SKU: YM.GTP01101526

ISBN 9784636112122. 8.75 x 12 inches.

The New WAKU WAKU Piano Technique Series is the essential piano technique books for children prior to Hanon exercises and the trusted Japanese piano skilled books. Learn the basics of piano playing with simple and short sheet music. Each book in the series features titles and illustrations based on children's daily lives, allowing players to add expression to the music while imagining the scenes. With a total of 7 volumes, each volume is structured with 7-8 steps. Each step has a clearly defined practice objective, enabling efficient strengthening of foundational skills. Suitable for use from around 4 years old, it can be used in conjunction with any song collection, making it recommended for all students! Piano Technique 1, 2, 3 Volumes: Learn basic techniques such as staccato and legato with simple sheet music. Effective for strengthening fingertips and muscles, expanding the range of volume and expressiveness. Fingering Exercises allow practicing finger usage without producing sound, and it is beneficial to focus on fingertips and wrist form while using them. Transposing Exercises provide a fun experience of transposing playing with the teacher's accompaniment. Scale & Arpeggio 1 and 2 Volumes: Acquire basic finger usage using short phrases. Highly effective for students who cannot play 1-octave scales or get stuck in the middle of phrases. Transposing Exercises provide an enjoyable experience of transposing playing with the teacher's accompaniment. A la carte 1 and 2 Volumes: Experience various techniques such as ornamentation, unison, octaves, pedal, and more. Since these involve short phrases, you can play without exerting too much force, allowing for practice with a focus on relaxation.

SKU: CF.BF141

ISBN 9781491159989. UPC: 680160918584.

The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.

The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.

The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.

The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917.

Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance. The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos. The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience. The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917. Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.The first movement, “Prayer”, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, “The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski’s (1912–1991) now well-known setting of the High Holyday prayer Avinu Malkenu.” This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both “Prayer” and Janowski’s Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.The second movement, “Supplication” (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, “Jewish Song”, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch’s most celebrated work, Schelomo in 1917.Though the popularity of Bloch’s oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America’s composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.

SKU: YM.GTP01101530

ISBN 9784636112160. 8.75 x 12 inches.

The New WAKU WAKU Piano Technique Series is the essential piano technique books for children prior to Hanon exercises and the trusted Japanese piano skilled books. Learn the basics of piano playing with simple and short sheet music. Each book in the series features titles and illustrations based on children's daily lives, allowing players to add expression to the music while imagining the scenes. With a total of 7 volumes, each volume is structured with 7-8 steps. Each step has a clearly defined practice objective, enabling efficient strengthening of foundational skills. Suitable for use from around 4 years old, it can be used in conjunction with any song collection, making it recommended for all students! Piano Technique 1, 2, 3 Volumes: Learn basic techniques such as staccato and legato with simple sheet music. Effective for strengthening fingertips and muscles, expanding the range of volume and expressiveness. Fingering Exercises allow practicing finger usage without producing sound, and it is beneficial to focus on fingertips and wrist form while using them. Transposing Exercises provide a fun experience of transposing playing with the teacher's accompaniment. Scale & Arpeggio 1 and 2 Volumes: Acquire basic finger usage using short phrases. Highly effective for students who cannot play 1-octave scales or get stuck in the middle of phrases. Transposing Exercises provide an enjoyable experience of transposing playing with the teacher's accompaniment. A la carte 1 and 2 Volumes: Experience various techniques such as ornamentation, unison, octaves, pedal, and more. Since these involve short phrases, you can play without exerting too much force, allowing for practice with a focus on relaxation.

SKU: CY.CC2953

ISBN 9790530057728.

Ralph Sauer has arranged two lovely and contrasting short works by Germaine Tailleferre for Trombone and Piano. Tailleferre was the only female member of the famous French Les Six.

1. Berceuse, originally for Violin and Piano lilts and floats in a calm and lyrical stream of dreamy phrases.

2. Pastorale originally for solo Piano is a playful movement in mixed meter alternating between legato and articulated phrases.

Together they are total about 5 minutes in length and are appropriate for advanced performers.