SKU: CL.012-2569-01
A previously unpublished work by Russell Alexander (1877-1915), probably composed before the turn of the 20th century. This edition, created from the composer's original manuscripts, includes full score and parts for contemporary concert band instrumentation. NOTE: this is a completely different musical work from product numbers #013-0183-00 and #013-0867-00. Please view music samples on website to confirm.
SKU: CL.012-4600-01
A ponderous and dramatic march from the King of all march composers! Composed for King’s friend Merle Evans, bandmaster for the Ringling Bros. Barnum & Bailey Circus, Invictus (which means unconquerable) lives up to its title! After a ponderous minor-key first section featuring low brass and woodwinds, the second features an exciting circusy sound. The trio is followed by a return to the minor key, and ends with a rock-solid final section. An excellent choice for more advanced high school, college, and adult bands, Invictus will impress audiences and engage performers from top to bottom!
SKU: CL.012-2179-01
A new setting of one of Tschaikovski’s most beautiful and haunting melodies. Alfred Reed again displays his craft with this adaptation for contemporary wind group of what was originally a piano piece in such a manner as to make it seem as if the composer had originally intended the music for band.
About C.L. Barnhouse Classics Series
Under the editorial supervision of Dr. Alfred Reed, these classics from master composers have been adapted and arranged for concert band. A perfect way to acquaint concert band performers and audiences with some of the greatest classical music of all time!
SKU: BT.DHP-1053790-010
9x12 inches. English-German-French-Dutch.
Der erste Satz des Klarinettenkonzerts, das Allegro, ist kühn und brilliant in seinen technischen Anforderungen in den schnellen Passagen und flüssig und ausdrucksvoll in den lyrischen Abschnitten. Er ist eine spannende Herausforderung für Klarinettisten von heut und war sehr wahrscheinlich ein virtuoses Stück für Klarinettisten im frühen 19. Jahrhundert.Wie so viele Komponisten der Klassik, beschrieb Krommer die Aritkulation von kaum mehr als ein paar Phrasen seiner Soli für Bläser. Infolgedessen nahmen sich die einzelnen Spieler viel Freiheiten, wo und wann sie angestoßen oder gebunden spielten. Artikulation für Bläser, genau wie Bogenbewegung für Streicher, mussflexibel in ihrer Auslegung und Durchführung sein. Die richtige Spielweise ergibt aus dem technischen Können und der Ausdrucksstärke des jeweiligen Spielers. Der Dirigent sollte dies zusammen mit seinem Solisten erarbeiten. Le compositeur et violoniste tchèque Frantisek Vincenc Kramar dont le nom fut germanisé en Franz Vinzenz Krommer, est né le 27 novembre 1759 Kamenice en Moravie occidentale et mort le 8 janvier 1831 Vienne en Autriche. l’adolescence, il est initié l’art du violon et l’orgue par son oncle Anton Matthias Krommer lui-même organiste et chef de chœur. En 1785, il fait un premier séjour Vienne avant de rejoindre l’orchestre du Comte de Limburg-Stirum dont la résidence se trouve Simontornya en Hongrie. Il est engagé d’abord en tant que violon solo de l’orchestre puis plus tard en tant que maître de chapelle. Vers 1790, il obtient le poste de chef de chœur la cathédrale de Pécs. Il quitte cette fonction en 1793 pour entrer au service du Comte Károlyi puis du Prince Antal Grassalkovich. En 1795, suite au décès du prince hongrois, Franz Krommer revient Vienne. Après une longue période d’infortune, il entre comme Maître de Chapelle au service du Duc Ignaz Fuchs, en 1806. Quatre ans plus tard, il est nommé au poste de directeur musical du Thé tre Royal et Impérial de Vienne (Wiener Hoftheater). En 1818, succédant Leopold (Johann Anton) Kozeluch, il devient le dernier Maître de musique de chambre et compositeur de la cour des Habsbourg. Il gardera ses fonctions jusqu’ sa mort en 1831.Franz Krommer était l’un des plus illustres compositeurs tchèques de la Vienne impériale vers la fin du XVIIIe siècle. Sa musique était très appréciée de son vivant et certains le considéraient comme le digne héritier de Joseph Haydn. Son style est indéniablement apparenté ce dernier mais aussi celui de Mozart. Franz Krommer a composé de nombreuses symphonies, des concertos (essentiellement pour instruments vent solistes), des duos pour violons, des quatuors cordes, de la musique de chambre et des œuvres sacrées. Le Concerto pour Clarinette Opus 36 de Krommer a été publié pour la première fois en 1803 chez l’éditeur allemand Johann Anton André.
