SKU: MB.97745
ISBN 9780786607730. UPC: 796279036719. 8.75 x 11.75 inches. Transcribed by Bennet Cohen.
While many electric bassists study the Bach cello suites at some point, few attempt the sonatas and partitas for unaccompanied violin BWV 1001-1006 . Composed around 1720, the sonatas and partitas display rich polyphonic writing, unlike the simpler monophonic cello suites. This collection features a challenging but rewarding transcription of the complete A minor Violin Sonata BWV 1002 , which fits particularly well on the bass. Also included are the well-known gavotte en rondeau from the E major violin partita BWV1006 and the complete A minor partita for solo flute BWV 1013 , transposed here to D minor. Finally, an arrangement of the familiar chorale Jesu, Joy of Mans Desiring from BWV 147 takes advantage of the basss natural and artificial harmonics. Performance notes are included. Written in notation and tablature for the 4-string electric bass.
SKU: M2.MOS-20047
ISBN 9790203710714.
Sonate B-dur: Es gibt nur wenige Werke fur Solovioline aus der Mozart-Zeit; das macht diese Erstveroffentlichung interessant. Die grosse Zeit der Violinvirtuosen Walther, Biber, Westhoff, Pisendel und anderer hatte mit Johann Sebastin Bachs Solosonaten und -partiten einen Abschluss gefunden. Aus der vorklassischen Periode kennen wir ausser vielen Unterrichtswerken fur Violine nur wenige konzertante Kompositionen fur eine Violine allein. Dazu zahlen insbesondere die Sonaten von Friedrich Wilhelm Rust und Johann Friedrich Reichardt, beide aus dem Umkreis Franz Bendas, die aber deutlich an barocke Vorbilder anknupfen. - Die hier vorgelegte Sonate in B-Dur von Pesch ist ein in beiden Satzen fast durchgangig zweistimmiges Stuck. Die Tonart B-Dur mag zunachst etwas befremden, ist aber nicht ungewohnlich, denn auch Solowerke von Westhoff und Rust stehen in dieser Tonart; sie erweist sich als durchaus geigerisch und klangvoll in diesem ungewohnlichen Werk. Die in vielen Veroffentlichungen wiedergegebenen Lebensdaten von Pesch, die aus unbekannter Quelle stammen und immer wieder benutzt wurden, sind durchweg falsch. Aus der Eintragung im Kirchenbuch der Gemeinde St. Blasius in Braunschweig ist der 27. Februar 1791 als Sterbedatum eindeutig festgestellt. Die Braunschweigische Anzeigen schreiben Am 27sten Februar ... verstarb ... Herr Carl August Pesch im 57ten Jahr seines Alters. Im 57ten Jahr bedeutet, dass er 56 Jahre alt wurde, also 1735 geboren ist. Uber seine Herkunft ist bisher wenig bekannt: Nach 1760: Eintritt in den herzoglichen Dienst in Braunschweig; 1763: Leopold Mozart erwahnt Pesch unter den Personen, die er im Gasthof Goldener Lowe in Frankfurt/Main getroffen hat; 1765: Reise mit dem Herzog nach London, dort Veroffentlichung einiger Werke; 1766/1767: Reise mit dem Herzog nach Italien; 1776 Konzerte in Frankfurt/Main.
SKU: BT.DOW-04534-400
ISBN 9789043160797. English-German-French.
This edition presents one of the most important chamber works for violin: the Sonata No. 5 for Piano and Violin (“Springâ€, Op. 24) in F major by Ludwig van Beethoven. It allows you to work through the piece systematically and at different tempi with accompaniment. The recordings begin with the concert version of each piece, following which you will hear the piano accompaniment at slow and medium tempo to help you practise. Having mastered these slower versions, you’ll now be ready to play with piano accompaniment at the original tempo. All of the versions were recorded live.Mit dieser Ausgabe präsentieren wir Ihnen eines der wohl bedeutendsten KammerÂmusikwerke für Violine: die ÂSonate Nr. 5 für Klavier und Violine (Frühlingssonate“, op. 24) in F-Dur von Ludwig van Beethoven. Die DOWANI-Ausgabe ermöglicht es Ihnen, das Werk systematisch und in verschiedenen Tempi mit Begleitung zu erarbeiten. Sie hören zunächst die Konzertversion eines jeden Stückes (Flöte und Klavier). Zum Ãœben folgt nun im langsamen und mittleren Tempo die Klavierbegleitung: anschließend können Sie sich im Originaltempo begleiten lassen. Alle eingespielten Versionen wurden live aufgenommen.Cette édition présente l’une des plus célèbres Å“uvres pour violon du Ârépertoire de musique de chambre : la sonate pour piano et violon (“Le Printempsâ€, opus 24) en Fa majeur de Ludwig van Beethoven. Les playbacks vous permettent de travailler l’œuvre systématiquement trois tempos différents avec un accompagnement professionnel. Chaque playback fait d’abord entendre la version de concert d’un morceau (fl te et piano). Mais vous y trouverez également un accompagnement de piano pour travailler un tempo lent puis un autre un tempo intermédiaire. Une fois un morceau maîtrisé, vous pourrez le jouer au tempo d’origine avec l’accompagnement de piano. Toutes les versions ont été enregistrées en live.
SKU: IS.G6765EM
ISBN 9790365067657.
