SKU: BT.DHP-1115077-010
9x12 inches. English-German-French-Dutch.
Pie Jesu is the famous aria for soprano and orchestra from Gabriel Fauréâ??s Requiem, opus 48. Fauré (1845- 1924) composed the work in 1887, two years after his fatherâ??s death and only a short time before his mother passed away. Fauréâ??s Pie Jesu is richly atmosphere and peaceful, and Robert van Beringen perfectly captures the essence of Fauréâ??s beautiful music in this arrangement for concert band. Pie Jesu is de beroemde aria voor sopraan en orkest uit het Requiem (opus 48) van Gabriel Fauré. Fauré (1845-1924) schreef dit werk in 1887, twee jaar na de dood van zijn vader en kort voor het overlijden van zijn moeder. Pie Jesuis overigens eerder sfeervol en vredig dan treurig te noemen. Robert van Beringen maakte er een geslaagde bewerking van.Pie Jesu ist die beru?hmte Arie fu?r Sopran und Orchester aus Gabriel Faurés Requiem, opus 48. Fauré (1845-1924) schrieb das Werk im Jahre 1887, zwei Jahre nach dem Tod des Vaters und kurz vor dem Tode der Mutter. Pie Jesu ist vielmehr ein stimmungsvolles, friedvolles denn trauriges Werk, das Robert van Beringen einfu?hlsam fu?r Blasorchester bearbeitete. Pie Jesu est le célèbre aria pour Soprano et orchestre cordes extrait du Requiem Op. 48 de Gabriel Fauré, quâ??il composa peu de temps après le décès de son père. Pie Jesu est empreint dâ??une atmosphère douce et paisible sans pour autant évoquer un sentiment de tristesse. Lâ??arrangement réalisé par Robert van Beringen capture lâ??essence même de cet aria, en reflétant toute lâ??émotion de la merveilleuse musique de Fauré, dans un écrin de quiétude et dâ??humilité pour orchestre dâ??harmonie.Pie Jesu è la famosa aria per soprano e orchestra dal Requiem opus 48 che Gabriel Fauré (1845-1924) scrisse nel 1887 due anni dopo la morte del padre e poco prima della morte della madre. Pie Jesu è un brano struggente e pieno di atmosfera, arrangiato magistralmente per banda da Robert van Beringen.
SKU: BT.DHP-1115077-140
Pie Jesu is the famous aria for soprano and orchestra from Gabriel Fauré’s Requiem, opus 48. Fauré (1845- 1924) composed the work in 1887, two years after his father’s death and only a short time before his mother passed away. Fauré’s Pie Jesu is richly atmosphere and peaceful, and Robert van Beringen perfectly captures the essence of Fauré’s beautiful music in this arrangement for concert band. Pie Jesu is de beroemde aria voor sopraan en orkest uit het Requiem (opus 48) van Gabriel Fauré. Fauré (1845-1924) schreef dit werk in 1887, twee jaar na de dood van zijn vader en kort voor het overlijden van zijn moeder. Pie Jesuis overigens eerder sfeervol en vredig dan treurig te noemen. Robert van Beringen maakte er een geslaagde bewerking van.Pie Jesu ist die berühmte Arie für Sopran und Orchester aus Gabriel Faurés Requiem, opus 48. Fauré (1845-1924) schrieb das Werk im Jahre 1887, zwei Jahre nach dem Tod des Vaters und kurz vor dem Tode der Mutter. Pie Jesu ist vielmehr ein stimmungsvolles, friedvolles denn trauriges Werk, das Robert van Beringen einfühlsam für Blasorchester bearbeitete. Pie Jesu est le célèbre aria pour Soprano et orchestre cordes extrait du Requiem Op. 48 de Gabriel Fauré, qu’il composa peu de temps après le décès de son père. Pie Jesu est empreint d’une atmosphère douce et paisible sans pour autant évoquer un sentiment de tristesse. L’arrangement réalisé par Robert van Beringen capture l’essence même de cet aria, en reflétant toute l’émotion de la merveilleuse musique de Fauré, dans un écrin de quiétude et d’humilité pour orchestre d’harmonie.Pie Jesu è la famosa aria per soprano e orchestra dal Requiem opus 48 che Gabriel Fauré (1845-1924) scrisse nel 1887 due anni dopo la morte del padre e poco prima della morte della madre. Pie Jesu è un brano struggente e pieno di atmosfera, arrangiato magistralmente per banda da Robert van Beringen.
