By Lloyd Larson and Shirley Murray. Edited by Michael Perry. For SATB choir w/optional congregation. Hymntune. Concertato, Hymntune and Sacred. Choral octavo. Published by Hope Publishing Company

Concert Band/Harmonie - Grade 3

SKU: BT.AMP-238-140

Composed by Louis Bourgeois. Arranged by Philip Sparke. Anglo Music Midway Series. Hymns & Chorals. Score Only. Composed 2007. 16 pages. Anglo Music Press #AMP 238-140. Published by Anglo Music Press (BT.AMP-238-140).

9x12 inches. English-German-French-Dutch.

The tune Old Hundredth is one of the best-known melodies in all Christian musical traditions and first appeared in the 1551 psalter Pseaumes Octante Trois de David, where it is used as a setting for a version of Psalm 134; it is usually attributed to the French composer Louis Bourgeois (c.1510 - c.1560). The melody was then used in 1561 by the Scots clergyman, William Kethe in Sternhold and Hopkins’ Psalter for his paraphrase of Psalm 100 - All People that on Earth do Dwell<(I>, which is still the most familiar hymn sung to this noble tune. When Tate and Brady’s New Version of the Psalms was published in 1696, the melody became know as the ‘old’ version - henceits current title. This arrangement presents three contrasting verses and is effective as a concert piece as well as an instrumental interlude as part of a church service or wedding.

De melodie van Old Hundredth is een van de bekendste in alle christelijke muziektradities, ze verscheen voor het eerst in Pseaumes Octante Trois de David uit 1551. De muziek wordt meestal toegeschreven aan de Fransecomponist Louis Bourgeois (ca.1510-ca.1560). In 1561werd de melodie gebruikt door de Schotse geestelijke William Kethe voor zijn parafrase van psalm 100. Later werd de melodie in Engeland bekend als de ‘oude’ versie - daar komt ookde huidige titel vandaan. Dit arrangement, met drie contrasterende coupletten, is geschikt als concertwerk of als instrumentaal tussenspel tijdens een kerkdienst of huwelijksceremonie.

Old Hundtredth ist eine der bekanntesten Melodien aller christlichen Musiküberlieferungen. Es erschien erstmals in dem Psalter Pseaumes Octante Trois de David von 1551, wo es als Satz für zwei Psalmen verwendet wurde. Diese Bearbeitung präsentiert drei kontrastierende Strophen und kann sehr wirkungsvoll sowohl als Konzertwerk als auch als instrumentales Zwischenspiel in einem Gottesdienst oder während einer Hochzeitszeremonie eingesetzt werden.

L’hymne Old Hundredth est une des plus célèbres hymnes chrétiennes de tous les temps. Elle fut publiée pour la première fois en 1551 dans le psautier de Genève Pseaumes octante-trois de David avec accompagnement du Psaume 134. La mélodie est fréquemment attribuée au compositeur français Louis Bourgeois (vers 1510-vers 1560).En 1561, William Kethe, un pasteur écossais, reprend la mélodie pour réaliser une paraphrase du Psaume 100, All People that on Earth do Dwell (Vous tous, habitants de la terre !), qui sera publiée dans le Psautier de Sternhold et Hopkins. Cette paraphrase reste le texte le plus chanté sur la mélodie de Bourgeois. En 1696,Nahum Tate et Nicholas Brady réalisent une Nouvelle Version des Psaumes de David (New Version of the Psalms). Par opposition la version révisée de la mélodie, la version initiale prend alors le nom de Old Hundredth, autrement dit « l’ancienne version du Psaume 100 ».Cet arrangement présente trois strophes contrastantes. Il peut être interprété comme une œuvre de concert ou comme un interlude dans le cadre d’un office religieux ou d’une cérémonie de mariage.

(for Organ). By Alfred V. Fedak. For Organ. Organ - Method or Collection. Sacred. Level: Intermediate. Book. 68 pages. Published by Alfred Publishing.

Brass Band - Grade 3

SKU: BT.AMP-238-030

Composed by Louis Bourgeois. Arranged by Philip Sparke. Anglo Music Midway Series. Hymns & Chorals. Set (Score & Parts). Composed 2008. Anglo Music Press #AMP 238-030. Published by Anglo Music Press (BT.AMP-238-030).

9x12 inches. English-German-French-Dutch.

The tune Old Hundredth is one of the best-known melodies in all Christian musical traditions and first appeared in the 1551 psalter Pseaumes Octante Trois de David, where it is used as a setting for a version of Psalm 134; it is usually attributed to the French composer Louis Bourgeois (c.1510 - c.1560). The melody was then used in 1561 by the Scots clergyman, William Kethe in Sternhold and Hopkins’ Psalter for his paraphrase of Psalm 100 - All People that on Earth do Dwell<(I>, which is still the most familiar hymn sung to this noble tune. When Tate and Brady’s New Version of the Psalms was published in 1696, the melody became know as the ‘old’ version - henceits current title. This arrangement presents three contrasting verses and is effective as a concert piece as well as an instrumental interlude as part of a church service or wedding.

De melodie van Old Hundredth is een van de bekendste in alle christelijke muziektradities, ze verscheen voor het eerst in Pseaumes Octante Trois de David uit 1551. De muziek wordt meestal toegeschreven aan de Fransecomponist Louis Bourgeois (ca.1510-ca.1560). In 1561werd de melodie gebruikt door de Schotse geestelijke William Kethe voor zijn parafrase van psalm 100. Later werd de melodie in Engeland bekend als de ‘oude’ versie - daar komt ookde huidige titel vandaan. Dit arrangement, met drie contrasterende coupletten, is geschikt als concertwerk of als instrumentaal tussenspel tijdens een kerkdienst of huwelijksceremonie.

