, but always victorious, with clear eyes and head held high, until her last battle, which brought about her greatest victory. This sentiment is what I tried to capture. If too slow a tempo is taken, that feeling is lost and a sense of grief takes over. That may be what a conductor wants to convey, but is not what I intended.

.
Annie's Gone Home is a tribute to my Mother, Annette Fenner Hains (1923-2017). Her siblings and cousins always called her Annie. She loved music, and her influence was the primary inspiration for me to go into music. Her tastes were wildly diverse, loving everything from symphonic music to Country/Western, to various styles of folk music, to pop, to marches, but she had a very tender spot for hymns and spirituals. While it is easy to interpret grief in this music, and its presence is undeniable, it is really intended more as a song of the ultimate triumph of goodness. In her wisdom, she was able to capture deep thoughts within simple phrases, which I have also tried to capture. Her life was one of frequent struggles, yet she was inspiring to many. She emerged from every difficulty, never unscathed, but always victorious, with clear eyes and head held high, until her last battle, which brought about her greatest victory. This sentiment is what I tried to capture. If too slow a tempo is taken, that feeling is lost and a sense of grief takes over. That may be what a conductor wants to convey, but is not what I intended.
Annie’s Gone Home is a tribute to my Mother, Annette Fenner Hains (1923–2017). Her siblings and cousins always called her “Annie.” She loved music, and her influence was the primary inspiration for me to go into music. Her tastes were wildly diverse, loving everything from symphonic music to Country/Western, to various styles of folk music, to pop, to marches, but she had a very tender spot for hymns and spirituals.While it is easy to interpret grief in this music, and its presence is undeniable, it is really intended more as a song of the ultimate triumph of goodness. In her wisdom, she was able to capture deep thoughts within simple phrases, which I have also tried to capture. Her life was one of frequent struggles, yet she was inspiring to many. She emerged from every difficulty, never unscathed, but always victorious, with clear eyes and head held high, until her last battle, which brought about her greatest victory. This sentiment is what I tried to capture. If too slow a tempo is taken, that feeling is lost and a sense of grief takes over. That may be what a conductor wants to convey, but is not what I intended.

(Op. 164a). By Robert Sheldon. Orchestra. Full Orchestra; Part(s); Score; SmartMusic. Belwin Concert Full Orchestra. Grade 4. 236 pages. Published by Belwin Music

For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, lyrics, piano accompaniment, chord names and leadsheet notation. Hymn. Series: Hal Leonard Fake Books. 494 pages. 9x12 inches. Published by Hal Leonard.

Full orchestra

SKU: LO.30-3763MD

Composed by Jay Rouse. Choral. Sacred Anthem, General, Good Friday, Holy Week. Orchestral score and CD with printable parts. Medallion Music #30/3763MD. Published by Medallion Music (LO.30-3763MD).

UPC: 000308156263.

Orchestral Score and CD with Printable Parts for 10/5418MD This emotive ballad by Jay Rouse reflects on the pivotal moment that Jesus was abandoned by God the Father and was left alone to die--sacrificing His life and taking on the sin of the world. The dynamic lyrics then rejoice in the Resurrection with a euphoric and victorious ending.

Composed by Lee Dengler. Arranged by Lee Dengler. Shawnee Sacred. Easter, Sacred. Octavo. 12 pages. Published by Shawnee Press

Trombone. Performed by The Canadian Brass. By Various. Arranged by Charles Sayre. Brass Ensemble. Size 9x12 inches. 8 pages. Published by G. Schirmer, Inc.

SATB choir - Moderate

SKU: WD.080689638176

Composed by Bradley Knight. Choral, cantatas. Eastertide. Book. Word Music #080689638176. Published by Word Music (WD.080689638176).

UPC: 080689638176.

From Word Music & Church Resources ~ featuring the dynamic creative team of Bradley Knight and Johnathan Crumpton ~ comes Our Living Hope, new for Easter!

Filled with the joy and promise of a world redeemed by the love and victorious resurrection of our great Savior, Our Living Hope is the perfect foundation for what just might be your most powerful and compelling Easter service ever!

Featuring powerfully explosive songs of worship and praise and filled with testimony of the impact of God’s love and mercy on our lives, Our Living Hope sets a new standard of excellence for contemporary, evangelical worship choirs everywhere! Your choir will love singing these masterful Bradley Knight arrangements, such as the opening refrain of Were You There? in a medley with Kari Jobe’s Forever (We Sing Hallelujah), breathtaking new songs like Mercy Has Changed Me (a new “instant classic” first introduced by TaRanda Greene), a soulful Nothing but the Blood Medley, the new worship anthem, Living Hope, and much more!

(No. 11 from All-Night Vigil). Composed by Sergei Vasilievich Rachmaninoff. Arranged by Anthony Antolini. For SATB choir, divisi. Easter. Octavo. Published by E.C. Schirmer Publishing

Sacred, Holy Week, Lent. Lillenas Publishing Company #9780787765330. Published by Lillenas Publishing Company