SKU: GI.WJMS1161
UPC: 785147000365. Latin. Text Source: Psalm 65.
A highly energetic and challenging work, Ivo Antognini's Jubilate Deo will be a nice rhythmic and uptempo addition to your program. Written for choir and SATB quartet or small ensemble, this interesting combination of forces makes for a great opportunity to feature some of your singers. Jo-Michael Scheibe Choral Series. Recording Choir: Slovenian Philharmonic Choir, Matjaz Scek, conductor.
SKU: SU.80400530
SSATBB Chorus & Piano Duration: 3:00Dedication: For the Maryland State Boy choir's 2007 Festival of Nine Lessons and Carols, Frank T. Cimino, Artistic Director, Stephen A. Holmes, Music DirectorPremiered by: the Maryland State Boy choir's 2007 Festival of Nine Lessons and Carols, Frank T. Cimino, Artistic Director, Stephen A. Holmes, Music DirectorCopyright 2007Text author: William Canton Published by: Paulus Publications (SP500) Minimum order quantity: 8 copies. To order quantities fewer than 8.
SKU: SU.80604080
SSATBB a cappella Composed: 1964 Published by: E.B. Marks Minimum order quantity: 8 copies. To order quantities fewer than 8.
SKU: MN.80-854
UPC: 688670808548.
Tu es Petrus (you are Peter, the rock) is based on a Gregorian antiphon for the Feast of Saints Peter and Paul/Feast of the Chair of Peter. The piece was composed specifically to fit the parameters and setting of a Papal audience, with a brief performance time. In six-parts with octave doublings, it makes a big a cappella sound for a big space. A powerful new choice for pilgrim choirs to Rome!
SKU: HL.49044159
ISBN 9790001195577. 7.5x11.0x0.06 inches. German.
Er macht nicht nur als Braunschweiger Domkantor, Organist und leidenschaftlicher Musik- bzw. Gesangspadagoge von sich reden. Gerd-Peter Munden stellt mit seiner Vertonung des 126. Psalms unter Beweis, dass er auch als Komponist geistlicher (Chor)Musik Meisterhaftes hervorzubringen versteht. Den zur Gattung der Wallfahrtslieder zahlenden Psalm Wenn der Herr die Gefangenen Zions erlosen wird setzt Munden fur sechsstimmigen gemischten Chor (SSATBB) a cappella und verlangt den Ausfuhrenden dabei in nur 70 Takten einiges ab. Haufige Taktwechsel sowie eine reiche (nicht nur) dynamische Ausdruckspalette mit feinsten Abstufungen, die vom dreifachen Pianissimo bis zu dreifachen Fortissimo reicht und ruhige bis sehr lebhafte Passagen umfasst, verleihen diesem 5-minutigen Werk einen hochst ergreifenden Gestus.
SKU: SU.80400940
SSATBB Chorus & Organ Duration: 6:00 Commissioned by: the Westminster Sanctuary Choir and friendsDedication: in honor of the 150th anniversary of Westminster Presbyterian Church, Grand Rapids, MIPremiered by: The Westminster Sanctuary Choir; Helen Hofmeister Hawley, conductorCopyright 2011Text author: Christina Rossetti Published by: Paulus Publications (SP565) Minimum order quantity: 8 copies. To order quantities fewer than 8.
SKU: JK.80041
Folk song arranged for a cappella mixed chorus (SSATBB) with optional piano part included, written in G major. (previously listed as #00148)Composer: Stephen C. Foster Arranger: Lorin F. Wheelwright and B. Cecil Gates Lyricist: Stephen C. Foster Difficulty: Medium / medium acc.
SKU: HL.14047788
8.25x11.75 inches.
It Is Finished is a work for SSATBarB Choir and Soprano Saxophone, composed by John Harle . This is the Vocal Score. The piece was commissioned by Sam Corkin and Siglo de Oro, with the first performance taking place at The Victoria International Festival of Music, Malta on 11th July 2015. The biblical texts are from John 19/30 and Isaiah 53. A separate Saxophone part is available.
SKU: CA.964100
ISBN 9790007143541. Text language: Latin.
The Good Friday Responsory Tenebrae factae sunt for six-part chorus was commissioned in 2012 for Peking University Student Choir and was premiered at the World Choir Games in Cincinnati, Ohio, USA conducted by Hou Xijin. It is an ambitious work with a fervent intensity. Matsushita sets the two last words of Jesus, Deus meus, ut quid me dereliquisti? [My God, why hast thou forsaken me] and Pater, in manus tuas commendo spiritum meum [Father, into thy hands I commend my spirit] as pained outcries in Stravinskyian harshness, in chords characterized by tritones, as a truly superhuman work of redemption whose Easter message of hope only appears in the last conciliatory F major chord. Although this work lies slightly beyond the upper limit of the musical and vocal technical demands of the Carus Contemporary series, it is well within the abilities of ambitious chamber choirs.
