| Astor Piazzolla : Oblivion Concert band [Score and Parts] - Intermediate Hal Leonard
((Solo Feature for Flute, Oboe, Clarinet, Alto Sax or Trumpet)). By Astor Piazzo...(+)
((Solo Feature for Flute, Oboe, Clarinet, Alto Sax or Trumpet)). By Astor Piazzolla (1921-1992). Arranged by Robert Longfield. For Concert Band (Score and Parts). Young Concert Band. Grade 3. Published by Hal Leonard
$70.00 $66.5 (5% off) See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Oblivion Concert band [Score] - Easy Excelcia Music Publishing
Concert Band Concert Band - Grade 3 SKU: XC.RCB2201FS Composed by Larry C...(+)
Concert Band Concert Band - Grade 3 SKU: XC.RCB2201FS Composed by Larry Clark. Concert Concert Band. Rhapsody Grade 3-3.5. Festival. Score. Excelcia Music Publishing #RCB2201FS. Published by Excelcia Music Publishing (XC.RCB2201FS). 12 x 9 inches. This piece is epic, fresh, and cool. Your students will be asking to play this on loop! Great part-writing gives each section something to work towards. Oblivion is going to fit on any concert program! $12.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Oblivion Concert band - Easy Excelcia Music Publishing
Concert Band Concert Band - Grade 3 SKU: XC.RCB2201 Composed by Larry Cla...(+)
Concert Band Concert Band - Grade 3 SKU: XC.RCB2201 Composed by Larry Clark. Concert Concert Band. Rhapsody Grade 3-3.5. Festival. Set of parts. Excelcia Music Publishing #RCB2201. Published by Excelcia Music Publishing (XC.RCB2201). 12 x 9 inches. This piece is epic, fresh, and cool. Your students will be asking to play this on loop! Great part-writing gives each section something to work towards. Oblivion is going to fit on any concert program! $85.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Oblivion Trombone and Piano [Score and Parts] - Easy Editions Marc Reift (Swiss import)
Trombone & Piano or CD Play Back / Play Along - Grade 3 SKU: MA.EMR-30816 ...(+)
Trombone & Piano or CD Play Back / Play Along - Grade 3 SKU: MA.EMR-30816 Composed by Astor Piazzolla. Arranged by Bertrand Moren. Trombone & Piano (+ Play Back / Play Along CD optional). Score and parts. Duration 3'52. Editions Marc Reift #EMR 30816. Published by Editions Marc Reift (MA.EMR-30816). Possible instrumentations: Trombone & CD Play Back / Play Along Trombone & Piano (+ CD Play Back / Play Along optional) Trombone & Piano or CD Play Back / Play Along. $14.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Oblivion Big band [Score and Parts] - Intermediate Sierra Music
By Astor Piazzolla (1921-1992). Arranged by Bob Curnow. Jazz Ensemble / Jazz Ban...(+)
By Astor Piazzolla (1921-1992). Arranged by Bob Curnow. Jazz Ensemble / Jazz Band. The Bob Curnow Big Band Series. Tango. Grade 3-4. Score and set of parts
$55.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Souvenirs Cello, Piano - Intermediate Salabert
Cello and Piano - intermediate SKU: BT.SLB-00595900 Extrait de la musi...(+)
Cello and Piano - intermediate SKU: BT.SLB-00595900 Extrait de la musique de scène pour « Le Voyageur sans bagages ». Composed by Francis Poulenc. Classical. Book and Part(s). Composed 2016. 5 pages. Editions Salabert #SLB 00595900. Published by Editions Salabert (BT.SLB-00595900). INSSTR inches. French. A previously unreleased piece by Francis Poulenc, published with permission from the Bibliothèque Historique de la Ville de Paris and Benoît Seringe, secretary of the Association des amis de Francis Poulenc [Association of the Friends ofFrancis Poulenc]. Le Voyageur sans bagage [The Traveller Without Luggage], which had been premiered in 1937 with music by Darius Milhaud, was reprised on 1 April 1944 at the Thé tre de la Michodière; Francis Poulenc was asked to compose new stage music. Theentire unpublished score lay undiscovered until Bérengère de l’Épine, a librarian at the Bibliothèque Historique de la Ville de