SKU: CA.9103519
ISBN 9790007230548. Key: G major. Text language: Latin.
The Mass by Johann Josef Fux can either be performed only with strings, or with the addition of alto and tenor trombones. the vocal solo sections are generally accompanied by solo strings. Choral passages sometimes doubled calls parts are the composer's ideal dynamic transitions to the solo passages. Score and parts available separately - see item CA.9103500.
SKU: CA.4005411
ISBN 9790007059309. Key: B flat major. Language: Latin.
This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the church trio of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. Score and part available separately - see item CA.4005400.
SKU: CA.4005412
ISBN 9790007059316. Key: B flat major. Language: Latin.
SKU: CA.3109709
ISBN 9790007046927. Key: B flat major. Language: German/English. Text: Fleming, Paul. Text: Paul Fleming.
Liturgical intention unknown. Score and parts available separately - see item CA.3109700.
SKU: CA.3109719
ISBN 9790007136499. Key: B flat major. Language: German/English. Text: Fleming, Paul. Text: Paul Fleming.
SKU: TM.06403SET
Concert Transcription by Daviv Guion. FL solo in flute part. VN solo & VN obligato to use with smaller groups in place of Violin I part.
SKU: CA.3107719
ISBN 9790007134099. Key: C major / d minor. Language: German/English. Text: Knauer, Johann Oswald. Text: Johann Oswald Knauer.
The closing chorale of the cantata is given without text in the autograph. In this edition, the recommendation of the Neuen Bachausgabe (NBA 1/21) is followed. Score and parts available separately - see item CA.3107700.
SKU: CA.4005512
ISBN 9790007059385. Key: B flat major. Language: Latin.
The large-scale church works of Wolfgang Amadeus Mozart include, along with his Masses, Requiem and Vespers, his four litanies, all composed in and for Salzburg. The Litany KV 125, dated March 1772, employs the identical text and nine-movement structure als its sister work, the larger-scaled KV 243 of March 1776. Score and part available separately - see item CA.4005500.
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