Set of Parts Cello; Chamber Music; Piano Accompaniment; Violin (Ensemble)

SKU: HL.51481531

Set of Parts for Violin, Cello and Piano. Composed by Felix Bartholdy Mendelssohn. Henle Music Folios. Classical. Softcover. 84 pages. G. Henle #HN1531. Published by G. Henle (HL.51481531).

UPC: 840126989311. 9.25x12.25x0.361 inches.

Mendelssohn is considered a self-critical composer, who repeatedly reworked a number of his pieces until he deemed them worthy to be published. The path to his first Piano Trio was particularly rocky: only after several attempts was he able to complete it in the summer of 1839; it appeared in 1840 after further revisions. This perfectionism paid off, for Mendelssohn's D Minor Trio was immediately received with enthusiasm. Robert Schumann wrote: “It is the master trio of the present day, like those of Beethoven in Bb and D and that of Franz Schubert in Eb were in their time; a very beautiful composition which after years will still delight grandchildren and great-grandchildren.” Which was to prove true: even today, it numbers among the most popular works in the trio repertoire in general. The trio, taken from the volume Mendelssohn • Piano Trios HN 957, is now available from Henle for the first time also as a practical single edition.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
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• page-turns, fold-out pages, and cues where you need them 
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By Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. Arranged by Martin Schelhaas. For Piano/Violin/Violoncello (Solo Piano/Solo Violin/Solo Violoncello/Flute/2 Oboes/2 Clarinets/2 Bassoons/2 Horns/2 Clarions/Timpani/2 Violins/Viola/Violoncello/Contrabass). This edition: Paperback, Urtext edition. Piano reduction, Set of parts. Opus 56. 91/44/19/19 pages. Duration 35'. Published by Baerenreiter Verlag

Choral (SATB)

SKU: HL.2050295

Edited by Jay Rouse and Randy Vader. Praise Gathering Choral. Patriotic. Softcover. 136 pages. Duration 3120 seconds. PraiseGathering #A08445. Published by PraiseGathering (HL.2050295).

UPC: 797242938795. 6.75x10.5x0.299 inches.

America has often been referred to as the great melting pot of nationalities and cultures. That is true to a certain extent. Americans have not relinquished the unique character of their individual heritage - they have, however, acknowledged those things that unite all of us as a people, a nation dedicated to liberty and justice for all. The one thing we share that is most obvious is this particular area of the planet Earth, located in the western hemisphere, on the North American Continent. This is a landmass that is bordered east and west by the Atlantic and Pacific oceans and north and south by Canada and Mexico. In addition, we have two states that are thousands of miles removed from these borders but very much a part of these states - the United States of America. This is a celebration of our country - our dwelling place - our Homeland. Our Homeland - this is the place where we pledge the same flag, protect and defend the same Constitution, breathe the same air, cherish the future of our children, and stand constant vigil to defend the rights that compelled our founders to form a more perfect Union. This is the place our ancestors fought for, and also the place where people still gather the courage to come and be a part of the greatest experiment in freedom in human history.America - a land uniquely blessed of God - a staggering mosaic of natural beauty and resources. America - sweet land of Liberty. America - residence for those who dared to dream the dream, pay the price, share the costs. . . of living in the HOMELAND!

Fanfare Band - Grade 2

SKU: BT.GOB-000785-120

Composed by Ron Gilmore. Score Only. 20 pages. Gobelin Music Publications #GOB 000785-120. Published by Gobelin Music Publications (BT.GOB-000785-120).

It is true that tastes differ.
Coffee has known a long history : it has been drunk since the 17th century. On one hand people drink coffee for relaxation, on the other hand it is drunk to ward off tiredness or sleepiness.
‘Strong Coffee’ composed by Ron Gilmore works both ways. There will be people who will be able to relax during ‘Strong Coffee’, whereas others will experience it as a real boost. Is it a bit too strong after all, such a funky Soul Beat? Then adding a little milk might help.
As said before, tastes differ!