Paris, announced the existence of a manuscript in the Association de la Régie Thé trale collection.Poulenc finalised the score between 19 and 21 March 1944. It contains nine songs, all written for a small instrumental ensemble including oboe, clarinet, cello and piano. However, at the end of the manuscript, the composer echoes the second song Lent [Slow] and creates another version for cello and piano; curiously, the original version of the song has not been erased in the manuscript. Poulenc seems to suggest that we consider the piece for cello and piano, that we have publishedhere, as a different piece of music. It was premiered on Wednesday 23 January 2013 by Marc Coppey, accompanied by Jean-François Heisser, in the organ auditorium of the Conservatoire National Supérieur de Musique et Danse de Paris (CNSMDP), during thesymposium for the fiftieth anniversary of Poulenc’s death.Given in a dramatic context, some elements allow us to get an idea of the character of the piece, which Benoît Seringe, Poulenc’s beneficiary, judiciously chose to name Souvenirs.The main character of Anouilh’s play, Gaston, is suffering from amnesia at the end of World War One. Several families try to claim him; they want him to be their missing relative. The Renaud family prove to be particularly stubborn, but Gaston doesnot recognize himself in the child and young man they depict: a ruthless and violent person. In Act 1 Scene 3, left alone for a moment, overwhelmed by the story of the “old Gaston†that is gradually coming to light, and outraged by the desire ofthose around him to appropriate him (to the detriment of the person he would like to be from now on), he whispers these words: “You all have proof, photographs that look like me, memories as clear as day… I’ve listened to you all and it’s slowlycausing a hybrid person to rise up in me; a person in which there is a piece of each of your sons and nothing of me.†Poulenc chose to place the second piece from his stage music score as these words are spoken.He borrowed part of the material, as he often did, from an earlier composition. In this particular case, the beginning is a recycled version of the “slow and melancholic†section from L’Histoire de Babar , composed between 1940 and 1945, andpremiered in 1946 (unless it is Babar that reuses the musical idea from Voyageur ).The eponymous elephant decides to leave in search of the great forest. He embraces the old lady, promises her he will return and reassures her that he will never forget her. Left alone, the old lady, feeling sad and pensive, wonders when she’ll seeher friend Babar again. The situation is similar to that in Voyageur sans bagage: solitude, sadness, a distressing and introspective time, fear of oblivion, the presence of memories…
Pièce inédite de Francis Poulenc, publiée avec l’autorisation de la Bibliothèque historique de la ville de Paris et de Benoît Seringe, secrétaire de l’Association des Amis de Francis Poulenc.Le 1er avril 1944, Le Voyageur sans bagage d’Anouilh, qui avait été créé en 1937 avec de la musique de Darius Milhaud, est repris au Thé tre de la Michodière. Francis Poulenc a été sollicité afin d’écrire une nouvelle musique de scène. On ignoraittout de cette partition inédite, jusqu’au jour où Bérengère de l’Épine, conservateur la Bibliothèque historique de la ville de Paris, nous signala l’existence d’un manuscrit dans le fonds de l’Association de la Régie thé trale.Poulenc mit au point sa partition entre le 19 et le 21 mars 1944. Elle comprend neuf numéros, tous écrits pour un petit effectif instrumental réunissant un hautbois, une clarinette, un violoncelle et un piano.Cependant, la fin de son manuscrit, le compositeur reprend le no 2 Lent et en donne une seconde version, pour violoncelle et piano. Curieusement, la version originale de ce numéro n’est pas biffée dans le manuscrit.Poulenc semble nous