SKU: TM.12129SET
After Richard Jeffries. Allegro moderato e semplice (poem from The Open Air), Allegro con brio (poem from The Story of my Heart).
SKU: PR.114416460
ISBN 9781598067811. UPC: 680160620616. 9x12 inches.
POEM for Flute and PianoKozuch’s POEM is a plaintive elegy, perfect for memorial concerts, in religious services, or as a lyric interlude in recital. Although composed with piano accompaniment, the music is also very effective in performance with organ. Thaddeus Kozuch (1913-1991) was a Chicago-based pianist, composer, and professor at DePaul University and Northwestern University. His beautiful POEM was composed originally for violin and piano in 1937 for his wife-to-be, Jacqueline Frye. He revised POEM for flute and piano in 1988 but the work was discovered only recently in a piano bench by the composer’s daughter, flutist Ann Fairbanks.Although the final pencil manuscript is musically complete, it lacks dynamics, and this publication presents the music as the composer left it.The following performance suggestions are provided by Ann Fairbanks:Many nuances of the work may be left to the discretion of the performer. There are quite a few notes that may be slurred, such as sets of eighth notes or triplet-eighths; if notes are articulated as written, the tonguing should be legato.Dynamics for both flute and piano could be as follows: begin the work p, then crescendo to f in bars 6-7. Decrescendo in 10-11 to a p in bar 12. The most intense section (bars 16-32) should be played with energy and full sonority, including a crescendo in 26 to fin 27. The conclusion, beginning at bar 42, should be played p, with the last measures performed quietly.
SKU: HL.4008676
UPC: 196288190196.
César Franck, composer, pianist, organist and music teacher, completed Cupid and Psyché, his sixth and last symphonic poem in 1887. It was first performed in Paris in 1888 and was a complete success, but the piece later fell completely into oblivion, and it was only thanks to some meticulous research that it has returned to concert halls. The intricate love affair between Psyche and Cupid is an original story of the Metamorphoseswritten in the 2nd century AD by Apuleius. The tale is about overcoming obstacles in love and their final union. The symphonic poem is divided into three parts and calls for a choir. The movement that is the subject of this arrangement, Psyché et Érosis positioned at the end of the second part. Franco Cesarini's version for wind orchestra carefully illustrates the nuances of the instrumental colours, and represents a real test aimed at demonstrating the musicality and interpretative skills of orchestras and their conductors.
SKU: BT.EMBZ14296
German.
This composition for soprano and chamber ensemble was inspired by the incomparably beautiful poem El viaje definitivo by the Spanish poet Juan Ramón Jiménez, who was awarded the Nobel Prize for literature in 1956 (the German translation of the poem is included in the score). The piece can be performed by several possible ensembles: 1) soprano and 12 stringed or 12 wind instruments, 2) soprano and 8 stringed or 8 wind instruments ? playing parts I-VIII, 3) soprano and 4 stringed or 4 wind instruments ? playing parts I-IV. The work was premiered in 1982 in Budapest by the New Music Studio Ensemble, conducted by Albert Simon.
SKU: HL.49019234
ISBN 9790001187220. UPC: 884088907563. 9.0x12.0x0.07 inches. German.
Again and again, there happen to be possibilities to bring early and previously unpublished music by B. A. Zimmermann to light - as is the case with this 'Song of Abelone' on a poem by Rainer Maria Rilke which Zimmermann set to music in 1939. The recording of all songs of the composer is now followed by a printed edition - an interesting insight into the early 'composition workshop' of Zimmermann.
SKU: HL.49001368
ISBN 9790001116763. UPC: 073999271379. 7.5x10.75x0.041 inches. Hungarian - English - German.
SKU: PR.47600137L
UPC: 680160637157. 11x17 inches.
