SKU: FG.55011-524-8
ISBN 9790550115248.
In Kirmo Lintinen's Rondo burlesque (2007-2008) for bassoon and piano , the qualitative elements of the bar, with their upbeats, accents and GPs, create a refined musical rhetoric and are very much to the fore. At the premiere, Lintinen's manner of playing, with its sparing use of the pedal obscuring the first beat but not the sense of time, underlined the inherent character of the piece. The roguish poetic metres gambolled jerkily along, and although at surface level the music may appear guileless, Lintinen knows his polyphony, judging by the capital roving of his voices even in the homophonic textures. Kirmo Lintinen (b. 1967) is a man of many musical talents: composer, pianist and conductor. His catalogue encompasses almost all gen-res and categories of composition, from solo work to opera, and he operates with ease from one to another without being a crossover artist; in his case, the versatility is both internalised and innate. He often finds inspiration in French music of the 1920s and its intrinsic musicality. Humour and playfulness are characteristic elements of his music, as are a natural, musicianly approach and an enchantingly effervescent, even tongue-in-cheek texture.
SKU: HL.49044547
ISBN 9783795749422. UPC: 841886023338. 9.0x12.0x0.106 inches.
Separate bass part for performance e.g. with cello accompaniment.Schott Violin Library includes eleven contrasting Baroque sonatas for violin and continuo bass. Besides popular and well-known sonatas by Corelli, Vivaldi, Handel and Telemann there are also delightful less familiar compositions by Dall'Abaco, Pepusch and Finger, among others. All these pieces are at lower to intermediate level. Some of them can be played in first position throughout, while others require just a few position changes, but the sonatas by Dall'Abaco, Kirchhoff, Vivaldi and Handel require fluent use of the first three positions. The pieces brought together in this book are the best-loved works from the popular series Schott Violin Library (VLB) and other violin repertoire published by Schott.
SKU: IS.BP7573EM
ISBN 9790365075737.
Everyone who has lost a love or a loved one in their life: a friendship you’ve lost sight of, a favourite place, a beloved animal, or a person you are now missing... . This composition is dedicated to all that Lost Love.
SKU: BT.YE0036
Four movements, top part advanced. Several recordings and many broadcasts. Duration c.13'.Programme Notes:The Swiss composer Joseph Lauber was born at Ruswil near Lucerne in 1864. After studying with Heger in Zürich and Rheinberger in Munich, Lauber worked with Diémer and Massenet in Paris. With Massenet he learnt a great deal about orchestration, a subject that he subsequently taught until the end of his life at the Geneva conservatoire as well as piano and composition. He died in 1952.Lauber's 193 catalogued works are many and varied. He wrote for all instruments and in every genre except oratorio and opera. Among his output areseveral works for double bass, most written for Prof. Hans Fryba, a personal friend with whom he worked as a double bass and piano recital duo. Fryba was one of the leading players in Europe in his day and was principal of the Berlin Philharmonic Orchestra. First was Theme and Variations (1936-7) and a Rhapsodie with orchestra (1937). Three Walzes followed in 1939, a Gavotte and Gigue, a Sonata and then in 1943 Fantasie de Concert, written for the Geneva Competition. Four Caprices appeared in 1942, the same date as the Quartet for double basses which was dedicated to Fryba and written for the Berlin Philharmonic Double Bass Quartet, one of the first ever such ensembles to exist. The Quartet for double basses was revived by Klaus Stoll in the 1970s for the Philharmonic Double Bass Quartet at that time to play. It was subsequently published in 1975 by Yorke Edition by kind permission of the composer's son Edmund Lauber. Rodney Slatford 2004
SKU: HL.48182205
UPC: 888680788216. 9.0x12.0x0.061 inches.
Having won many prizes at the Paris Conservatoire during the 1920s-1930s, Eugene Bozza went on to conduct the orchestra of the Opera-Comique and to become Head of the Conservatoire in Valenciennes. As a major figure on the classical music frontline, Bozza's compositions were well-received by audiences, New Orleans being popular in the bass brass repertoire. This Bozza piece for bass brass with piano accompaniment was written in 1962. It was orginally composed for bass saxhorn but since the instrument was falling into obscurity, Bozza also adapted it for bass trombone and tuba. New Orleans is influenced by the jazz culture of the city. As music educationalist, Paul Griffiths has written of Bozza's compositions, his works reveal melodic fluency, elegance of structure and a consistenly sensitive concern of instrumental capabilities. New Orleans for bass trombone, tuba, or bass saxhorn and piano remains popular in the repertoire of the instruments and is often included in audition syllabuses, making it essential to aspiring performers of bass brass.
