SKU: CA.9127006
ISBN 9790007234867. Language: Latin.
The first performance will take place on 29 May in Brixen Cathedral. The solemn mass for choir, organ and winds can be performed using a flexible ensemble. The basic scoring calls for a mixed choir and organ. The range of the individual singing voices is limited and the musical shape of the parts is simple and clearly laid out, so that an amateur choir can sing the entire mass (including solos) chorally. Score available separately - see item CA.9127000.
SKU: CA.9127005
ISBN 9790007163709. Language: Latin.
SKU: BA.BA11309
ISBN 9790006577705. 27 x 19 cm inches. Text Language: English.
It is a small music history sensation: Thanks to Yves Grard an unknown and unpublished manuscript penned by Camille Saint-Saëns has been unearthed in the Mdiathèque Jean Renoir in Dieppe in France.It is the top four instrumental parts which make this manuscript something of a sensation. Placed under each other are â??Saxophone Soprano en Si bâ?, â??Saxophone Alto en Mi bâ?, â??Saxophone Tnor en Si bâ? and â??Saxophone Baryton en Mi bâ?, strings, soprano solo with chorus and organ. Musical history has hitherto credited Jean-Baptiste Singele (1812â??1875) with having written the first saxophone quartet, his opus 53, which he completed in 1857. Now this historiography clearly has to be revised. The date 1854 has been found under the first page of the treasure from Dieppe, which is pasted over and also sewn, meaning that Saint-Saënsâ?? work was written three years earlier than that of Singele.In contrast to Singele, Saint-Saëns does not have the wind instruments taking solo parts but rather uses their tonal colour to depict textual moods and nuances. On the one hand the saxophones accompany the choral parts (certainly singable by amateurs) and support the human voices in fugal passages. On the other hand, they take the melody in the purely orchestral passages.Saint-Saëns wrote the motet in the period when he had taken up his first permanent appointment as organist at the Church of Saint-Merri in Paris. He revised the work several times over the decades, changing the motifs at the beginning, correcting obvious mistakes, reworking the ending, eventually changing the instrumentation several times and even â?? probably in the final stage â?? replacing the Latin text with an English one. Today, three-and-a-half versions have been handed down, one of them stopping after just a few pages. The compositional steps have been successfully reconstructed by means of detailed detective work. Furthermore, the first saxophone version (BA 11305) and the last English piano version (BA 11309) have been edited to produce a scholarly-critical edition.The present edition of the English version for soprano solo, choir and piano (BA 11309) serves both as a full score and as a vocal score due to the instrumentation.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: ST.EM24
ISBN 9790220209888.
CONTENTS Ah, cruel, hateful fortune (SSA(orT)A(orT)T(orB)B) Ah, sweet, alas, when first I saw (SSATB) Alas, what hope of speeding (SST(orA)B) Bright Phoebus greets most clearly (SSAT (or A) T (or A) B) Farewell, my love (SSAT) If pity reign with beauty (SSATB) I love, alas, yet am I not beloved (SSAA (or T) TB) Lo, here my heart I leave (SSTB) Mourn now, my soul (SSATB) Must I part, O my jewel? (SSAATB) O heavens, what shall I do? (SSATB) See what a maze of error (SSATB) She that my plaints (SSAT (or A) B) Sleep now, my Muse (SSAATB) Sleep now, my Muse (SSAT) Sorrow consumes me (SSATB) Sound out, my voice (SSATB) Sweet love, 0 cease thy flying (SSA (or T) TB) That Muse which sung (SSATB) Up then, Melpomene (SSAT (or A) T (or B) B) What can I do, my dearest? (SSAB) What, shall I part thus? (SSAT (or A) B) Why should I love? (SSATB) Why wail we thus? (SSAT (or A) TB) With Angel's face and brightness (SSAT (or A) T (or A) B) Woe am I, my heart dies (SSAB).
SKU: GI.G-008303
UPC: 641151083032. English, Greek.
