| Sunday Morning Praise Duet Companion 1 Piano, 4 hands - Intermediate Alfred Publishing
(16 Worship Selections for One Piano, Four Hands). Arranged by Victor Labens...(+)
(16 Worship Selections for
One Piano, Four Hands).
Arranged by Victor Labenske.
For Piano. Book; Duet or
Duo; Piano Duet (1 Piano, 4
Hands). Sacred Performer
Duet Collections.
Contemporary Christian;
Sacred. Intermediate; Late
Intermediate. 124 pages.
Published by Alfred Music
$24.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Away in a Manger Cello, Piano Jackman Music Corporation
Christian, Contemporary Christian, Gospel, Inspirational. Jackman Music Co...(+)
Christian, Contemporary
Christian, Gospel,
Inspirational. Jackman Music
Corporation #09008. Published
by Jackman Music Corporation
$3.97 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Sleigh (A La Russe) Choral 3-part SSA Schirmer
By Ivor Tchervanow, Richard Kountz. Arranged by Wallingford Riegger. (SSA). Cho...(+)
By Ivor Tchervanow, Richard Kountz. Arranged by Wallingford Riegger. (SSA). Choral. 8 pages. Published by G. Schirmer.
$1.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Sleigh (A La Russe) Choral SATB SATB Schirmer
By Richard Kountz, Ivor Tchervanow. Arranged by W Riegger. (SATB). Choral. Size...(+)
By Richard Kountz, Ivor Tchervanow. Arranged by W Riegger. (SATB). Choral. Size 6.7x10.5 inches. 8 pages. Published by G. Schirmer, Inc.
$2.10 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Sleigh (A La Russe) Choral 3-part SAB Schirmer
By Richard Kountz, Ivor Tchervanow. Arranged by Wallingford Riegger. (SAB). Cho...(+)
By Richard Kountz, Ivor Tchervanow. Arranged by Wallingford Riegger. (SAB). Choral. Size 6.75x10.5 inches. 8 pages. Published by G. Schirmer.
(1)$2.10 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| My Soul Must Render Thanks to God - Flute part Jackman Music Corporation
Flute part SKU: JK.09160 Composed by David R. Naylor. Difficulty Medium, ...(+)
Flute part SKU: JK.09160 Composed by David R. Naylor. Difficulty Medium, Instrumental Flute, God the Father, Gratitude. Christian, Inspirational. Duration 3:00. Jackman Music Corporation #09160. Published by Jackman Music Corporation (JK.09160). 1 Chronicles 16:8-14, Alma 26:8. Flute part for choral #01228. Previously listed as #00121. Composer: David R. Naylor Performance time: approx. 3:00 Reference: 1 Chronicles 16:8-14, Alma 26:8. $1.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Joy in the Morning - Orchestration Orchestra Lorenz Publishing Company
Full orchestra SKU: LO.30-1493L An Easter Cantata For Choir And Worshi...(+)
Full orchestra SKU: LO.30-1493L An Easter Cantata For Choir And Worship Leader. Composed by Gregg Sewell. Choral, cantatas. Eastertide, Sacred. Orchestration. Lorenz Publishing Company #30/1493L. Published by Lorenz Publishing Company (LO.30-1493L). UPC: 000308074642. John's Gospel is the basis for an innovative new musical setting of the timeless Easter story. The composer weaves striking new melodies and traditional hymn tunes together to produce a vibrant, energetic work of meditation and praise. The congregation is called on to sing with the choir in a sensitive setting of When I Survey the Wondrous Cross and a rousing arrangement of Crown Him With Many Crowns. New settings of What Wondrous Love Is This? and O Sacred Head, Now Wounded are ingeniously intertwined with new anthems. An inspirational and deeply moving experience for choir and congregation alike. Performance time: approx. 25 minutes. Flute 1 & 2, Violin 2, Viola, Cello, Double Bass, Oboe 1 & 2, Horn, Trumpet 1 & 2, Trombone 1 & 2, Tuba, Percussion (Windchimes, Suspended Cymbal) Glockenspiel,Triangle,Chimes, Snare Drum,Timpani, Harp, Violin 1. $150.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Organ Works Organ [Score] Breitkopf & Härtel
Organ SKU: BR.EB-9305 Urtext - Critical Source Edition of the Free Org...(+)