This sonata (WeissSW No. 4, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXIV comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXIV comes from Weissâ??s late â??productiveâ?? period, after 1730. The Sonata has six movements: Prelude, Ouverture (including allegro and largo), Courante, Bourée, Menuet and Gavotte. There is another copy of this Sonata, known as Parte (or Partita) no. 11, in a London Manuscript (British Library Ms. Add. 30387). The London Manuscript seems to be incomplete. It does not include a Menuet and a Gavotte. The Sonata in this Edition is based on the Dresden Manuscript. However, both the Prelude and the Bourée are coming from the London copy. The Dresden Prelude is regarded as spurious, and the London Bourée is more lively and in balance with the other movements. In a few passages of the Ouverture and the Courante I have made some adaptions on the basis of the London manuscript, to create the best of the two versions. In the Ouverture I have omitted the repeat indications. There are two Menuets in the Dresden Sonata. One has been crossed in the original manuscript with the accompanying note: ist nicht von Mr Weis. The other one has been added later, probably by the compiler of the volumes. The original London Prelude of this particular Sonata is composed in a â??simplifiedâ?? style; a common practice for adding preludes to lute sonatas in the 18th century. I have added the original example to my transcribed version. Perhaps it invites others to make their own arrangement. Originally, the Sonata is written in B flat major, a key often used by Weiss as it is appropriate for playing the lute. With the guitar, however, the key is rather awkward. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to G major. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret.
SKU: FH.VC4
ISBN 978-1-55440-540-4.
This inaugural edition of the Cello Series offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring cellist. With an expansive representation of musical styles from all eras, this series addresses the need for a single collection of quality educational materials to foster musical development and instill appreciation of the richness and diversity of music written for cello. Supporting a balanced course of study, this series organizes repertoire into nine volumes from the Preparatory Level through Level 8. Each level offers music from a range of styles and compositional eras, including standard literature, new arrangements of familiar tunes, and music written for cellists, by cellists. These selections provide the flexibility to choose pedagogically appropriate material suited to each individual, and to motivate students to fully develop their musicianship and technique.Concertos, Sonatas, and Suites:Sonata in D Major - Caldara, Antonio arr. Gyoergy Orban- First Movement: Adagio- Second Movement: AllegroSonatina in D Minor, WoO 43a - Beethoven, Ludwig vanSonatina in G Minor - Matz, Rudolf- Second MovementSonata in F Major, op. 1, no. 1 - Marcello, Benedetto- Third Movement: Largo- Fourth Movement: AllegroConcertino No. 3 in A Major - Breval, Jean-Baptiste arr. L.-R. FeuillardConcert Repertoire:The Easy Winners - Joplin, Scott arr. Forrest KinneyOrientale, op. 50, no. 9 - Cui, CesarBonjour tristesse - Hart, PaulHip Hip Bourree - Jacobson, JulianElfentanz - Jenkinson, Ezra arr. Carey CheneyChanson de matin, op. 15, no. 2 - Elgar, EdwardCello Sonata in G Minor, op. 65 - Chopin, Frederic- Third Movement: LargoThe Swan Sees his Reflection - Forsyth, MalcolmSpanish Dance - Adorian, AndrewBaby Blackbird, Fly Now - Silverman, Adam B.Unaccompanied Repertoire:Suite for Violoncello (Lights and Shadows) - Matz, Rudolf- Second Movement: Cantabile- Eighth Movement: Finale giocosoRicercar No. 1 - Gabrielli, DomenicoSuite NO. 1 in G Major, BWV 1007 - Bach, Johann Sebastian- Seventh Movement: Gigue.
SKU: AP.44719
ISBN 9781470627508. UPC: 038081508375. English.
Teach violin with the popular Suzuki Violin School. The Suzuki Method of Talent Education is based on Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Shinichi Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the mother-tongue approach. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Violin School. Suzuki lessons are generally given in a private studio setting with additional group lessons. The student listens to the recordings and works with their Suzuki violin teacher to develop their potential as a musician and as a person. This performance/accompaniment CD of the Suzuki violin method, Volume 8, is integral for Suzuki violin lessons and features recordings by William Preucil Jr. and piano accompaniments by Linda Perry, as well as piano accompaniments recorded alone. Titles: Sonata No. 11 in G Minor (Eccles) * Tambourin (Grétry) * Largo from Sonata No. 3 in C Major, BWV 1005 (Bach) * Preludio from Sonata in E Minor, BWV 1023 (Bach) * Allegro from Sonata in E Minor, BWV 1023 (Bach) * Largo Espressivo (Pugnani) * Sonata in E Minor (Veracini).
About Suzuki Method
The Suzuki Method is based on the principle that all children possess ability and that this ability can be developed and enhanced through a nurturing environment. All children learn to speak their own language with relative ease and if the same natural learning process is applied in teaching other skills, these can be acquired as successfully. Suzuki referred to the process as the Mother Tongue Method and to the whole system of pedagogy as Talent Education. The important elements of the Suzuki approach to instrumental teaching include the following:an early start (aged 3-4 is normal in most countries); the importance of listening to music; learning to play before learning to read; -the involvement of the parent; a nurturing and positive learning environment; a high standard of teaching by trained teachers; the importance of producing a good sound in a balanced and natural way; core repertoire, used by Suzuki students across the world; social interaction with other children. Suzuki students from all over the world can communicate through the language of music.
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