SKU: AP.1-ADV15026
UPC: 805095150261. English.
This book and CD set features 16 challenging original tunes in funk/fusion style by renowned Australian guitarist Peter O'Mara. Patrick Scales adds his ideas on musical interpretation to give the aspiring bassist an insight into creative process from a professional's point of view. The tunes cover a variety of tempos and grooves and are presented using a real rhythm section: Patrick Scales, Christian Lettner and Peter O'Mara (from Klaus Doldinger's Passport). The audio play-along tracks are presented in an order of increasing complexity. CD 1 contains complete recordings of all instruments so that you can hear each instrument working together. CD 2 omits all bass tracks so that you can play along with the rhythm section and also create your own bass lines. MIDI files of all compositions are also included. Also available are editions for guitar, by Peter, and drums, by Peter O'Mara and Christian Lettner. The books are fully compatible and can be used in a combo setting.
SKU: GI.G-J183
English.
Compositions and arrangements for winds and percussion with optional improvisation! Twelve selections for concert band in one book. Highlights include: • Optional improvisation sections in each selection • Grade levels II–IV • Full score with complete instrumentation • Music for all ages and for all seasons • Recordings (CD or cassette) available, performed by instrumentalists from the Eastman School of Music • Playable with minimal to full instrumentation Part books (specify instrument and catalog number below): Flute (J179) - Oboe (J180) - Clarinet I (J181) - Clarinet II (J182) - Bass Clarinet (J183) - Bassoon (J184) - Alto Saxophone (J185) - Tenor Saxophone (J186) - Baritone Saxophone (J187) - Trumpet I (J188) - Trumpet II (J189) - Horn (J190) - Trombone I (J191) - Trombone II (J192) - Baritone BC (J193) - Baritone TC (J194) - Tuba (J195) - Bells/Xylophone/Piano (J196) - Percussion (J197) - Demonstration compact disc (J198CD).
SKU: GI.G-J184
SKU: HL.253938
9.0x12.0 inches.
Sonata for bassoon and piano is one of Swiders first works for a wind instrument. It was written most probably in the years 1953-1954, under a clear influence of neo-classicist stylistics. The only documented performance took place on 5th May 1955 in Katowice, or Stalinogrod, as such was the name of that city in those days. The first part of Sonata is written in a form of scherzando of a light and witty character, where the composer fully uses the facture and bassoons sound potential. The second part, full of meditation and cantilena, bears a particular expression of lower registers of the instrument. Part three is a traditional minuet in moderato tempo, with stylised folk elements in the middle fragment. The last part resumes the scherzo form, capped by a cadenza written by Marek Baranski, in which attempting to imitate the language of Jozef Swider's compositions that include numerous elements of a synthetic finale he included most music concepts outlined in the entire Sonata.
SKU: HL.50600377
ISBN 9790080141663. 7.5x10.75x0.085 inches. Latin. Zoltan Kodaly; Imre Sulyok.
Zoltan Kodaly-s complete choral works for mixed voices were published in a new, extended, edition in 2018 (Z. 6725 and Z. 6725A). This volume containing 51 compositions has been edited by the renowned conductor Peter Erdei, one of the most devoted interpreters of Kodaly-s choral works. The new edition takes into consideration the manuscript sources for the compositions housed in the Kodaly Archives in Budapest. The publication features new, easily-legible music scores edited on uniform principles. For better readability, the new edition is printed in a slightly larger format than previous editions.The present publication is an offprint from the renewed edition of Kodaly-s complete choral works for mixed voices. It has the same format as the volume, and has been printed on excellent-quality pale-yellow paper.(Hungaroton HCD 32364).
SKU: HL.48024907
UPC: 840126931600.
An alternating stream of thoughts for bass clarinet - free and restless, tender and brutal, angry, singing. This short solo piece, like an exclamation mark, is given by the interpreter * in space to struggle to shake off conventions, in short, to play. The composer - i.a. Professor of media composition (University of Music and Performing Arts Vienna) and visiting professor forexperimental composition (UdK Berlin) - encourages quasi-improvisation, a wild ride through emotional states and playing techniques. Caution, risk of explosion!
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