SKU: HF.FH-7043
ISBN 9790203470434. 8.3 x 11.7 inches.
1. Symphonie Nr. 1 (c-Moll), op. 68; 2. Symphonie Nr. 2 (D-Dur), op. 73; 3. Symphonie Nr. 4 (e-Moll), op. 98; 4. Tragische Ouverture (d-Moll), op. 81; 5. Akademische Festouverture (c-Moll), op. 80; 6. Serenade Nr. 1 (D-Dur), op. 11; 7. Klavierkonzert Nr. 1 (d-Moll), op. 15; 8. Klavierkonzert Nr. 2 (B-Dur), op. 83; 9. Konzert fur Violine und Violoncello, op. 102; 10. Violinkonzert (D-Dur), op. 77; 11. Ein deutsches Requiem, op. 45.
SKU: CA.4006412
ISBN 9790007060138. Key: D minor. Language: Latin/English.
The Bohemian composer Jan Dismas Zelenka was a double bass player and church music composer at the Saxon court of the Elector August the Strong and his son Friedrich August II. In the years after 1721 he composed an extensive repertoire of Catholic church music together with the Kapellmeister Johann David Heinichen. These works, together with the Dresden operas composed by Johann Adolf Hasse in quick succession from 1731 onwards, established the reputation of the Saxon court as one of the most important musical centers of the late Baroque period. Zelenka composed this psalm setting De profundis in D minor ZWV 97 in 1724 on the death of his father, including a concluding Requiem verse. This was later replaced by the lesser doxology so that the work can be performed in the office of Christmas week. Both endings are included in this new edition. Three trombones, used as an independent instrumental group, give the work a special tonal color. Score and part available separately - see item CA.4006400.
SKU: TM.02951SC
Chs sold separately; Transposed: hn 1+2, cl orig in Bb.
SKU: BT.PMC3599
Each of the five connected movements in this choral cycle contains references to 'Light,' assembled from various sacred Latin texts. I composed Lux Aeterna in response to my mother's final illness and found great personal comfortand solace in setting to music these timeless and wondrous words about Light, a universal symbol of illumination at all levels - spiritual, artistic and intellectual. The work opens and closes with the beginning and ending of theRequiem Mass, with the central three movements drawn respectively from the Te Deum, O Nata Lux and Veni, Sancte Spiritus. The opening Introitus introduces several themes that recur later in the work and includes an extended canonon et lux perpetua. In Te, Domine, Speravi contains, among other musical elements, the cantus firmus Herzliebster Jesu (from the Nuremburg Songbook, 1677) and a lengthy inverted canon on fiat misericordia. O Nata Lux and Veni,Sancte Spiritus are paired songs, the former an a cappella motet at the center of the work and the latter a spirited, jubilant canticle. A quiet setting of the Agnus Dei precedes the final Lux Aeterna, which reprises the openingsection of the Introitus and concludes with a joyful celebratory Alleluia. --Morten Lauridsen.
SKU: BT.PMC3367
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