Organ SKU: BR.EB-9305 Urtext - Critical Source Edition of the Free Organ Works. Composed by Dietrich Buxtehude. Edited by Harald Vogel. Solo instruments; Softbound. Edition Breitkopf. Renaissance/early Baroque; Baroque. Score. 84 pages. Breitkopf and Haertel #EB 9305. Published by Breitkopf and Haertel (BR.EB-9305). ISBN 9790004187692. 12 x 9 inches. This edition is the result of Harald Vogel's many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17th- and 18th-century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the Einzelanmerkungen. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude's free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary).Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on Die Fuge um Bach. Besides the description of the inclusion of triple measures into the C notation and the irregularities of the voice mutation in the polyphonic structures, this also included a discussion about the justification of the inner textual criticism. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude's work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the indicators of the fantastic style is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude's work.In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Lulea University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lubeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude's organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands.
pure source edition (no mixture of different transmissions); comprehensive commentary (Vol. I/2 & II) (with texts about the sources, chronology, use of keys, liturgic placement as well as detailed critical remarks, incl. music examples (in German only)); good page turnsflexible division of voices (on 2 or 3 systems, good legibility); contains facsimiles. Contains the Critical Commentary of the subvolumes I/1 and I/2. $50.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Steps to Successful Literature - Maiden's Rescue String Orchestra [Score and Parts] - Beginner Kjos Music Company
Orchestra string orchestra - Grade 1 SKU: KJ.SO343C Composed by Jeremy Wo...(+)
Orchestra string orchestra - Grade 1 SKU: KJ.SO343C Composed by Jeremy Woolstenhulme. Arranged by Jeremy Woolstenhulme. Score and parts. Neil A. Kjos Music Company #SO343C. Published by Neil A. Kjos Music Company (KJ.SO343C). UPC: 8402704183. Maiden's Rescue, in D Major, includes note and rest values limited to quarter notes/rests, half notes, and whole rests. It can be successfully performed at a range of tempos, depending on the experience level of the orchestra. Rather than writing for 1st and 2nd violins, this piece features a single violin part.
Jeremy Woolstenhulme composed this work for his beginning string orchestra. He decided that it should be a programmatic work accompanied by a short story and artwork. Once students became comfortable with the music and story, Mr. Woolstenhulme assigned an art project to them! Some samples of their work are printed in this publication. Connecting music, creative writing, and visual arts strengthened the entire experience and students definitely enjoyed the process. Approx. time - 2:00
Steps to Successful Literature presents exceptional performance pieces - concert and festival works for beginning to intermediate string orchestras. Each piece is correlated with a specific location in String BasicsTM Books 1 or 2. Literature reinforces musical skills, concepts, and terms introduced in the method. Sometimes, a few new concepts are included and are officially introduced and defined in the score and parts. Each string orchestra work offers extended learning opportunities and briefly taps into one or more elements related to common core state standards. $55.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Steps to Successful Literature - Maiden's Rescue - Score String Orchestra [Score] - Beginner Kjos Music Company
Orchestra string orchestra - Grade 1 SKU: KJ.SO343F Composed by Jeremy Wo...(+)
Orchestra string orchestra - Grade 1 SKU: KJ.SO343F Composed by Jeremy Woolstenhulme. Arranged by Jeremy Woolstenhulme. Score. Neil A. Kjos Music Company #SO343F. Published by Neil A. Kjos Music Company (KJ.SO343F). UPC: 8402704185. Maiden's Rescue, in D Major, includes note and rest values limited to quarter notes/rests, half notes, and whole rests. It can be successfully performed at a range of tempos, depending on the experience level of the orchestra. Rather than writing for 1st and 2nd violins, this piece features a single violin part.