Here is the title piece from Rory Cooney‚ CD and music collection, Christ the Icon (CD 008300, Music Collection 008301). Rory‚ propensity for thought-provoking and life-changing texts is clearly evident in this piece as well as throughout the complete collection.
SKU: GI.G-006278
UPC: 641151062785.
Rudy‚ second composition to be published with WLP is his clearly written setting of Psalm 27. This instant‚ choir psalm response is musically engaging and displays delicate charm. The refrain is written for three-part choir, the verses are written with your cantors in mind. The final verse integrates a simple four-part vocal framework beneath the cantor‚ lyrical lines and leads directly into the final refrain.
SKU: CA.9127049
ISBN 9790007234881. Language: Latin.
The first performance will take place on 29 May in Brixen Cathedral. The solemn mass for choir, organ and winds can be performed using a flexible ensemble. The basic scoring calls for a mixed choir and organ. The range of the individual singing voices is limited and the musical shape of the parts is simple and clearly laid out, so that an amateur choir can sing the entire mass (including solos) chorally. Score and part available separately - see item CA.9127000.
SKU: CA.9127009
ISBN 9790007234874. Language: Latin.
The first performance will take place on 29 May in Brixen Cathedral. The solemn mass for choir, organ and winds can be performed using a flexible ensemble. The basic scoring calls for a mixed choir and organ. The range of the individual singing voices is limited and the musical shape of the parts is simple and clearly laid out, so that an amateur choir can sing the entire mass (including solos) chorally. Score and parts available separately - see item CA.9127000.
SKU: CA.5165119
ISBN 9790007182977. Key: C minor. Language: Latin.
The C Minor Mass K. 427 by Wolfgang Amadeus Mozart is a fascinating work. But to speak of the Mass is inaccurate, for basically it is no more than a musical torso, full of enigmas and problems, yet full of magnificent music. It is hardly surprising that attempts have been made to create a performable version of Mozart's fragment since the 19th century. Depending on the date of reconstruction and background of the arranger, these attempts sound quite different, and often the individual style of the respective arranger can be clearly discerned. Now Frieder Bernius and Uwe Wolf have published a new edition of the Mozart mass which attempts to produce a performing version whilst maintaining the greatest respect for the available material, and without obscuring Mozart's musical manuscript with their own contributions. The joint version by Wolf, a renowned musicologist, and Bernius, an expert in historically-informed performance practice, is based on a thorough knowledge of Mozart's compositions, his notational habits, and church music practice of Mozart's day. At the same time it fully meets the requirements of today's performance practice. As well as the paperback full score, we are publishing a high-quality clothbound full score including a Facsimile Supplement with selected reproductions of the sources. A first recording of this version, with the Kammerchor Stuttgart and the Barockorchester Stuttgart conducted by Frieder Bernius, is also available. Score and parts available separately - see item CA.5165100.
SKU: CA.5165104
ISBN 9790007171803. Key: C minor. Language: Latin.
The C Minor Mass K. 427 by Wolfgang Amadeus Mozart is a fascinating work. But to speak of the Mass is inaccurate, for basically it is no more than a musical torso, full of enigmas and problems, yet full of magnificent music. It is hardly surprising that attempts have been made to create a performable version of Mozart's fragment since the 19th century. Depending on the date of reconstruction and background of the arranger, these attempts sound quite different, and often the individual style of the respective arranger can be clearly discerned. Now Frieder Bernius and Uwe Wolf have published a new edition of the Mozart mass which attempts to produce a performing version whilst maintaining the greatest respect for the available material, and without obscuring Mozart's musical manuscript with their own contributions. The joint version by Wolf, a renowned musicologist, and Bernius, an expert in historically-informed performance practice, is based on a thorough knowledge of Mozart's compositions, his notational habits, and church music practice of Mozart's day. At the same time it fully meets the requirements of today's performance practice. As well as the paperback full score, we are publishing a high-quality clothbound full score including a Facsimile Supplement with selected reproductions of the sources. A first recording of this version, with the Kammerchor Stuttgart and the Barockorchester Stuttgart conducted by Frieder Bernius, is also available. Score available separately - see item CA.5165100.
