SKU: CA.9000600
ISBN 9790007108205.
SKU: HL.49005953
ISBN 9790001064484.
1 * Picc. * 2 * Engl. Hr. * 2 * Bassklar. * 2 - 2 * 2 * 2 * 0 - P.S. ( 2 Trgl. * Handgl. * Schiffsgl. * Hausgl. * Rohrengl. * tiefe Holztr. * Negertr. [h/m/t] * 2 Bong. * 2 Tomt. * Tamb. * kl. Tr. * gr. Tr. * Beck. * Tamt. * Cerrero oder dickwandiges Glas * Klatsche * kl. Tempelbl. * Glsp. * Xyl.)(3 Spieler) - Hfe. * Klav. - Str.
SKU: AP.36-A888801
ISBN 9798888529911. UPC: 659359989490. English.
The ballet La Bayadère (The Temple Dancer or The Temple Maiden) was created in 1877 for famed French choreographer Marius Petipa to music by Ludwig Minkus (1826-1917). In four act and seven tableaux, the ballet tells the story of the bayadère Nikiya and the warrior Solor, lovers who are beset by jealous rivals, arranged marriages beyond their control, murder, an opium-fueled hallucination of the afterlife, and a vengeful god that destroys the temple and everybody in it as revenge for Nikiya's murder. It was first performed on February 4, 1877, by the Imperial Ballet in St. Petersburg, Russia. It was hailed as a success and masterpiece immediately after the premiere, particularly The Kingdom of the Shades scene in Act II, an excerpt which remains a major standalone work for the ballet repertoire. Modern performances of La Bayadère are almost always derived from a 1941 version sated for the Kirov/Mariinsky Ballet by Vladimir Ponomarev and Vakhtang Chabukiani, which incorporates additional music by Minkus, Drigo, and Pugni. Act II takes place after Nikiya is killed by a concealed venomous snake. A depressed Solor smokes opium, resulting in a vision of Nikiya's spirit dwelling in the Kingdom of the Shades, a nirvana in the Himalayas. The two lovers reconcile among the shades of other bayadères in a Pas de deux, then Solor is awakened just in time for his arranged marriage to another woman. This orchestration of Act II has been completed by William McDermott. Instrumentation: 2.2.2.2: 4.2.3.0: Timp.Perc(2): Harp: Str (4-4-3-3-3 in set).
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: HL.49013027
ISBN 9790001131513.
SKU: HL.49005880
ISBN 9790001063579. UPC: 073999569933. 8.25x11.75x0.063 inches. French.
Male chorus parts.
SKU: HL.49005879
ISBN 9790001063562. UPC: 073999569773. 8.25x11.75x0.066 inches. French.
Female chorus parts.
SKU: HL.49005256
ISBN 9790001056465. 9.0x12.0x0.115 inches.
SKU: HL.49005878
ISBN 9790001063555. UPC: 073999346923. 9.25x12.0x0.145 inches. French.
French score.
SKU: HL.49013040
ISBN 9790001132183. 8.5x12.0x5.75 inches.
SKU: HL.49012995
ISBN 9790001125246.
One of my earliest works for orchestra, this piece was strongly influenced by the aural and visual impressions left by the London Sadler's Wells Ballett's visit to Hamburg in 1949.- Hans Werner Henze.
SKU: BA.BA05822-01
ISBN 9790006567454. 33 x 26 cm inches. Preface: Brown, Bruce Alan.
To conclude Series II (Dance Dramas) from the Gluck Complete Edition (GGA), this volume of Christoph Willibald Gluck's earliest contributions to the genre comprises six ballet scores from 1759 (La Promenade, Les Jardiniers, Les Turcs, Les Savoiards, Les Amours de Flore et Zphire, and Le Suisse) as well as the ballet music for Les Vendanges, which dates from 1761. These works belong to the compositions â also called Krumau ballets because of their musical transmission â which Gluck created in Vienna between 1759 and 1765 for the court theatres in Laxenburg and Schönbrunn as well as the Kärntnertortheater, and which are to be attributed to him as a ballet composer around the middle of the 18th century in Viennese theatre life based on the considerations presented in the general preface.Together with volumes II/3 to II/5, ballet music by Gluck is available whose sources come from the former Schwarzenberg court archive in Ceský Krumlov, Czech Republic, and which until the Velvet Revolution of 1989, lay behind the Iron Curtain remaining largely inaccessible and unexplored by Western scholars. These volumes reflect two fundamental developments in Gluck research: on the one hand, they provide a significantly expanded, historically more accurate idea of what it meant to compose for the ballet in the 18th century; on the other hand, they bring to light an immense treasure trove of sources formerly of Viennese provenance.In addition to the detailed introduction by this volumeâs editor on the ballet choreographies of Gasparo Angiolini and Carlo Bernardi, on the formation of the ballet troupes of the Viennese theatres in Gluck's early years there, on ballet types and genres, as well as a detailed account of the individual titles, the volume includes a general preface to volumes II/3 through II/5 by Bruce Alan Brown, which discusses Gluck's ballet music in Vienna in general as well as the development of research into this genre. Extensive illustrations (partly from the so-called Durazzo Collection) with reference to the choreographies enrich the discussions. The ballet works, which have survived in only one source each, appear in print for the first time in this volume of the Gluck Complete Edition.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: ML.013759100
