Harpsichord

SKU: HL.48188387

Composed by Johann Jakob Froberger. Leduc. Softcover. 104 pages. Heugel & Cie #HE32487. Published by Heugel & Cie (HL.48188387).

UPC: 888680866143. 9.0x12.0x0.31 inches. French.

First volume of the first tome of the Complete Harpsichord Work by Johann Jakob Froberger, this book (Version 1649) is a set of twenty-four pieces for Harpsichord. Edited by Howard Schott, the book has its preface and information in French, English and German. It features six Toccatas, six Fantasias, six Canzones, 5 Suites and a partite. The works are of medium difficulty and can be played by intermediate players. Johann Jakob Froberger (1616-1667) is a German Baroque composer. He was a really famous musician amongst his peers and influenced many of them..

SKU: BR.BV-385

Beitrage zu einer kritischen Musikwissenschaft. Composed by Johannes C. Gall. Softbound. Buchverlag Breitkopf & Hartel (Music Books). Book. 328 pages. Breitkopf and Haertel #BV 385. Published by Breitkopf and Haertel (BR.BV-385).

ISBN 9783765103858. 6.5 x 9.5 inches.

Exiled from Nazi Germany, the composer Hanns Eisler moved to Los Angeles in April 1942 to make a living in the Hollywood film industry. After some time of struggling, he finally was commissioned to compose the music for Fritz Lang's anti-Nazi film Hangmen Also Die , whose script was in large part written by Bertolt Brecht. Following this, Eisler worked together with Theodor W. Adorno on the book Composing for the Films . Completed in 1944, it was not until 1947 that an English version of the book was published by Oxford University Press. Shortly before the book went into print, Adorno withdrew his co-authorship in order to avoid attracting the attention of the House Committee on Un-American Activities. The study provides detailed analyses and correlations of the book Composing for the Films and the soundtrack of Hangmen Also Die. The reflections on Adorno's and Eisler's book outline the complex textual history, problems arising in connection with the co-authorship, and essential views and theses, not least in view of the aspect of the Composition for the Hollywood Film. The part on the film music of Hangmen Also Die focuses mainly on its in-depth analysis. The study is based on extensive archive research and contributes not only to explore Eisler's life and oeuvre but also to the research of Adorno and Brecht as well as general music in exile and film music.

Soprano voice solo, SATB choir, 2 clarino/trumpet, 2 violin, viola, basso continuo

SKU: CA.4003805

Nach Johann Zach. Composed by Wolfgang Amadeus Mozart. Edited by Hellmut Federhofer. Arranged by Eberhard Kraus. This edition: urtext. Stuttgart Urtext Edition: Mozart. Tantum Ergo In B Neu 2002. Sacred vocal music, Corpus Christi, Eucharist, Communion. Choral Score. Composed circa 1772. KV 142 (Anh. 186d). 4 pages. Duration 5 minutes. Carus Verlag #CV 40.038/05. Published by Carus Verlag (CA.4003805).

ISBN 9790007058227. Key: B flat major. Language: Latin.

In 1965 Robert Munster, the Mozart scholar, determined that in a manuscript copy containing 13 settings of the Tantum ergo by Johann Zach (1669-1773), the Director of Music at the Mainz Cathedral, the final Tantum ergo in B flat major was for the most part identical to KV 142. Zach's work is 43 measures long instead of the 63 measures of KV 142, although the Amen coda is missing. For some unknown reason, Mozart made a few changes to Zach's composition and through the addition of the coda extended the work by twenty measures. Score available separately - see item CA.4003800.

Soprano voice solo, SATB choir, 2 clarino/trumpet, 2 violin, viola, basso continuo

SKU: CA.4003814

Nach Johann Zach. Composed by Wolfgang Amadeus Mozart. Edited by Hellmut Federhofer. Arranged by Eberhard Kraus. This edition: urtext. Stuttgart Urtext Edition: Mozart. Tantum Ergo In B Neu 2002. Sacred vocal music, Corpus Christi, Eucharist, Communion. Single Part, Cello/Double Bass. Composed circa 1772. KV 142 (Anh. 186d). 2 pages. Duration 5 minutes. Carus Verlag #CV 40.038/14. Published by Carus Verlag (CA.4003814).

ISBN 9790007217082. Key: B flat major. Language: Latin.

In 1965 Robert Munster, the Mozart scholar, determined that in a manuscript copy containing 13 settings of the Tantum ergo by Johann Zach (1669-1773), the Director of Music at the Mainz Cathedral, the final Tantum ergo in B flat major was for the most part identical to KV 142. Zach's work is 43 measures long instead of the 63 measures of KV 142, although the Amen coda is missing. For some unknown reason, Mozart made a few changes to Zach's composition and through the addition of the coda extended the work by twenty measures. Score and part available separately - see item CA.4003800.

