| Now Is the Time of Christmas Choral 3-part SAB [Octavo] Alfred Publishing
By Jay Althouse, based on a 16th century English carol, music by Jay Althouse. C...(+)
By Jay Althouse, based on a 16th century English carol, music by Jay Althouse. Choir Secular. 3-Part Mixed Choir (SAB). Choral Octavo. Choral Designs. Christmas; Winter. 12 pages
$1.75 $1.6625 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Now Is the Time of Christmas Choral SATB SATB [Octavo] Alfred Publishing
By Jay Althouse, based on a 16th century English carol, music by Jay Althouse. C...(+)
By Jay Althouse, based on a 16th century English carol, music by Jay Althouse. Choir Secular. Women's Choir. Choral Octavo. Choral Designs. Christmas; Winter. 12 pages
$1.75 $1.6625 (5% off) See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Now Is the Time of Christmas Choral SATB SATB [Octavo] Alfred Publishing
By Jay Althouse, based on a 16th century English carol, music by Jay Althouse. C...(+)
By Jay Althouse, based on a 16th century English carol, music by Jay Althouse. Choir Secular. SATB choir. Choral Octavo. Choral Designs. Christmas; Winter. 12 pages
$1.75 $1.6625 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Guitar Music from the 16th-18th Century Guitar [Score] Deutscher Verlag für Musik
Guitar solo SKU: BR.DV-32095 Composed by Adalbert Quadt. Edited by Adalbe...(+)
Guitar solo SKU: BR.DV-32095 Composed by Adalbert Quadt. Edited by Adalbert Quadt. Solo instruments; Softbound. Deutscher Verlag. Baroque; Early classical. Score. 64 pages. Deutscher Verlag fur Musik #DV 32095. Published by Deutscher Verlag fur Musik (BR.DV-32095). ISBN 9790200426403. 9 x 12 inches. The guitar is of oriental orgin. lt had reached Spain by the 8th century, presumably via the Arabs, and from there, like the lute, it spread through the rest of Europe. Over the centuries the guitar was further developed into an instrument with four courses of strings - this is evident from early-16th-century tablature-books, the earliest known. $30.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Guitar Music from the 16th-18th Century Guitar [Score] Deutscher Verlag für Musik
Guitar solo SKU: BR.DV-32004 Composed by Adalbert Quadt. Edited by Adalbe...(+)
Guitar solo SKU: BR.DV-32004 Composed by Adalbert Quadt. Edited by Adalbert Quadt. Solo instruments; Softbound. Deutscher Verlag. Baroque; Early classical. Score. 68 pages. Deutscher Verlag fur Musik #DV 32004. Published by Deutscher Verlag fur Musik (BR.DV-32004). ISBN 9790200425024. 9 x 12 inches. The guitar is of oriental orgin. lt had reached Spain by the 8th century, presumably via the Arabs, and from there, like the lute, it spread through the rest of Europe. Over the centuries the guitar was further developed into an instrument with four courses of strings - this is evident from early-16th-century tablature-books, the earliest known. $30.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Guitar Music from the 16th-18th Century Guitar [Score] Deutscher Verlag für Musik
Guitar solo SKU: BR.DV-32060 Composed by Adalbert Quadt. Edited by Adalbe...(+)
Guitar solo SKU: BR.DV-32060 Composed by Adalbert Quadt. Edited by Adalbert Quadt. Solo instruments; Softbound. Deutscher Verlag. Baroque; Early classical. Score. 72 pages. Deutscher Verlag fur Musik #DV 32060. Published by Deutscher Verlag fur Musik (BR.DV-32060). ISBN 9790200425826. 8.5 x 11.5 inches. The guitar is of oriental orgin. lt had reached Spain by the 8th century, presumably via the Arabs, and from there, like the lute, it spread through the rest of Europe. Over the centuries the guitar was further developed into an instrument with four courses of strings - this is evident from early-16th-century tablature-books, the earliest known. $30.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Guitar Music from the 16th-18th Century Guitar [Score] Deutscher Verlag für Musik
