| Dies Irae: Fantasia, score and parts String Orchestra [Score and Parts] - Intermediate Carl Fischer
Composed by Deborah Baker Monday. For string orchestra (violin I, violin II,...(+)
Composed by Deborah Baker
Monday. For string orchestra
(violin I, violin II, violin
III (viola T.C.), viola,
cello, bass, piano). Score and
parts. Duration 3 minutes, 36
seconds. Published by Carl
Fischer
$60.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Judgement Day: Dies Irae Concert band - Easy Hal Leonard
Score and Parts Concert Band (Score and Parts) - Grade 3 SKU: HL.4008730...(+)
Score and Parts Concert Band (Score and Parts) - Grade 3 SKU: HL.4008730 Concert Band, Grade 3 3:50 Score and parts. Composed by Peter Knockaert. Symphonic Dimensions. Concert Band. Softcover. Duration 230 seconds. Hal Leonard #SDP2392302. Published by Hal Leonard (HL.4008730). ISBN 9798350119473. UPC: 196288195238. The last decades we humans have witnessed a significant number of disturbing developments. If we look at the direct and persistent destructive influence of humans on nature: air and water quality are reducing, soils are depleting, crops are short of pollinators, coasts are less protected from storms, deforestation, the degradation of land, loss of biodiversity and pollution. In stark contrast we find the intelligence and boundless creativity of humans: what about all the high technological advancements? What lies ahead in the realm of Artificial Intelligence? Will we let machines make human decisions? What ethical issues arise there? This composition reflects the desperation and urgency of the human need for action. The music draws inspiration from the brutal natural forces that ravage our world as a direct consequence of human failure and selfishness. Are we heading towards a 'Judgment Day'? Or will humanity find a way to reverse negative trends towards a more livable, peaceful, and joyful environment for humans, animals, and nature? To underscore this message, composer Peter Knockaert opted for a highly classical idiom that has been used by many composers in classical music: the 'Dies Irae'. Traditionally, the Dies Irae is the third part of a requiem (funeral mass). The text used in 'Judgment DayÂ? (for optional choir) is coming from the original Latin text. Priority Direct Import titles are specialty titles that are not generally offered for sale by US based retailers. These items must be obtained from our overseas suppliers. When you order a Priority Direct Import title, our overseas warehouse will ship it to you directly at the time of order, typically within one business day. However, the shipment time will be slower than items shipped from our US warehouse. It may take up to 2-3 weeks to get to you. $133.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Judgement Day: Dies Irae Concert band [Score] - Easy Hal Leonard
Concert Band (Score) - Grade 3 SKU: HL.4008731 Concert Band, Grde...(+)
Concert Band (Score) - Grade 3 SKU: HL.4008731 Concert Band, Grde 3 3:50 Score. Composed by Peter Knockaert. Symphonic Dimensions. Concert Band. Softcover. Duration 230 seconds. Hal Leonard #SDP2392301. Published by Hal Leonard (HL.4008731). UPC: 196288195245. The last decades we humans have witnessed a significant number of disturbing developments. If we look at the direct and persistent destructive influence of humans on nature: air and water quality are reducing, soils are depleting, crops are short of pollinators, coasts are less protected from storms, deforestation, the degradation of land, loss of biodiversity and pollution. In stark contrast we find the intelligence and boundless creativity of humans: what about all the high technological advancements? What lies ahead in the realm of Artificial Intelligence? Will we let machines make human decisions? What ethical issues arise there? This composition reflects the desperation and urgency of the human need for action. The music draws inspiration from the brutal natural forces that ravage our world as a direct consequence of human failure and selfishness. Are we heading towards a 'Judgment Day'? Or will humanity find a way to reverse negative trends towards a more livable, peaceful, and joyful environment for humans, animals, and nature? To underscore this message, composer Peter Knockaert opted for a highly classical idiom that has been used by many composers in classical music: the 'Dies Irae'. Traditionally, the Dies Irae is the third part of a requiem (funeral mass). The text used in 'Judgment DayÂ? (for optional choir) is coming from the original Latin text. Priority Direct Import titles are specialty titles that are not generally offered for sale by US based retailers. These items must be obtained from our overseas suppliers. When you order a Priority Direct Import title, our overseas warehouse will ship it to you directly at the time of order, typically within one business day. However, the shipment time will be slower than items shipped from our US warehouse. It may take up to 2-3 weeks to get to you. $23.