SKU: BT.DHP-1104888-010
Commitment to Courage is een eerbetoon aan brandweerlieden overal ter wereld. Dagelijks stellen zij hun leven in de waagschaal voor het welzijn van hun medemens. Het eerste deel Oath (eed) beschrijft hoe de brandweermoedig het vuur bestrijdt om mensen te redden. Het tweede deel Grief (verdriet) is een requiem voor de slachtoffers. Het derde deel Resolutions spreekt een belofte uit: ook in de toekomst zal de brandweer telkens haaropdracht vervullen.Commitment to Courage ist eine Hommage an die Arbeit der Feuerwehrleute auf der ganzen Welt, die täglich ihr Leben für die Sicherheit der Bevölkerung riskieren. Der erste Satz Oath (Eid) beschreibt, wie die Feuerwehr mutig das Feuer bekämpft, um Zivilisten zu retten. Der zweite Satz Grief (Trauer) ist ein Requiem für die Opfer. Der dritte Satz ist mit Resolutions (Vorsätze) überschrieben: Auch in Zukunft wird die Feuerwehr ihre Mission erfüllen, damit alle Menschen in Sicherheit leben können.Commitment to Courage est une œuvre de commande pour la Musique de la Brigade des sapeurs-pompiers de Nagoya (Nagoya City Fire Bureau Band - Japon), pour les festivités marquant son cinquantième anniversaire. La réalisation de cette commande a été rendue possible gr ce au soutien financier de la Brigade des sapeurs-pompiers de Nagoya (Nagoya City Fire Bureau). L’œuvre fut donnée en création par la formation dédicataire, placée sous la direction de Masaichi Takeuchi, le 7 février 2009.Commitment to Courage (“L’obligation de courageâ€) est une œuvre en trois mouvements décrivant les missions que les pompiers réalisent pour sauver la vie de paisiblescivils.I. Oath - Fighting the Fire Un serment - Combattre le feuCe premier mouvement débute avec une fanfare jouée par les cuivres. Les pompiers bravent les flammes pour sauver des vies humaines.II. Grief - Requiem for the VictimsLe chagrin - Requiem pour les victimesLa petite harmonie (les bois) joue un requiem pour tous ceux qui n’ont pas pu être sauvés.III. Resolutions - For the Future Des résolutions - Pour l’avenirLa mission des pompiers demeurera toujours la même : sauver la vie de citoyens ordinaires, parfois au péril de leur propre vie.Hayato Hirose a composé cette œuvre en hommage aux soldats du feu, avec l’espoir d’un avenir serein et heureux pour tous.
