(5 Orchestral Pieces Eulenburg Audio Score). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Boris von Haken. For Orchestra (Study Score). Eulenberg Audio plus Score. Softcover with CD. 120 pages. Hal Leonard #EAS161. Published by Hal Leonard

Viola Orchestra

SKU: HL.49004427

Viola Part. Composed by George Frideric Handel. Edited by Helmuth Walcha. Sheet music. Edition Schott. Classical. Individual part. Op. 7/5. 4 pages. Duration 13'. Schott Music #ED 3836-17. Published by Schott Music (HL.49004427).

ISBN 9790001045971.

Oboe 1 Orchestra

SKU: HL.49004422

Oboe 1 Part. Composed by George Frideric Handel. Edited by Helmuth Walcha. Sheet music. Edition Schott. Classical. Individual part. Op. 7/5. 12 pages. Duration 13'. Schott Music #ED 3836-11. Published by Schott Music (HL.49004422).

ISBN 9790001045919.

Viola d'amore and chamber orchestra (Score)

SKU: HL.49006179

Composed by Paul Hindemith. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Study Score. Composed 1927/1930. Op. 46/1. 36 pages. Duration 19'. Schott Music #ED6315. Published by Schott Music (HL.49006179).

ISBN 9790001067188. UPC: 884088098322. 7.5x10.75x0.104 inches.

Full Score Full Orchestra; Orchestra (Score) - Grade 4

SKU: HL.4501216

Composed by Andrew Lloyd Webber. Arranged by Calvin Custer. HL Full Orchestra. Broadway, Movies. 44 pages. Published by Hal Leonard (HL.4501216).

UPC: 884088365509. 9.0x12.0x0.092 inches.

Performance time - ca. 11:45 The phenomenon of this stage production continues with the release of the motion picture that has introduced Sir Andrew Lloyd Webber's timeless music to yet another audience. Calvin Custer's medley features six musical highlights from both the film and stage versions: All I Ask of You, Angel of Music, Masquerade, The Music of the Night, The Phantom of the Opera, and Think of Me.

Orchestra (Orchestra)

SKU: HL.48182010

Composed by Laszlo Lajtha. Leduc. Classical. Softcover. Alphonse Leduc #AL22809. Published by Alphonse Leduc (HL.48182010).

Laszlo Lajtha: Symphonie No.6, Op.61 (Orchestra).

Orchestra

SKU: HL.48187743

Composed by Robert Schumann. Leduc. Classical. Softcover. Heugel & Cie #HE31543. Published by Heugel & Cie (HL.48187743).

UPC: 888680868130. 5.5x7.5x0.475 inches.

Robert Alexander Schumann: Symphony No.2, Op.61 (PH143) (Orchestra).

Soli, Choir and Orchestra

SKU: HL.49013489

Oper in einem Akt. Composed by Krzysztof Penderecki. This edition: Saddle stitching. Book. Edition Schott. Classical. Text book/libretto. Composed 1984-1986. 52 pages. Duration 100'. Schott Music #BN 3651-10. Published by Schott Music (HL.49013489).

ISBN 9783795736514. German.

Wortlich ubersetzt ist das Libretto ein 'kleines Buch', ein 'Buchlein'. Doch nicht irgendein Buchlein. Seit es Opern gibt, gibt es die Textbucher dazu. Oft erzahlen die Universalsprache Musik und der Ausdruck der Darsteller die Geschichte, auch wenn man die Worte nicht versteht. Trotzdem ist ein Libretto sehr hilfreich fur das Verstandnis der Details. Gerade dann, und das fast immer, wenn die Oper in der Originalsprache aufgefuhrt wird. In den Libretti ist in der Regel das Original der Ubersetzung gegenubergestellt. Sie konnen so problemlos parallel Handlung und Inhalt folgen. In den meisten Fallen existiert das Textbuch Oper bevor die Musik dazu komponiert wird. Spannende und dramatische Geschichten bilden die Grundlage fur faszinierende Opernkompositionen.

