SKU: AP.24708S
UPC: 038081268606. English.
Finally, a rap/rock piece with real educational value! Consistent with many established approaches, students will learn new sixteenth-note rhythms typically introduced in the first or second year of instruction through rap (speech rhythms), which will ensure accuracy when played on instruments later. There are also plenty of fun licks to play on instruments using easier rhythms (nothing harder than eighth notes). This one is such great fun that students will hardly know they're learning!
SKU: HL.49015692
ISBN 9784890664566. UPC: 884088138370. 9.0x12.0x0.132 inches.
In recent years, Gondai has collaborated with Buddhist priests and Shomyo chanters and broken new ground through interchange with Buddhist music. This piece was inspired from Tibetan Buddhism and is composed of seven chapters' basis of seven tones after rainbow (in Japan people thinking that the rainbow is made of seven colours).
SKU: BR.EB-9413
ISBN 9790004188873. 9 x 12 inches.
For a long time after Romanticism had come to the fore, it was generally agreed that Brahms somehow did not get it: History and Progress - it was thought - were proceeding along one clear path and Brahms - who was composing sonatas and symphonies instead of nocturnes and symphonic poems - had taken the wrong way. Almost one century later, Schonberg wrote an essay, Brahms, der Fortschrittliche (Brahms, the progressive), in which he explained that it wasn't like that at all.Fully assuming the risk to appear somehow irreverent, I have to confess: Over the years, I came to the conclusion that the present - and the future - can be created only by loving the past. As Brahms had shown us, it is only by accepting the challenge of taking our heritage into our own hands, that we can create something new. We cannot avoid engaging with the past. Therefore, starting with my Sinfonia n. 1, I began to flirt with such a strong and effective musical structure like the sonata form. I re-read and freely transformed it, because it is a sturdy and resilient structure, but also a theatrical and colorful one. For me, it is a happy structure. And I think that today more than ever we need something like this: We need to find places - even imaginary ones - where we can give happiness a form of its own.Nicola Campogrande, December 2020World premiere: Bologna/Italy, Streaming, April 11, 2021Commissioned by the Fondazione Musica Insieme.
SKU: HL.50600437
8.0x11.75 inches.
For cello and piano. “This work was the result of a collaboration with my wonderful friend, the outstanding cellist Julius Berger. Several years ago, his exceptional interpretation of my Concerto for violin and violoncello impressed me deeply. Later, when he played my 2nd Sonata for violoncello solo, a work written for him, my enthusiasm became even greater. In my new piece, composed on the occasion of his 60th birthday, I intended to write kind of music in which not only virtuosity but also a beautiful sound should stand at the forefront. Above all, however, I wanted to please Julius with it and also give enjoyment to the audience. The title 'three times four' describes the basic idea of the work: three musical characters are varied in four different respective forms. Or put the other way round: four characteristic sound designs appear in three different shapes. It is difficult to say more about the piece than that. My ideal is music that is sufficient unto itself, a kind of music that requires no commentary - that itself says so much that all commentary becomes superfluous.†(Krzysztof Meyer).
SKU: LO.10-5402MD
ISBN 9780787768812.
This passionate worship anthem by Jay Rouse emphasizes Christ's ultimate sacrifice on the cross and His gift to all believers of new life. A serene opening builds to a profound finale, where the choir repeatedly proclaims, Lord, You are the Bread of Life. Thank You for Your sacrifice. Highly appropriate for use throughout the Easter season, it is just as impactful year-round. From Songs of the Cross..
SKU: BR.OB-5709-19
ISBN 9790004348345. 10 x 12.5 inches.
Strauss third tone poem Don Juan was composed in spring 1888. This work is already an impressive demonstration of the composer's newly acquired confidence in mastering the orchestral apparatus. Already completed in the fall, it took over a year until its premiere in Weimar on November 11, 1889. Breitkopf & Hartel's new Urtext edition assesses not only the autograph and the first edition, but also for the first time the parts used under the composer's direction, resulting in some surprisingly new readings. An extensive preface, facsimile pages, and a detailed critical report round off this authoritative Urtext edition.First Urtext edition since the first edition. Evaluation of all available sources, including some orchestral parts used by Strauss. A detailed critical report. Complete orchestral material available for purchase.