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Day of reck'ning! Judgment day (Tue Rechnung! Donnerwort) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Score and Parts] Carus Verlag
SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo (+)
SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo SKU: CA.3116809 Cantata for the 9th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. 2x 31.168/21 oboe d'amore 1 + 2. Stuttgart Urtext Edition: Bach vocal. Tue Rechnung, Donnerwort. Sacred vocal music, Cantatas, Trinity. Set of Orchestra Parts. Composed 1725. BWV 168. Duration 17 minutes. Carus Verlag #CV 31.168/09. Published by Carus Verlag (CA.3116809). ISBN 9790007209254. Language: German/English. Text: Franck, Salomo. The text of Bach's cantata Tue Rechnung! Donnerwort was published in 1715, that is during Bach's Weimar period, in the Evangelisches Andachts-Opffer by Salomon Frank. This concisely-written but powerful work was, however, only composed ten years later in Leipzig, and was heard for the first time on 29 July 1725, the 9th Sunday after Trinity. Its main dramatic-musical emphasis lies clearly in the first movement, a dark, almost operatic movement for baritone and string orchestra in B minor. By contrast, the ensuing aria for tenor with obbligato oboe accompaniment is distinctly more intimate, and the duet between soprano and alto - just accompanied by continuo - is more restrained in its musical language and expression than the first movement. In between there are two extended recitatives, the first of which leads into an arioso. The breadth of expression within the cantata is striking, its opening movement a masterpiece of Bach's dramatic writing. Score and parts available separately - see item CA.3116800. $11.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Day of reck'ning! Judgment day (Tue Rechnung! Donnerwort) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Score and Parts] Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, basso continuo <...(+)
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, basso continuo SKU: CA.3116819 Cantata for the 9th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Tue Rechnung, Donnerwort. Sacred vocal music, Cantatas, Trinity. Set of Orchestra Parts. Composed 1725. BWV 168. Duration 17 minutes. Carus Verlag #CV 31.168/19. Published by Carus Verlag (CA.3116819). ISBN 9790007166786. Language: German/English. Text: Franck, Salomo. Text by Salomo Franck. The text of Bach's cantata Tue Rechnung! Donnerwort was published in 1715, that is during Bach's Weimar period, in the Evangelisches Andachts-Opffer by Salomon Frank. This concisely-written but powerful work was, however, only composed ten years later in Leipzig, and was heard for the first time on 29 July 1725, the 9th Sunday after Trinity. Its main dramatic-musical emphasis lies clearly in the first movement, a dark, almost operatic movement for baritone and string orchestra in B minor. By contrast, the ensuing aria for tenor with obbligato oboe accompaniment is distinctly more intimate, and the duet between soprano and alto - just accompanied by continuo - is more restrained in its musical language and expression than the first movement. In between there are two extended recitatives, the first of which leads into an arioso. The breadth of expression within the cantata is striking, its opening movement a masterpiece of Bach's dramatic writing. Score and parts available separately - see item CA.3116800. $72.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Day of reck'ning! Judgment day (Tue Rechnung! Donnerwort) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, basso continuo <...(+)