Jeremy Woolstenhulme composed this work for his beginning string orchestra. He decided that it should be a programmatic work accompanied by a short story and artwork. Once students became comfortable with the music and story, Mr. Woolstenhulme assigned an art project to them! Some samples of their work are printed in this publication. Connecting music, creative writing, and visual arts strengthened the entire experience and students definitely enjoyed the process. Approx. time - 2:00
Steps to Successful Literature presents exceptional performance pieces - concert and festival works for beginning to intermediate string orchestras. Each piece is correlated with a specific location in String BasicsTM Books 1 or 2. Literature reinforces musical skills, concepts, and terms introduced in the method. Sometimes, a few new concepts are included and are officially introduced and defined in the score and parts. Each string orchestra work offers extended learning opportunities and briefly taps into one or more elements related to common core state standards. $7.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Organ Works Organ [Score] Breitkopf & Härtel
Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Org...(+)
Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Organ Works. Composed by Dietrich Buxtehude. Edited by Harald Vogel. Solo instruments; Softbound. Edition Breitkopf. Renaissance/early Baroque; Baroque. Score. 84 pages. Breitkopf and Haertel #EB 9306. Published by Breitkopf and Haertel (BR.EB-9306). ISBN 9790004187708. 12 x 9 inches. This edition is the result of Harald Vogel's many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17th- and 18th-century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the Einzelanmerkungen. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude's free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary).Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on Die Fuge um Bach. Besides the description of the inclusion of triple measures into the C notation and the irregularities of the voice mutation in the polyphonic structures, this also included a discussion about the justification of the inner textual criticism. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude's work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the indicators of the fantastic style is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude's work.In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Lulea University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lubeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude's organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands.
pure source edition (no mixture of different transmissions) comprehensive commentary (Vol. I/2 & II) (with texts about the sources, chronology, use of keys, liturgic placement as well as detailed critical remarks, incl. music examples (in German only))good page turnsflexible division of voices (on 2 or 3 systems, good legibility)contains facsimiles. $45.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Organ Works Organ [Score] Breitkopf & Härtel
Organ SKU: BR.EB-9415 Urtext - Critical Source Edition of the Free Org...(+)
Organ SKU: BR.EB-9415 Urtext - Critical Source Edition of the Free Organ Works. Composed by Dietrich Buxtehude. Edited by Harald Vogel. Solo instruments; Softbound. Edition Breitkopf. Renaissance/early Baroque; Baroque. Score. 192 pages. Breitkopf and Haertel #EB 9415. Published by Breitkopf and Haertel (BR.EB-9415). ISBN 9790004188897. 12 x 9 inches. This edition is the result of Harald Vogel's many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17th- and 18th-century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the Einzelanmerkungen. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude's free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary).Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on Die Fuge um Bach. Besides the description of the inclusion of triple measures into the C notation and the irregularities of the voice mutation in the polyphonic structures, this also included a discussion about the justification of the inner textual criticism. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude's work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the indicators of the fantastic style is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude's work.In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Lulea University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lubeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude's organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands.
pure source edition (no mixture of different transmissions) comprehensive commentary (Vol. I/2 & II) (with texts about the sources, chronology, use of keys, liturgic placement as well as detailed critical remarks, incl. music examples (in German only))good page turnsflexible division of voices (on 2 or 3 systems, good legibility)contains facsimiles. $90.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Organ Works Organ [Score] Breitkopf & Härtel
Organ SKU: BR.EB-9304 Urtext - Critical Source Edition of the Free Org...(+)
Organ SKU: BR.EB-9304 Urtext - Critical Source Edition of the Free Organ Works. Composed by Dietrich Buxtehude. Edited by Harald Vogel. Solo instruments; Softbound. Edition Breitkopf. Renaissance/early Baroque; Baroque. Score. 108 pages. Breitkopf and Haertel #EB 9304. Published by Breitkopf and Haertel (BR.EB-9304). ISBN 9790004187685. 12 x 9 inches. This edition is the result of Harald Vogel's many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17th- and 18th-century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the Einzelanmerkungen. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude's free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary).Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on Die Fuge um Bach. Besides the description of the inclusion of triple measures into the C notation and the irregularities of the voice mutation in the polyphonic structures, this also included a discussion about the justification of the inner textual criticism. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude's work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the indicators of the fantastic style is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude's work.In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Lulea University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lubeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude's organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands.