This piece, dedicated to the memory of a heroic feat, does not desire to be classed as a Symphonic Poem in the generally accepted sense of this term. It does not attempt to picture, or to strictly follow, the various mechanical and realistic phases of this heroic adventure although, on the other hand, it does not entirely avoid allusion to such realistic phenomena as are characteristic of and inseperable from the nature of this adventure and the technical means of its realization. The composer's main object, however, was to try to express in sound the emotional phases of an adventure that might be called a prototype of modern romance; to touch upon its human aspect and its ethical meaning, not only in the relation to the individual, but to humanity in general. To the individual, the venturing Hero, refer the opening phrases; the sinister aspect of a bold inspiration at its first manifestation. To his human environments, his character and conquering spirit, refer certain lyrical as well as martial and ehical themes. According to the nature of the venture, the clash of motoric forces and that of an indomitable spirit with the threatening elements presented themselves for musical consideration as well as the plausible uncertainty of the outcome, the increasing conficence and the final victory, and triumphant victory itself. And as emotion in its purest and most intense form reverts to the primitive, the composer thought it not amiss to make fragmentary use of the anthems of two nations, thus symbolizing the appeal from soil to soil; an appeal that found its joyous echo in all humanity. And in the midst of the turbulent rejoicing stands the lone figure of the Hero whose daring had materialized the dream of aeons.
SKU: AP.36-A144902
UPC: 735816201197. English.
LES DJINNS was written at the request of pianist Caroline Montigny-Rémaury, though César Franck's (1822-1890) short work for piano and orchestra was instead premiered on March 15, 1885 by Louis Diémer with the Société Nationale de Musique. The piece is inspired by the poem of the same name in Victor Hugo's LES ORIENTALES, as Franck represents the idea of the mysterious and supernatural forces tearing the nocturnal sky through their passage. Franck was impressed with the virtuosic playing and interpretation of Diémer in this difficult work, which sparked a renewed interest in the piano for the composer. Instrumentation: 2.2.2.4: 4.2.3.1: Timp: Str (9-8-7-6-5 in set): Solo Piano.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: AP.36-A144901
ISBN 9781638874485. UPC: 735816200756. English.
SKU: PR.476001370
UPC: 680160637140. 9x12 inches.
This piece, dedicated to the memory of a heroic feat, does not desire to be classed as a Symphonic Poem in the generally accepted sense of this term. It does not attempt to picture, or to strictly follow, the various mechanical and realistic phases of this heroic adventure although, on the other hand, it does not entirely avoid allusion to such realistic phenomena as are characteristic of and inseparable from the nature of this adventure and the technical means of its realization. The composer's main object, however, was to try to express in sound the emotional phases of an adventure that might be called a prototype of modern romance; to touch upon its human aspect and its ethical meaning, not only in the relation to the individual, but to humanity in general. To the individual, the venturing Hero, refer the opening phrases; the sinister aspect of a bold inspiration at its first manifestation. To his human environments, his character and conquering spirit, refer certain lyrical as well as martial and ethical themes. According to the nature of the venture, the clash of motoric forces and that of an indomitable spirit with the threatening elements presented themselves for musical consideration as well as the plausible uncertainty of the outcome, the increasing confidence and the final victory, and triumphant victory itself. And as emotion in its purest and most intense form reverts to the primitive, the composer thought it not amiss to make fragmentary use of the anthems of two nations, thus symbolizing the appeal from soil to soil; an appeal that found its joyous echo in all humanity. And in the midst of the turbulent rejoicing stands the lone figure of the Hero whose daring had materialized the dream of aeons.
SKU: ND.STRG57
SKU: TM.09695SC
Symphonic Poem #9.
SKU: TM.09695SET
SKU: PR.114418880
ISBN 9781491129289. UPC: 680160668618. 9 x 12 inches.
Idealism, humanity, world peace, and altruism, have been recurring themes and inspirations in many compositions by Eric Ewazen. In 2007, the Sejong Soloists commissioned this work for Cello and Strings to feature Paula Zahn as guest soloist – the celebrated telejournalist is an exceptional cellist, and a frequent and distinguished host for the concerts Sejong performs in New York City. The work was written for a gala concert honoring Ban Ki-Moon, Secretary General of the United Nations, and therefore the ultimate leader of international peacekeeping efforts. The resulting work, equally suitable for Cello and Piano, is appropriately titled A POEM OF HOPE.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version
