SKU: BP.1116

Diane Lokensgard has caputred the excitment of the Christmas season in this unison anthem for Children's choir. The piece continues to add layers of percussion, trumpet, and handbells to the already charming melody line. The text and instrumental part interplay will be a perfect addition to any service or concert.

SKU: MN.50-9927

UPC: 688670599279.

A set of 6 secular canons for treble voices. Optional Orff instrument suggestions are included, as well as teaching suggestions for each canon. These are perfect for warm-ups, for teaching musicianship, as well as for concert use. Unison Voices, opt. Orff Instruments, and Keyboard.

SKU: CA.3104205

ISBN 9790007161873. Language: German/English.

Instead of an opening chorus Cantata BWV 42 begins with a magnificent Sinfonia in the style of the Brandenburg Concertos. It is possible that Bach took this movement from a concerto which he had composed earlier. The first aria, for alto with obbligato oboe and bassoon, could be derived from the middle movement of this concerto. The heroic bass aria, a statement of the certainty of faith, forms a weighty counterpart to the opening movement. Score available separately - see item CA.3104200.

SKU: MN.50-9809

UPC: 688670598098.

Written for 3 to 14 Voice Canons, with opt. Orff or Handbell ensemble. Comprised of selections from Pammelia, an early 17th century collection of rounds and canons compiled by Thomas Ravenscroft. Edition includes facsimiles of the original 1609 publication. The canons and rounds may be performed in concert as processionals and anthems representative of 16th and 17th century popular English songs. The canons and rounds may be sung in worship as processionals, anthems, introits, calls to worship, and psalm refrains throughout the Church Year.

SKU: XC.HRMG2143

UPC: 785147103059. Latin. Text source: Traditional.

Now for unision voices (opt. 2-part) thie beautiful modern harmonies create the backdrop for this elegantly simple work that is well within reach for most choirs. Straightforward rhythms and moments of release create a tapestry of sound that surrounds the solo chant line, which may be sung by a soloist, small group, or performed by a C instrument. Also available for SATB, SAB, 3pt, SA, and unsion voices with piano. This artistic setting is equally appropriate for litugical use or the concert stage.