3 (3. auch Picc.) * 2 * Engl. Hr. * 3 * Bassklar. * Sopr.-Sax. * 2 Alt-Sax. * 2 * Kfg. - 4 * 3 * 3 * 1 - P. S. (Trgl.-Set * Bell tree * Gl. * Crotales * 2 Gongs * hg. Beck. * Beck. * Tamb. * Mil. Tr. * Ruhrtr. * 6 Tomt. * Rototom * 6 Timb. * kl. Tr. * gr. Tr. * Guiro * Sage * Flex. * 3 Tamt. * Rohrengl. * Turmgl. * Lotosfl. * Kast. * Peitsche * Glspl. * Xyl. * Vibr. * Marimba) (2 Spieler) - Cel. * Org. - StrBuhnenmusik: 2 Picc. * SAT Blfl. * 2 Klar. in Es - 0 * 3 * 3 * 0 - S. (Tamb. * 2 Mil. Tr. * Ruhrtr. * kl. Tr. * 2 Ratschen * Kast. * Schellen * Holzbl. * Vibraslap * Timb.) - Cemb. - Vlc.

3 (3. auch Picc.) * 2 * Engl. Hr. * 3 * Bassklar. * Sopr.-Sax. * 2 Alt-Sax. * 2 * Kfg. - 4 * 3 * 3 * 1 - P. S. (Trgl.-Set * Bell tree * Gl. * Crotales * 2 Gongs * hg. Beck. * Beck. * Tamb. * Mil. Tr. * Ruhrtr. * 6 Tomt. * Rototom * 6 Timb. * kl. Tr. * gr. Tr. * Guiro * Sage * Flex. * 3 Tamt. * Rohrengl. * Turmgl. * Lotosfl. * Kast. * Peitsche * Glspl. * Xyl. * Vibr. * Marimba) (2 Spieler) - Cel. * Org. - Str
Buhnenmusik: 2 Picc. * SAT Blfl. * 2 Klar. in Es - 0 * 3 * 3 * 0 - S. (Tamb. * 2 Mil. Tr. * Ruhrtr. * kl. Tr. * 2 Ratschen * Kast. * Schellen * Holzbl. * Vibraslap * Timb.) - Cemb. - Vlc.

Orchestra (3(2.afl, 3.pic).3(3.ca).3(3.Ebcl).3.(3.cbsn)-4.2.3.1-timp.2perc(cabaca, 5tom-t, 2marac, 5tempbl)-hp-str)

SKU: HL.49019329

For orchestra. Composed by Alexander Goehr. This edition: Saddle stitching. Sheet music. Study Score. Softcover. Composed 2003. Op. 75. 72 pages. Duration 18'. Schott Music #ED13508. Published by Schott Music (HL.49019329).

ISBN 9790220133732. UPC: 884088945831. 8.25x11.75x0.24 inches.

The Adagio refers directly to Mozart's Adagio h-Moll fur Klavier KV 540. Goehr's Adagio at first follows the harmonic and motivic events of the original, while the repetitions of the two parts allow latitude for own variations and developments. The tempo increases, texture and sound are getting denser. Against the background of the original work by Mozart, Goehr draws a musical self-portrait in a subtly differentiated instrumentation, based on his own understanding.

Study Score. By Edward William Elgar. (Study Score). Schott. Size 5.25x7.5 inches. 110 pages. Published by Eulenburg London (Schott).

Orchestra - intermediate to advanced

SKU: HL.49001684

Score. Composed by Pietro Nardini. Edited by Guenter Kehr. This edition: Saddle stitching. Sheet music. Concertino (Chamber Orchestra). Classical. Condensed Score. Op. 1/1. 32 pages. Duration 13'. Schott Music #CON 109. Published by Schott Music (HL.49001684).

ISBN 9790001023146. 8.25x11.75x0.133 inches.

Pietro Nardini was the most important pupil of Tartini regarding both violin playing and composition. Like his teacher, he attached special significance to the beauty of sound and the -suitability for singing, as is shown by reports of his contemporaries. Leopold Mozart, for example, wrote in one of his letters that he had heard a certain Nardini and that there could not be heard anything more beautiful in the tonal beauty, purity, harmony and in the singable taste.The two concertos in A major and F major consist of three movements with the traditional tempo order quick-slow-quick, each movement giving the soloist the opportunity to play a solo cadence.