SKU: GI.G-5566
English. Text Source: Psalm 22. Text by Nicholas Palmer. Scripture: Psalm 22.
The self-descriptive title clearly explains this combination of musically related elements: Psalm 22, Alleluia with verses, and intercessions, compiled and written for this important ritual celebration. A varied setting, with accompaniments for organ or piano, that can be done with cantor and assembly alone or with added SATB voices and descant. Two Horns in F can be substituted for Trumpet II and Trombone I.
SKU: CA.3550311
ISBN 9790007213473. Text language: Latin.
Particularly during the early 1740s, Johann Sebastian Bach concentrated intensely on studying the compositional technique of strict vocal polyphony. As an inspiration, he studied the works of older masters, copying them and, for the most part, performing them as well. A set of single parts for the Missa canonica by Francesco Gasparini in an instrumentation by Bach were recently discovered in the collection of the former Ephoralbibliothek Weissenfels; some of the parts are in Bach's own handwriting. Gasparini was esteemed in Germany particularly as a master of elaborate counterpoint and audacious harmonic writing. Bach amended the music text with a view to certain aspects of performance practice, clearly following a very specific concept of sound organization. His interest in strict counterpoint was paralleled by a tangible re-orientation in Bach's own compositional technique at the beginning of the 1740s. Francesco Gasparini's Missa canonica therefore served as a practical model for the highly developed art of canon writing and the strict polyphony in Bach's late works, as we encounter them, for example, in the B minor Mass. Score and part available separately - see item CA.3550300.
SKU: CA.3550348
ISBN 9790007213497. Language: Latin.
SKU: CA.3550349
ISBN 9790007213503. Language: Latin.
SKU: CA.3550319
ISBN 9790007213480. Text language: Latin.
Particularly during the early 1740s, Johann Sebastian Bach concentrated intensely on studying the compositional technique of strict vocal polyphony. As an inspiration, he studied the works of older masters, copying them and, for the most part, performing them as well. A set of single parts for the Missa canonica by Francesco Gasparini in an instrumentation by Bach were recently discovered in the collection of the former Ephoralbibliothek Weissenfels; some of the parts are in Bach's own handwriting. Gasparini was esteemed in Germany particularly as a master of elaborate counterpoint and audacious harmonic writing. Bach amended the music text with a view to certain aspects of performance practice, clearly following a very specific concept of sound organization. His interest in strict counterpoint was paralleled by a tangible re-orientation in Bach's own compositional technique at the beginning of the 1740s. Francesco Gasparini's Missa canonica therefore served as a practical model for the highly developed art of canon writing and the strict polyphony in Bach's late works, as we encounter them, for example, in the B minor Mass. Score and parts available separately - see item CA.3550300.
SKU: BA.BA08860-90
ISBN 9790006558148. 27 x 19 cm inches. Text Language: French. Preface: Sylvie Bouissou. Text: Louis Fuzelier.
A unique edition - all readings at a glanceThis new edition, in contrast to the array of Bach Cello Suite publications available today, has made use of all the five sources which have come down to us. The basis for this edition is the most reliable of the sources, the manuscript copy in the hand of Anna Magdalena Bach. All variant readings from the four other sources are clearly laid out for performance. Cellists now have the possibility of rendering performances based on just one of the five sources as well as the option of combining the sources in a mixed version.This flyer takes you through our various editions of Bach's Cello Suites.
SKU: CA.4047109
ISBN 9790007069667. Key: D major. Language: Latin.
The division of the Te Deum into two parts at Dresden (and probably also elsewhere) clearly originated in the fact that the Eucharistic blessing was given before the Salvum fac populum tuum. Score and parts available separately - see item CA.4047100.
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