Guitar solo SKU: BR.DV-32023 Composed by Adalbert Quadt. Edited by Adalbe...(+)
Guitar solo SKU: BR.DV-32023 Composed by Adalbert Quadt. Edited by Adalbert Quadt. Solo instruments; Softbound. Deutscher Verlag. Baroque; Early classical. Score. 76 pages. Deutscher Verlag fur Musik #DV 32023. Published by Deutscher Verlag fur Musik (BR.DV-32023). ISBN 9790200425109. 9 x 12 inches. The guitar is of oriental orgin. lt had reached Spain by the 8th century, presumably via the Arabs, and from there, like the lute, it spread through the rest of Europe. Over the centuries the guitar was further developed into an instrument with four courses of strings - this is evident from early-16th-century tablature-books, the earliest known. $30.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Motets from the 16th Century Choral SATB Wilhelm Hansen
Choral (SATB) SKU: HL.14030971 (Motetter Og Lauder). Music Sales A...(+)
Choral (SATB) SKU: HL.14030971 (Motetter Og Lauder). Music Sales America. A Cappella, Classical, Latin, Motet. Book [Softcover]. 20 pages. Edition Wilhelm Hansen #WH26882. Published by Edition Wilhelm Hansen (HL.14030971). ISBN 9788759854402. 7.0x10.25x0.084 inches. A wonderful selection of motets from the 16th century which are suitable for SATB a capella. $3.95 - See more - Buy online | | |
| Guitar Music of the 16th Century Guitar [Sheet music + Audio access] Mel Bay
Composed by Keith Calmes. Editiones Classicae. Renaissance. Book and online audi...(+)
Composed by Keith Calmes. Editiones Classicae. Renaissance. Book and online audio. 294 pages. Published by Mel Bay Publications, Inc (MB.95375M).
$29.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Lute Dances, 16th Century, Guitar Guitar Universal Edition
Lute Dances, 16th Century, Guitar by Cesare Negri (1536-1604). Standard notation...(+)
Lute Dances, 16th Century, Guitar by Cesare Negri (1536-1604). Standard notation. Published by Universal Edition
$17.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Coventry Carol Choral SATB SATB, Keyboard [Octavo] MorningStar Music Publishers
(Lully, Lullay). Composed by Hal H. Hopson. For SATB choir, solo voice or small ...(+)
(Lully, Lullay). Composed by Hal H. Hopson. For SATB choir, solo voice or small ensemble, keyboard (organ or piano). Christmas, 21st Century. Moderately Easy. Octavo. Text Language: English. Published by MorningStar Music Publishers
$1.70 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| 122 Bicinia from the 16th century EMB (Editio Musica Budapest)
Voice a Cappella SKU: BT.EMBZ14732 Compiled and edited by Soós Andr...(+)
Voice a Cappella SKU: BT.EMBZ14732 Compiled and edited by Soós András. Classical. Book Only. Composed 2012. 80 pages. Editio Musica Budapest #EMBZ14732. Published by Editio Musica Budapest (BT.EMBZ14732). Hungarian-English-German-French. This collection, similarly to the publication entitled 111 bicinia from the 15th century (EMB 14478), contains longer and shorter two-part excerpts from polyphonic ecclesiastical choral works, for pedagogical and liturgical use. As teaching material, on the one hand it introduces and notes in brief textual definitions the characteristics of each given excerpt: on the other hand, it provides easily usable examples for teaching music history, solfege and counterpoint (practice of intervals, score-reading, dictation, stylistic exercises, etc.) At the same time the movements, which also function as independent units, can be quickly learnt, and may on occasions add colour to themusical palette of the liturgy by introducing material that can be performed even by a children's choir. The volume consists mainly of excerpts taken from Mass movements and Magnificats by Palestrina, Lassus, Gombert, Clemens non Papa and others. A separate chapter is devoted to chorale-based bicinia in German, which were already popular in the initial period of Evangelical church music.