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, basso continuo SKU: CA.3116803 Cantata for the 9th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Tue Rechnung, Donnerwort. Sacred vocal music, Cantatas, Trinity. Vocal score. Composed 1725. BWV 168. 24 pages. Duration 17 minutes. Carus Verlag #CV 31.168/03. Published by Carus Verlag (CA.3116803). ISBN 9790007166724. Language: German/English. Text: Franck, Salomo. Text by Salomo Franck. The text of Bach's cantata Tue Rechnung! Donnerwort was published in 1715, that is during Bach's Weimar period, in the Evangelisches Andachts-Opffer by Salomon Frank. This concisely-written but powerful work was, however, only composed ten years later in Leipzig, and was heard for the first time on 29 July 1725, the 9th Sunday after Trinity. Its main dramatic-musical emphasis lies clearly in the first movement, a dark, almost operatic movement for baritone and string orchestra in B minor. By contrast, the ensuing aria for tenor with obbligato oboe accompaniment is distinctly more intimate, and the duet between soprano and alto - just accompanied by continuo - is more restrained in its musical language and expression than the first movement. In between there are two extended recitatives, the first of which leads into an arioso. The breadth of expression within the cantata is striking, its opening movement a masterpiece of Bach's dramatic writing. Score available separately - see item CA.3116800. $10.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Day of reck'ning! Judgment day (Tue Rechnung! Donnerwort) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo (+)
SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo SKU: CA.3116805 Cantata for the 9th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Tue Rechnung, Donnerwort. Sacred vocal music, Cantatas, Trinity. Choral Score. Composed 1725. BWV 168. 2 pages. Duration 17 minutes. Carus Verlag #CV 31.168/05. Published by Carus Verlag (CA.3116805). ISBN 9790007166731. Text language: German/English. Text: Franck, Salomo. The text of Bach's cantata Tue Rechnung! Donnerwort was published in 1715, that is during Bach's Weimar period, in the Evangelisches Andachts-Opffer by Salomon Frank. This concisely-written but powerful work was, however, only composed ten years later in Leipzig, and was heard for the first time on 29 July 1725, the 9th Sunday after Trinity. Its main dramatic-musical emphasis lies clearly in the first movement, a dark, almost operatic movement for baritone and string orchestra in B minor. By contrast, the ensuing aria for tenor with obbligato oboe accompaniment is distinctly more intimate, and the duet between soprano and alto - just accompanied by continuo - is more restrained in its musical language and expression than the first movement. In between there are two extended recitatives, the first of which leads into an arioso. The breadth of expression within the cantata is striking, its opening movement a masterpiece of Bach's dramatic writing. Score available separately - see item CA.3116800. $3.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Day of reck'ning! Judgment day (Tue Rechnung! Donnerwort) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso c...(+)
Orchestra SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo SKU: CA.3116807 Cantata for the 9th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Trinity. Study score. Composed 1725. BWV 168. 28 pages. Duration 17 minutes. Carus Verlag #CV 31.168/07. Published by Carus Verlag (CA.3116807). ISBN 9790007242220. Language: German/English. Text: Franck, Salomo. The text of Bach's cantata Tue Rechnung! Donnerwort was published in 1715, that is during Bach's Weimar period, in the Evangelisches Andachts-Opffer by Salomon Frank. This concisely-written but powerful work was, however, only composed ten years later in Leipzig, and was heard for the first time on 29 July 1725, the 9th Sunday after Trinity. Its main dramatic-musical emphasis lies clearly in the first movement, a dark, almost operatic movement for baritone and string orchestra in B minor. By contrast, the ensuing aria for tenor with obbligato oboe accompaniment is distinctly more intimate, and the duet between soprano and alto - just accompanied by continuo - is more restrained in its musical language and expression than the first movement. In between there are two extended recitatives, the first of which leads into an arioso. The breadth of expression within the cantata is striking, its opening movement a masterpiece of Bach's dramatic writing. Score available separately - see item CA.3116800. $13.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Dies Irae Choral 3-part SSA, Piano Carl Fischer
Choral SSA Choir and Piano SKU: CF.CM9716 Day of Wrath. Composed b...(+)
