Pro Vocal Women's Edition Volume 36. Composed by Stephen Schwartz. Pro Vocal. Play Along, Karaoke. Softcover with Karaoke CD. 56 pages. Published by Hal Leonard

Music from the Motion Picture La La Land. Composed by Justin Hurwitz, lyrics by Benj Pasek and Justin Paul. Arranged by Jacob Narverud. Choral Octavo. Alfred Pop Series. Movie; Secular. 20 pages. Published by Alfred Music

Composed by Hans Leo Hassler (1564-1612). Edited by and arr., with English Text, by Patrick M. Liebergen. Choir Secular. Women's Choir. Choral Octavo; Masterworks. Choral Designs. Masterwork Arrangement; Renaissance; Secular. Choral Octavo. 12 pages. Published by Alfred Music

(100 Hit Songs Excerpted for Successful Auditions Women's Edition Voice and Piano). By Various. Edited by Michael Dansicker. Vocal Collection. 184 pages. Published by Hal Leonard

Pro Vocal Women's Edition Volume 25. By ABBA. Pro Vocal. Softcover with CD. 32 pages. Published by Hal Leonard.

By Frank Marzocco. Arranged by Frank Marzocco. Female barbershop choir. (Women's voices, a cappella). Suitable for contest. Barbershop, Ballad. Level: medium. Published by Sweet Adelines.

By Mansfield University Concert Choir; Mansfield Women's and Men's Choruses; Mansfieldians. By Various. For choir. Mark Records. Audio CD. Published by Mark Custom Music

SSAA, a cappella

SKU: SU.80300185

For SSAA, a cappella. Composed by Scott A. Tucker. Vocal/Choral, Secular Choral. A cappella. Choral Octavo. Treble Clef Music Press #80300185. Published by Treble Clef Music Press (SU.80300185).

I stumble and tumble, begins this freely-rendered medieval text, set in 6/4 over a delightfully lurching scat ostinato in 12/8. Written for the women of the Cornell University Chorus, it works easily when conducted in a big 2. English. SSAA a cappella. Medium. SSAA, a cappella Published by: Treble Clef Music Minimum order quantity: 8 copies.

SATB choir, organ accompaniment - Beginning

SKU: GI.G-8340

Arranged by David Sims. Christmastide, Christmas Vigil, Christmas Night, Christmas Dawn, Christmas Day. Christmas. Tune Name: Sussex Carol. Sacred. Octavo. 12 pages. GIA Publications #8340. Published by GIA Publications (GI.G-8340).

UPC: 785147834007. English. Text source: Trad. English carol.

The traditional English carol tune is embellished with occasional quotes of the SUSSEX CAROL. This bright and joyful setting for Christmastide establishes the melody in unison women’s voices, then dividing into two parts before developing further into a four-part, SATB voicing by the end of the first verse. Throughout the piece, the textures continue to vary, complementing the playful dance of the quick 6/8 rhythms, instilling a sense of wonder and delight.

C Edition. Composed by Various. Fake Book. Broadway, Country, Jazz, Pop, Standards. Softcover. 802 pages. Published by Hal Leonard

Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages. Published by Hal Leonard.

645 Songs from 285 Shows. Composed by Various. Fake Book. Broadway. Softcover. 696 pages. Published by Hal Leonard

Chamber Music Piano, soprano Saxophone

SKU: PR.114419290

Composed by Chen Yi. Edited by Chen Yi. Arranged by Wong Tak Chiu. Sws. Score and parts. 44 pages. Duration 20 minutes. Theodore Presser Company #114-41929. Published by Theodore Presser Company (PR.114419290).

ISBN 9781491135235. UPC: 680160676118. 9 x 12 inches.

Supported by a major commissioning award from the Serge Koussevitzky Music Foundation in the Library of Congress, my Chinese Folk Dance Suite is written for violin solo and orchestra, and premiered by The Women's Philharmonic with violin soloist Terrie Baune, conducted by Apo Hsu, on March 10, 2001, at Yerba Buena Center For the Arts Theater in San Francisco. Inspired by various Chinese traditional folk dances, I've composed three movements in the suite: 1) Lion Dance. Traditionally, people dance with richly decorated hand made lions, accompanied by percussion ensemble, to celebrate happy occasions and major festivals throughout the country. In the composition, I use Chinese drum and other percussion instruments in the background, to form a dynamic and rhythmic texture responding to the solo part, which imitates the tunes played on the suona (traditional Chinese trumpet). The pitch materials came from traditional Guangdong Music tune and Chaozhou Music tune ; 2) YangKo. Originated in northern China, it's a major folk dance form in mass performance popularized in the country. In YangKo performance, people always play rhythmic patterns on the drums hung around their waists while singing and dancing. In my second movement, I have imagined a warm scene of YangKo dancing in distance. The solo violin plays a sweet and gracious melodic line while all members in the orchestra sing the non-pitch syllables in different layers as the soft background, to imitate the percussion sound which produces the ever going pulse. 3) Muqam. It is a large scale traditional music and dance form from Uygur nationality in Xinjiang province, originated in the 15th century. In my third movement, I keep the meter of seven eight and the melodic style of Muqam music. The fiery dancing gesture cumulates the sustained climax section at the end of the work, after a colorful violin cadenza in both improvisational singing style and polyphonic writing with woven lines. Scored for 2 flutes (2nd doubling piccolo), 2 oboes, 2 clarinets in Bb, 2 bassoons, 4 French horns in F, 2 trumpets in Bb, 3 trombones, percussion 1 (3 congas, low tom-tom, temple block, paddle castanets), percussion 2 (snare drum, 6 small Beijing opera gong, 12 big Beijing opera gong, crotales, tambourine), percussion 3 (suspended cymbal, a pair of 6 Chinese cymbals, bass drum), solo violin, violins I, violins II, violas, cellos and double basses. Duration is about 16 minutes. The work is recorded on Bis [CD-1352] and released in 2003, performed by Cho-Liang Lin and the Singapore Symphony Orchestra, cond. by Lan Shui. Reduction for B-flat soprano saxophone and piano by Wong Tak Chiu (2017) and edited by Chen Yi (2018) The second movement YangKo is premiered by Dr. Wong and Korak Lerpibulchai at the Singapore Saxophone Symposium on 8/13/2017. The American premiere of the saxophone and piano reduction version of Chinese Folk Dance Suite is given by Chi Him Chik and Hao Yin at the Society for American Music National Conference in Kansas City, MO on 3/2/2018.