(Guitar TAB). For Guitar. Book; Guitar Mixed Folio; Guitar TAB. The New Guitar TAB Big Book. Adult Contemporary; Folk; Pop; Pop/Rock; Rock. 264 pages. Published by Alfred Music

Performed by The Eagles. Easy guitar/vocal songbook for voice and guitar. With vocal melody, standard notation, lyrics, chord names, guitar chord diagrams and strum patterns. 112 pages. Published by Alfred Publishing.

(22 Rockinâ?? Hits of the 1950s (for Piano)). Arranged by Dan Coates. For Piano. Piano Collection; Piano Supplemental. Simply Series. Rock. Easy Piano. Book. 80 pages

(At a Glance Series). At a Glance. Softcover with DVD. Guitar tablature. 48 pages. Published by Hal Leonard

Composed by Gregory Coleman. Guitar Method or Supplement; Method/Instruction; Play-Along. Blues. Book; CD. Alfred Music #00-0634B. Published by Alfred Music

Composed by Erik Whitehill. Choral. Octavo. Lorenz Publishing Company #15/3474H. Published by Lorenz Publishing Company (LO.15-3474H).

Band Concert Band - Grade 2

SKU: CF.YPS200

Composed by Matthew R. Putnam. Young Band (YPS). Set of Score and Parts. With Standard notation. 8+2+4+2+2+5+2+2+4+4+6+3+3+2+1+3+16+4+4+2+2 pages. Duration 2:15. Carl Fischer Music #YPS200. Published by Carl Fischer Music (CF.YPS200).

ISBN 9781491152201. UPC: 680160909704. Key: D minor.

Step right up, ladies and gentleman, boys and girls, step right up! See the exotic, the strange, and the magical at the Cirque de L’étrange, or “Circus of the Strange.” This piece evokes a bygone era when circuses and carnivals provided people from all walks of life a chance to see human and animal oddities. Cirque de L'étrange is an original concert march written in standard march form, but its sound is anything but standard. This piece is playable by younger groups and is a great way to expose students to the march form and style without sounding like your typical march.
Step right up ladies and gentleman, boys and girls, step right up! See the exotic, the strange, and the magical at the Cirque de L’étrange. Welcome to the Cirque de L’étrange, known in English as the “Circus of the Strange.” This piece evokes a time of a bygone era, a time when circuses and carnivals provided people from all walks of life a chance to see human and animal oddities that were sources of both delight and horror. While many of these sideshow attractions were deemed fraudulent, it did not deter the crowds from flocking to be shocked and awed. I have always held a special place in my heart for the showmanship of carnivals, because my grandfather dearly loved them. For much of his life, he worked at fairs and carnivals selling cotton candy and candy apples. A large portion of my days when growing up were spent running around fairgrounds and helping my grandfather with his stand. He imparted in me a love for the cunning, magic, and sheer joy that only carnivals and circuses can bring. In Cirque de L’étrange, I sought to capture the the mirthful, yet uncanny mood of the carnivals that I grew up exploring, thus transporting you to a different time.Cirque de L'étrange is an original concert march written in standard march form, but its sound is anything but standard. This piece is playable by younger groups, as it is a great way to expose students to the march form and style while not sounding like your typical march.Opening in D minor, the piece combines the playful feel of a march and a macabre tango. The second time through the First Strain (mm. 5-23), the upper woodwinds and bells add a second counter melody based in D harmonic minor, which heightens the peculiar nature of the piece. The Second Strain (mm. 24-43) by contrast, is a little more upbeat, thus evoking the magical ebullience of a circus, which is further highlighted by the xylophone part. The Second Strain ends in the key of F major and sets up the transition to the Trio in the key of G minor. The Trio (m. 44) begins with the G harmonic minor melody in the clarinets and a counter melody in the bassoon and tenor saxophone. The rest of the woodwinds and bells join in at m. 60 while the percussion adds a Gypsy-like feel with tambourine and triangle. At m. 76 the full band joins in the macabre parade with the trombones and baritones harmonizing the counter melody. The conclusion of the march has the upper woodwinds, adding a second counter melody complete with trills to bring the march to an exciting and dramatic finish.As the World’s Greatest Showman, P.T. Barnum, a man my grandfather greatly admired, once said “The noblest art is that of making others happy.” It is my hope that through this piece you will experience the thrill, delight, and fright that only carnivals can bring as you visit the Circus of the Strange!

