Twenty-Three Classic, Traditional, and Ethnic Wedding Arrangements. Composed by Beth A. Kolle and Laurie Riley. Squareback saddle stitch. Book and online audio. Published by Mel Bay Publications, Inc (MB.98748M).

Composed by Johann Sebastian Bach (1685-1750), edited by Riemenschneider. For piano. Format: piano solo book. With piano reduction, introductory text, instructional text, lyrics and performance notes. Baroque. 184 pages. 9x12 inches. Published by Schirmer

By Various. Arranged by Gary Meisner. Accordion. Softcover. 48 pages. Published by Hal Leonard

Piano (Piano)

SKU: HL.14021076

Composed by John McCabe. Music Sales America. Studies & Exercises. Book [Softcover]. 20 pages. Music Sales #NOV090981. Published by Music Sales (HL.14021076).

8.25x11.75x0.102 inches. English.

Epithalamium was commissioned by John Sell as a birthday present for his wife Jane, and is dedicated to her and to Malcolm Binns. It was written during summer 2006 and derived from the two great chords that swing to and fro during the Coronation Scene in Mussorgsky's opera Boris Godunov. These provide a series of seven notes (heard in the quick flourishes after the opening chords) which provide the basis for the tunes and the harmonies through most of the work. The idea of bell sounds is carried through not only the chords during the piece but also some of the techniques (e.g. the gradually changing repeated patterns, rather like bell-ringing changes, encountered towards the end,or the quiet and distant, uneven tintinnabulation heard at the end of the central slow section). An epithalamium (or epithalamion) is a song or poem in honour of a bride and bridegroom - though technically a wedding piece, it seemed an appropriate title for a work honouring an anniversary, especially one where bell-sounds provided the original inspiration.

(1+1.1.2.2/2.0.0.0,str,A solo,mx chorus)

SKU: TM.03707SC

Composed by Sir Arthur Seymour Sullivan. Score. Lucks Music Library #A3725. Published by Lucks Music Library (TM.03707SC).

Act I No. 9 Bridegroom and Bride.

Performed by Lawrence Welk. By Various. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). Size 9x12 inches. 64 pages. Published by Hal Leonard.

Orchestra

SKU: SU.94010400

For Orchestra. Composed by James Lee III. Orchestra. Study Score. Subito Music Corporation #94010400. Published by Subito Music Corporation (SU.94010400).

2,1 2,1 2,1 2,1; 4331; timp, perc(3), cel, hp; stgs Duration: 11' Composed: 2013 Published by: Subito Music Publishing Performance materials available on rental: Alas! Babylon’s Final Sunset is another installment in my series of works that musically comment on the biblical books of Daniel and Revelation. The principal source of inspiration for this works comes from the 18th chapter of the book of Revelation. This chapter states that the career of Babylon the Great is finally coming to an end. The music begins with a mysterious pianissimo tremolo accompanied by tam-tam and bass drum. The initial flourishes in the oboes and English horn serve as the principal motive of warning. As the music continues, there are varying degrees of agitation among the strings and woodwinds. Throughout the work there are rhythmic motives in the brass, percussion, and various woodwind instruments that sing and speak Babylon is Fallen in triple meter. As the tutti ensemble arrives at a climax, the orchestral texture becomes thinner and slightly transparent. As the music continues, the opening motive returns in the oboes, however the counterpoint produces a series of solo laments. These passages are intended to provide picturesque images of these words: And the voice of harpers, and musicians, and of pipers, and trumpeters, shall be heard no more at all in thee; and no craftsman, of whatsoever craft he be, shall be found any more in thee; and the sound of a millstone shall be heard no more at all in thee; And the light of a candle shall shine no more at all in thee. and the voice of the bridegroom and of the bride shall be heard no more at all in thee: for thy merchants were the great men of the earth; for by thy sorceries were all nations deceived. And in her was found the blood of prophets, and of saints, and of all that were slain upon the earth. Rev. 18:22-24 The following passages musically comment on the historical career of Babylon with a sense of her impending destruction. The series of laments transforms into the more emphatic rhythmic motive Babylon is Fallen. The orchestral texture begins to become more condense, once again, with the initial flourishes of, but with notable variations. Finally, the celesta, harp, oboes, English horn, and strings sing profundities that are finally transformed into a minor mode tonality that fades away with the ringing of the tam-tam. Babylon has finally seen her last sunset.

Lyrics by Alfred Uhry, music by Robert Waldman. For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. Broadway. 83 pages. 9x12 inches. Published by G Schirmer, Inc