Arranged by Deborah Greenblatt. For fiddle. Fiddle. Book. Published by Greenblatt & Seay.

Clarinet - Elementary

SKU: FH.WC1

Clarinet Series, 2013 Edition. Composed by The Royal Conservatory. Clarinet Series, 2013 Edition. Book/CD. 32/16 pages. The Frederick Harris Music Company #WC1. Published by The Frederick Harris Music Company (FH.WC1).

ISBN 978-1-55440-577-0.

This new series offers a sequenced approach to the study of clarinet from the beginner to advanced levels. With a progressive collection of Repertoire, Etudes, Recordings, Orchestral Excerpts, and Technique, the Clarinet Series, 2014 Edition provides complete support for teachers and students at every level of study. Nine progressive volumes of Repertoire expose students to a wealth of music from the earliest works for clarinet to accompanied and unaccompanied contemporary compositions. Students will explore some of the most definitive solo pieces written for clarinet, along with popular folk tunes, Klezmer melodies, Classical solos, and contemporary compositions that incorporate traditional and extended techniques.
Technical Repertoire:
Branch Line - Colin Cowles
Space-age Sonatina - Paul Harris
Skip - Errollyn Wallen
Peacherine Rag - Scott Joplin, arr. Forrest Kinney
Hornpipe - Henry Purcell, arr. Christine Donkin
Gavotte, HWV 491 - George Frideric Handel, arr. Christine Donkin
Ghoulish - Paul Harris
Major-General's Song - Arthur Sullivan, arr. Martin van de Ven
Lyrical Repertoire:
All the Pretty Little Horses - American lullaby, arr. Jason Gray
Swanee River - Stephen Foster, arr. Christopher Norton
Che faro senza Euridice? (What Shall I Do Without Euridice?) from Orfeo ed Euridice - Christoph Willibald Gluck, arr. Jason Noble
Sentimental Serenade - Alan Bullard
Entr'acte, from Carmen - Georges Bizet, arr. Christine Donkin
The Wish - Mr. Tuke, arr. Paul Harris
Largo, from The Four Seasons - Antonio Vivaldi, arr. Jason Gray
Hava Nagila - Israeli folk song, arr. Martin van de Ven and Forrest Kinney
Minuet, BWV Anh. 132 - attr. Johann Sebastian Bach, arr. Jason Gray.

Early to Later Elementary Level. Composed by William L. Gillock. Willis. Softcover. 48 pages. Published by Willis Music (HL.200896).

Composed by Arthur Gottschalk. For bass clarinet and piano. Classical; 21st century. Piano score and part. Composed 2009. 30 pages (score); 12 pages (part). Published by Alea Publishing

Cello - intermediate

SKU: HL.49001474

Cello. Composed by Benedetto Marcello. Edited by Hugo Ruf. This edition: Saddle stitching. Sheet music. Cello-Bibliothek (Cello Library). Classical. 16 pages. Schott Music #CB 104. Published by Schott Music (HL.49001474).

ISBN 9790001017251. UPC: 884088017361. 9.0x12.0x0.083 inches.

Die sechs Sonaten von Benedetto Marcello (1686-1739) gehoren neben denjenigen von Antonio Vivaldi zu den bekanntesten Barockkompositionen fur Violoncello und Basso continuo. Schon zu Lebzeiten des zu seiner Zeit durchaus beruhmten Komponisten wurde die Sammlung in den wichtigen europaischen Musikmetropolen London, Paris und Amsterdam in Drucken angeboten. Auch wenn es einige unbequeme Griffverbindungen in diesen Sonaten gibt, die daher ruhren durften, dass Marcello mit einem funfsaitigen, um eine e'-Saite erganzten Cello rechnete, so sind sie doch von moderater Schwierigkeit und gehoren zu den Standardwerken des Violoncellounterrichts.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-0971081-010

Composed by Peter Skellern. Arranged by Wim Stalman. De Haske Pop Collection. Festive and Solemn Music. Set (Score & Parts). Composed 1997. De Haske Publications #DHP 0971081-010. Published by De Haske Publications (BT.DHP-0971081-010).

Le compositeur-interprète britannique Peter Skellern (1947) a débuté sa carrière artistique comme chef d’un chœur d’église. Après avoir reçu une solide formation au Collège de Musique Guildhall Londres, il travaille plusieurs années durant comme compositeur la BBC. Il collabore également avec Andrew Lloyd Webber, l’un des plus brillants compositeurs de comédies musicales. Peter Skellern a essentiellement composé des chansons d’amour lyriques dont la plus célèbre est You’re a Lady. Wim Stalman a réalisé un arrangement particulièrement brillant et fidèle la version originale.