pure source edition (no mixture of different transmissions); comprehensive commentary (Vol. I/2 & II) (with texts about the sources, chronology, use of keys, liturgic placement as well as detailed critical remarks, incl. music examples (in German only)); good page turnsflexible division of voices (on 2 or 3 systems, good legibility); contains facsimiles. The corresponding Critical Commentary is contained in Volume I/2 (EB 9305). $50.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Cantata BWV 21 "I had great heaviness of heart" Breitkopf & Härtel
Violin 1 (solos: STB - choir: SATB - 0.1.0.1 - 0.3.4.0 - timp - str - bc) SKU...(+)
Violin 1 (solos: STB - choir: SATB - 0.1.0.1 - 0.3.4.0 - timp - str - bc) SKU: BR.OB-4521-15 3rd Sunday after Trinity - for Every Time. Composed by Johann Sebastian Bach. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Bach's great ,,Heaviness Cantata - Now with a new piano-vocal score by Matthias Grunert. Cantata; Baroque. Part. 8 pages. Duration 45'. Breitkopf and Haertel #OB 4521-15. Published by Breitkopf and Haertel (BR.OB-4521-15). ISBN 9790004313107. 9 x 12 inches. The cantata I had great heaviness of heart BWV 21 is one of the most popular and beloved vocal works of Johann Sebastian Bach. Intended for a performance on the third Sunday after Trinity as well as in ogni tempo (for any occasion), this work occupies a special place within Bach's cantata oeuvre. Particularly unusual is not only its approx. 40-minute duration, but also the work's wealth of forms and sounds. Matthias Grunert, cantor of the Dresden Frauenkirche, put together an entirely new piano-vocal score to this main work from Breitkopf's Bach Cantata series. His work is supplemented by a revised new engraving of the continuo part.
Bach's great ,,Heaviness Cantata - Now with a new piano-vocal score by Matthias Grunert. $6.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Cantata BWV 21 "I had great heaviness of heart" Breitkopf & Härtel
Organ (solos: STB - choir: SATB - 0.1.0.1 - 0.3.4.0 - timp - str - bc) SKU: B...(+)
Organ (solos: STB - choir: SATB - 0.1.0.1 - 0.3.4.0 - timp - str - bc) SKU: BR.OB-4521-11 3rd Sunday after Trinity - for Every Time. Composed by Johann Sebastian Bach. Edited by Horst Hempel. Arranged by Horst Hempel. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Bach's great ,,Heaviness Cantata - Now with a new piano-vocal score by Matthias Grunert. Cantata; Baroque. Part. 32 pages. Duration 45'. Breitkopf and Haertel #OB 4521-11. Published by Breitkopf and Haertel (BR.OB-4521-11). ISBN 9790004313091. 12 x 9 inches. The cantata I had great heaviness of heart BWV 21 is one of the most popular and beloved vocal works of Johann Sebastian Bach. Intended for a performance on the third Sunday after Trinity as well as in ogni tempo (for any occasion), this work occupies a special place within Bach's cantata oeuvre. Particularly unusual is not only its approx. 40-minute duration, but also the work's wealth of forms and sounds. Matthias Grunert, cantor of the Dresden Frauenkirche, put together an entirely new piano-vocal score to this main work from Breitkopf's Bach Cantata series. His work is supplemented by a revised new engraving of the continuo part.