Ähnlich der Ausgabe 111 Bicinia aus dem 15. Jahrhundert (EMB 14478) präsentiert diese Sammlung für theoretisch- und praktisch-pädagogische, bzw. liturgische Zwecke mehr oder weniger lange zweistimmige Ausschnitte aus geistlichen Chorwerken Sie stellt als Lehrstoff einerseits die musikalische Charakteristika des jeweiligen Ausschnittes vor und registriert diese in kurzen textlichen Definitionen, andererseits liefert sie Beispiele für den Unterricht der Musikgeschichte, der Solfege- und der Kontrapunkt- Lehre (Intervallübungen, des Lesens vom Blatt, für das Diktieren, für Stilübung usw.), die sich leicht erarbeiten lassen. Gleichzeitig können die auch als eigenständige Einheitfunktionierenden Sätze schnell erlernt werden. Sie bereichern die musikalische Palette der Liturgie (Messe und Offizium) mit dem fallweise auch vom Kinderchor aufführbaren Stoff. $22.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| 21st Century Guitar Theory 3 Guitar notes and tablatures [Sheet music] - Intermediate Alfred Publishing
By Sandy Feldstein and Aaron Stang. For Guitar. Guitar Method or Supplement. War...(+)
By Sandy Feldstein and Aaron Stang. For Guitar. Guitar Method or Supplement. Warner Bros. Publications 21st Century Guitar Course. Level: Level 3. Book. 32 pages. Published by Alfred Publishing.
$6.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Royal Coronation Dances Concert band [Score and Parts] - Easy Manhattan Beach Music
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Su...(+)
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Suitable for advanced middle school, high school, community and college bands. Conductor score and set of parts. Duration 4:45. Published by Manhattan Beach Music (MH.1-59913-054-8). ISBN 9781599130545. Royal Coronation Dances is the first sequel to the Fanfare Ode & Festival, both being settings of dance music originally arranged by Gervaise in the mid 16th-century (the next sequel is The Renaissance Fair, which uses music of Susato and Praetorius). Fanfare Ode & Festival has been performed by many tens of thousands of students, both in high school and junior high school. I have heard that some of them are amazed that the music they are playing was first played and danced to over 400 years ago. Some students tend to think that music started with Handel and his Messiah to be followed by Beethoven and his Fifth Symphony, with naught in between or before of consequence. Although Royal Coronation Dances is derived from the same source as Fanfare Ode & Festival, they are treated in different ways. I envisioned this new suite programmatically -- hence the descriptive movement titles, which I imagined to be various dances actually used at some long-ago coronation. The first movement depicts the guests, both noble and common, flanked by flag and banner bearers, arriving at the palace to view the majestic event. They are festive, their flags swirling the air, their cloaks brightly colored. In the second movement, the queen in stately measure moves to take her place on the throne as leader and protector of the realm. In the third movement, the jesters of the court entertain the guests with wild games of sport. Musically, there are interesting sonorities to recreate. Very special attention should be given to the tambourine/tenor drum part in the first movement. Their lively rhythms give the movement its power. Therefore they should be played as distinctly and brilliantly as possible. The xylophone and glockenspiel add clarity, but must not be allowed to dominate. Observe especially the differing dynamics; the intent is to allow much buzzing bass to penetrate. The small drum (starting at meas. 29) should be played expressively, with attention to the notated articulations, with the brass light and detached, especially in a lively auditorium. It is of some further interest that the first dance is extremely modal. The original is clearly in G mixolydian mode (scale: G-A-B-C-D-E-F-G). However, other editors might put in F-sharps in many places (changing the piece almost to G major), in the belief that such ficta would have been automatically put in by the 16th-century performers as they played. I doubt it. I have not only eschewed these within the work, but even at the cadences. So this arrangement is most distinctly modal (listen to the F-naturals in meas. 22 and 23, for instance), with all the part-writing as Gervaise wrote it. In the second movement, be