Brass Band - Grade 3

SKU: BT.DHP-0971081-130

Composed by Peter Skellern. Arranged by Wim Stalman. De Haske Pop Collection. Festive and Solemn Music. Score Only. Composed 1997. De Haske Publications #DHP 0971081-130. Published by De Haske Publications (BT.DHP-0971081-130).

Songwriter and composer Peter Skellern was a great writer of many truly sensitive love songs, with You’re A Lady being the most famous by far. This evergreen was originally performed with brass band backing, making it an obvious choice for a brass band arrangement.

Le compositeur-interprète britannique Peter Skellern (1947) a débuté sa carrière artistique comme chef d’un chœur d’église. Après avoir reçu une solide formation au Collège de Musique Guildhall Londres, il travaille plusieurs années durant comme compositeur la BBC. Il collabore également avec Andrew Lloyd Webber, l’un des plus brillants compositeurs de comédies musicales. Peter Skellern a essentiellement composé des chansons d’amour lyriques dont la plus célèbre est You’re a Lady. Wim Stalman a réalisé un arrangement particulièrement brillant et fidèle la version originale.

Choral (SSAA Choir)

SKU: HL.1437160

Composed by Brandon Waddles. Hinshaw Music. Octavo. Hinshaw Music #HMC2683. Published by Hinshaw Music (HL.1437160).

UPC: 196288204411.

James Weldon Johnson's powerful poem, “O Southland!,” receives an altogether new musical treatment with this moving piece for treble voices and piano. Utilizing quotes of Negro spiritual repertory and the call-and-response of the Black church, you and your singers will enjoy this beautiful conjunction of melodic lilt and rhythmic verve, fueled by Johnson's timeless lyric. Your collaborative pianist and bassist should add another level of excitement via the harmonic influences of jazz and Black gospel music.

Brass Band - Grade 2

SKU: BT.CMP-0007-94-030

Composed by Franz Xaver Gruber. Arranged by William Gordon. Young Band. Set (Score & Parts). Composed 1994. Curnow Music #CMP 0007-94-030. Published by Curnow Music (BT.CMP-0007-94-030).

Austrian composer and organist Franz Xaver Gruber composed the original version of this Christmas work in 1818. It is probably one of the most famous of all Christmas carols and should not be missed from any Christmas concert. American composer William Gordon has produced this arrangement for brass band.

Das originale Weihnachtslied wurde vom österreichischen Komponisten und Organisten Franz Xaver Gruber am 24. Dezember 1818 im Auftrag des Priesters der Sankt- Nikolaus-Kirche von Oberndorf komponiert. Der Priester selbst verfasste den Text für dieses romantische Lied, das geprägt ist von der österreichischen Volksmusik und der italienischen pastoralen Musik. Stille Nacht ist das wohl bekannteste und am weitesten verbreitete Weihnachtslied überhaupt und darf bei keinem Weihnachtskonzert fehlen. Der amerikanische Komponist William Gordon richtete dieses Arrangement für Brass Band ein.

ATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo - Level 3

SKU: CA.3110814

Cantata for the Sunday Cantata. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Es ist euch gut. Sacred vocal music, Cantatas, Special days, Easter and Eastertide, Whitsun. Single Part, Cello/Double Bass. Composed 1725. BWV 108. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.108/14. Published by Carus Verlag (CA.3110814).

ISBN 9790007047986. Key: A major / b minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.

The cantata Es ist euch gut, dass ich hingehe [It is well that I go forth] BWV 108 for Cantate Sunday is one of the cantatas composed on texts by the Leipzig poetess Christiane Mariane von Ziegler with which Bach concluded his second annual cycle of cantatas after he had abandoned the annual cycle of chorale cantatas at Easter 1725. The text contains two sayings by Jesus which are taken directly from the Sunday gospel reading (John 16:5-15). The quotation opening the cantata was set by Bach as a bass aria with solo oboe d'amore; it breathes tranquility and assurance. The second quotation, however, is set as an extended choral fugue in three sections; it forms the center of the cantata. The free text surrounding the biblical quotations is divided into two arias in which the emphasis is on melodic lines; there is only one single recitative, the original text of which was substantially abridged by Bach. A four-part chorale concludes the cantata. Score and part available separately - see item CA.3110800.