Orchestra Bass, Bass Drum, Percussion, Piano, Thunder Sheet, Viola, Violin 1, Violin 2, Violin 3, Violoncello - Grade 1.5

SKU: CF.FAS64

A Tone Poem for Strings. Composed by Joseph Compello. Collate - FS SWS. First-Plus String Orchestra (FAS). Set of Score and Parts. With Standard notation. 16+16+10+4+5+5+3+1+8 pages. Duration 2:15. Carl Fischer Music #FAS64. Published by Carl Fischer Music (CF.FAS64).

ISBN 9780825883880. UPC: 798408083885. 8.5 x 11 inches. Key: E minor.

Imagine the ominous sound of an oncoming storm rumbling through a prehistoric forest, punctuated by the lumbering footsteps of the T-Rex, shaking the ground as it advances on its prey. T-Rex allows your orchestra to paint this dramatic picture, thrilling the audience with its bold depiction of an ancient, mighty beast!.
T-Rex (Tyrannosaurus Rex) is a miniature tone poem for a young string orchestra.The story: The ominous sound of an oncoming storm (Thundersheet) rumbles through the night in a prehistoric forest. The lumbering footsteps of a giant beast (m. 1: half-notes played by celli and basses) cause the ground to tremble. It is T-Rex, Tyrannosaurus Rex, the Tyrant King (m. 3: 1st violins, m. 11: celli and basses). It surveys its kingdom in a regal pose (m. 27: tutti). The storm begins (m. 41: staccato notes and Thunder Sheet). Tyrannosaurus Rex hones in on its prey (m. 43: celli and basses). There is no escape (m. 49 to end: tutti).Percussion: A sound effect for thunder is necessary. The Worldwide Web contains much information on this subject. Just search “Thundersheet.”1. If a real Thundersheet is not available, a prepared Bass Drum may be used. The batter headshould be loosened for the lowest possible sound. It can be placed on its side. Have the rollsplayed with two bass drum mallets or two felt mallets.2. Synthesizers have certain sound effects which resemble thunder.3. A polystyrene Thundersheet is small and light enough for a young player.4. A large sheet of aluminum may be available at a home improvement store. While wearingprotective gloves, the percussion player shakes the aluminum sheet to create the standard, orchestral thunder sound effect.Thank you for choosing this composition. I hope your students and audience will find it instructive and enjoyable.

Piano (Piano Solo)

SKU: HL.51481178

Piano Solo. Composed by Arnold Schönberg. Edited by Marte Auer, Norbert Mü, Ullrich Scheideler, Ulrich Krä, llemann, and mer. Henle Music Folios. Classical. Softcover. 178 pages. G. Henle #HN1178. Published by G. Henle (HL.51481178).

UPC: 196288207252. 9.0x12.0x0.543 inches.

This volume brings together Schönberg�s complete works for piano solo, and thereby presents a wide span from the free atonal pieces of op. 11 to the aphoristic op. 19, the fascinating tone-row experiments of op. 23 to the dodecaphonically conceived works op. 25, 33a and 33b. Additionally, in the appendix, three pieces from 1894 by the twenty-year-old composer provide an astonishing insight into the late-romantic roots of the modern Schönberg. His compositional development can be easily traced in this edition, which incorporates all kinds of milestones of classical modernism alongside thrilling, trailblazing music. Anyone wanting to engage with Schönberg's piano works should not miss this compendium!

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