Old Hundtredth ist eine der bekanntesten Melodien aller christlichen Musiküberlieferungen. Es erschien erstmals in dem Psalter Pseaumes Octante Trois de David von 1551, wo es als Satz für zwei Psalmen verwendet wurde. Diese Bearbeitung präsentiert drei kontrastierende Strophen und kann sehr wirkungsvoll sowohl als Konzertwerk als auch als instrumentales Zwischenspiel in einem Gottesdienst oder während einer Hochzeitszeremonie eingesetzt werden.

L’hymne Old Hundredth est une des plus célèbres hymnes chrétiennes de tous les temps. Elle fut publiée pour la première fois en 1551 dans le psautier de Genève Pseaumes octante-trois de David avec accompagnement du Psaume 134. La mélodie est fréquemment attribuée au compositeur français Louis Bourgeois (vers 1510-vers 1560).En 1561, William Kethe, un pasteur écossais, reprend la mélodie pour réaliser une paraphrase du Psaume 100, All People that on Earth do Dwell (Vous tous, habitants de la terre !), qui sera publiée dans le Psautier de Sternhold et Hopkins. Cette paraphrase reste le texte le plus chanté sur la mélodie de Bourgeois. En 1696,Nahum Tate et Nicholas Brady réalisent une Nouvelle Version des Psaumes de David (New Version of the Psalms). Par opposition la version révisée de la mélodie, la version initiale prend alors le nom de Old Hundredth, autrement dit « l’ancienne version du Psaume 100 ».

Edited by Dale Tucker. Arranged by David Lasky. Classical and sacred organ. Level: intermediate. 28 pages. Published by Alfred Publishing.

Hawaiian Merry Christmas. Composed by R. Alex Anderson. Arranged by Jan Farrar-Royce. Part(s); Score; String Orchestra. Pop Intermediate String Orchestra. Christmas; Holiday Pops; Multicultural; Pop; Secular; Winter. 102 pages. Published by Alfred Music

Composed by John Brimhall and Jonathon Robbins. Collection; Classical. Book. Santorella Publications #O114. Published by Santorella Publications

Violin

SKU: HL.239841

Grades 1-3 (Violin). By Marjory King. Arranged by Jerry Lanning. Music Sales America. Classical. Softcover. Composed 2012. 134 pages. Chester Music #CH78573. Published by Chester Music (HL.239841).

ISBN 9781780382531.

This collection of 50 popular tunes has been carefully arranged and graded to provide attractive repertoire for young violinists. The familiarity of the material will stimulate pupils' enthusiasm and encourage theirpractice.

The technical demands of the solo part increase progressively up to the standard of Associated Board Grade 3. The piano accompaniments are simple yet effective and should be within the range of most pianists.

Arranged by Robert D. Vandall. For Piano. Piano Duet (One Piano, Four Hands). Level: Early Intermediate. Sheet. 6 pages. Published by Alfred Publishing.

Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 0.5

SKU: CF.PAS20

Composed by Traditional. Arranged by Larry Clark. SWS FS. Primer String Orchestra. Set of Score and Parts. With Standard notation. 8+2+5+5+5+2+8+8 pages. Duration 2 minutes, 54 seconds. Carl Fischer Music #PAS20. Published by Carl Fischer Music (CF.PAS20).

ISBN 9781491146354. UPC: 680160903856. 9 x 12 inches. Key: D major.

Take lots of familiar Christmas tunes, mix them all together, and you have  Christmas Mash-Up. The setting is ideal for young players with the most difficult rhythm being a quarter note. This piece is perfect for highlighting the developing skills of the young orchestra.
Take lots of familiar Christmas tunes, mix them all together you have Christmas Mash-Up. It is set for the youngest of players and the most difficult rhythm is a quarter note. The piece is perfect to highlight developing skills at the winter or holiday concert. Mash-ups have become a pop culture sensation, and it is my hope that your audience and especially the parents will think your orchestra is a sensation at their concert!You might want to engage the audience in this one and have them try and recognize how many Christmas carols are used in the piece. There are seven: Jingle Bells, Up On the Housetop, Good King Wenceslas, Angels We Have Heard On High, Here We Come A Wassailing, O Come, Little Children, and Deck The Halls.It has been my pleasure to have the opportunity to write this piece.  I hope you and your students enjoy it and find it useful for your program.—LARRY CLARKLakeland, FL 2017.

SATB choir, assembly, organ accompaniment, trumpet in B-flat, trumpet in C - Intermediate

SKU: GI.G-8834

Arranged by Norah Duncan, IV. Eastertide, Easter Sunday. Choral. Tune name: NETTLETON. Sacred. Octavo. 12 pages. GIA Publications #8834. Published by GIA Publications (GI.G-8834).

UPC: 785147883401. English. Text by Edward Caswall.

For the most part, this is a straightforward setting of the familiar nettleton hymn tune—the choirs sing some unison, the assembly sings along on some verses, and there is a descant, as well as an a cappella third verse. But the harmonies, particularly on that third verse, are refreshing. And the fanfare for trumpet, with a toccata-like organ accompaniment, provides a fitting beginning and end to the piece.