SKU: HL.35032262
ISBN 9781540027139. UPC: 888680746728. 9.0x13.5x2.261 inches. Joseph M. Martin/Heather Sorenson.
The Christmas story is told with fresh perspective in this collaborative cantata from Joseph Martin and Heather Sorenson. Throughout time, God has touched and motivated hearts through dreams and visions. Christmas Dreams visits these moments in scripture and connects the experiences of ancient times with our modern journey of faith, pointing to Christ, in whose birth the hopes, yearnings and dreams of all the world are fulfilled. Using traditional carols, newly composed seasonal selections and thoughtful narration, this rich work delivers a tapestry of sound and emotion. Share this cantata with your people and help them discover God's graceful touch in their lives! Songs include: Christmas Dreams Overture; Advent Dreams; The Promise and the Prayer; A New Morning of Promise; Zechariah's Song; Mary's Dream; All Through the Night; Hark! The Herald Angels Sing; The Magi's Epiphany; Christmas Dreams; A Gentle Christmas Blessing.
SKU: HL.48011119
UPC: 073999342437. 9.25x12.2x0.222 inches.
Contents: Winter Night (Sleigh Ride) * Spring Morning.
SKU: CF.PO192S
ISBN 9781491157367. UPC: 680160915927.
Program note: Christmas Fugue, like the charming English folk tune on which it is based, is full of the spirit and fun that is Christmas. After a slow shimmering introduction which imparts an impression of Christmas morning, the fugue subject is abruptly introduced. The fugue subject: We Wish You a Merry Christmas. The work develops through a series of playful musical episodes which afford satisfying opportunities for the various sections of the orchestra. The fugue culminates in a combination of motifs which find the brass heralding the unmistakable arrival of Christmas. The Composer: Dr. Robert Bennett Brown has devoted much of his professional teaching career to musical compositions and arrangements for young orchestral enthusiasts. Christmas Fugue, like other of Dr. Drown's published works, was written in and for the actual teaching situation. At the present time, Robert Bennett Brown is District Supervisor of Music for the Levittown, N.Y. Public Schools. Previously, for some nineteen years, he taught in Bronxville, N.Y. where, as Chairman of Music, he brought about an extremely high level of school orchestral achievement. he was educated at New York University and Teachers College, Columbia University. He has served as a field supervisor of student teaching for New York University and as a general music consultant. For the past two years he has been a member of the New York State Music Regents Committee. To the Conductor: You will find this work to be the conductor's dream. Parts are easy but impressive sounding. The total effect will give your orchestra that typical classical sound so satisfying to performer and listener alike. Full or exact instrumentation is not a must; cross-cues will carry critical areas where a specified instrument may be lacking. Piano, tuba, and saxophone parts are written to accommodate those players where they exist. These parts are not essential to the instrumentation. Though Christmas Fugue is well suited to the interests of high school orchestra pursuits, its grade of difficulty is easily handled by any junior high school group of average ability.  .Program note:Christmas Fugue, like the charming English folk tune on which it is based, is full of the spirit and fun that is Christmas. After a slow shimmering introduction which imparts an impression of Christmas morning, the fugue subject is abruptly introduced. The fugue subject: We Wish You a Merry Christmas. The work develops through a series of playful musical episodes which afford satisfying opportunities for the various sections of the orchestra. The fugue culminates in a combination of motifs which find the brass heralding the unmistakable arrival of Christmas.The Composer:Dr. Robert Bennett Brown has devoted much of his professional teaching career to musical compositions and arrangements for young orchestral enthusiasts. Christmas Fugue, like other of Dr. Drown's published works, was written in and for the actual teaching situation.At the present time, Robert Bennett Brown is District Supervisor of Music for the Levittown, N.Y. Public Schools. Previously, for some nineteen years, he taught in Bronxville, N.Y. where, as Chairman of Music, he brought about an extremely high level of school orchestral achievement. he was educated at New York University and Teachers College, Columbia University. He has served as a field supervisor of student teaching for New York University and as a general music consultant. For the past two years he has been a member of the New York State Music Regents Committee.To the Conductor:You will find this work to be the conductor's dream. Parts are easy but impressive sounding. The total effect will give your orchestra that typical classical sound so satisfying to performer and listener alike. Full or exact instrumentation is not a must; cross-cues will carry critical areas where a specified instrument may be lacking. Piano, tuba, and saxophone parts are written to accommodate those players where they exist. These parts are not essential to the instrumentation. Though Christmas Fugue is well suited to the interests of high school orchestra pursuits, its grade of difficulty is easily handled by any junior high school group of average ability. .
SKU: CF.PO192F
ISBN 9781491157374. UPC: 680160915934.
SKU: AP.50828
ISBN 9781470666217. UPC: 038081584829. English.