In this suite for symphonic band the arranger did not use the existing orchestral suites, but composed another suite of his own with those parts of the ballet music that suited well for a transcription. Romeo & Juliet - Part II. Introduction – The Duke’s CommandII. The Street AwakensIII. Morning DanceIV. Romeo at Friar Laurence’sV. Departure of the Guests (Gavotte)VI. Montagues & Capulets – Dance of the Nights Romeo & Juliet - Part III. Arrival of the GuestsII. The QuarrelIII. The FightIV. InterludeV. Tybalt recognizes RomeoVI. Mercutio Romeo & Juliet - Part IIII. Public MerrymakingII. Further public festivitiesIII. Meeting of Tybalt and MercutioIV. The DuelV. The Death of MercutioVI. Romeo decides to avenge MercutioVII. Finale: Cortège with Tybalt’s BodyEuropean parts free downloadIn deze suite voor harmonieorkest is Johan de Meij niet uitgegaan van de bestaande orkestsuites maar heeft hij een eigen suite samengesteld uit delen van het ballet die zich goed lenen voor een bewerking.Romeo & Juliet - Part II. Introduction – The Duke’s CommandII. The Street AwakensIII. Morning DanceIV. Romeo at Friar Laurence’sV. Departure of the Guests (Gavotte)VI. Montagues & Capulets – Dance of the Nights Romeo & Juliet - Part III. Arrival of the GuestsII. The QuarrelIII. The FightIV. InterludeV. Tybalt recognizes RomeoVI. Mercutio Romeo & Juliet - Part IIII. Public MerrymakingII. Further public festivitiesIII. Meeting of Tybalt and MercutioIV. The DuelV. The Death of MercutioVI. Romeo decides to avenge MercutioVII. Finale: Cortège with Tybalt’s BodyEuropean parts free downloadPour cette suite pour orchestre d'harmonie, l'arrangeur Johan de Meij ne s'est pas basé sur les suites d'orchestres existantes, mais il a composé une nouvelle suite en choisissant ces morceaux du ballet qui se prêtent bien à la transcription.Romeo & Juliet - Part II. Introduction – The Duke’s CommandII. The Street AwakensIII. Morning DanceIV. Romeo at Friar Laurence’sV. Departure of the Guests (Gavotte)VI. Montagues & Capulets – Dance of the Nights Romeo & Juliet - Part III. Arrival of the GuestsII. The QuarrelIII. The FightIV. InterludeV. Tybalt recognizes RomeoVI. Mercutio Romeo & Juliet - Part IIII. Public MerrymakingII. Further public festivitiesIII. Meeting of Tybalt and MercutioIV. The DuelV. The Death of MercutioVI. Romeo decides to avenge MercutioVII. Finale: Cortège with Tybalt’s BodyEuropean parts free downloadIn dieser Suite für Blasorchester ist Johan de Meij nicht von den bestehenden Orchestersuiten ausgegangen, sondern hat er mit welchen Teilen des Balletts, die für ein Arrangement gut geeignet sind, eine eigene Suite zusammengestellt.Romeo & Juliet - Part II. Introduction – The Duke’s CommandII. The Street AwakensIII. Morning DanceIV. Romeo at Friar Laurence’sV. Departure of the Guests (Gavotte)VI. Montagues & Capulets – Dance of the Nights Romeo & Juliet - Part III. Arrival of the GuestsII. The QuarrelIII. The FightIV. InterludeV. Tybalt recognizes RomeoVI. Mercutio Romeo & Juliet - Part IIII. Public MerrymakingII. Further public festivitiesIII. Meeting of Tybalt and MercutioIV. The DuelV. The Death of MercutioVI. Romeo decides to avenge MercutioVII. Finale: Cortège with Tybalt’s BodyEuropean parts free download
SKU: HL.4008980
UPC: 196288283744.
Panorama from the Ballet “Sleeping Beauty”. Pyotr Ilyich Tchaikovsky's ballet suite “Sleeping Beauty” premiered in St. Petersburg in 1890. To this day, “Sleeping Beauty” remains one of the most popular ballets and is a staple in the classical ballet repertoire. The panorama from the 2nd act of the ballet suite depicts the joint journey of the young, enamored Prince Désiré with the Lilac Fairy through an enchanted forest to his beloved Aurora, whom he wishes to marry. Throughout this enchanting scene, a magical and mysterious music unfolds.
SKU: HL.14020965
ISBN 9780711936959.
The story centres on the English princess Caroline Mathilde (1751-1775), sister of George III, who at the age of 15 was sent to Denmark to marry the 17-year-old eccentric and schizophrenic Danish King, Christian VII. The ballet portrays her unhappy marriage, the King's growing madness and her fatal love-affair with Struensee, the King's influential physician, which leads to their arrest, his execution and her exile, at the age of 20, separated from her two young children. This suite begins with the act's opening number: a boisterous, stamping dance to which the people rudely mock Queen Caroline Mathilde and her lover Struensee. After this comes a dark Adagio, The Conspiracy, in which the theme passes like persuasion from mouth to mouth, its variations suggesting the different attitudes of the conspirators, firmly controlled by the brass-driven gestures of the Queen Dowager. The conspiracy then works itself out at a court masked ball, from which the suite includes two dances: a gavotte, and a slow, lubricious passacaglia that is a pas de deux for Caroline Mathilde and Struensee. The Arrest comes with a gathering rush of music that envelops the King, the Queen and Struensee, leading to a vociferous climax in which they are held apart. In The Execution, slow white music for wordless female voices, harp and low strings is interrupted by pathetic, alienated outbursts from the King. The suite ends, as does the ballet, with a quiet adagio lament for clarinets and alto flute as the Queen goes into exile. Score. Duration c. 33mins.
SKU: TM.13330SC
Comic opera The Perfect Fool in 1918-22, which begins with a ballet danced by Spirits of Earth, Water, and Fire. Optional instruments: Flute II, Oboe II, Trumpets III-IV, Xylophone, and Celeste.
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