SKU: BT.DHP-1196087-401
ISBN 9789043157254. English-German-French-Dutch.
Fortuna for trumpet and piano came about as a commission by the Belgian trumpeter Manu Mellaerts. The title of the work refers to the goddess Fortuna of Roman mythology, who represents fate and fortune. The composition is characterised by its modern but by no means avant-garde tonal language, with which composer Jan Hadermann creates a wide variety of musical expression. This, together with its playing time of some nine minutes, makes Fortuna an ideal examination work for the conservatory-level student.Fortuna voor trompet en piano is in opdracht van de Belgische trompettist Manu Mellaerts geschreven. De titel verwijst naar de Romeinse godin Fortuna, die in de mythologie staat voor het (nood)lot. Het stuk wordt gekenmerkt door een moderne maar niet avant-gardistische stijl, waarmee componist Jan Hadermann een weidse variatie aan muzikale expressie aanboort. Hierdoor en door de speelduur van circa negen minuten past Fortuna perfect in het examenprogramma van de conservatoriumstudent.Fortuna für Trompete und Klavier entstand im Auftrag des belgischen Trompeters Manu Mellaerts. Der Titel des Stückes verweist auf die römische Göttin Fortuna, welche mythologisch für das Schicksal steht. Die Komposition zeichnet sich durch ihre moderne, jedoch nicht avantgardistische Tonsprache aus, mit der der Komponist Jan Hadermann eine große musikalische Ausdrucksvielfalt realisiert. Dadurch sowie aufgrund seiner Spieldauer von etwa neun Minuten ist Fortuna ein ideales Examenswerk für Hochschulstudenten.Fortuna pour trompette et piano est une œuvre commandée par le trompettiste belge Manu Mellaerts. Le titre de la pièce fait référence la déesse romaine Fortuna, incarnation du destin dans la mythologie romaine. Cette composition se distingue par le langage musical, moderne sans être avant-gardiste, gr ce auquel le compositeur Jan Hadermann lui confère une grande expressivité musicale sous diverses formes. Formant un total d’environ neuf minutes, ces qualités font de Fortuna une pièce d’examen idéale pour les élèves des conservatoires.
SKU: HL.4008199
UPC: 196288137320.
Concordia was the Roman goddess of concord or unity. To convey the unity among their musicians, many music societies over the years, including the band that commissioned this composition, have chosen this name. The literal translation of Color Concordia is color harmony. Consequently, the composer has gratefully used the many ranges of coloring of the concert band for the instrumentation of this work. He based the thematic material on the four note names in Concordia: C, C, D and A, resulting in a brilliant piece of music that will suit any band.
SKU: BT.DHP-1053854-140
9x12 inches. English-German-French-Dutch.
Artemis is the Greek goddess of hunting and forests. In western art she is often pictured with deer, lions or bears with a bow in her hand. The tempo of this march is stately and the themes are “concertante†in character making Artemis best suited as a concert march rather than a street march. Technically this march is not too difficult although at times some dexterous fingering is necessary. The trio melody is especially lyrical and offers various sections within the band the possibility to show off their skill in playing the expressive melody. This excellent new concert march is sure to become a classic and be performed time and time again.Het tempo van deze mars is statig en de thema’s zijn concertant van karakter: Artemis is dus eerder geschikt als concertmars dan als loopmars. Technisch is dit werk niet erg lastig om spelen, al wordt af en toe wel wat vingervaardigheidvereist. De triomelodie is echter uitgesproken lyrisch en biedt diverse secties binnen het orkest de mogelijkheid om zich melodisch en expressief te etaleren. Een aangenaam klinkende en prima speelbare concertmars!Artemis ist die griechische Göttin der Jagd und der Wälder. Jan Van der Roost ließ sich zum wiederholten Male von der griechischen Mythologie inspirieren und komponierte diesen Marsch mit gemäßigtem Tempo und konzertanten Themen. Obwohl technisch nicht sehr schwer, erfordert er doch stellenweise etwas Fingerfertigkeit. Der Trio-Teil ist jedoch besonders lyrisch und bietet verschiedenen Registern des Blasorchesters die Möglichkeit, sich in Melodie und Ausdruck zu beweisen. Kurz gesagt ist Artemis ein ausgezeichneter und gut spielbarer Konzertmarsch, der viele Blasorchester anspricht.Artémis est la déesse grecque de la nature sauvage et de la chasse. Dans l’art occidental, elle est souvent représentée armée d’un arc et de flèches et entourée de cerfs, de lions et d’ours. Évoluant sur un tempo majestueux et développant des thèmes au caractère concertant, Artemis s’inscrit pleinement dans la lignée des grandes marches de concert. Hormis quelques passages nécessitant une plus grande souplesse des doigts, elle ne contient que peu de difficultés techniques. Artemis est une pièce brillante qui convient au plus grand nombre d’Orchestres d’Harmonie.Artemis è la Dea greca della natura selvatica e della caccia. Nella cultura occidentale, è spesso rappresentata armata di arco e frecce e circondata da cervi, leoni e orsi. Evolvendosi su un tempo maestoso e sviluppando temi centrali dal carattere concertante, Artemis rientra nella linea delle grandi marce da concerto. Ad eccezione di qualche passaggio che necessita una maggiore scioltezza delle dita, il brano contiene solo poche difficolt tecniche. Artemis è un pezzo brillante adatto alla maggior parte delle bande.