SKU: BR.OB-5709-16
ISBN 9790004348338. 10 x 12.5 inches.
SKU: BR.PB-5709
ISBN 9790004216460. 10 x 12.5 inches.
SKU: BR.OB-5709-15
ISBN 9790004348321. 10 x 12.5 inches.
SKU: BR.OB-5709-27
ISBN 9790004348369. 10 x 12.5 inches.
SKU: BR.OB-5709-23
ISBN 9790004348352. 10 x 12.5 inches.
SKU: BR.OB-5709-30
ISBN 9790004348376. 10 x 12.5 inches.
SKU: ET.PNO101
ISBN 9790207009739.
Characterized by impressionistic and modal elements with far-ranging moods, from a whimsical carnival first movement to a sad soul-searching second movement, followed by a cheery, fairytale-like third movement. In 1959, Richard Lane was twenty-six years old and he wrote his first of eleven piano sonatas. At the time, he had just finished serving in the US Army as a musician and was selected to be an inaugural member of the Young Composers Project, which was sponsored by the Ford Foundation. As part of this project, Lane was assigned to compose music for the secondary level (public schools) in Rochester, New York, where he previously graduated from the Eastman School of Music. In 1959, Lane composed twenty pieces, seven of which were for the Rochester public schools, ranging from choral and orchestral works. The remaining thirteen pieces which Lane wrote at this time were vocal and instrumental solos, as well as other orchestral and choral works, and one opera. Of the twenty pieces, three of them were for solo piano, including the Piano Sonata 1.
SKU: BT.1402-06-140-MS
9x12 inches. English-German-French-Dutch.
Henry Mancini (1924-1994) is part of the essential history of soundtrack composition. His forty year career was a crowning success rewarded by four Oscars and his melodies are still considered timeless. Enter into the hollywood magic with this fabulous arrangement! Fünf legendäre Melodien des großen Filmmusikkomponisten Henry Mancini in einem Medley von Toshio Mashima. Film ab für Ihr Blasorchester! Henry Mancini (1924-1994) fait partie des figures incontournables des compositeurs de musiques de film. Ses quarante ans de carrière furent couronnés de succès. Récompensé par quatre Oscars, les mélodies d’HenryMancini sont intemporelles. Entrez dans la magie d’Hollywood !
SKU: BR.OB-5234-27
ISBN 9790004332672. 10 x 12.5 inches.
The Urtext edition of Ludwig van Beethovens Fourth Symphony presented here is based on the surviving primary sources: the autograph score, a copy of the score examined by Beethoven, two copies of the part material which he personally used, and the first edition of the parts and score. The score contains the complete Critical Report. Observations deemed particularly important, as well as divergences from established editions, are clearly marked within it.Words are not enough to praise this exemplary edition, resulting from many years of systematic editorial work on the sources. Breitkopf's source-critical, practice-oriented edition by Clive Brown and Peter Hauschild will provide valuable new impulses in the interpretation of Beethoven's music.(Kurt Masur)This Urtext edition is based on the surviving primary sources: the autograph score, a copy of the score examined by Beethoven, two copies of the part material which he personally used, and the first edition of the parts and score.
SKU: BR.PB-5234
This Urtext edition is based on the surviving primary sources: the autograph score, a copy of the score examined by Beethoven, two copies of the part material which he personally used, and the first edition of the parts and score.
ISBN 9790004210154. 10 x 12.5 inches.
SKU: BR.OB-5234-30
ISBN 9790004332689. 10 x 12.5 inches.
SKU: BR.OB-5234-23
ISBN 9790004332665. 10 x 12.5 inches.
SKU: WJ.CBW2405FS
9 x 12 inches.
This new mid-tempo ballad is impeccably scored and harmonically lush, making it a unique and worthwhile addition to any concert program this year. Clifton Jones has a wonderful voice, and it is on full display in this hauntingly beautiful work. Stretch their musicianship and move audiences this year with In Morning Light.
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