Soprano voice solo, SATB choir, 2 clarino/trumpet, 2 violin, viola, basso continuo

SKU: CA.4003803

Nach Johann Zach. Composed by Wolfgang Amadeus Mozart. Edited by Hellmut Federhofer. Arranged by Eberhard Kraus. This edition: urtext. Stuttgart Urtext Edition: Mozart. Tantum Ergo In B Neu 2002. Sacred vocal music, Corpus Christi, Eucharist, Communion. Vocal score. Composed circa 1772. KV 142 (Anh. 186d). 8 pages. Duration 5 minutes. Carus Verlag #CV 40.038/03. Published by Carus Verlag (CA.4003803).

ISBN 9790007058210. Key: B flat major. Language: Latin.

In 1965 Robert Munster, the Mozart scholar, determined that in a manuscript copy containing 13 settings of the Tantum ergo by Johann Zach (1669-1773), the Director of Music at the Mainz Cathedral, the final Tantum ergo in B flat major was for the most part identical to KV 142. Zach's work is 43 measures long instead of the 63 measures of KV 142, although the Amen coda is missing. For some unknown reason, Mozart made a few changes to Zach's composition and through the addition of the coda extended the work by twenty measures. Score available separately - see item CA.4003800.

Soprano voice solo, SATB choir, 2 clarino/trumpet, 2 violin, viola, basso continuo

SKU: CA.4003809

Nach Johann Zach. Composed by Wolfgang Amadeus Mozart. Edited by Hellmut Federhofer. Arranged by Eberhard Kraus. This edition: urtext. Stuttgart Urtext Edition: Mozart. Tantum Ergo In B Neu 2002. Sacred vocal music, Corpus Christi, Eucharist, Communion. Single Part, Baroque Trumpet 1+2. Composed circa 1772. KV 142 (Anh. 186d). 4 pages. Duration 5 minutes. Carus Verlag #CV 40.038/09. Published by Carus Verlag (CA.4003809).

ISBN 9790007217044. Key: B flat major. Language: Latin.

In 1965 Robert Munster, the Mozart scholar, determined that in a manuscript copy containing 13 settings of the Tantum ergo by Johann Zach (1669-1773), the Director of Music at the Mainz Cathedral, the final Tantum ergo in B flat major was for the most part identical to KV 142. Zach's work is 43 measures long instead of the 63 measures of KV 142, although the Amen coda is missing. For some unknown reason, Mozart made a few changes to Zach's composition and through the addition of the coda extended the work by twenty measures. Score and part available separately - see item CA.4003800.

Soprano voice solo, SATB choir, 2 clarino/trumpet, 2 violin, viola, basso continuo

SKU: CA.4003849

Nach Johann Zach. Composed by Wolfgang Amadeus Mozart. Edited by Hellmut Federhofer. Arranged by Eberhard Kraus. This edition: urtext. Stuttgart Urtext Edition: Mozart. Tantum Ergo In B Neu 2002. Sacred vocal music, Corpus Christi, Eucharist, Communion. Single Part, Organ. Composed circa 1772. KV 142 (Anh. 186d). 2 pages. Duration 5 minutes. Carus Verlag #CV 40.038/49. Published by Carus Verlag (CA.4003849).

ISBN 9790007217105. Key: B flat major. Language: Latin.

In 1965 Robert Munster, the Mozart scholar, determined that in a manuscript copy containing 13 settings of the Tantum ergo by Johann Zach (1669-1773), the Director of Music at the Mainz Cathedral, the final Tantum ergo in B flat major was for the most part identical to KV 142. Zach's work is 43 measures long instead of the 63 measures of KV 142, although the Amen coda is missing. For some unknown reason, Mozart made a few changes to Zach's composition and through the addition of the coda extended the work by twenty measures. Score and part available separately - see item CA.4003800.

Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.2708203

Composed by Jan Dismas Zelenka. Edited by Wolfgang Horn. Sacred vocal music, Masses, Latin. Vocal score. ZWV 14. 76 pages. Duration 38 minutes. Carus Verlag #CV 27.082/03. Published by Carus Verlag (CA.2708203).

ISBN 9790007188603. Language: Latin.

Jan Dismas Zelenka's Missa Sancti Josephi occupies a key position among his circa twenty large masses. In this mass, probably composed in 1732 for a feast of a Saint (thus, without a Credo), for the first time the composer took up the operatic style of Johann Adolf Hasse - the latter had first performed his opera Cleofide in Dresden in 1731. Zelenka's unmistakable individuality created a completely independent work with great technical demands which in many details presages the important masses among his late works. The sole source for the first edition of this mass, published here for the first time, is a considerably damaged autograph score which. It is preserved in the Sachsische Landes- und Universitatsbibliothek Dresden. For the Carus edition the experienced Zelenka scholar Wolfgang Horn has expertly reconstructed the missing passages. Score available separately - see item CA.2708200.