inviter considérer comme un morceau distinct cette pièce pour violoncelle et piano dont nous proposons ici l’édition. Elle a été créée par Marc Coppey, accompagné de Jean-François Heisser, lors du concert donné durant lecolloque organisé pour le cinquantenaire du décès de Poulenc, le mercredi 23 janvier 2013, salle d’orgue du Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP).Quelques éléments sur le contexte dramatique permettront de se faire une idée du caractère du morceau, que Benoît Seringe, ayant droit Poulenc, a judicieusement choisi d’intituler Souvenirs.Le personnage principal de la pièce d’Anouilh, Gaston, a été retrouvé amnésique la fin de la Première Guerre Mondiale. Plusieurs familles le réclament. On veut voir en lui un parent disparu. Les Renaud se montrent particulièrement tenaces ; maisGaston ne parvient se reconnaître dans l’enfant et le jeune homme dont on lui trace le portrait : un être violent et sans scrupule. Au tableau 3 de l’acte I, resté seul un moment, écrasé par l’histoire de cet autre lui-même qu’il découvre peu peu, indigné par le désir des personnes qui l’entourent de le ramener elles au détriment de celui qu’il voudrait être désormais, il se murmure ces paroles : « Vous avez tous des preuves, des photographies ressemblantes, des souvenirs précis commedes crimes… je vous écoute tous et je sens surgir peu peu derrière moi un être hybride où il y a un peu de chacun de vos fils et rien de moi »…C’est sur ces mots que Poulenc a choisi de placer le no 2 de sa partition de musique de scène.Comme il le fait souvent, il emprunte une composition antérieure une part de son matériau. Dans ce cas précis, il réutilise pour le début du morceau la section « Lent et mélancolique » de l’Histoire de Babar, composée entre 1940 et 1945, créée en1946 ( moins que ce ne soit Babar qui réutilise l’idée musicale du Voyageur). Le héros-éléphant s’est décidé partir pour retrouver la grande forêt. Il a embrassé la vieille dame, lui a promis de revenir, l’a rassurée : jamais il ne l’oubliera.Restée seule, la vieille dame, triste et pensive, se demande quand elle reverra son ami Babar. La situation est similaire celle du Voyageur sans bagage : solitude, tristesse, instantde trouble et de retour sur soi, crainte de l’oubli, présence des souvenirs…. $11.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Concerto for Bassoon and Orchestra in C major Bassoon, Orchestra [Score] - Intermediate/advanced Barenreiter
Composed by Carl Stamitz (1745-1801). Edited by Ondrej ?indelár. This edition...(+)
Composed by Carl Stamitz
(1745-1801). Edited by Ondrej
?indelár. This edition: urtext
edition. Paperback.
Barenreiter Urtext. Score.
Baerenreiter Verlag #BA11563.
Published by Baerenreiter
Verlag
$42.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Golden Age Concert band [CD] De Haske Publications
The Royal Netherlands Army Band. By The Royal Netherlands Army Band. Composed by...(+)
The Royal Netherlands Army Band. By The Royal Netherlands Army Band. Composed by Various. De Haske Concert Band CD. CD only. Published by De Haske Publications.
$18.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Oblivion Sc/pts Gr 3 Full Recording On Cd 44007017 04:41 Concert band Hal Leonard
SKU: HL.44007584 De Haske Concert Band. Hal Leonard #1064081. Published b...(+)
SKU: HL.44007584 De Haske Concert Band. Hal Leonard #1064081. Published by Hal Leonard (HL.44007584). UPC: 884088264109. $98.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Concerto for Bassoon and Orchestra in C major Bassoon, Piano (duet) [Reduction] - Intermediate/advanced Barenreiter
Composed by Carl Stamitz (1745-1801). Edited by Ondrej ?indelár. Arranged by ...(+)
Composed by Carl Stamitz
(1745-1801). Edited by Ondrej
?indelár. Arranged by Petr
Koronthály. This edition:
urtext edition. Paperback.
Barenreiter Urtext. Piano
reduction, Part (1).