Zoveel mensen zoveel smaken.
Koffie kent een lange geschiedenis. Al sinds de 17e eeuw wordt deze drank genuttigd. Enerzijds wordt koffie gedronken voor de gezelligheid, anderzijds wordt koffie gebruikt als middel om vermoeidheidof slaperigheid weg te drinken.
Met ‘Strong Coffee’ van Ron Gilmore kunt u beide kanten op. Er zullen mensen zijn die bij Strong Coffee even bijkomen, voor de ander is het een echte opkikker. Is het toch een beetje te sterk,zo’n lekkere Soul Beat? Een scheutje melk helpt.
Smaken verschillen nu eenmaal.

Piano Solo. Composed by Claude Debussy (1862-1918). Edited by Jacob Leuschner. Piano. Softcover. 102 pages. Schott Music #ED21459. Published by Schott Music

Choral (Audio Sampler)

SKU: HL.1138397

Audio Sampler. Composed by Karey Kirkpatrick and Wayne Kirkpatrick. Recorded Promo - Stockable. Musicals. General Merchandise. Published by MTI (Music Theatre International) (HL.1138397).

UPC: 196288114222. 9.0x12.0x0.413 inches.

Travel back to the Renaissance for an hour of musical compedy gold in Something Rotten JR. Adapted from the Broadway hit that Time Out New York hailed as “the funniest musical comedy in at least 400 years,” Something Rotten! JR. celebrates one undeniable truth: “nothing's as amazing as a musical!” In the 1590s, brothers Nick and Nigel Bottom are desperate to write a hit play but are stuck in the shadow of that Renaissance rock star known as “The Bard.” When a local soothsayer foretells that the future of theatre involves singing, dancing and acting at the same time, Nick and Nigel set out to write the world's very first musical. But amidst the scandalous excitement of opening night, the Bottom Brothers realize that reaching the top means being true to thine own self, and all that jazz. Something Rotten! JR. features large song and dance numbers, and a wacky cast of over-the-top characters, each with their own moment to shine. Don't miss your chance to bring this history-twisting tale to your stage!

Arranged by Lloyd Larson. Collection. Contemporary, Sacred, General Worship. Instrumental parts. 72 pages. Hope Publishing Company #8720. Published by Hope Publishing Company (HP.8720).

Oother solo insts. and orchestra (solo: B-tbne - 2(picc).2.2.2 - 2.2.0.0 - timp. str)

SKU: BR.PB-33001

Urtext. Composed by Christian Gottlieb Muller. Edited by Nick Pfefferkorn. Orchestra; stapled. Partitur-Bibliothek (Score Library). Romantic period. Full score. 56 pages. Duration 15'. Breitkopf and Haertel #PB 33001. Published by Breitkopf and Haertel (BR.PB-33001).

ISBN 9790004215821. 10 x 12.5 inches.

The present Concertino in E-flat major, Op. 5, was composed especially for the Leipzig trombone virtuoso Carl Traugott Queisser (1800-1846), to whom the work is also dedicated. The Concertino was first reviewed by the critic Gottfried Wilhelm Fink (1783-1846) in the Leipzig Allgemeine Musikalische Zeitung (AMZ), issue no. 38, September 1832. The critic discussed the work in detail, calling it a milestone of the trombone literature, ... its public performance should thus be determined by only true masters. The rest, however, may wish to utilize it, in silence, that is not overheard by expectant listeners, to strive with it to strengthen their powers....The Concertino's premiere can be dated to 1828, with Queisser himself as soloist, and the composer conducting. Queisser repeatedly performed the Concertino up to 1843. The work was published under catalogue number 5227 in 1832 by Breitkopf & Hartel. Sometime in the 1940s the work was lost to sight and no performances known to come from then. Together with the Concertino, Op. 4, later composed by Ferdinand David, Muller's contribution to this genre is among the most often played and most demanding of the trombone literature. The score includes, besides a preface detailing the work's genesis and reception history, also facsimile pages to round out the edition. You may browse our piano vocal score here.