By Claude Debussy (1862-1918). Arranged by Jonathan Robbins. For easy piano. Late Beginner - Early Intermediate. Book and accompaniment CD

By Claude Debussy. Edited by Back, Regina; Palme, Frederik. For Piano. Urtext Edition; Playing Score. Published by Baerenreiter-Ausgaben (German import).

Composed by Claude Debussy (1862-1918). For piano. Format: piano solo book. With thematic index. Impressionistic. 136 pages. 9x12 inches. Published by Schirmer.

Composed by Hubert Parry, Johann, Johann Pachelbel (1653-1706), Wolfgang Amadeus Mozart (1756-1791), Ludwig van Beethoven (1770-1827), Frederic Chopin (1810-1849), Georges Bizet (1838-1875), Antonin Dvorak (1841-1904), Edvard Grieg (1843-1907), Edward Elgar (1857-1934), Claude Debussy (1862-1918), Erik Satie (1866-1925), Ralph Vaughan Williams (1872-1958), Maurice Ravel (1875-1937), and George Frideric Handel (1685- 1759). Collections; Masterworks; Piano Collection; Piano Supplemental. The Piano Player Series. Classical; Masterwork Arrangement. Book. Faber Music #12-057154200X. Published by Faber Music

Piano Solo - Critical Edition. By Claude Debussy. Arranged by Roy Howat. Editions Durand. Size 9x12 inches. 36 pages. Published by Durand.

Performed by Claude Bolling. By Various. Instrumental Folio. Size 9x12 inches. Published by Hal Leonard.

Piano - Grade 5

SKU: FA.MFCD017B

By Nicolas Horvath. By Claude Debussy and Robert Orledge. Rediscoverd Debussy. Christmas. Score. Musik Fabrik #MFCD017B. Published by Musik Fabrik (FA.MFCD017B).

8.27 x 11.69 inches.

Contains Le Roi Lear: Prelude,Premiere Fanfare, and La Mort de Cordelia,Toomai des elephants, Rodrigue et Chimene: Prelude a l'acte 1p. Le Martyre de Saint Sebastien: La Passion , and No-ja-li ou Le Palais du Silence

From Robert Orledge's notes:

My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelleas et Melisande in 1893-1902 and the ballet Jeux for Diaghilev's Ballets Russes in 1912-13). Of the rest, many were never started musically (like Siddartha and Orphee-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902-03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908-17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912-13; or Le Martyre de Saint Sebastien and La Boite a joujoux by his 'angel of corrections' ['l'ange des Corrections'] Andre Caplet in 1911 and 1919 respectively).

For it has to be admitted that what some scholars call Debussy's 'compulsive achievement' could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure's 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.

It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to 'write a ballet for him that he would sign' on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with Andre Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.

So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy's lost potential masterpieces from his existing sketches and drafts--then orchestrating them in Debussy's style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.

Piano SKU: HU.HN389 Composed by Claude Debussy. Edited by Ernst-Gunter Heinemann. Piano Solo, Piano and Keyboard, Repertoire, Solos. Images Book 2. Classical, Romantic. Softcover Book. 39 pages. G. Henle #HN389. Published by G. Henle (HU.HN389). 12.2 x 9.3 x 0.1 inches.

Piano SKU: HU.HN385 Composed by Claude Debussy. Edited by Ernst-Gunter Heinemann. Piano Solo, Piano and Keyboard, Repertoire, Solos. Pour le Piano. Classical, Romantic. Softcover Book. 36 pages. G. Henle #HN385. Published by G. Henle (HU.HN385). 12.2 x 9.3 x 0.1 inches.

Piano - intermediate

SKU: BT.WA-4089-401

Composed by Claude Debussy. Arranged by Thomas A. Johnson. The Walsh Collection. Educational Tool. Book Only. 4 pages. The Walsh Collection #WA 4089-401. Published by The Walsh Collection (BT.WA-4089-401).

ISBN 9789043141963. English.

This beautiful melody from the French master of romance makes an ideal piano which can be used in a great variety of circumstances from weddings to funerals.

Composés entre 1909 et 1912, les deux livres de Préludes pour Piano comptent parmi les œuvres tardives de Claude Debussy (1862-1918). Elles révèlent une grande diversité de styles, de textures, de climats et d’émotions, et constituent un condensé de toutes les particularités du langage de Debussy. La Fille aux Cheveux de Lin est le huitième prélude du premier livre. Il est célèbre pour sa profondeur émotionnelle malgré sa simplicité technique et harmonique. Nul ne sait qui fut la fille aux cheveux de lin, mais cette miniature merveilleusement subtile réveille notre imaginaire.

For Piano. Includes complete printed music score and a compact disc containing the complete suite in split-channel stereo, with the soloist on the right channel; then performed again in full stereo minus the soloist. Published by Music Minus One.

Composed by Claude Debussy (1862-1918). Edited by Stewart Gordon. For Piano. Book; Masterworks; Piano Collection; Technique Musicianship. Alfred Masterwork Edition. Form: Etude. Impressionistic; Masterwork. Advanced. 104 pages. Published by Alfred Music

For the Piano. By Claude Debussy. Edited by Maurice Hinson. perf. Scott Price. For Piano. Piano Collection. Alfred Masterwork CD Edition. 0. Masterwork. Book and CD. Published by Alfred Publishing.

Piano Solo. Composed by Claude Debussy (1862-1918). Edited by Jacob Leuschner. Piano. Softcover. 102 pages. Schott Music #ED21459. Published by Schott Music