Bach's great ,,Heaviness Cantata - Now with a new piano-vocal score by Matthias Grunert. $26.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Cantata BWV 21 "I had great heaviness of heart" [Score] Breitkopf & Härtel
Chorus (with soloists) and orchestra (solos: STB - choir: SATB - 0.1.0.1 - 0.3.4...(+)
Chorus (with soloists) and orchestra (solos: STB - choir: SATB - 0.1.0.1 - 0.3.4.0 - timp - str - bc) SKU: BR.PB-4521 3rd Sunday after Trinity - for Every Time. Composed by Johann Sebastian Bach. Choir; Softbound. Partitur-Bibliothek (Score Library). Bach's great ,,Heaviness Cantata - Now with a new piano-vocal score by Matthias Grunert. Cantata; Baroque. Full score. Duration 45'. Breitkopf and Haertel #PB 4521. Published by Breitkopf and Haertel (BR.PB-4521). ISBN 9790004204191. 9 x 12 inches. The cantata I had great heaviness of heart BWV 21 is one of the most popular and beloved vocal works of Johann Sebastian Bach. Intended for a performance on the third Sunday after Trinity as well as in ogni tempo (for any occasion), this work occupies a special place within Bach's cantata oeuvre. Particularly unusual is not only its approx. 40-minute duration, but also the work's wealth of forms and sounds. Matthias Grunert, cantor of the Dresden Frauenkirche, put together an entirely new piano-vocal score to this main work from Breitkopf's Bach Cantata series. His work is supplemented by a revised new engraving of the continuo part.
Bach's great ,,Heaviness Cantata - Now with a new piano-vocal score by Matthias Grunert. $42.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Cantata BWV 21 "I had great heaviness of heart" Breitkopf & Härtel
Violin 2 (solos: STB - choir: SATB - 0.1.0.1 - 0.3.4.0 - timp - str - bc) SKU...(+)
Violin 2 (solos: STB - choir: SATB - 0.1.0.1 - 0.3.4.0 - timp - str - bc) SKU: BR.OB-4521-16 3rd Sunday after Trinity - for Every Time. Composed by Johann Sebastian Bach. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Bach's great ,,Heaviness Cantata - Now with a new piano-vocal score by Matthias Grunert. Cantata; Baroque. Part. 8 pages. Duration 45'. Breitkopf and Haertel #OB 4521-16. Published by Breitkopf and Haertel (BR.OB-4521-16). ISBN 9790004313114. 9 x 12 inches. The cantata I had great heaviness of heart BWV 21 is one of the most popular and beloved vocal works of Johann Sebastian Bach. Intended for a performance on the third Sunday after Trinity as well as in ogni tempo (for any occasion), this work occupies a special place within Bach's cantata oeuvre. Particularly unusual is not only its approx. 40-minute duration, but also the work's wealth of forms and sounds. Matthias Grunert, cantor of the Dresden Frauenkirche, put together an entirely new piano-vocal score to this main work from Breitkopf's Bach Cantata series. His work is supplemented by a revised new engraving of the continuo part.
Bach's great ,,Heaviness Cantata - Now with a new piano-vocal score by Matthias Grunert. $6.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Cantata BWV 21 "I had great heaviness of heart" Breitkopf & Härtel
Woodwinds (solos: STB - choir: SATB - 0.1.0.1 - 0.3.4.0 - timp - str - bc) SK...(+)
Woodwinds (solos: STB - choir: SATB - 0.1.0.1 - 0.3.4.0 - timp - str - bc) SKU: BR.OB-4521-30 3rd Sunday after Trinity - for Every Time. Composed by Johann Sebastian Bach. Choir; Folder. Orchester-Bibliothek (Orchestral Library). Bach's great ,,Heaviness Cantata - Now with a new piano-vocal score by Matthias Grunert. Cantata; Baroque. Set of parts. 32 pages. Duration 45'. Breitkopf and Haertel #OB 4521-30. Published by Breitkopf and Haertel (BR.OB-4521-30). ISBN 9790004313145. 9 x 12 inches. The cantata I had great heaviness of heart BWV 21 is one of the most popular and beloved vocal works of Johann Sebastian Bach. Intended for a performance on the third Sunday after Trinity as well as in ogni tempo (for any occasion), this work occupies a special place within Bach's cantata oeuvre. Particularly unusual is not only its approx. 40-minute duration, but also the work's wealth of forms and sounds. Matthias Grunert, cantor of the Dresden Frauenkirche, put together an entirely new piano-vocal score to this main work from Breitkopf's Bach Cantata series. His work is supplemented by a revised new engraving of the continuo part.