Choral SSA Choir and Piano SKU: CF.CM9716 Day of Wrath. Composed by David (D) Smith. 12 pages. Duration 0:01:57. Carl Fischer Music #CM9716. Published by Carl Fischer Music (CF.CM9716). ISBN 9781491160954. UPC: 680160919550. Key: D minor. Latin. Early Latin Text. This text is taken from the Dies Irae Sequence from the Requiem Mass. It is a contemplation of the arrival of judgment day. The A-sections, mm. 1-29 & mm. 43-end, are a manic depiction of the fierce wrath of judgment day. They should be sung with fire, crisp consonants while always enunciating the accents in order to realize the full effect of this powerful text. The entire demeanor of the tone and facial expressions should change for the B-section, mm. 30-42 as it is a plea for mercy. The audience should realize the change in this contrasting section. Translation Dies irae, dies illa: Day of wrath, that day Solvet saeclum in favilla: shall dissolve the world into embers Teste David cum Sibylla: As David prophesied with the Sibyl. Voca me cum benedictis :Call me to be with the blessed. Salva me fons pietatis : Save me, fount of pity. The Sibyl is a reference from a Greek word, which means Prophetess. In this context, the word appears in plural, referring to many prophetesses. David, or King David, has long been considered prophetic among biblical scholars. About the Arranger D. Farrell Smith is the Director of Choirs at Hilldale Middle School, and Hilldale High School in Muskogee, Oklahoma. He holds a B.A. in Music Education and the M.A. in Theological Studies. Currently the Minister of Music at Eastern Heights Baptist Church, he has been a Music educator and Minister for 20 years. Mr. Smith studied with Dr. Gary Foster and Dr. Donald Studebaker and has performed under such notables as R. Evan Copley, Daniel Pinkham, Lloyd Pfautsch, and Bev Henson. This text is taken from the Dies Irae Sequence from the Requiem Mass. It is a contemplation of the arrival of judgment day. The A-sections, mm. 1-29 & mm. 43-end, are a manic depiction of the fierce wrath of judgment day. They should be sung with fire, crisp consonants while always enunciating the accents in order to realize the full effect of this powerful text. The entire demeanor of the tone and facial expressions should change for the B-section, mm. 30-42 as it is a plea for mercy. The audience should realize the change in this contrasting section.TranslationDies irae, dies illa: Day of wrath, that daySolvet saeclum in favilla: shall dissolve the world into embersTeste David cum Sibylla: As David prophesied with the Sibyl.Voca me cum benedictis :Call me to be with the blessed.Salva me fons pietatis : Save me, fount of pity.The “Sibyl†is a reference from a Greek word, which means Prophetess. In this context, the word appears in plural, referring to many prophetesses. David, or King David, has long been considered prophetic among biblical scholars.About the ArrangerD. Farrell Smith is the Director of Choirs at Hilldale Middle School, and Hilldale High School in Muskogee, Oklahoma.  He holds a B.A. in Music Education and the M.A. in Theological Studies. Currently the Minister of Music at Eastern Heights Baptist Church, he has been a Music educator and Minister for 20 years. Mr. Smith studied with Dr. Gary Foster and Dr. Donald Studebaker and has performed under such notables as R. Evan Copley, Daniel Pinkham, Lloyd Pfautsch, and Bev Henson. $2.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Day of reck'ning! Judgment day [Score] Carus Verlag
Cantata for the 9th Sunday after Trinity. Composed by Johann Sebastian Ba...(+)
Cantata for the 9th Sunday after Trinity. Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Bartels. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas; Trinity. Full score. Composed 1725. 28 pages. Duration 17 minutes. Carus Verlag #CV 31.168/00. Published by Carus Verlag (CA.3116800).
$19.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| A Hymn to ST. Columba Choral SATB SATB, Organ Boosey and Hawkes
SATB and Organ. By Benjamin Britten. (SATB). Boosey and Hawkes Sacred Choral. S...(+)
SATB and Organ. By Benjamin Britten. (SATB). Boosey and Hawkes Sacred Choral. Size 7.25x10.25 inches. 12 pages. Published by Boosey and Hawkes.
$4.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Ayl Melech Yoshayv SATB/Tenorsolo Unac Choral SATB SATB Schirmer
Behold the Day of Judgment. By Samuel Adler. (SATB). Choral. Published by G. Sc...(+)
Behold the Day of Judgment. By Samuel Adler. (SATB). Choral. Published by G. Schirmer.