Score and Parts Concert Band; Wind Orchestra (Score & Parts) - Grade 5

SKU: HL.4008644

Wind Orchestra, Grade 5, 12:45 Score and Parts. Composed by Johann Sebastian Bach. Arranged by Franco Cesarini. Editions Franco Cesarini. Classical, Fugue. Softcover. Duration 765 seconds. Hal Leonard #EFC004-CBHA. Published by Hal Leonard (HL.4008644).

ISBN 9798350115024. UPC: 196288189695.

The Passacaglia is a set of instrumental variations based on an ostinato bass. Bach's Passacaglia and Fugue in C-minor for organ represents the pinnacle of what had been achieved in this compositional form at that time. In Franco Cesarini’s arrangement for large wind orchestra, the particularly careful interpretation of the original piece enables him to exploit all the sound colors at his disposal, and in this sumptuous guise Bach's work also takes on a grandiose dimension, albeit tinged with late-Romanticism. The exposition of the beautiful theme begins in the bass part, immediately creating a solemn and serious atmosphere which is accentuated by the intensely pathetic character of the first variations. Up to the tenth variation it remains confined to the bass, but in subsequent ones it also passes to the soprano and alto register. The integrity of the theme is also embellished with elegant arpeggios, in whose lower and higher extensions the theme can be distinguished. Towards the end it returns to the bass in an impressive thickening of the polyphonic texture that swiftly re-establishes the key of C-minor. The “Thema fugatum” which follows immediately does not constitute a Fugue in its own right, rather it is nothing but the twenty-first and most extensive variation of the Passacaglia. This time Bach uses only the first half of the theme, superimposing a rhythmic countersubject that considerably enlivens the entire development of the composition. The polyphonic discourse becomes increasingly dense, until the building tension peaks in a powerful “Neapolitan sixth” chord, followed by a sudden pause. This culminating moment then leads to the coda and final cadence on a bright C-major chord.

Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.2708209

Composed by Jan Dismas Zelenka. Edited by Wolfgang Horn. 1x 27.082/21 flute 1, 1x 27.082/22 flute 2, 1x 27.082/23 oboe 1, 1x 27.082/24 oboe 2, 1x 27.082/31 horn 1, 1x 27.082/32 horn 2, 3x 27.082/33 Trombone 1+2 and timpani. Harmony parts. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. ZWV 14. Duration 38 minutes. Carus Verlag #CV 27.082/09. Published by Carus Verlag (CA.2708209).

ISBN 9790007242985. Language: Latin.

Jan Dismas Zelenka's Missa Sancti Josephi occupies a key position among his circa twenty large masses. In this mass, probably composed in 1732 for a feast of a Saint (thus, without a Credo), for the first time the composer took up the operatic style of Johann Adolf Hasse - the latter had first performed his opera Cleofide in Dresden in 1731. Zelenka's unmistakable individuality created a completely independent work with great technical demands which in many details presages the important masses among his late works. The sole source for the first edition of this mass, published here for the first time, is a considerably damaged autograph score which. It is preserved in the Sachsische Landes- und Universitatsbibliothek Dresden. For the Carus edition the experienced Zelenka scholar Wolfgang Horn has expertly reconstructed the missing passages. Score and parts available separately - see item CA.2708200.

Soli SATB Voices, SATB Choir, 2 Fl, 2 Ob, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.2708205

Composed by Jan Dismas Zelenka. Edited by Wolfgang Horn. Sacred vocal music, Masses, Latin. Sacred vocal music, Masses, Latin. Choral Score. ZWV 14. 28 pages. Duration 38 minutes. Carus Verlag #CV 27.082/05. Published by Carus Verlag (CA.2708205).

ISBN 9790007241971. Language: Latin.

Jan Dismas Zelenka's Missa Sancti Josephi occupies a key position among his circa twenty large masses. In this mass, probably composed in 1732 for a feast of a Saint (thus, without a Credo), for the first time the composer took up the operatic style of Johann Adolf Hasse - the latter had first performed his opera Cleofide in Dresden in 1731. Zelenka's unmistakable individuality created a completely independent work with great technical demands which in many details presages the important masses among his late works. The sole source for the first edition of this mass, published here for the first time, is a considerably damaged autograph score which. It is preserved in the Sachsische Landes- und Universitatsbibliothek Dresden. For the Carus edition the experienced Zelenka scholar Wolfgang Horn has expertly reconstructed the missing passages. Score available separately - see item CA.2708200.