careful that things do not become too glued together. In the 16th century this music might have been played by a consort of recorders, instruments very light of touch and sensitive to articulation. Concert band can easily sound heavy, and although this movement has been scored for tutti band, it must not sound it. It is essential, therefore, that you hear all the instruments, with none predominating. Only when each timbre can be heard separately and simultaneously will the best blend occur, and consequently the greatest transparency. So aim for a transparent, spacious tutti sound in this movement. Especially have the flutes, who do this so well, articulate rather sharply, so as to produce a chiffing sound, and do not allow the quarter-notes to become too tied together in the entire band. The entrance of the drums (first tenor, then bass) are events and as such should be audible. Incidentally, this movement begins in F Major and ends in D Minor: They really didn't care so much about those things then. The third movement (one friend has remarked that it is the most Margolisian of the bunch, but actually I am just getting subtler, I hope) again relies upon the percussion (and the scoring) to make its points. Xylophone in this movement is meant to be distinctly audible. Therefore, be especially sure that the xylophone player is secure in the part, and also that the tambourine and toms sound good. This movement must fly or it will sink, so rev up the band and conduct it in 1 for this mixolydian jesting. I suppose the wildly unrelated keys (clarinets and then brass at the end) would be a good 16th-century joke, but to us, our put-up-the-chorus-a-half-step ears readily accept such shenanigans. Ensemble instrumentation: 1 Full Score, 1 Piccolo, 4 Flute 1, 4 Flute 2 & 3, 2 Oboe 1 & 2, 2 Bassoon 1 & 2, 1 Eb Clarinet, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 2 Eb Alto Clarinet, 1 Eb Contra Alto Clarinet, 3 Bb Bass & Bb Contrabass Clarinet, 2 Eb Alto Saxophone 1, 2 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 2 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 4 Horn in F 1 & 2, 2 Trombone 1, 4 Trombone 2 & 3, 3 Euphonium (B.C.), 2 Euphonium (T.C.), 4 Tuba, 1 String Bass, 1 Timpani (optional), 2 Xylophone & Glockenspiel, 5 Percussion. $95.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| When Christ Was Born of Mary Free - SATB Choral SATB SATB A Cappella Jackman Music Corporation
SATB chorus a cappella - Medium-difficult SKU: JK.01335 Composed by 16th ...(+)
SATB chorus a cappella - Medium-difficult SKU: JK.01335 Composed by 16th century English carol. Arranged by Rob Millett. Choral A cappella, Choral SATB, Difficulty Medium Hard, Seasonal Music Christmas, Christmas, Jesus Christ - Birth. Christian, Inspirational. Duration 3:00. Jackman Music Corporation #01335. Published by Jackman Music Corporation (JK.01335). Luke 2. A joyous arrangement of the 16th century English carol, written for a cappella mixed chorus (SATB). Composer: 16th century English carol Arranger: Rob Millett Difficulty: Medium-difficult Performance time: 3:00 Reference: Luke 2.
$1.60 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Libro de glosas Breitkopf & Härtel
Quintet (ob.clar.B-clar.A-sax.bsn .) SKU: BR.KM-2515 Set of parts....(+)
Quintet (ob.clar.B-clar.A-sax.bsn.) SKU: BR.KM-2515 Set of parts. Composed by Jose Maria Sanchez-Verdu. Chamber music; Folder. Kammermusik-Bibliothek (Chamber Music Library). World premiere: 's-Hertogenbosch, December 16, 2007 Music post-1945; New music (post-2000). Set of parts. Composed 2007. 40 pages. Duration 10'. Breitkopf and Haertel #KM 2515. Published by Breitkopf and Haertel (BR.KM-2515). ISBN 9790004503355. 11 x 14 inches. Libro de glosas is based on the Trattado de glosas by Diego Ortiz (1510 - ca. 1570). The intertextuality between different materials and musical techniques and processes of the 16th century was one of my main interests when I wrote this piece for the wonderful sound and quality of the Calefax ensemble.The intertextual relationships are as follows:Recercada I is based on the first chords of the chanson Doulce memoire by Pierre Sandrin. It is also used in Trattado de glosas.Recercada II is based on the incipit of the madrigal O felici occhi miei by Jacques Arcadelt. It is also used in Trattado de glosas.Recercada III is based on the ostinato Passamezzo antico. It is also used in Trattado de glosas.Recercada IV is freely based on