| Requiem in C major Organ Carus Verlag
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 cl...(+)
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, harp, percussion, 2 violins, viola, cello, contrabass, organ SKU: CA.2731513 Composed by Charles Francois Gounod. Edited by Barbara Grossmann. This edition: urtext. Stuttgart Urtext Edition: Urtext Editions; French Sacred Music. Requiem (Gounods Letztes Werk). Sacred vocal music, Requiem, End of the church year, Mourning, death. Single Part, Viola. CG op. Posth. 12 pages. Duration 35 minutes. Carus Verlag #CV 27.315/13. Published by Carus Verlag (CA.2731513). ISBN 9790007201715. Key: C major. Language: Latin. Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. Score and part available separately - see item CA.2731500. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Advent For Choirs Choral [Sheet music] Oxford University Press
By Archer and Cleobury. For Choral Collection: Mixed Choir. Published by Oxford ...(+)
By Archer and Cleobury. For Choral Collection: Mixed Choir. Published by Oxford University Press.
$27.99 - See more - Buy online | | |
| Ritual and Celebration Orchestra [Score and Parts] - Easy Hal Leonard
Composed by John Moss. MusicWorks Grade 2. Concert. Score and parts (with online...(+)
Composed by John Moss. MusicWorks Grade 2. Concert. Score and parts (with online audio). Published by Hal Leonard
$55.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Joy Revisited Concert band [Score] - Intermediate Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school, community and college bands. Grade 3. Conductor Full Score. Duration 3:30
(1)$18.50 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Kick It (Full Score) Jazz Ensemble - Easy Kendor Music Inc.
Jazz Ensemble - Grade 2 SKU: KN.60410S Composed by Kris Berg. Jazz Gatewa...(+)
Jazz Ensemble - Grade 2 SKU: KN.60410S Composed by Kris Berg. Jazz Gateway. Kendor Music Inc #60410S. Published by Kendor Music Inc (KN.60410S). UPC: 822795604108. We welcome Kris Berg to the Kendor family of writers with this fun and energetic chart written in a New Orleans 2nd line groove over a C7 blues. After the band trades licks with the drummer, the chart roars to a big ending, thunderous applause, and your audience marchin' down the aisles! The written or ad lib solo section can be played by anyone. Featuring Kendor Konvertible scoring for 9-17 players, each set includes a guitar chord chart by Jim Greeson and optional flute, clarinet, horn in f, tuba and vibes parts. Duration 4:00. $7.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Shenandoah Concert band [Score and Parts] - Intermediate Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school, community and college bands. Level: Grade 3. Conductor score and set of parts. Duration 6:30. Published by Manhattan Beach Music.
(2)$150.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Bad Apple [Score] - Beginner FJH
Jazz Ensemble Jazz Band - Grade 1.5 SKU: FJ.HX9017S Score Only. Co...(+)
Jazz Ensemble Jazz Band - Grade 1.5 SKU: FJ.HX9017S Score Only. Composed by Ryan Fraley. Jazz Ensemble; Performance Music Ensemble; Single Titles. HXmusic. Blues; Jazz; Rock. Score. The FJH Music Company Inc #98-HX9017S. Published by The FJH Music Company Inc (FJ.HX9017S). English. Let the rhythm section lay down an earthy groove in half-time funk. The horns ride along with a bluesy melody that builds to a great stop-time. Modest ranges all around with reduced instrumentation (3 Saxes, 2 Trumpets, 1 Bone) keep it within reach of smaller groups, while extra parts for Flute, Clarinet, Horn, Baritone T.C., and Tuba add flexibility. Solo transcriptions are provided that match the recording, along with easier versions of those solos to give younger players a starting point. A hip, fun, and memorable chart. (Top Trumpet Note: D5). $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Requiem Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
(Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, B...(+)
(Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Bc) SKU: CA.5165205 Completed and edited by Howard Arman. Composed by Wolfgang Amadeus Mozart. Edited by Howard Arman. Arranged by Howard Arman. Choral Score. KV 626. Duration 50 minutes. Carus Verlag #5165205. Published by Carus Verlag (CA.5165205). ISBN 9790007314286. Key: D minor. Latin. The English conductor and composer Howard Arman has presented us with a completed version of Mozartâs Requiem. âAnother one?â you might ask, since this publication is only the latest in a long line reaching back to the traditional SüÃmayr version. Yet such is the enormous power of Mozartâs score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Armanâs additions to Mozartâs great original show the requisite care and respect while incorporating many new insights.