SKU: BT.DHP-1104888-140
SKU: BT.AMP-339-140
Moving Heaven and Earth was commissioned by the Clark County School District Commissioning Project, Las Vegas, NV, USA and is dedicated to Bunny Wasserman and her Make Music Matter, Las Vegas foundation, in appreciation of her tireless work in support of music education. It was premiered in January 2012, conducted by Col. John R. Bourgeois.The piece consists of a theme and 4 variations; although the theme is original it contains a phrase heavily influenced by a 14-bar passage from the Libera Me in Fauré’s Requiem. It is a sequence that the composer finds harmonically compelling and, although it is never quoted directly, it appears in altered form in thetheme and each of the variations. In the original, the passage is set to the words: Quando cæli movendi sunt et terra (When the heavens and the earth shall be moved) which gave inspiration for the title.After the initial statement of the theme, Variation 1 features the upper woodwinds who play a stirring melody and accompany the Fauré reference with florid arpeggios. Variation 2 spotlights the saxophones and lower woodwind in a rhythmic, modal waltz, whilst Variation 3 is a broad chorale for the brass and percussion. Variation 4 starts with a fugue, which introduces each section of the band in turn before the original theme appears on the brass while the woodwind continue the fugal figuration. Moving Heaven and Earth is geschreven in opdracht van het Clark County School District Commissioning Project, Las Vegas, NV, USA. Het is opgedragen aan Bunny Wasserman en haar stichting Make Music Matter… Las Vegas, als blijk van waardering voor haar onvermoeibare inzet voor het muziekonderwijs. De première, uitgevoerd onder leiding van kolonel John R. Bourgeois, vond plaats in januari 2012.Het werk bestaat uit een thema en vier variaties; hoewel het een oorspronkelijk geschreven thema is, bevat het een frase die sterk is be nvloed door een passage van veertien maten uit het Libera Me van Faurés Requiem. Het gaat om een sequens die de componist harmonischzeer boeiend vindt, en die - hoewel nooit direct geciteerd - in aangepaste vorm in zowel het thema als de vier variaties naar voren komt. In het origineel is de muziek uit deze passage geschreven op de tekst Quando cæli movendi sunt et terra (Wanneer hemel en aarde bewogen worden). Daarop is de titel van deze compositie gebaseerd.Na de aanvankelijke invoering van het thema komt in Variatie 1 het hoge hout aan bod met een treffende melodie; en de verwijzing naar Fauré wordt begeleid door sierlijke arpeggio’s. Variatie 2 plaatst de saxofoons en het lage hout in de schijnwerpers met een ritmische, modale wals, terwijl Variatie 3 een weidse koraal voor het koper en slagwerk omvat.Variatie 4 begint met een fuga die elke sectie van het orkest introduceert, waarna het oorspronkelijke thema in het koper verschijnt terwijl het hout verdergaat met de fugatische versieringen. Moving Heaven and Earth wurde vom Schulbezirksverband in Las Vegas, Nevada (USA) in Auftrag gegeben. Das Stück ist Bunny Wasserman und ihrer Stiftung Make Music Matter, Las Vegas gewidmet, in Anerkennung ihrer unermüdlichen Anstrengungen zugunsten der musikalischen Ausbildung. Die Uraufführung fand im Januar 2012 unter Leitung von Colonel John R. Bourgeois statt.Das Stück besteht aus einem Thema und vier Variationen. Obwohl es sich um ein originales Thema handelt, ist doch ein Abschnitt daraus stark von einer 14-taktigen Passage aus dem Libera Me in Faurés Requiem beeinflusst. Es ist eine Sequenz, die dem Komponisten harmonisch besonders reizvoll erschien, wennsie auch nirgends direkt zitiert wird, sondern in veränderter Form im Thema und in jeder Variation erscheint. Im Original ist diese Passage mit folgendem Text unterlegt: Quando cæli movendi sunt et terra (Wenn Himmel und Erde sich bewegen sollen). Diese Worte waren Inspiration für den Titel.Nach der einleitenden Vorstellung des Themas stellt Variation 1 die hohen Holzbläser in den Vordergrund, die eine bewegende Melodie spielen und die Anspielung auf Fauré mit schönen, lebhaften Arpeggien begleiten. Variation 2 richtet das Rampenlicht auf die Saxophone und die tiefen Holzbläser in einem rhythmischen, modalen Walzer, während Variation 3 ein breiter Choral für die Blechbläser und das Schlagzeug ist. Variation 4 beginnt mit einer Fuge, die nacheinander jedes Register des Blasorchesters präsentiert, bevor die Blechbläser das Originalthema spielen und die Holzbläser dazu mit der Umspielung der Fuge fortfahren. Moving Heaven and Earth (Ébranler le ciel et la terre) est une oeuvre de commande du Clark County School District Commissioning Project de Las Vegas, États-Unis. Cette pièce est dédiée Bunny Wasserman et sa fondation Make Music Matter, Las Vegas, en reconnaissance de son travail sans rel che en faveur de l’éducation musicale. Elle a été créée en janvier 2012, sous la direction du colonel John R. Bourgeois.Cette oeuvre se compose d’un thème et de quatre variations ; bien que le thème soit original, il contient néanmoins un motif relativement influencé par un passage de 14 mesures du Libera Me du Requiem de Fauré. Cette séquence, dont l’harmonisation fascinePhilip Sparke, paraît sous une forme altérée dans le thème et chacune des variations. Dans l’oeuvre de Fauré, le thème mélodique colore les paroles : Quando cæli movendi sunt et terra (Quand le ciel et la terre seront ébranlés), qui ont d’ailleurs inspiré le titre de la présente composition.Après une exposition initiale du thème, la 1re variation fait appel au registre aigu des bois, qui énoncent une exaltante mélodie et enluminent l’allusion Fauré par des arpèges fleuris. La 2e variation met en valeur les saxophones et le registre grave des bois dans une valse modale rythmée, tandis que la 3e variation prend la forme d’un ample choral pour les cuivres et la percussion.La 4e variation installe une fugue qui présente, tour tour, chaque pupitre de l’orchestre avant le retour du thème d’origine interprété par les cuivres, tandis que les bois maintiennent brillement le motif de fugue.