the tenor La Spagna. It is also used in Trattado de glosas.Batalla (V) is a free composition in form of a battaglia and is based on some ostinati of Spanish origin as well as on an anonymous theme from the 16th century. There are also some bars of a batalla by Joseph Ximenez (18th century).Libro de glosas esta basada en el Trattado de glosas de Diego Ortiz (1510 - ca. 1570). La intertextualidad entre diferentes materiales y tecnicas y procesos de la musica del siglo XVI era uno de mis principales intereses cuando escribi esta pieza para el maravilloso sonido y calidad del Calefax ensemble.Las relaciones intertextuales son las siguientes:Recercada I esta basada libremente sobre los primeros acordes de la chanson Doulce memoire de Pierre Sandrin. Esta es utilizada como ejemplo en el Trattado de glosas.Recercada II esta basada libremente sobre el incipit del madrigal O felici occhi miei de Jacques Arcadelt. Esta pieza es utilizada tambien como ejemplo en el Trattado de glosas.Recercada III esta basada libremente sobre el ostinato Passamezzo antico. Tambien es presentada en el Trattado de glosas.Recercada IV esta construida libremente sobre el tenor La Spagna. Tambien es utilizado por Ortiz en el Trattado de glosas.Batalla (V) es una libre composicion en forma de battaglia sobre ostinati de origen espanol y sobre un tema anonimo (siglo XVI). Tambien aparecen brevemente varios compases de una batalla de Joseph Ximenez (siglo XVIII).(Jose M. Sanchez-Verdu). $71.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Looking Up Choral SATB SATB, Piano St Rose Music Publishing
Choir, Piano Accompaniment (SATB Choir) SKU: HL.277282 SATB and Piano ...(+)
Choir, Piano Accompaniment (SATB Choir) SKU: HL.277282 SATB and Piano Vocal Score. Composed by Nico Muhly. Music Sales America. Classical. Softcover. 60 pages. St. Rose Music #SRO10015201. Published by St. Rose Music (HL.277282). UPC: 840126915006. 6.75x10.5 inches. Program note:
Looking Up is a piece for large chorus and orchestra, and is in three sections, played without pause. In the 16th century, a variety of psalters in meter were printed in England, with the idea of making psalm-singing something that could happen easily at home, with the rhyming meter being an aid to memorization. These translations are wonderful exercises in brevity and sometimes clumsy rhymemaking, and were usually prefaced by a lengthy explanation as to their merits; the title of one of the first such volumes in English is: The Psalter of Dauid newely translated into Englysh metre in such sort that it maye the more decently, and wyth more delyte of the mynde, be reade and songe of al men. I thought it would be appropriate to set one of these introductions, and the first section of Looking Up sets the preface to Thomas Ravenscroft's psalter (1621), in which he writes: “The singing of Psalmes (assay the Doctors) comforteth the sorrowfull, pacifieth the angry, strengtheneth the weake, humbleth the proud, gladdeth the humble, stirres up the slow, reconcileth enemies, lifteth up the heart to heavenly things, and uniteth the Creature to his Creator.”
It begins meditatively, but eventually grows agitated and fervent, with a vision of the “quire of Angels and Saints” “redoubling anddescanting” - an ecstatic and terrifying vision of the skies opening up. Ravenscroft then encourages the use of instrumental musicfor worship, at which point, a long, acrobatic orchestral interlude with jagged edges antagonizes the choir, who sing a kind of private, anxious meditation on two pitches.
One of the most delicious biblical texts is an Apocryphal prayer known as the Benedicite or the Prayer of the Three Children (the same who were rescued by an angel after King Nebuchadnezzar tried to have them burnt in an oven for not bowing to his image). The text is repetitive, obsessive, and a gift to composers - each line is an invocation of an element of the natural world, followed by the phrase, “blesse ye the Lord, praise him & magnify him for ever.” In Looking Up, the setting begins with three solo voices, and then grows to include the whole choir, itemizing the whole of creation. The idea that these boys are spared from the furnace and then five minutes later are saying, “O ye the fire and warming heate, blesse ye the Lord...” has always felt very loaded to me, and the orchestra plays with this conflict between joyful praise and a more terrible (in the 16th-century sense) awefor the divine.