SKU: HL.44004059
UPC: 073999040593. 8.5x12.0x1.609 inches.
Aurora was the Greek goddess of dawn. Through the ages dawn has had a significant spiritual meaning - daylight conquering the ominous darkness of the night. This exciting work by Thomas Doss uses musical imagery to reflect the meaning of dawn by cultures throughout the world. The emphasis lies on oriental sounds - symbolizing the daily aurora in the Far East.
SKU: BR.EB-9468
ISBN 9790004189481. 9 x 12 inches.
His triptych for guitar quartet takes as inspiration the trilogy of gods of Memphis in ancient Egypt. The work is a poetic journey through the mythological landscapes of their world around 3000 BC. Sakkara is a plateau south of Cairo, where an ideal space for a culture of the afterlife developed, through tombs and the construction of the first pyramids. To this contributed the fundamental role of Imhotep, the great architect in the III Dynasty from the Sakkara area, who was almost a god in his time and most likely responsible for the stepped pyramid of Djoser. The trilogy is formed by the couple Ptah and Sekhmet, and Nefertem, their son. Ptah is the patron of artists, and at the same time the god for measuring time. Sekhmet was the wife and sister of Ptah, goddess of war -- related to the Sun god and associated with the color red. Nefertem, son of both, was the god of fragrance, of perfume and linked to the lotus flower, the symbol of rebirth. The three movements of this composition are musical spaces created on poetic associations around this mythical world and in an area that has always fascinated me: Sakkara. The work is commissioned by the Aleph-Gitarrenquartett, which is also its dedicatee. (Jose M. Sanchez-Verdu, 2022)World premiere: Karlsruhe, ZKM, January 14, 2023 Commissioned by the Aleph-Gitarrenquartett.
SKU: TM.06599SET
11 movements. Introduction, Ancient Dance, Gavotte, Bacchanais, Apparation of Phoebus and the Muses, Phoebusi Evocation of Cupid, Cupid Make Psyche Appear, Goddesses Muses Nymphs and Bacchants, Variation for Flute.
SKU: AP.49054S
ISBN 9781470645670. UPC: 038081564159. English.
English country dancing has been popular for over 300 years, and The Dancing Master features two delightful folk tunes in that timeless style arranged by Andrew H. Dabczynski. The first lively tune, Jamaica, has been used in the theme to the British TV comedy, Upstart Crow, and the second, The Goddesses, offers a charming contrast. Attributed to John Playford, these melodies fall under the fingers of beginning string students with interesting, rhythmic parts for all players. An optional hand-drum part adds to the upbeat 17th century dance atmosphere. (2:10).
SKU: CA.1040005
ISBN 9790007262396. Key: D minor. German/English. Text: Goethe, Johann Wolfgang.
The Three Fates, or Parcae, were the goddesses of fate in Greek-Roman mythology, and sang on themes of curse and fate. The Parzenlied in Goethe’s verse drama “Iphigenie auf Tauris†is concerned with these themes and became the model for Johannes Brahms’s setting. His Gesang der Parzen (Song of the Fates) op. 89 describes in thrilling, eruptive sounds the fight to overcome the mythical curse through the purity of truthful, noble actions and the power of hope.With a duration of around 12 minutes, the work can be combined with Brahms’s “German Requiem†in concert.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version