SKU: HL.4007740
ISBN 9781705172353. UPC: 196288089216.
Julius Fucik (1872-1916) was born in Prague, Czech Republic. He studied under Antonin Dvorak and at a young age played in military bands and later became bandmaster, a profession he practiced in various cities with many bands. In 1913 he settled in Berlin where he started his own music publishing house. As a composer Fucik is known for his light entertaining music however he also wrote chamber music, songs, choral works, a mass, a requiem and an unfinished opera. Many of his works have fallen into oblivion but many of his marches such as Einzug der Gladiatoren, Regimentskinder and Florentiner Marsch are still often played. With the concert overture Marinarella, Fucik takes us toan imaginary seaside resort on a beautiful spring day. Marinarella, a girl of the sea, accompanies us on our stroll. Leisurely walking couples on the boulevard, the murmur of the sea, fragments of a waltz melody from a cafe and a concert band performing a promenade concert pass you by. A fantastic opening work for any concert.
SKU: HL.4007741
UPC: 196288089223.
SKU: KJ.WB233F
This dashing work in one of Wolfgang Amadeus Mozart's more frequently heard German Dances (K. 605, No. 3), which he specifically titled The Sleigh Ride. The composition was originally written during the last year of Mozart's life in 1791. That year was one of his more productive years, composing other well known masterpieces such as The Magic Flute, Piano Concerto in B-Flat Major, The Concerto for Clarinet, and his very last composition, the Requiem which he finished only twelve of the fifteen sections before his death. German Dance captures the wonderful melodies, lively rhythms, and ingenious colors of Mozart's style. This is a charming arrangement with three separate bell parts bringing forth the festive sound of ringing sleigh bells. Arranged to re-create classical scoring, this joyful programmatic piece will be a favorite with young musicians and audiences alike.
About Standard of Excellence in Concert
The Standard of Excellence In Concert series presents exceptional arrangements, transcriptions, and original concert and festival pieces for beginning and intermediate band. Each selection is correlated to a specific page in the Standard of Excellence Band Method, reinforcing and expanding skills and concepts introduced in the method up to that point. Exciting parts with extensive cross-cueing are presented for every player. Accessible ranges, appropriate rhythmic challenges, and creative percussion section writing enhance the pedagogical value of the series.Sold individually, each In Concert selection includes a full Conductor Score and enough student parts for large symphonic bands. Each student part also includes correlated Warm-Up Studies. The Conductor Score comes complete with rehearsal suggestions, a composer biography, program notes, a rehearsal piano part, several ready-to-duplicate worksheets and a duplicable written quiz.