Baerenreiter Verlag #BA11563-
90. Published by Baerenreiter
Verlag
$32.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Ezio HWV 29 Barenreiter
Soprano voice solo, mezzo-soprano voice solo, 2 alto voice solos, tenor voice so...(+)
Soprano voice solo, mezzo-soprano voice solo, 2 alto voice solos, tenor voice solo, bass voice solo, orchestra (soprano voice solo, mezzo-soprano voice solo, 2 alto voice solos, tenor voice solo, bass voice solo, Orchestra) SKU: BA.BA04086 Opera in three acts. Composed by George Frideric Handel. Edited by Michael Pacholke. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series II, Volume 26. Replaces BA 4008. Complete edition, Score. HWV 29. Duration 3 hours. Baerenreiter Verlag #BA04086_00. Published by Baerenreiter Verlag (BA.BA04086). ISBN 9790006550036. 33 x 25.8 cm inches. Pietro Metastasio. As with many other libretti by Pietro Metastasio, “Ezio†was also set to music several times – besides Handel, by Nicola Porpora in 1728 and Christoph Willibald Gluck in 1750. As the historical events from late antiquity surrounding the Western Roman General Aëtius, who had defeated the Huns under Attila on the Catalaunian Fields, had largely fallen into oblivion by the 18th century, they merely form a backdrop to the highly-dramatic “Sex and Crime†on the operatic stage. In contrast with the original Roman story, “Ezio†remains alive at the “happy endingâ€, and the enthusiastic public experienced this version for the first time on 15 January 1732 in London . However, despite this, the opera only received five performances during Handel’s lifetime. Handel took the overture from his incomplete opera “Titus l’Empereurâ€.
The new vocal score is based on Vol. II/26 of the Halle Handel Edition (BA 4086).
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$394.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Weber Complete Edition 2/1 Choral SATB Schott
Mixed choir (SATB), 2 flutes, 2 oboes, 2 clarinets, 2 bassoons - 2 horns, 2 trum...(+)
Mixed choir (SATB), 2 flutes, 2 oboes, 2 clarinets, 2 bassoons - 2 horns, 2 trumpets, 3 trombones, timpani and strings (P+KRB) SKU: HL.49042434 Composed by Carl Maria von Weber. Edited by Frank Ziegler and Johannes Kepper. This edition: Full-cloth binding. Sheet music. Edition Schott. Score and critical commentary, complete edition. 306 pages. Schott Music #WGA1021. Published by Schott Music (HL.49042434). ISBN 9783795794491. 10.25x13.5x1.141 inches. German. Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. $257.00 - See more - Buy online | | |
| Oblivion Score Only Gr 3 04:41 Concert band [Score] Hal Leonard
(Score) SKU: HL.44007585 De Haske Concert Band. Score. Hal Leonard #10640...(+)
(Score) SKU: HL.44007585 De Haske Concert Band. Score. Hal Leonard #1064081. Published by Hal Leonard (HL.44007585). UPC: 884088264116. $21.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Pieces de Concours Band 1 Viola, Piano Schott
From the Paris Conservatoire repertoire. Composed by Various. Edited by J...(+)
From the Paris Conservatoire repertoire. Composed by Various. Edited by Jutta Puchhammer-Sedillot. This edition: Saddle stitching. Sheet music. String. Recital, Classical. Score and part, Softcover. Composed 1896-1938. 22254. 88 pages. Schott Music #ED22254. Published by Schott Music (HL.49045367).
$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Pastoral Mass in F major - Easy Carus Verlag
Orchestra Soli SSATB, Coro SATB, Fl, 2 Clt (2 Ob), 2 Fg, 2 Tr, [2 Cor, Trb basso...(+)
Orchestra Soli SSATB, Coro SATB, Fl, 2 Clt (2 Ob), 2 Fg, 2 Tr, [2 Cor, Trb basso], Timp, 2 Vl, Va, Vc, Cb, Org - Level 2 SKU: CA.2708603 Composed by Anton Diabelli. Edited by Frank Hondgen. Sacred vocal music, Masses, Latin. Vocal score. Op. 147. Duration 30 minutes. Carus Verlag #CV 27.086/03. Published by Carus Verlag (CA.2708603). ISBN M-007-18802-3. Key: F major. Latin. Diabelli's church music has unjustly largely fallen into oblivion. In his Pastoral Mass in F, the Austrian composer of the Biedermeier period succeeded in achieving a balance between artistic aspirations and a form suitable for practical performance. With a duration of about 30 minutes, the work is of easy to medium difficulty, and is therefore extremely suitable for amateur choirs with orchestra. The Pastoral Mass is suitable for performance both at Christmas time and beyond. $18.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
1 |