The text for the third, and shortest, section is taken from Christopher Smart's (1722-1771) A Song to David, purportedly written during his confinement in a mental asylum. This ode to King David points out how David, as the author of some of the Psalms, observes the whole world from the “clustering spheres” to the “nosegay in the vale.&rdquo. $7.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Ricercari Keyboard [Score] Zimbel Press
Keyboard SKU: SU.80101342 For Keyboard. Composed by Carson Cooman....(+)
Keyboard SKU: SU.80101342 For Keyboard. Composed by Carson Cooman. Keyboard, Piano/Harpsichord, Keyboard, Organ. Score. Zimbel Press #80101342. Published by Zimbel Press (SU.80101342). Keyboard Duration: 8' Composed: 2013 Published by: Zimbel Press Ricercari are three pieces inspired by the keyboard music of the early and mid 16th century. During this time, the genre of the ricercare developed as a sort of instrumental motet and a kind of proto-fugue. Each work here is a contrapuntal ricercare in a modal cast, each in a different number of voices. However, all three blend elements of the 16th century style with more contemporary sounds. These pieces may be played on any keyboard instrument (organ, piano, harmonium/reed organ, harpsichord, clavichord, or electronic keyboard). $9.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Wedderburn's Carol and Kit Smart's Carol Choral SATB SATB, Piano - Intermediate GIA Publications
SATB choir, piano reduction - Intermediate SKU: GI.G-7764 Composed by Ger...(+)
SATB choir, piano reduction - Intermediate SKU: GI.G-7764 Composed by Gerald Custer. Christmastide, Christmas Vigil, Christmas Night, Christmas Dawn, Christmas Day. Evoking Sound. Music Education. Octavo. 8 pages. GIA Publications #7764. Published by GIA Publications (GI.G-7764). UPC: 785147776406. English. Text Source: “Kit Smart’s Carol†by Christopher Smart, 1722–1771, “Wedderburn’s Carol†by Martin Luther, tr. John or Robert Wedderburn, 16th c. Text by Christopher Smart. If you have a college choir, or an above-average high school or church choir, and if you've grown a bit weary of the same or similar Christmas repertoire year after year, look at these settings of two classic carols: a 16th-century translation of part of Luther's Vom Himmel hoch and an 18th-century work by an under-appreciated poet.  . $2.40 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Preparatory Flute Repertoire Flute The Frederick Harris Music Company
Flute - Preparatory SKU: FH.FLR00 2010 Edition. Composed by The Ro...(+)
Flute - Preparatory SKU: FH.FLR00 2010 Edition. Composed by The Royal Conservatory. Overtones: A Comprehensive Flute Series. Book/Piano Accompaniment/CD. The Frederick Harris Music Company #FLR00. Published by The Frederick Harris Music Company (FH.FLR00). ISBN 978-1-55440-288-5. Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental repertoire and supporting materials such as Studies, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study.This compilation of standard orchestral passages for flute is an indispensable resource for the developing years and beyond. Teachers and students will find this unrivalled volume essential for examination or audition preparation. Polly Wolly Doodle Traditional American, arr. Akiko and Forrest Kinney The Birch Tree Traditional Russian, arr. Akiko and Forrest Kinney Royal Ceremony Alan Bullard The Cuckoo Traditional Chinese Flute Tea Paul Harris Petite souris (Little Mouse) Thierry Masson Valse des trois petits ours (Waltz of the Three Little Bears) Thierry Masson Edinburgh Castle Richard Peat Tete-a-tete (Head-to-head) Marine Perez Menuet (Rondeau) Francois Philidor, arr. Kathleen Wood a la claire fontaine (At the Clear Fountain) Traditional French Canadian, arr. Akiko and Forrest Kinney Huron Carol 16th-century French, arr. Akiko and Forrest Kinney Syrian Love Song Traditional Syrian, arr. Judith Pearce and Christopher Gunning Graceful Waltz Alan Bullard Seesaw Christopher Norton Labyrinth Susan Piltch What Is a Day? Philip Rosseter, arr. Akiko and Forrest Kinney Kojo no Tsuki (The Moon Over the Ruined Castle) Rentaro Taki, arr. Mark Mrozinski Polly Wolly Doodle Traditional American, arr. Akiko and Forrest Kinney The Birch Tree Traditional Russian, arr. Akiko and Forrest Kinney Royal Ceremony Alan Bullard The Cuckoo Traditional Chinese Flute Tea Paul Harris Petite souris (Little Mouse) Thierry Masson Valse des trois petits ours (Waltz of the Three Little Bears) Thierry Masson Edinburgh Castle Richard Peat Tete-a-tete (Head-to-head) Marine Perez Menuet (Rondeau) Francois Philidor, arr. Kathleen Wood a la claire fontaine (At the Clear Fountain) Traditional French Canadian, arr. Akiko and Forrest Kinney Huron Carol 16th-century French, arr. Akiko and Forrest Kinney Syrian Love Song Traditional Syrian, arr. Judith Pearce and Christopher Gunning Graceful Waltz Alan Bullard Seesaw Christopher Norton Labyrinth Susan Piltch What Is a Day? Philip Rosseter, arr. Akiko and Forrest Kinney Kojo no Tsuki (The Moon Over the Ruined Castle) Rentaro Taki, arr. Mark Mrozinski. About Overtones Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental Repertoire and supporting materials such as Etudes, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study and is the official series for those using The Royal Conservatory Music Development program. $27.