Armanâs approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozartâs brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrumentâs unique sound is given an opportunity to shine. Armanâs Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather â in the spirit of Mozart â on creating a sense of drama and illuminating the theme in all its possible facets. Mozartâs fragment ends with the Hostias, and so does Armanâs completion.
For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to SüÃmayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.
Armanâs version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike â and celebrated as offering a scholarly, entirely fresh perspective on Mozartâs masterpiece.
- World premiere by the Bavarian Radio Choir - Enthusiastically received by audience and press. $12.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Bad Apple Jazz Ensemble - Beginner HXmusic
Jazz Ensemble - Grade 1.5 SKU: PE.HX9017 Composed by Ryan Fraley. Jazz En...(+)
Jazz Ensemble - Grade 1.5 SKU: PE.HX9017 Composed by Ryan Fraley. Jazz Ensemble; Performance Music Ensemble; Single Titles. HXmusic. Blues; Jazz; Rock. Score and Part(s). HXmusic #98-HX9017. Published by HXmusic (PE.HX9017). Let the rhythm section lay down an earthy groove in half-time funk. The horns ride along with a bluesy melody that builds to a great stop-time. Modest ranges all around with reduced instrumentation (3 Saxes, 2 Trumpets, 1 Bone) keep it within reach of smaller groups, while extra parts for Flute, Clarinet, Horn, Baritone T.C., and Tuba add flexibility. Solo transcriptions are provided that match the recording, along with easier versions of those solos to give younger players a starting point. A hip, fun, and memorable chart. (Top Trumpet Note: D5). $40.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Requiem in C major Organ [Score and Parts] Carus Verlag
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 cl...(+)
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, harp, percussion, 2 violins, viola, cello, contrabass, organ SKU: CA.2731519 Composed by Charles Francois Gounod. Edited by Barbara Grossmann. This edition: urtext. Stuttgart Urtext Edition: Urtext Editions; French Sacred Music. German title: Requiem (Gounods Letztes Werk). Sacred vocal music, Requiem, End of the church year, Mourning, death. Set of Orchestra Parts. CG op. Posth. Duration 35 minutes. Carus Verlag #CV 27.315/19. Published by Carus Verlag (CA.2731519). ISBN 9790007137366. Key: C major. Language: Latin. Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. Score and parts available separately - see item CA.2731500. $222.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Encyclopedia of the Pivot System Charles Colin Music
Trombone (trumpet or tuba) SKU: M7.AHW-1101 Original Unabridged Editio...(+)
Trombone (trumpet or tuba) SKU: M7.AHW-1101 Original Unabridged Edition. Composed by Donald and Reinhardt. Sheet music. 270 pages. Charles Colin Corp. #AHW 1101. Published by Charles Colin Corp. (M7.AHW-1101). English. I simply can't say it better than the Doc himself. Read what he says about the Pivot System, then grab some samples, then a physical book shipped right to your home above. From the Forward During the initial or formative years of a player's career, he acquires the mechanical habits which determine the extent of his development invariably by pure chance. If he happens to be numbered among the few fortunate ones who unconsciously utilize their physical factors to advantage, eventually someone will mistakenly refer to him as being a 'natural' or 'born with it.' If, as is more likely the case, he happens to be one whose physical factors clash or function incorrectly, he inadvertently seals his own fate. Either he can give up shortly after high school as most do, or he can continue down the blind alley of his own circumscribed potential. Most of these unfortunates merely resign themselves to a career of mediocrity ('I never had the chops'), shying away (rom the 'lead book' in favor of second, third or fourth parts. A few (even worse) go on mouthpiece jags or scavenger hunts for no pressure systems, etc. , always seeking, but never finding the 'gimmick' which will 'straighten out my chops.' Some, however, after a thorough analysis, adopt the scientific principles which utilize every one of their playing factors with maximum efficiency. These principles are what is called the PIVOT SYSTEM. - Doc Reinhardt. $74.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Requiem (Arman-Fassung) Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Carus Verlag
(Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, B...(+)
(Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Bc) SKU: CA.5165219 Completed and edited by Howard Arman. Composed by Wolfgang Amadeus Mozart. Edited by Howard Arman. Arranged by Howard Arman. Set of Orchestra Parts. KV 626. Duration 50 minutes. Carus Verlag #5165219. Published by Carus Verlag (CA.5165219). ISBN 9790007313883. Key: D minor. Latin. The English conductor and composer Howard Arman has presented us with a completed version of Mozartâs Requiem. âAnother one?â you might ask, since this publication is only the latest in a long line reaching back to the traditional SüÃmayr version. Yet such is the enormous power of Mozartâs score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Armanâs additions to Mozartâs great original show the requisite care and respect while incorporating many new insights.
Armanâs approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozartâs brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrumentâs unique sound is given an opportunity to shine. Armanâs Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather â in the spirit of Mozart â on creating a sense of drama and illuminating the theme in all its possible facets. Mozartâs fragment ends with the Hostias, and so does Armanâs completion.
For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to SüÃmayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.
Armanâs version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike â and celebrated as offering a scholarly, entirely fresh perspective on Mozartâs masterpiece.
- World premiere by the Bavarian Radio Choir - Enthusiastically received by audience and press. $240.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Ave Regina Caelorum Concert band Edition HH
Wind band SKU: HH.HH121-SSC Composed by Timothy Raymond. Wind Band. Study...(+)
Wind band SKU: HH.HH121-SSC Composed by Timothy Raymond. Wind Band. Study score. Duration 22 minutes. Edition HH Music Publishers #HH121-SSC. Published by Edition HH Music Publishers (HH.HH121-SSC). ISBN 9790708041436. The opening movement begins high up with stylised birdsong and moves down through the registers, through Frye’s Motet, to the depths of a tuba solo. The second movement is a slow processional which revolves around a series of chords and leads, without a break, through a tutti passage in octaves to the third, which opens with a trumpet solo and moving through several fast sometimes, contrapuntal episodes to a triumphal arrival of a quotation from a Mass by Jacob Obrecht. $55.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Requiem Soli, Mixted choir and accompaniment Soli, mixted choir and piano [Vocal Score] Carus Verlag
Solo voices, SATB chorus, orchestra (2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Tim...(+)
Solo voices, SATB chorus, orchestra (2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Bc) SKU: CA.5165203 Completed and edited by Howard Arman. Composed by Wolfgang Amadeus Mozart. Edited by Howard Arman. Arranged by Howard Arman. Vocal score. KV 626. Duration 50 minutes. Carus Verlag #5165203. Published by Carus Verlag (CA.5165203). ISBN 9790007294243. Key: D minor. Latin. The English conductor and composer Howard Arman has presented us with a completed version of Mozartâ??s Requiem. â??Another one?â? you might ask, since this publication is only the latest in a long line reaching back to the traditional SüÃ?mayr version. Yet such is the enormous power of Mozartâ??s score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Armanâ??s additions to Mozartâ??s great original show the requisite care and respect while incorporating many new insights.
Armanâ??s approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozartâ??s brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrumentâ??s unique sound is given an opportunity to shine. Armanâ??s Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather â?? in the spirit of Mozart â?? on creating a sense of drama and illuminating the theme in all its possible facets. Mozartâ??s fragment ends with the Hostias, and so does Armanâ??s completion.
For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to Sü�mayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.
Armanâ??s version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike â?? and celebrated as offering a scholarly, entirely fresh perspective on Mozartâ??s masterpiece.