Three beautiful tunes in an easy medley! Songs of Mexico is a set of three traditional Mexican folk songs arranged by Bob Phillips for beginning string orchestra. The entire piece can be played on the D and A strings for violins, violas, and cellos, while basses play on the D and G strings. A la Rorro Niño (to the boy/special/darling child) is an infant slumber song. Un Elefante Se Balanceaba (one elephant was balancing) is about an elephant balancing on a spider web with more elephants joining as the song progresses; for example, the second verse would be two elephants, the third verse would be three elephants, and so on. Luz de la Mañana (morning light) is a children's song about morning. (2:05) Correlates to Sound Innovations, Book 1, Level 4.
SKU: AP.50828S
ISBN 9781470666224. UPC: 038081584836. English.
SKU: KJ.SO371F
UPC: 8402704681.
Daybreak musically depicts the early morning, just prior to first light, evolving through the quiet first morning twilight into the majesty of dawn. The slow and peaceful opening builds to a grand and full moment, giving way to an Allegro section that features rhythmic motives and striking harmonies. A winner from the desk of Bud Woodruff! Duration: 2:48.
SKU: KJ.SO371C
UPC: 8402704683.
SKU: AP.43746S
UPC: 038081504834. English. English Folk Song.
The perfect first orchestra experience, this tune is straightforward and beautifully simple. All parts remain in 1st position and include only the most basic rhythms. (1:45).
About Orchestra Expressions
Play great songs such as Over the Rainbow, Batman, This Land Is Your Land, and Star Wars (Main Title). Listen to and play a variety of styles of music: popular, traditional, classical, folk and patriotic. Read and write music; compose and improvise. Perform in a concert and play for your family and friends. Be a conductor of the orchestra. Learn about composers, such as Antonin Dvorak, Johann Pachelbel, Jacques Offenbach, Pytor Ilyich Tchaikovsky, Giuseppe Verdi, George M. Cohan, George Frideric Handel, Ludwig van Beethoven, Johann Sebastian Bach, Wolfgang Amadeus Mozart, Giacomo Puccini, Georges Bizet, Neal Hefti, and John Williams. Discover how music and art are related. Learn about a variety of musical ensembles including string orchestra, full orchestra, mariachi band, steel drum band, dixieland jazz band, rock band, and more. Play music from around the world, including North America, Europe, Latin America, Asia, and Africa.
SKU: AP.49434
ISBN 9781470650629. UPC: 038081571409. English.
A stunning arrangement of the incredible masterwork Peer Gynt Suite No.1, Op. 46! It is perfect for string orchestra alone, or with added instruments up to a full orchestra. This setting, by Chris M. Bernotas, offers the opportunity to explore the entire suite. All four movements are presented in approachable keys and are abridged to the perfect length and difficulty level for your next concert. (5:30).
SKU: FG.55011-610-8
ISBN 9790550116108.
Two Mythical Scenes for orchestra was completed in 1956, when Sallinen was Aarre Merikanto's composition student for his second term. The work received its premiere performance only after a good deal of pressure from Prof. Merikanto's side, and was finally premiered in a concert by the Sibelius Academy Symphony Orchestra, conducted by Jussi Jalas. The work received opus number 1, as it was the first publicly performed work by Sallinen. The composer has told that he was inspired by a 1947 book published by the Finnish Literary Society (SKS) Myytillisia kuvia (Mythical Scenes/Images). The second movement of the work, Kalmanvaen joulukirkko (The Christmas Service of the Dead) is based on the stories in which the dead rise from their graves early in the Christmas Day morning to attend their own special ceremony led by a dead priest. The opening movement Kulkue (Procession) depicts the dead in a procession towards the church. In 2020 Sallinen revised the score slightly. In his own words with very small changes helping the sixty years younger and less experienced self. The revisions mostly concerned nuances and dynamics, bowings and some bridges. The original structure, rhythmic and harmonic world is still the same as they were when young Sallinen composed the work in 1956.
SKU: AP.BFOM00012C
UPC: 654979184683. English. Setting by Robert W. Smith.
Based upon the traditional carol Away in a Manger, this setting for full orchestra explores contemporary harmonies and textures. The carol is structured in 4/4 time as opposed to the customary 3/4 time, which allows the listener to enjoy the melody from a totally new perspective. This innovative arrangement will complete any holiday program. (3:50).
SKU: SU.91410150
Instrumentation: 2,picc 2,eh 2,bcl 2,cbn; 4331; timp, 3perc, hp, pno; str Duration: 13' Composed: 1986; Revised: 1999 Full Score & Parts: available on rental Published by: Subito Music Publishing.
SKU: PR.416415760
UPC: 680160636532. 9 x 12 inches.