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Preparatory Saxophone Repertoire Saxophone The Frederick Harris Music Company
Saxophone - Preparatory SKU: FH.WS0 Saxophone Series, 2013 Edition...(+)
Saxophone - Preparatory SKU: FH.WS0 Saxophone Series, 2013 Edition. Composed by The Royal Conservatory. Saxophone Series, 2013 Edition. Book/CD. 40/24 pages. The Frederick Harris Music Company #WS0. Published by The Frederick Harris Music Company (FH.WS0). ISBN 978-1-55440-549-7. Unparalleled in scope, this groundbreaking series for E_Alto and B_Tenor offers a single collection of Repertoire and supporting materials written or arranged specifically for saxophone. With Repertoire spanning from the Baroque to contemporary eras, Recordings, Etudes, Technique, and Orchestral Excerpts, this comprehensive series serves as a balanced and organized pedagogical resource from the beginner to advanced levels of study. Nine progressive volumes of Repertoire expose students to original works and arrangements of diverse styles from W.A. Mozart to Violet Archer, with selected works by notable jazz artist Paul Desmon (Take Five), and living composer Phil Woods. Each level provides opportunities to explore Baroque, Classical, Romantic, and contemporary works, with original, unaccompanied selections from Levels 5 through 8 that use extended techniques such as multiphonics, key clicks, and bisbigliando. Earlier works pre-dating the origin of the saxophone have been carefully arranged with consideration of the unique quality of the instrument. Exposure to these works help to develop musicianship and an understanding of tonality, creating well-rounded and versatile performers. Selections written for both E_Alto and B_Tenor include piano accompaniments that function with both instruments. Eb Saxophone:
Rhythmic Repertoire: The Birch Tree - Traditional Russian, arr. Akiko and Forrest Kinney The Carman's Whistle - William Byrd, arr. Christine Donkin Alto Affirmation - Eugene Rousseau Menuet (Rondeau) - Francois Philidor, arr. Kathleen Wood What Is a Day? - Philip Rosseter, arr. Akiko and Forrest Kinney Polly Wolly Doodle - Traditional American, arr. Akiko and Forrest Kinney The Cuckoo - Traditional Dance Time - Paul Harris Lyrical Repertoire: Evening Song - Edwin Franko Goldman Syrian Love Song (Al Ya Zane) - Traditional Syrian, arr. Judith Pearce and Christopher Gunning Huron Carol - 16th-century French, arr. Akiko and Forrest Kinney At the Clear Fountain (a la claire fontaine) - Traditional French Canadian, arr. Akiko and Forrest Kinney Trembling Aspen - Christiaan Venter The Moon over the Ruined Castle (Kojo no Tsuki) - Rentaro Taki, arr. Mark Mrozinski Lullaby (Wiegenlied), op. 49, no. 4 - Johannes Brahms, arr. Forrest Kinney Beautiful Brown Eyes - Alton Delmore and Arthur Smith, arr. Andrew Balent
Bb Saxophone:
Rhythmic Repertoire: The Birch Tree - Traditional Russian, arr. Akiko and Forrest Kinney The Carman's Whistle - William Byrd, arr. Christine Donkin Menuet (Rondeau) - Francois Philidor, arr. Kathleen Wood Allemande - Franz Joseph Haydn, arr. Jason Noble Lyrical Repertoire: Syrian Love Song (Al Ya Zane) - Traditional Syrian, arr. Judith Pearce and Christopher Gunning Huron Carol - 16th-century French, arr. Akiko and Forrest Kinney Beautiful Brown Eyes - Alton Delmore and Arthur Smith, arr. Andrew Balent Amazing Grace - Traditional American, arr. Forrest Kinney The Moon over the Ruined Castle (Kojo no Tsuki) - Rentaro Taki, arr. Mark Mrozinski Calm Breezes - Richard Johnston To a Wild Rose - Edward MacDowell, arr. Jason Gray. $26.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Recorder Consort 1 Recorder Ensemble Boosey and Hawkes
47 Pieces for Recorder Consort. By Various Composers. Arranged by Steve Rosenber...(+)
47 Pieces for Recorder Consort. By Various Composers. Arranged by Steve Rosenberg. (Recorder). Boosey and Hawkes Chamber Music. Size 8.5x11 inches. 50 pages. Published by Boosey & Hawkes.
$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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