$0.70 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Peter Maxwell Davies: Sinfonietta Accademica Orchestra Chester
Orchestra (Orchestra) SKU: HL.14008415 Composed by Sir Peter Maxwell Davi...(+)
Orchestra (Orchestra) SKU: HL.14008415 Composed by Sir Peter Maxwell Davies. Music Sales America. Post-1900. Sheet Music, Miniature Score. With Text language: English. 110 pages. Chester Music #CH55687. Published by Chester Music (HL.14008415). UPC: 884088808242. 8.5x11.0x0.261 inches. This work, written by Maxwell Davies in 1983 for chamber orchestra, was commissioned to celebrate the quartercentenary of Edinburgh University. The first performance was given by the Scottish Chamber Orchestra conducted by Edward Harper in October 1983. Duration c. 29mins. This work was thought through in outline following a visit to the ruined pre-Reformation church of Hoy in Orkney, on a fine Spring afternoon after Maxwell Davies had played the harmonium for the tiny congregation in its large bleak Victorian replacement. The old church was surrounded by the graves of centuries, the more recent ones with familiar names, largely of people who lived in houses now ruinous - crofters, fishermen, clerics, sea-captains. Next to it stood the chief farmhouse, the Bu, going back to Viking times. He thought of the lives and deaths encompassed there, expressed through hundreds of years of music in the church, and in the big barn of the farm. The plainsongs 'Dies Irae' and 'Victimae Paschali Laudes' are used throughout the work - the first concerning the Day of Judgement, from the Mass for the Dead, the second particular to Easter Sunday and the Resurrection. These are subject to constant transformation - the intervallic contour slowly changes from one into the other, and their notes are made to dance through Renaissance astrological 'magic square' patterns. The orchestra consists of double woodwind, two horns, two trumpets and strings. $21.95 - See more - Buy online | | |
| The Last Judgment (Die letzten Dinge) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Score and Parts] Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoon...(+)
Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violin, viola, cello, contrabass SKU: CA.2300319 Oratorio. Composed by Louis Spohr. Edited by Dieter Zeh, Irene Schallhorn. Awards / Prizes: Deutscher Musikeditionspreis Best Edition. Awards / Prizes: Deutscher Musikeditionspreis Best Edition. German title: Die Letzten Dinge (Oratorium). Sacred vocal music, Oratorios. Set of Orchestra Parts. Composed 1865-68. Op. 61. Duration 80 minutes. Carus Verlag #CV 23.003/19. Published by Carus Verlag (CA.2300319). ISBN 9790007133849. Language: German/English. In honor of the 150th anniversary of the death of Louis Spohr, for the first time Carus is publishing a critical edition of The Last Judgment, the most important of his four oratorios. It was first performed on Good Friday, 1826 in Kassel. It is based on the theologically most significant portions of the Revelations of John in the New Testament, whose visions of death and eternity Spohr vividly portrayed in music. The work represents an important enrichment to the repertoire of the oratorio, especially suitable for the end of the church year. It is captivating on account of its masterful instrumentation, excellent use of chromaticism, large-scale solo recitatives and accessible choral passages filled with heartfelt sensitivity on the one hand, and exciting drama on the other. Score and parts available separately - see item CA.2300300. $574.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Last Judgment (Die letzten Dinge) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Score and Parts] Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoon...(+)
Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violin, viola, cello, contrabass SKU: CA.2300309 Oratorio. Composed by Louis Spohr. Edited by Dieter Zeh, Irene Schallhorn. Awards / Prizes: Deutscher Musikeditionspreis Best Edition. Awards / Prizes: Deutscher Musikeditionspreis Best Edition. German title: Die Letzten Dinge (Oratorium). Sacred vocal music, Oratorios. Set of Orchestra Parts. Op. 61. 244 pages. Duration 80 minutes. Carus Verlag #CV 23.003/09. Published by Carus Verlag (CA.2300309). ISBN 9790007198589. Language: German/English. In honor of the 150th anniversary of the death of Louis Spohr, for the first time Carus is publishing a critical edition of The Last Judgment, the most important of his four oratorios. It was first performed on Good Friday, 1826 in Kassel. It is based on the theologically most significant portions of the Revelations of John in the New Testament, whose visions of death and eternity Spohr vividly portrayed in music. The work represents an important enrichment to the repertoire of the oratorio, especially suitable for the end of the church year. It is captivating on account of its masterful instrumentation, excellent use of chromaticism, large-scale solo recitatives and accessible choral passages filled with heartfelt sensitivity on the one hand, and exciting drama on the other. Score and parts available separately - see item CA.2300300. $182.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Last Judgment (Die letzten Dinge) Carus Verlag
