SKU: CA.5199805
ISBN 9790007131760. Key: G minor. Language: Latin.
Haydn composed his four-movement Salve Regina at Eisenstadt in 1770/71. It is distinguished by its use of the organ as a solo instrument. Here Haydn proves himself a master of the musical setting of the Marian text. Originally written for four solo singers, it may also be performed chorally. Score available separately - see item CA.5199800.
SKU: CA.966900
ISBN 9790007181062. Text language: Latin.
This is how the composer presents the coming glory which, according to the text, is experienced in Holy Communion (the Lord's Supper, the Eucharist): magnificent, solemn, exalted, and exuberant. To achieve this, Schurch exploits the polychoral compositional techniques of the late Renaissance to the full. He combines these with syncopated rhythmic overlayerings which inject energy into the repeated upswings leading to the grandiose concluding Halleluja. With its colorful sonority and dynamic range from pianissimo to a tremendous fortissimo, the piece is effective in concert performance or in competition.
SKU: VD.ED99623
ISBN 9790202006238. 11.69 x 8.26 inches.
SKU: HP.1829
UPC: 763628141349.
Christmas hymn This version of Unto Us a Child is Born is a joyous Christmas anthem for handbells, organ with optional SATB choir based on ancient Latin text and tune. The bell part is written in block chords but the tempo is fast. Neither the bell part nor the choral score is stand-alone. Measures total 143.
SKU: CA.411025
ISBN 9790007183592. Key: C major. Language: Latin.
Score available separately - see item CA.411000.
SKU: CA.2728919
ISBN 9790007201074. Key: C major. Language: Latin.
In the 17th and 18th centuries, Salzburg, where Leopold Mozart was Assistant Court Music Director, was a center for polyphonic Offertory settings and multimovement offertory concerti, which developed into a main genre of Catholic liturgical music in the south German region.The Salzburg Cathedral seems an obvious choice, which the solemn orchestration with trumpets and timpani would support. Score and parts available separately - see item CA.2728900.
SKU: GI.G-6028
UPC: 785147602804. English. Text Source: Ref.: 1 Corinthians 13:13, vv.: Ubi caritas, Latin, 9th c., adapt. Ronan McDonagh. Scripture: 1 Corinthians 13:13.
A beautiful setting of the Corinthians text (with additional text from the translation of “Ubi caritasâ€) that may be done a cappella or with keyboard supporting the voices. A soloist sings the verses over a humming chorus. Keyboard accompaniment is optional.
SKU: CA.5103319
ISBN 9790007145743. Key: F major. Language: Latin.
The first 18 bars come from a joint autograph of Leopold and Wolfgang Amadeus Mozart. Score and parts available separately - see item CA.5103300.
SKU: PE.HX9001
A driving samba with modest ranges and a fiery sax soli section, Porto Alegre features carefully notated rhythm section parts, suggested piano voicings, a transcribed solo for trombone and/or trumpet, and great input from every section. The entire ensemble gets in on the action and there are optional parts for flute/violin, clarinet and F horn, with the lead trumpet range to written F top of staff. A fresh approach to jazz for developing ensembles!
SKU: CA.4005303
ISBN 9790007086374. Key: F major. Language: Latin/English.
Score available separately - see item CA.4005300.
SKU: BA.BA09038-91
ISBN 9790006566730. 27 x 19 cm inches. Text Language: Latin.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: AP.1-ADV8107
ISBN 9783892217763. UPC: 805095081077. English.
This piece exemplifies contemporary Cuban chamber music, offering a variety of technical and interpretative possibilities for both instrumentalists.
SKU: CA.5427860
ISBN 9790007110512. Key: C major. Language: Latin.
SKU: GI.G-7797CD
UPC: 785147779728. English, Latin.
The cornerstone of your choral library Compiled from GIA's best sellers and newer gems, each volume in the CHORAL ESSENTIALS series highlights a particular season and includes pieces in a variety of styles, voicings, and instrumentation.   Invaluable as a planning tool…    …affordable enough to purchase copies for your entire choir!  Included in this edition: G-3064 Pentecost Psalm - Richard Proulx G-3915 Send Down the Fire - Marty Haugen G-4433 That Easter Day - Burton Bumgarner G-5133 Concertato on Go to the World! - Ralph Vaughan Williams, arranged James Chepponis G-5272 Come, Holy Spirit - Christopher Tye, edited William Tortolano G-5420 Alleluia, Christ Is Risen - Carol Browning G-5576 Two Songs for Easter: Surrexit Christus and Jubilate, Servite - Taizé Community G-5630 Let in Joy This Easter Day - Peter Niedmann G-5650 Neither Death nor Life - Marty Haugen G-6139 Psalm and Gospel Acclamation for Easter: This Is the Day - Stephen Pishner G-6266 Easter Days - Alice Parker G-6665 Concertato on Christ Is the World's Redeemer - John Ferguson G-6951 Rise to Sing! The Light Is Breaking - William P. Rowan, arranged Carlton R. Young G-6952 Go Out - Ian Callanan G-7307 This Is the Day - Chris de Silva  .
SKU: BR.EB-9362
ISBN 9790004188323. 7.5 x 10.5 inches. German.
The German Requiem is one of the world's most famous requiems, even though it does not set the customary requiem text to music. Brahms did not want to follow the Latin Catholic funeral mass, addressing the Last Judgment's terror and sinful human beings' redemption through death on the cross. His attention, on the contrary, was on Biblical texts that focus on human transience and comfort: comfort to the bereaved and comfort to all who fear death. To some extent, it could be called the epitome of Brahms's work. In the relevant volume of the new Brahms Complete Edition, on which this new practical edition is based, editors Michael Musgrave and Michael Struck clear up all sorts of legends, errors, and erroneous readings. Brahms's subsequent minor compositional changes are taken into account, poor decisions in previous editions are corrected, and the Bible texts sung contain writing and meaning corrections. In addition, the texts elucidate many myths about the composition's origin. Thus, this Urtext edition creates a fresh perspective on the People's Requiem, as Brahms would have preferred to call the composition. This new B&H publication is extremely good value, and it really does breathe new life into an old master. The pages of the full score are delightfully easy on the eye. The edition's visual effect is precise, lucid, and sympathetic - as, indeed, a good performance of Brahms's choral masterpiece should be.(Jeremy Summerly, Choir & Organ)new piano vocal score with compact engraving and clear legibility; music-text page better spaced out to facilitate reading; page division largely retained overall to facilitate rehearsals; vocal-text reading corrected to conform to the Bible.
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