SKU: HL.48182166
UPC: 888680837334. 9.0x12.0x0.13 inches.
“With music for Flute Quartets being most commonly rearranged for the ensemble, it is unusual that a work is originally composed for that precise instrumentation. It is for that reason that Pierre Max Dubois' Quatuor for Flutes has been considerably well-received. As a student of Darius Milhaud, Dubois brought ideas of Les Six, of which Milhaud was a member, into the mid-1900s. Dubois' compositions are characteristically light with interesting and unusual harmonic and melodic textures, as conveyed in this Quatuor for Flutes. With all four parts being technically demanding, exploiting extended techniques to the maximum, this piece provides a challenging but enjoyable performance. Moreover, including a full score and separate parts, this edition is ideal. With few pieces for this instrumentation exisitng as original compositions, all Flute Quartets must ensure they try out Dubois' enticing four-movement piece. â€.
SKU: HL.49008097
ISBN 9783795713362. German.
Im Jahre 1865 trat der 27jahrige Max Bruch eine Stelle als Kapellmeister in Koblenz an. Fur den angehenden und spater uberaus erfolgreichen Komponisten und Dirigenten war diese zweijahrige Tatigkeit Sprungbrett und erste Bewahrungsprobe fur seine weitere Laufbahn. So sind die hier versammelten Dokumente von exemplarischem Interesse, um zu erfahren, was Bruch in Koblenz geleistet, wie er dort gearbeitet hat und womit und ob er Erfolg hatte. Der Band enthalt neben dem Schriftwechsel zur Bewerbung sowie allen erreichbaren Presseberichten und Konzertprogrammen eine Auswahl aus Bruchs Korrespondenz wahrend der Koblenzer Jahre.
SKU: HL.14020986
ISBN 9780711960961. UPC: 884088442330. 9.0x12.0x0.071 inches.
Peter Maxwell Davies wrote this set of six short pieces in 1993 as a gift for a friend (a double bass player and composer from the BBC Philharmonic)who was celebrating the birth of his daughter. Despite the reason for writing them being most 'occasional', these pieces are certainly not lacking in musical substance as one might expect an 'occasional' piece to be. These pieces are ideal works for young performers to introduce them to playing modern music or even as an introduction to the broad range of Maxwell Davies's work.
SKU: HL.14021025
ISBN 9780711986138. 5.5x7.5x0.164 inches.
Miniature Score. This work was commissioned by the Royal Philharmonic Orchestra. It was first performed on 13th May 1998 London. This piece is based on a genuine old tune 'Maxwell's Strathspey' which the composer found in an 1824 collection of Scottish melodies, and which unfolds at the start of the piece on solo cello. Variations and a bold up-tempo to the quick dance we know as a reel ultimately yield to the magic that has been promised right at the start: the northern lights take over at the end of the piece. Its inspiration comes from a walk to a community event in Hoy Hall, during which Davies saw the lights in the sky pulsing in and out of time with the sounds coming from the hall. Duration 12 minutes. Conductor's score and orchestral parts are available on hire.
SKU: HL.14024584
UPC: 884088815264. 11.0x8.5x0.044 inches.
Peter Maxwell Davies wrote this set of six short pieces in 1993 as a gift for a friend (a double bass player and composer from the BBC Philharmonic) who was celebrating the birth of his daughter. Despite the reason for writing them being most 'occasional', these pieces are certainly not lacking in musical substance as one might expect an 'occasional' piece to be. These pieces are ideal works for young performers to introduce them to playing modern music or even as an introduction to the broad range of Maxwell Davies's work. This is a special item which is made to order. Please e-mail our Mail Order Department for further information.
SKU: HL.14021021
ISBN 9780711975187. UPC: 884088440541. 9x12 inches.
A work for SATB soli, SATB chorus and orchestra, using a variety of texts, selected by Alistair Grant, who commissioned the work to commemorate the 250th anniversary of the Jacobite rising (1745-6). It was first performed in October 1997 in Glasgow by Lisa Tyrrell (soprano), Margaret McDonald (mezzo soprano), Neil Mackie (tenor) and David Wilson-Johnson (baritone), the Scottish Chamber Orchestra Chorus (chorus master Ben Parry) and the Scottish Chamber Orchestra, conducted by the composer. Vocal score with piano reduction of the instrumental score. Duration c. 40mins.
SKU: HL.14008428
8.25x11.75x0.06 inches.
These are all arrangements of sixteenth-century Scottish church music, beginning with Psalm 124 by David Peebles, which gains an athletic counterpoint of Davies's own. Then comes John Fethy's O God Abufe played straight, and finally an anonymous motet, All Sons of Adam, again infiltrated by a modern voice.
SKU: AP.25299
ISBN 9780739039878. UPC: 03808127183. 9x12 inches. English.
Start with basics like holding the guitar, reading music and TAB, and playing chords. Lessons cover blues, rock, jazz, classical, folk and other styles. The DVD provides every example in the book performed by a live guitarist.
About Alfred's MAX Series
What's MAX instruction? It's the next best thing to having your own private teacher. Lessons are well paced and easy to follow, and reinforce everything essential -- never skipping anything you need to know. All the books in this series are packaged with a DVD. With MAX, we keep the process simple: you listen to the music you want to play, watch a professional show you how it's done, and then you finally put it all together. Alfred's MAX bring you maximum instruction at a screamin' deal of a price, so now anyone can simply see it, hear it, and play it.
SKU: HL.14020965
ISBN 9780711936959.
The story centres on the English princess Caroline Mathilde (1751-1775), sister of George III, who at the age of 15 was sent to Denmark to marry the 17-year-old eccentric and schizophrenic Danish King, Christian VII. The ballet portrays her unhappy marriage, the King's growing madness and her fatal love-affair with Struensee, the King's influential physician, which leads to their arrest, his execution and her exile, at the age of 20, separated from her two young children. This suite begins with the act's opening number: a boisterous, stamping dance to which the people rudely mock Queen Caroline Mathilde and her lover Struensee. After this comes a dark Adagio, The Conspiracy, in which the theme passes like persuasion from mouth to mouth, its variations suggesting the different attitudes of the conspirators, firmly controlled by the brass-driven gestures of the Queen Dowager. The conspiracy then works itself out at a court masked ball, from which the suite includes two dances: a gavotte, and a slow, lubricious passacaglia that is a pas de deux for Caroline Mathilde and Struensee. The Arrest comes with a gathering rush of music that envelops the King, the Queen and Struensee, leading to a vociferous climax in which they are held apart. In The Execution, slow white music for wordless female voices, harp and low strings is interrupted by pathetic, alienated outbursts from the King. The suite ends, as does the ballet, with a quiet adagio lament for clarinets and alto flute as the Queen goes into exile. Score. Duration c. 33mins.
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