- World premiere by the Bavarian Radio Choir - Enthusiastically received by audience and press. $17.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Requiem in C major Organ Carus Verlag
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 cl...(+)
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, harp, percussion, 2 violins, viola, cello, contrabass, organ SKU: CA.2731512 Composed by Charles Francois Gounod. Edited by Barbara Grossmann. This edition: urtext. Stuttgart Urtext Edition: Urtext Editions; French Sacred Music. Requiem (Gounods Letztes Werk). Sacred vocal music, Requiem, End of the church year, Mourning, death. Single Part, Violin 2. CG op. Posth. 12 pages. Duration 35 minutes. Carus Verlag #CV 27.315/12. Published by Carus Verlag (CA.2731512). ISBN 9790007201708. Key: C major. Language: Latin. Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. Score and part available separately - see item CA.2731500. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Requiem in C major Organ Carus Verlag
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 cl...(+)
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, harp, percussion, 2 violins, viola, cello, contrabass, organ SKU: CA.2731511 Composed by Charles Francois Gounod. Edited by Barbara Grossmann. This edition: urtext. Stuttgart Urtext Edition: Urtext Editions; French Sacred Music. Requiem (Gounods Letztes Werk). Sacred vocal music, Requiem, End of the church year, Mourning, death. Single Part, Violin. CG op. Posth. 12 pages. Duration 35 minutes. Carus Verlag #CV 27.315/11. Published by Carus Verlag (CA.2731511). ISBN 9790007201692. Key: C major. Language: Latin. Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. Score and part available separately - see item CA.2731500. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Requiem (Arman-Fassung) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
(Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, B...(+)
(Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Bc) SKU: CA.5165209 Completed and edited by Howard Arman. Composed by Wolfgang Amadeus Mozart. Edited by Howard Arman. Arranged by Howard Arman. Set of Orchestra Parts. KV 626. Duration 50 minutes. Carus Verlag #5165209. Published by Carus Verlag (CA.5165209). ISBN 9790007313838. Key: D minor. Latin. The English conductor and composer Howard Arman has presented us with a completed version of Mozartââ¬â¢s Requiem. ââ¬ÅAnother one?ââ¬Â you might ask, since this publication is only the latest in a long line reaching back to the traditional Süßmayr version. Yet such is the enormous power of Mozartââ¬â¢s score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Armanââ¬â¢s additions to Mozartââ¬â¢s great original show the requisite care and respect while incorporating many new insights.
Armanââ¬â¢s approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozartââ¬â¢s brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrumentââ¬â¢s unique sound is given an opportunity to shine. Armanââ¬â¢s Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather ââ¬â in the spirit of Mozart ââ¬â on creating a sense of drama and illuminating the theme in all its possible facets. Mozartââ¬â¢s fragment ends with the Hostias, and so does Armanââ¬â¢s completion.
For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to Süßmayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.
Armanââ¬â¢s version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike ââ¬â and celebrated as offering a scholarly, entirely fresh perspective on Mozartââ¬â¢s masterpiece.