SKU: CL.WFR306
An incredible set utilizing recordings from the 19 volume Gems Of The Concert Band LP record series. These famous recordings were remarkable for the superlative interpretations and masterful performances of Leonard B. Smith and the Detroit Concert Band. Digitally remastered with the clarity of the original performances restored. A top notch band which produced great music... these are fabulous recordings. - Robert Peckham, Windjammers Unlimited Volume 1 - Great Performances Introduction to Act III of Lohengrin; Marche Militaire Francaise; Espana Rhapsody; Shepherd's Hey; Excerpts from Andrea Chenier; Dance of the Tumblers from Snegourotchka; Flight of the Bumblebee; Theme and Variations from Suite No. III; Marche Hongroise Rakoczy; Rhapsodic Dance; Bamboula; Clear Track Polka; Polka and Fugue from Schwanda the Bagpipe Player; Excerpts from Manzoni Requiem Volume 2 - Magnificent Marches Americans We; Chicago Tribune; Mainliner; Music Festival; Official West Point March; Spirit of Independence; The Chimes of Liberty; Valdres; World Events; Barnum and Bailey's Favorite; American Patrol; Jurisprudence; Bombasto; Boston Commandery; March of the Toys; On Jersey Shore; Second Regiment - Connecticut National Guard; The Joker; The March King; Under the Double Eagle; Gate City; Lights Out; American Red Cross March; Entry of the Gladiators; National Emblem March; Volume 3 - Music of the Masters March and Procession of Bacchus fromSylvia; Bacchanale from Samson and Delilah; Italian Polka; Slavonic Dance No. 3; Farandole from L'Arlesienne Suite; Finlandia; Golliwog's Cake Walk; The Kaffir on the Karoo; Fugue a la Gigue; Symphony No. 4 (Finale); Two Norwegian Dances; Hungarian Dance No. 5; Ecossaises; Second Hungarian Rhapsody Volume 4 - Virtuoso Soloists Carnival of Venice; Fantastic Polka; Believe Me; If All Those Endearing Young Charms; Rigoletto: Bella figlia del amore; The Bugler; Through the Air; Bugler's Holiday; Blue Bells of Scotland; Columbian Fantasy; The Bride Elect: An Awkward Complication This; Wood Up Quickstep; The Three Solitaires; The Southern Cross; Bravura Variations; My Heaven of Love; Atlantic Zephyrs; Land of the Free; Sextet: Chi mi frena... Volume 5 - Legendary Overtures Zampa Overture; La Forza del Destino Overture; Light Cavalry Overture; Oberon Overture; Raymond Overture; Ruy Blas Overture; Egmont Overture; Roman Carnival Overture; William Tell Overture.
SKU: BT.DHP-1053913-010
Julius Fucik (1872-1916) was born in Prague, Czech Republic. He studied under Antonin Dvorák and at a young age played in military bands and later became bandmaster, a profession he practiced in various cities with many bands. In 1913 he settled in Berlin where he started his own music publishing house. As a composer Fucik is known for his light entertaining music however he also wrote chamber music, songs, choral works, a mass, a requiem and an unfinished opera. Many of his works have fallen into oblivion but many of his marches such as Einzug der Gladiatoren, Regimentskinder and Florentiner Marsch are still often played. With the concert overture Marinarella, Fucik takes us toan imaginary seaside resort on a beautiful spring day. Marinarella, a girl of the sea, accompanies us on our stroll. Leisurely walking couples on the boulevard, the murmur of the sea, fragments of a waltz melody from a café and a concert band performing a promenade concert pass you by. A fantastic opening work for any concert. Met de concertouverture Marinarella neemt de Tsjechische componist Julius Fucik ons mee naar een denkbeeldige badplaats aan de kust op een mooie lentedag. Marinarella, een meisje van de zee, vergezelt ons op onze wandeling.Slenterende paartjes op de boulevard, het ruisen van de zee, flarden van een walsmelodie uit een café en een blaasorkest dat een promenadeconcert verzorgt passeren de revue. De vorm van deze ouverture is eenvoudig: na een snelleen luide opening volgt een langzaam, ongedwongen deel waarin enige solopassages zijn verwerkt. De afsluiting is weer krachtig en snel.Julius Fucik (1872-1916) hat sich als Komponist vor allem mit Marschmusik wie dem Florentiner Marsch aber auch mit Werken in anderen Genres einen Namen gemacht. Mit dieser Konzertouvertüre entführt er uns auf einen Spaziergang ans Meer, in charmanter Begleitung eines Mädchens namens Marinarella. Gemütlich am Boulevard entlang schlendernd, schnappen wir verschiedene Geräusche und Konzerte auf. Ihr Publikum wird die Musik gerne auf diesen einfach strukturierten, aber sehr unterhaltsamen musikalischen Spaziergang begleiten!