Orchestra Contrabass SKU: CA.2300315 Oratorio. Composed by Louis S...(+)
Orchestra Contrabass SKU: CA.2300315 Oratorio. Composed by Louis Spohr. Edited by Dieter Zeh, Irene Schallhorn. Awards / Prizes: Deutscher Musikeditionspreis Best Edition. Awards / Prizes: Deutscher Musikeditionspreis Best Edition. German title: Die Letzten Dinge (Oratorium). Sacred vocal music, Oratorios. Individual part. Op. 61. 28 pages. Duration 80 minutes. Carus Verlag #CV 23.003/15. Published by Carus Verlag (CA.2300315). ISBN 9790007198633. Language: German/English. In honor of the 150th anniversary of the death of Louis Spohr, for the first time Carus is publishing a critical edition of The Last Judgment, the most important of his four oratorios. It was first performed on Good Friday, 1826 in Kassel. It is based on the theologically most significant portions of the Revelations of John in the New Testament, whose visions of death and eternity Spohr vividly portrayed in music. The work represents an important enrichment to the repertoire of the oratorio, especially suitable for the end of the church year. It is captivating on account of its masterful instrumentation, excellent use of chromaticism, large-scale solo recitatives and accessible choral passages filled with heartfelt sensitivity on the one hand, and exciting drama on the other. Score and part available separately - see item CA.2300300. $19.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Last Judgment (Die letzten Dinge) Carus Verlag
Orchestra Viola SKU: CA.2300313 Oratorio. Composed by Louis Spohr....(+)
Orchestra Viola SKU: CA.2300313 Oratorio. Composed by Louis Spohr. Edited by Dieter Zeh, Irene Schallhorn. Awards / Prizes: Deutscher Musikeditionspreis Best Edition. Awards / Prizes: Deutscher Musikeditionspreis Best Edition. German title: Die Letzten Dinge (Oratorium). Sacred vocal music, Oratorios. Individual part. Op. 61. 32 pages. Duration 80 minutes. Carus Verlag #CV 23.003/13. Published by Carus Verlag (CA.2300313). ISBN 9790007198619. Language: German/English. In honor of the 150th anniversary of the death of Louis Spohr, for the first time Carus is publishing a critical edition of The Last Judgment, the most important of his four oratorios. It was first performed on Good Friday, 1826 in Kassel. It is based on the theologically most significant portions of the Revelations of John in the New Testament, whose visions of death and eternity Spohr vividly portrayed in music. The work represents an important enrichment to the repertoire of the oratorio, especially suitable for the end of the church year. It is captivating on account of its masterful instrumentation, excellent use of chromaticism, large-scale solo recitatives and accessible choral passages filled with heartfelt sensitivity on the one hand, and exciting drama on the other. Score and part available separately - see item CA.2300300. $19.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Last Judgment (Die letzten Dinge) Carus Verlag
Orchestra Violine 1 SKU: CA.2300311 Oratorio. Composed by Louis Sp...(+)
Orchestra Violine 1 SKU: CA.2300311 Oratorio. Composed by Louis Spohr. Edited by Dieter Zeh, Irene Schallhorn. Awards / Prizes: Deutscher Musikeditionspreis Best Edition. Awards / Prizes: Deutscher Musikeditionspreis Best Edition. German title: Die Letzten Dinge (Oratorium). Sacred vocal music, Oratorios. Individual part. Op. 61. 32 pages. Duration 80 minutes. Carus Verlag #CV 23.003/11. Published by Carus Verlag (CA.2300311). ISBN 9790007198596. Language: German/English. In honor of the 150th anniversary of the death of Louis Spohr, for the first time Carus is publishing a critical edition of The Last Judgment, the most important of his four oratorios. It was first performed on Good Friday, 1826 in Kassel. It is based on the theologically most significant portions of the Revelations of John in the New Testament, whose visions of death and eternity Spohr vividly portrayed in music. The work represents an important enrichment to the repertoire of the oratorio, especially suitable for the end of the church year. It is captivating on account of its masterful instrumentation, excellent use of chromaticism, large-scale solo recitatives and accessible choral passages filled with heartfelt sensitivity on the one hand, and exciting drama on the other. Score and part available separately - see item CA.2300300. $19.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Last Judgment (Die letzten Dinge) Carus Verlag
Orchestra Violoncello SKU: CA.2300314 Oratorio. Composed by Louis ...(+)
