(Accompaniment: Organ). Sacred. Level: Medium Adult. Published by Hinshaw Music Inc.

For Organ. (Organ). CD Sheet Music (Version 2.0). PDF file on CD. 1100 pages. Published by Subito Music.

Complete Organ Works, Volume 6 by Johann Sebastian Bach (1685-1750). For Organ. Masterworks; Organ - Method or Collection. Kalmus Edition. Baroque; Masterwork. Book. 120 pages. Published by Alfred Music Publishing

Organ - advanced

SKU: HL.49045437

For Organ. Composed by Enjott Schneider. This edition: Saddle stitching. Sheet music. Organ Large Works. Classical. Softcover. Composed 2016. 48 pages. Duration 24'. Schott Music #ED 22668. Published by Schott Music (HL.49045437).

ISBN 9790001162715. UPC: 841886029088. 9.0x12.0x0.168 inches.

On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther.The composer describes the five movements of the symphony as follows:'1st movement:Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people.2nd movement:In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time.3rd movement:The omnipresence of death and dying - from the plague and war to the never-ending dangers of daily life - was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air.4th movement:The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air.5th movement:The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.

Nos. 199-371 (For Organ or Piano). Composed by Johann Sebastian Bach (1685-1750). Masterworks; Organ - Method or Collection. Kalmus Edition. Baroque; Masterwork. Book. 96 pages. Kalmus Classic Edition #00-K03048. Published by Kalmus Classic Edition

By Henry Purcell (1659-1695). Arranged by Nigel Potts. For organ, optional trumpets. Marriage. Moderately Easy. Published by MorningStar Music Publishers

SSSATTBarB favorit-chor (antiphonal/chamber choir), SATB/SATB choir 4 baSS viola da gamba, organ

SKU: CA.2005012

Composed by Heinrich Schutz. Edited by Gunter Graulich. Arranged by Paul Horn. This edition: urtext. Cycles: Schutz: Auferstehungshistorie SWV 50. Stuttgart Urtext Edition: Schutz. German title: Auferstehungs-Historie (G/E). Sacred vocal music, Oratorios, Easter and Eastertide. Single Part, Viola da gamba 2. Composed 1623. SWV 50. 16 pages. Duration 38 minutes. Carus Verlag #CV 20.050/12. Published by Carus Verlag (CA.2005012).

ISBN 9790007033880. Key: D dorian. Language: German/English.

Score available separately - see item CA.2005000.

By Jehan Titelouze. For Organ. Organ - Method or Collection. Masterwork; Sacred. Book. 164 pages. Published by Alfred Publishing.

Soli ST, SATB Choir/SATB/SATB/SATB, organ

SKU: CA.2708349

Composed by Carl Friedrich Christian Fasch. Edited by Ryan Kelly. Organ. Sacred vocal music, Masses, Latin. Single Part, Organ. FWV. 20 pages. Duration 23 minutes. Carus Verlag #CV 27.083/49. Published by Carus Verlag (CA.2708349).

ISBN 9790007164195. Language: Latin.

Carl Friedrich Christian Fasch's Mass in 16 parts is remarkable for more than its unusual scoring. Inspired by the Italian church music style of Orazio Benevoli, it was composed in 1783 for the Berliner Sing-Akademie, and revised by Fasch several times throughout his life in order to adapt the score to the vocal capabilities of his ensemble. The composer destroyed all earlier compositions, which probably contributed to the legendary fame which this mass has enjoyed since the 19th century. The mass was, however, only published in 1839 - around four decades after Fasch's death. The present edition is based on the version contained in the first printed edition. In addition to modern music notation, extensive performance materials (two choral scores, separate organ part) facilitate the rehearsal of this challenging work. Score and part available separately - see item CA.2708300.

Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. Arranged by Ulrich Leisinger. Baroque. Full score. With Standard notation. 112 pages. Wiener Urtext/Vienna Urtext #UT50147. Published by Wiener Urtext/Vienna Urtext

For Viola And Organ. Composed by Adolphus Hailstork. Contemporary. Solo part(s) and full score. With Standard notation. Composed 2015. 16 pages. Duration 14 minutes. Theodore Presser Company #114-41762. Published by Theodore Presser Company (PR.114417620).

(5 Stucke fur zwei Orgeln oder andere Tasteninstrumente von Guami, Gabrieli, Gussago, Bonelli). Organ. For 2 organs. Composed (1608). 24 pages. Published by Doblinger Music Publishers