SKU: BT.DHP-1053913-040
SKU: AP.37835S
UPC: 038081431376. English.
John Rutter (b.1945) is one of England's best known composers of choral literature. While his choral works, including Te Deum, Magnificat, and Requiem, are the most familiar, he has also written numerous instrumental works. Rutter composed the Nativity Carol for SATB chorus and organ in 1963, and it was published in 1967 as part of a collection entitled Carols for Two Choirs. Although the title suggests a seasonal work, its musical richness lends itself favorably for performance at any time of the year.
SKU: HL.4008730
ISBN 9798350119473. UPC: 196288195238.
The last decades we humans have witnessed a significant number of disturbing developments. If we look at the direct and persistent destructive influence of humans on nature: air and water quality are reducing, soils are depleting, crops are short of pollinators, coasts are less protected from storms, deforestation, the degradation of land, loss of biodiversity and pollution. In stark contrast we find the intelligence and boundless creativity of humans: what about all the high technological advancements? What lies ahead in the realm of Artificial Intelligence? Will we let machines make human decisions? What ethical issues arise there? This composition reflects the desperation and urgency of the human need for action. The music draws inspiration from the brutal natural forces that ravage our world as a direct consequence of human failure and selfishness. Are we heading towards a 'Judgment Day'? Or will humanity find a way to reverse negative trends towards a more livable, peaceful, and joyful environment for humans, animals, and nature? To underscore this message, composer Peter Knockaert opted for a highly classical idiom that has been used by many composers in classical music: the 'Dies Irae'. Traditionally, the Dies Irae is the third part of a requiem (funeral mass). The text used in 'Judgment DayÂ? (for optional choir) is coming from the original Latin text.
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SKU: HL.4008731
UPC: 196288195245.
SKU: HL.44012088
9.25x12.25x1.382 inches.
Moving Heaven and Earth consists of a theme and 4 variations; although the theme is original it contains a phrase heavily influenced by a 14-bar passage from the Libera Me in Faure's Requiem. It is a sequence that the composer finds harmonically compelling and, although it is never quoted directly, it appears in altered form in the theme and each of the variations. In the original, the passage is set to the words: Quando c''li movendi sunt et terra (When the heavens and the earth shall be moved) which gave inspiration for the title.
SKU: HL.50510113
ISBN 9790080131459. UPC: 073999274882. 9.0x12.0x0.205 inches. Frigyes Hidas.
Frigyes Hidas (1928-2007) was the most prolific Hungarian composer for wind ensembles, and his works are the most often performed. His worldwide popularity is based on works such as Balettzene (Ballet music), Vidam zene (Cheerful music), El nem tancolt balett (Undanced ballet), Requiem and Save the Sea. His folk song suites, which are enormously popular in his homeland, are fine examples of Hidas' mature style in the genre of folk song arrangements. The first suite works up nine folk songs of differing character and atmosphere, while the second, with its recurrent structure, makes use of five melodies, creating a modern harmonic environment around them and thereby highlighting even more the beauty of the melodies. To perform these works effectively, ample technique is required, as well as an ability to shape the music freely. Highly recommended for ensembles with an interest in Hungarian wind music and folklore.
SKU: CL.RWS-2103-01
Into Battle! depicts an epic clash of opposing forces on a grand scale! Musicians will be eager to perform this exciting up-tempo work for young band, loosely inspired by Verdi’s Requiem and the ever haunting Dies Irae. An mature and bold musical moment for your developing band!
SKU: CL.RWS-2103-00
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