The 1712 Overture stands out in P.D.Q. Bach's oeuvre for two reasons, among others: it is by far the most programmatic instrumental piece among those by the minimeister of Wein-am-Rhein so far unearthed, and 2) its discovery has led to a revelation about the composer's father, Johann Sebastian Bach, that has exploded like a bombshell on the usually serene musicological landscape. The overture is based on an anecdote told to P.D.Q. Bach by a cousin, Peter Ulrich. Since P.U. Bach lived in Dudeldorf, only a few miles down the road from Wein-am-Rhein, he was P.D.Q.'s closest relative, and he was, in fact, one of the few members of the family who was on speaking terms with P.D.Q. The story, related to P.D.Q. (fortunately for us posterity types) in a letter, may be summarized thus: The town of Dudeldorf was founded by two brothers, Rudi and Dieter Dudel, early in the 18th century. Rudi remained mayor of the newborn burg for the rest of his long life, but Dieter had a dream of starting a musicians' colony, an entire city devoted to music, which dream, he finally decided, could be realized only in the New World. In 1712, he and several other bagpipers sailed to Boston, never to return to Germany. (Henceforth, Rudi became known as der deutscher Dudel and Dieter as the Yankee Dudel). Unfortunately, the head of the Boston Musicians' Guild had gotten wind of Dudel's plans, and Wilhelm Wiesel (pron. VEE-zle), known none too affectionately around town as Wiesel the Weasel, was not about to share what few gigs there were in colonial America with more foreigners and outside agitators. He and his cronies were on hand to meet Dudel's boat when it pulled into Boston Harbor; they intended to prevent the newcomers' disembarkation, but Dudel and his companions managed to escape to the other side of the bay in a dinghy, landing with just enough time to rent a carriage and horses before hearing the sound of The Weasel and his men, who had had to come around the long way. The Germans headed West, with the Bostonians in furious pursuit. soon the city had been left far behind, and by midnight so had the pursuers; Dieter Dudel decided that it was safe for him and his men to stop and sleep until daybreak. When they awoke, they found that they were in a beautiful landscape of low, forested mountains and pleasant fields, warmed by the brilliant morning sun and serenaded by an entrancing variety of birds. Here, Dudel thought, her is where I will build my colony. The immigrants continued down the road at a leisurely pace until they came upon a little church, all by itself in the countryside, from which there suddenly emanated the sounds of a pipe organ. At this point, the temptation to quote from P.U. Bach's letter to P.D.Q. cannot be resisted: They went inside and, after listening to the glorious music for a while, introduced themselves to the organist. And who do you think it was? Are you ready for this -- it was your old man! Hey, no kidding -- you know, I'm sure, that your father was the guy to get when it came to testing new organs, and whoever had that one in Massachusetts built offered old Sebastian a tidy sum to go over there and check it out. The unexpected meeting with J.S. Bach and his sponsors was interrupted by the sound of horse hooves, as the dreaded Wiesel and his men thundered on to the scene. They had been riding all night, however, and they were no spring chickens to start with, and as soon as they reached the church they all dropped, exhausted, to the ground. The elated Germans rang the church bells and offered to buy everyone a beer at the nearest tavern. There they were taught, and joined in singing, what might be called the national anthem of the New World. The melody of this pre-revolutionary patriotic song is still remembered (P.D.Q. Bach quotes it, in the bass instruments, near the end of the overture), but is words are now all but forgotten: Freedom, of thee we sing, Freedom e'er is our goal; Death to the English King, Long live Rock and Ross. The striking paucity of biographical references to Johann Sebastian Bah during the year 1712 can now be explained: he was abroad for a significant part of that year, testing organs in the British Colonies. That this revelation has not been accepted as fact by the musicological establishment is no surprise, since it means that a lot of books would have to be rewritten. The members of that establishment haven't even accepted the existence of P.D.Q. Bach, one of whose major works the 1712 Overture certainly is. It is also a work that shows Tchaikowsky up as the shameless plagiarizer that some of us have always known he was. The discovery of this awesome opus was made possible by a Boston Pops Centennial Research Commission; the first modern performance took place at the opening concert of the 100th anniversary season of that orchestra, under the exciting but authentic direction of John Williams.
SKU: AP.44839
UPC: 038081518367. English.
This work sensitively conveys the rising sun as it first greets America each morning on Cadillac Mountain at Acadia National Park. Written by Andrew H. Dabczynski in celebration of that park's centennial, this enchanting piece provides an opportunity for young string players to musically express the magic of dawn on the mountain, of light sparkling on the ocean, of swelling seas as a squall approaches, and of the returning calm as the light recedes. Acadia First Light will transport players and audiences alike to Acadia, that treasured national gem. (3:30).
SKU: AP.47466
ISBN 9781470654542. UPC: 038081544762. English.
Inspired by a painting of the same name, this engaging work by Todd Parrish features memorable rhythmic patterns of sixteenth notes, flat-key fingerings, and varied articulations. The original painting evokes the awesome, eternal nature of the sea that could occur on any given morning. Imagine crashing waves!
SKU: AP.47466S
ISBN 9781470654559. UPC: 038081544779. English.
SKU: SU.50010010
Parts available on rental.Copyright 1983. Published by: Seesaw Music.
SKU: AP.38453S
UPC: 038081438832. English. Setting by Ralph Ford.
The happiest song from this great work, now arranged with a choice of soloist! In this expanded setting, the transparency of the original is maintained, providing the perfect place to add the soloist. Vocal, B-flat, F, or B.C. solo parts are provided, or the piece can be played without a soloist. The harp part is integral to the arrangement but can be performed on synth.
SKU: PR.41641576L
UPC: 680160636549. 11 x 17 inches.
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