Orchestra Violoncello SKU: CA.2300314 Oratorio. Composed by Louis Spohr. Edited by Dieter Zeh, Irene Schallhorn. Awards / Prizes: Deutscher Musikeditionspreis Best Edition. Awards / Prizes: Deutscher Musikeditionspreis Best Edition. German title: Die Letzten Dinge (Oratorium). Sacred vocal music, Oratorios. Individual part. Op. 61. 32 pages. Duration 80 minutes. Carus Verlag #CV 23.003/14. Published by Carus Verlag (CA.2300314). ISBN 9790007198626. Language: German/English. In honor of the 150th anniversary of the death of Louis Spohr, for the first time Carus is publishing a critical edition of The Last Judgment, the most important of his four oratorios. It was first performed on Good Friday, 1826 in Kassel. It is based on the theologically most significant portions of the Revelations of John in the New Testament, whose visions of death and eternity Spohr vividly portrayed in music. The work represents an important enrichment to the repertoire of the oratorio, especially suitable for the end of the church year. It is captivating on account of its masterful instrumentation, excellent use of chromaticism, large-scale solo recitatives and accessible choral passages filled with heartfelt sensitivity on the one hand, and exciting drama on the other. Score and part available separately - see item CA.2300300. $19.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Last Judgment (Die letzten Dinge) Carus Verlag
Orchestra Violine 2 SKU: CA.2300312 Oratorio. Composed by Louis Sp...(+)
Orchestra Violine 2 SKU: CA.2300312 Oratorio. Composed by Louis Spohr. Edited by Dieter Zeh, Irene Schallhorn. Awards / Prizes: Deutscher Musikeditionspreis Best Edition. Awards / Prizes: Deutscher Musikeditionspreis Best Edition. German title: Die Letzten Dinge (Oratorium). Sacred vocal music, Oratorios. Individual part. Op. 61. 32 pages. Duration 80 minutes. Carus Verlag #CV 23.003/12. Published by Carus Verlag (CA.2300312). ISBN 9790007198602. Language: German/English. In honor of the 150th anniversary of the death of Louis Spohr, for the first time Carus is publishing a critical edition of The Last Judgment, the most important of his four oratorios. It was first performed on Good Friday, 1826 in Kassel. It is based on the theologically most significant portions of the Revelations of John in the New Testament, whose visions of death and eternity Spohr vividly portrayed in music. The work represents an important enrichment to the repertoire of the oratorio, especially suitable for the end of the church year. It is captivating on account of its masterful instrumentation, excellent use of chromaticism, large-scale solo recitatives and accessible choral passages filled with heartfelt sensitivity on the one hand, and exciting drama on the other. Score and part available separately - see item CA.2300300. $19.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Official Artist Book THE BOOK OF LOVEBITES Guitar, Bass, Drums (trio) Yamaha
Guitar, Bass, Percussion SKU: YM.GTL01101188 Artist Folio. Artist Book, H...(+)
Guitar, Bass, Percussion SKU: YM.GTL01101188 Artist Folio. Artist Book, Heavy Metal. Book and Score. Yamaha Music Media #GTL01101188. Published by Yamaha Music Media (YM.GTL01101188). ISBN 9784636108262. 9 x 12 inches. Full of photos, published for the first time in this book! This book is full of the charm of LOVEBITES! LOVEBITES is a Japanese female metal band that debuted in 2017. They have attracted the attention of heavy metal fans worldwide. This is their first artist book, produced with the full cooperation of the members. It includes lots of photos taken for this book, a special interview and band sheet music for two songs. With special content everywhere you look, this is a must-have for fans! $33.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Totentanz, S. 126 (1st version, ed. Busoni) Concert band [Score] LudwigMasters Publications
Concert Band; Orchestra 3(3rd dPicc).2.2.2: 2.2.3.1: Timp.Perc(2-3): Str (9-8-7-...(+)
Concert Band; Orchestra 3(3rd dPicc).2.2.2: 2.2.3.1: Timp.Perc(2-3): Str (9-8-7-6-5 in set): Solo Piano in the sc SKU: AP.36-A263301 Composed by Franz Liszt. Arranged by Ferruccio Busoni. Chamber Orchestra; Performance Music Ensemble. Kalmus Orchestra Library. Form: Concerto. Romantic. Score. LudwigMasters Publications #36-A263301. Published by LudwigMasters Publications (AP.36-A263301). UPC: 660355020445. English. The idea for Totentanz, S. 126 (Dance of the Dead) was conceived by Franz Liszt (1811-1886) in 1938. Two versions were to follow, the first completed in 1853, and the second version finished in 1864. The flashy virtuosic piece for the solo piano uses the Gregorian plainchant melody Dies irae (Day of Judgement) in a set of variations. The first version, which is nicknamed De Profundis, is most commonly heard in the 1919 edition by famed Italian composer, pianist, and conductor Ferruccio Busoni (1866-1924). Instrumentation: 3(3rd dPicc).2.2.2: 2.2.3.1: Timp.Perc(2-3): Str (9-8-7-6-5 in set): Solo Piano in the sc. These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months. $35.00 - See more - Buy online | | |
Next page 1 31 |