Bach's great ,,Heaviness Cantata - Now with a new piano-vocal score by Matthias Grunert. $35.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Cantata BWV 21 "I had great heaviness of heart" Breitkopf & Härtel
Chorus a cappella (solos: STB - choir: SATB - 0.1.0.1 - 0.3.4.0 - timp - str - b...(+)
Chorus a cappella (solos: STB - choir: SATB - 0.1.0.1 - 0.3.4.0 - timp - str - bc) SKU: BR.CHB-4521-02 3rd Sunday after Trinity - for Every Time. Composed by Johann Sebastian Bach. Choir; stapled. Chor-Bibliothek (Choral Library). Bach's great ,,Heaviness Cantata - Now with a new piano-vocal score by Matthias Grunert. Cantata; Baroque. Choral score. 36 pages. Duration 45'. Breitkopf and Haertel #ChB 4521-02. Published by Breitkopf and Haertel (BR.CHB-4521-02). ISBN 9790004406151. 7.5 x 10.5 inches. German / English. The cantata I had great heaviness of heart BWV 21 is one of the most popular and beloved vocal works of Johann Sebastian Bach. Intended for a performance on the third Sunday after Trinity as well as in ogni tempo (for any occasion), this work occupies a special place within Bach's cantata oeuvre. Particularly unusual is not only its approx. 40-minute duration, but also the work's wealth of forms and sounds. Matthias Grunert, cantor of the Dresden Frauenkirche, put together an entirely new piano-vocal score to this main work from Breitkopf's Bach Cantata series. His work is supplemented by a revised new engraving of the continuo part.
Bach's great ,,Heaviness Cantata - Now with a new piano-vocal score by Matthias Grunert. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Cantata BWV 21 "I had great heaviness of heart" Breitkopf & Härtel
Viola (solos: STB - choir: SATB - 0.1.0.1 - 0.3.4.0 - timp - str - bc) SKU: B...(+)
Viola (solos: STB - choir: SATB - 0.1.0.1 - 0.3.4.0 - timp - str - bc) SKU: BR.OB-4521-19 3rd Sunday after Trinity - for Every Time. Composed by Johann Sebastian Bach. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Bach's great ,,Heaviness Cantata - Now with a new piano-vocal score by Matthias Grunert. Cantata; Baroque. Part. 8 pages. Duration 45'. Breitkopf and Haertel #OB 4521-19. Published by Breitkopf and Haertel (BR.OB-4521-19). ISBN 9790004313121. 9 x 12 inches. The cantata I had great heaviness of heart BWV 21 is one of the most popular and beloved vocal works of Johann Sebastian Bach. Intended for a performance on the third Sunday after Trinity as well as in ogni tempo (for any occasion), this work occupies a special place within Bach's cantata oeuvre. Particularly unusual is not only its approx. 40-minute duration, but also the work's wealth of forms and sounds. Matthias Grunert, cantor of the Dresden Frauenkirche, put together an entirely new piano-vocal score to this main work from Breitkopf's Bach Cantata series. His work is supplemented by a revised new engraving of the continuo part.
Bach's great ,,Heaviness Cantata - Now with a new piano-vocal score by Matthias Grunert. $6.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
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