SKU: BT.DHP-1053790-140
SKU: BT.DHP-1053790-040
Le compositeur et violoniste tchèque Frantisek Vincenc Kramar dont le nom fut germanisé en Franz Vinzenz Krommer, est né le 27 novembre 1759 Kamenice en Moravie occidentale et mort le 8 janvier 1831 Vienne en Autriche. l’adolescence, il est initié l’art du violon et l’orgue par son oncle Anton Matthias Krommer lui-même organiste et chef de chœur. En 1785, il fait un premier séjour Vienne avant de rejoindre l’orchestre du Comte de Limburg-Stirum dont la résidence se trouve Simontornya en Hongrie. Il est engagé d’abord en tant que violon solo de l’orchestre puis plus tard en tant que maître de chapelle. Vers 1790, il obtient le poste de chef de chœur la cathédrale de Pécs. Il quitte cette fonction en 1793 pour entrer au service du Comte Károlyi puis du Prince Antal Grassalkovich. En 1795, suite au décès du prince hongrois, Franz Krommer revient Vienne. Après une longue période d’infortune, il entre comme Maître de Chapelle au service du Duc Ignaz Fuchs, en 1806. Quatre ans plus tard, il est nommé au poste de directeur musical du Thé tre Royal et Impérial de Vienne (Wiener Hoftheater). En 1818, succédant Leopold (Johann Anton) Kozeluch, il devient le dernier Maître de musique de chambre et compositeur de la cour des Habsbourg. Il gardera ses fonctions jusqu’ sa mort en 1831.Franz Krommer était l’un des plus illustres compositeurs tchèques de la Vienne impériale vers la fin du XVIIIe siècle. Sa musique était très appréciée de son vivant et certains le considéraient comme le digne héritier de Joseph Haydn. Son style est indéniablement apparenté ce dernier mais aussi celui de Mozart. Franz Krommer a composé de nombreuses symphonies, des concertos (essentiellement pour instruments vent solistes), des duos pour violons, des quatuors cordes, de la musique de chambre et des œuvres sacrées. Le Concerto pour Clarinette Opus 36 de Krommer a été publié pour la première fois en 1803 chez l’éditeur allemand Johann Anton André.
SKU: CL.012-3176-75
Oil up the valves and slides, take a deep breath and away you go with one of Henry Fillmore's greatest and most dynamic circus marches. At the circus it was used to generate excitement while on the concert stage it's known as show-stopper. Your mature band will love this impressive and challenging arrangement of a true march classic!
About Heritage of the March
Full-sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style
SKU: CL.012-2617-01
A bright holiday selection that will add a real sparkle to your Christmas concert. Not difficult and sounding much harder than it really is, Kris Kringle’s Jingle has the appeal and familiarity that will allow it to be performed for many years to come. EXCELLENT!
SKU: CL.012-1347-00
Mr. Bainum has completely re-scored this fine march to take advantage of the rich and varied instrumentation of the modern concert band, with the same care as to balance and tone color one would use in scoring an overture or other concert piece. Outstanding concert march.
SKU: CL.012-2070-01
Opening with a simple soli canon between various woodwind voices, DEDICATA captures the spirit of stately British band music. Thick harmonies, warm tonal colors, and flowing melodies.
SKU: CL.012-1817-01
A thematically derived work developed fugally, ascending to climactic moments, and then subsid ing in melodious contrast. This serious contest oriented piece ends with an extended ostinato.
About Bach Series arranged by Alfred Reed
Masterful settings for concert band by the venerable Alfred Reed, these works have been scored to achieve richness and beauty without detracting from the textural construction created by Bach himself. Marvelous educational and program material!