- World premiere by the Bavarian Radio Choir - Enthusiastically received by audience and press. $69.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Requiem in C major Organ [Score] Carus Verlag
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 cl...(+)
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, harp, percussion, 2 violins, viola, cello, contrabass, organ SKU: CA.2731500 Composed by Charles Francois Gounod. Edited by Barbara Grossmann. This edition: urtext. Stuttgart Urtext Edition: Urtext Editions; French Sacred Music. German title: Requiem (Gounods Letztes Werk). Sacred vocal music, Requiem, End of the church year, Mourning, death. Full score. CG op. Posth. 136 pages. Duration 35 minutes. Carus Verlag #CV 27.315/00. Published by Carus Verlag (CA.2731500). ISBN 9790007095604. Key: C major. Language: Latin. Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. $91.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Requiem in C major Organ Carus Verlag
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 cl...(+)
Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, harp, percussion, 2 violins, viola, cello, contrabass, organ SKU: CA.2731514 Composed by Charles Francois Gounod. Edited by Barbara Grossmann. This edition: urtext. Stuttgart Urtext Edition: Urtext Editions; French Sacred Music. Requiem (Gounods Letztes Werk). Sacred vocal music, Requiem, End of the church year, Mourning, death. Single Part, Cello. CG op. Posth. 8 pages. Duration 35 minutes. Carus Verlag #CV 27.315/14. Published by Carus Verlag (CA.2731514). ISBN 9790007201722. Key: C major. Language: Latin. Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. Score and part available separately - see item CA.2731500. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Trumpeter Schott
Solo Instrument SKU: HL.49044524 For any Solo Instrument. Composed...(+)
Solo Instrument SKU: HL.49044524 For any Solo Instrument. Composed by Gerald Barry. This edition: Saddle stitching. Sheet music. Instrumental Solo. Classical, Contemporary. Softcover. Composed 1998. 4 pages. Duration 2'. Schott Music #ED13773. Published by Schott Music (HL.49044524). ISBN 9790220135538. UPC: 841886024687. 9.0x12.0x0.052 inches. A trumpeter is a cavalry or artillery soldier who gives signals with a trumpet. (Gerald Barry, 1998)This piece may be performed on any of the following instruments in different transpositions. If played by a string instrument, there should be no vibrato. It may be played by Flute, Alto Flute, Bass Flute, Piccolo, Oboe, Cor Anglais, Clarinet, Basset Clarinet, Bass Clarinet, Bassoon, Contrabassoon, Trumpet, Horn, Trombone, Tuba, any other Brass Band instrument, Mouth Organ, Ondes Martenot, Concertina, Bagpipes, Tubular Bells, Violin, Viola, Cello, Double Bass.In thinking of the register in which to play it, thought should be given to the drama and colour of the instrument involved. For example, if it were played by a Contrabassoon, the version in this edition should be transposed down two octaves and a minor 6th, so that the lowest note in the melody is B flat, the lowest note on the Contrabassoon. $7.99 - See more - Buy online | | |
| Kick It Jazz Ensemble - Easy Kendor Music Inc.
Jazz Ensemble standard jazz ensemble - Grade 2 SKU: KN.60410 Composed by ...(+)
Jazz Ensemble standard jazz ensemble - Grade 2 SKU: KN.60410 Composed by Kris Berg. Jazz Gateway. New Orleans 2nd Line Beat. Kendor Music Inc #60410. Published by Kendor Music Inc (KN.60410). UPC: 822795604108. We welcome Kris Berg to the Kendor family of writers with this fun and energetic chart written in a New Orleans 2nd line groove over a C7 blues. After the band trades licks with the drummer, the chart roars to a big ending, thunderous applause, and your audience marchin' down the aisles! The written or ad lib solo section can be played by anyone. Featuring Kendor Konvertible scoring for 9-17 players, each set includes a guitar chord chart by Jim Greeson and optional flute, clarinet, horn in f, tuba and vibes parts. Duration 4:00. $48.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Jambalaya Jane [Score and Parts] - Easy C.L. Barnhouse
Grade 3 SKU: CL.032-3192-00 Lil' Liza Jane. Composed by Rowe. Jazz...(+)
Grade 3 SKU: CL.032-3192-00 Lil' Liza Jane. Composed by Rowe. Jazz Ensemble. Barnhouse Medium Jazz Series. Audio recording available separately (item CL.991-2002-02). Score and set of parts. Composed 2002. Duration 3 minutes, 26 seconds. C.L. Barnhouse #032-3192-00. Published by C.L. Barnhouse (CL.032-3192-00). The perfect something special for contest or concert. The down yonder feel of a New Orleans street band is captured with a great bass line and drum cadence. An optional tuba part and a guitar performance help sheet are also provided. $50.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Shenandoah Concert band [Score] - Intermediate Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school, community and college bands. Level: Grade 3. Conductor Full Score. Duration 6:30. Published by Manhattan Beach Music.
$20.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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