SKU: CL.012-1742-00
This piece is one of those little pearls of music. It’s an excellent arrangement, written to feature either solo flute or the entire flute section.
SKU: CL.012-4617-00
Known throughout the world, legendary composer Karl L. King created a treasure trove of wonderful marches that have, without question, stood the test of time. Bunker Hill is no exception and this entertaining 6/8 march, with its pronounced and steady beat, is sure to generate enthusiastic toe tapping from beginning to end. The performance of a King march is simply a can’t miss opportunity for introducing your audience to an undeniable musical giant. An Audience Pleaser!
SKU: CL.012-3817-75
Once in a great while, music is written in such a way that audience members find themselves so emotionally consumed that they are unable to express themselves with immediate applause at its conclusion. Noted composer James Swearingen has created a wonderful hymn setting that is full of emotion and, in a very reflective way, spiritually uplifting. A brief horn solo introduces thematic material that is very expressive and highly satisfying. Beyond words!
SKU: CL.012-3175-01
Envision a musical sleighride through the upper peninsula of Michigan. Playful and energetic, the opening evolves into a plaintive and sensitive segment of the piece that provides great contrast and expressive opportunites. This exceptional piece has several solo passages for alto saxophone, piccolo, flute, oboe, trumpet and clarinet, and is an excellent choice for concert or contest use. Includes a Piano/Keyboard part that adds color to the composition and allows you to feature a budding pianist with your group.
About C.L. Barnhouse Command Series
The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.
SKU: CL.012-4617-01
SKU: CL.012-1817-00
SKU: CL.012-2071-00
From the broad and brilliant opening fanfare to the dramatic and forceful conclusion, this composition is constructed with fresh contemporary sounds which have become this composer’s trademark. This piece is written in four contrasting sections; fanfare, a fast and bold opening statement, a lyric middle section, and a dramatic conclusion.
SKU: CL.012-2544-00
A sparkling piece that begins with a brisk tempo, contemporary rhythms and bold chord changes. Beautiful andante section features a short trumpet solo and lush background writing which provides a wonderful contrast to the fast regatta sections.
SKU: CL.012-2544-01
SKU: CL.012-2977-01
James Swearingen's effective adaptation of this classic assures you that it will work well with younger bands at the medium easy level. Perfect for contest or concert!
SKU: CL.012-2836-01
One of Karl King’s nicest easier marches, perfect for contest or concert performances. Mr. Swearingen’s skillful arrangement is articulated to bring out the best performance by bands of all ages.
SKU: CL.012-2747-01
A distinctive and exciting band work for mature bands that is quite contemporary in nature and will make an outstanding choice for contest or concert performances. The inspirational slower section includes short solo spots for flute, piccolo, F horn, alto sax and trumpet. VERY NICE!
SKU: CL.012-1711-01
Alternating sections of regal brass and bright syncopation, this work combines the traditional passacaglia form with fresh modern harmonies. Interesting parts for every section and a fine offering from a creative composer.
SKU: CL.012-1748-01
A composition student of the late J. Clifton Williams, Robert Foster composed this work for symphonic band as a tribute to Mr. Williams. The work begins with a statement of the primary theme as a fanfare. The theme recurs later in the work in the form of a chorale, and returns even later in the energetic and rhythmic dance section. A recapitulation of the chorale follows, and the work concludes with a brilliant fanfare. This is a unique musical work and an ideal contest selection.
SKU: CL.012-2154-01
This great composition is intended to capture the integrity and intensity of Thomas Edison. Opening with an alternating woodwind quintet- brass choir section, it quickly moves into a fanfare and theme exposition. Warm rich harmonies underscore a lyric trumpet solo which begins the slower middle section. EXCELLENT!
SKU: CL.012-2350-01
One of David Shaffer’s first concert pieces included into the Barnhouse Catalog, and has been a best seller since it’s inclusion! The opening strains are brilliant and brassy, the trio delightfully contrasting, and the final strain will leave you breathless. Surefire Winner!
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version
