| Russian and Eastern European Piano Music Pt. 1 (Version 2.0)
Piano solo [CD Sheet Music] Subito Music
By russian. For Piano. (Piano Solo). CD Sheet Music (Version 2.0). PDF file on C...(+)
By russian. For Piano. (Piano Solo). CD Sheet Music (Version 2.0). PDF file on CD. 4000 pages. Published by Subito Music.
(1)$28.95 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | |
| Live On Concert band - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cabasa, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cabasa, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Tambourine, Timpani and more. - Grade 2.5 SKU: CF.YPS212 Composed by Larry Clark. Young Band (YPS). Set of Score and Parts. With Standard notation. 16+4+8+8+4+4+10+4+4+8+8+8+12+6+6+2+2+4+10+20+4 pages. Duration 3 minutes, 39 seconds. Carl Fischer Music #YPS212. Published by Carl Fischer Music (CF.YPS212). ISBN 9781491152317. UPC: 680160909810. Key: C minor. Taking its title from a poem about grief and loss by Chrissie Pinney, Live On honors the life of band director Linda Mann, to whom the piece is dedicated. The piece begins with a pensive intro before shifting to a whimsical theme that brings about happy thoughts of a life well-lived. After a return to the poignant opening material, the music surges to a triumphant conclusion based on an augmented version of the whimsical theme. Live On was commissioned by Diplomat Middle School's staff, faculty and students, in Cape Coral, Florida, and is dedicated to the memory of their Director of Bands, Linda Mann. Director of Orchestras, Roland Forti, championed the commissioning of this piece to honor the life of Linda after her untimely passing in February of 2017. Linda Mann’s impact on the field of music education was profound and wide-reaching. She was a beloved member of the staff at Diplomat Middle School, as well as the music community of Cape Coral and the state of Florida. Linda was highly respected throughout the state, serving as recent past-president of the Florida Bandmasters Association.In discussing the type of piece the school wanted to honor Ms. Mann, they indicated the piece should “depict Linda’s personality: dynamic, sassy, yet thoughtful and almost mentor-like.†They wanted a piece that was upbeat, yet still had moments that were thoughtful, portraying the grief that the Diplomat Middle School community has suffered from the sudden loss of such a beloved teacher.After contemplating their thoughts, I did some research to find inspiration for the piece. This led me to poetry about grief and loss. In time, I stumbled upon a short, yet poignant poem that I felt perfectly depicted the sentiment that I wanted the piece to convey. That poem is entitled Live On by Chrissie Pinney.Live OnNow as I live onWithout youI hope to keepThe pieces of youThat I loved so dearlyYour mannerismsAnd compassionate characterAnd smiles through struggleSo that youMay live on too -Chrissie PinneyI reached out to Ms. Pinney, and she graciously agreed to allow me to quote her powerful poem in these notes. She expressed that she was deeply touched that her work would inspire me to write a piece in honor of Linda Mann.The piece begins with a poignant, pensive opening section. The use of the musical interval of a tritone between the first two openly voiced chords are used to represent the sadness we all feel from this type of loss. When I sat in front of my piano and started to work on this piece, my hands seemed to naturally and immediately play these first two chords, which set the process in motion of composing the piece.After the somber opening, the piece shifts to a whimsical theme that I hope brings about happy thoughts of Linda and her personality. It was also my intent, however, to include some musical dissonance in the theme that still reflected the bittersweet loss at the same time. The piece develops into a secondary theme that is a quasi inversion of the main fast theme. This section is followed by a return of the opening material, with snippets of the fast theme intertwined, before the piece builds to a triumphant, augmented presentation of the main theme in a lush form to complete the work.It is my hope that in some small way, this piece will bring comfort to those affected by the loss of Linda Mann, and that the music will allow her memory to Live On.–Larry ClarkLakeland, FL 2017. $75.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Live On Concert band - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cabasa, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cabasa, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Tambourine, Timpani and more. - Grade 2 SKU: CF.YPS212F Composed by Larry Clark. Young Band (YPS). Full score. With Standard notation. 20 pages. Carl Fischer Music #YPS212F. Published by Carl Fischer Music (CF.YPS212F). ISBN 9781491152997. UPC: 680160910496. Taking its title from a poem about grief and loss by Chrissie Pinney, Live On honors the life of band director Linda Mann, to whom the piece is dedicated. The piece begins with a pensive intro before shifting to a whimsical theme that brings about happy thoughts of a life well-lived. After a return to the poignant opening material, the music surges to a triumphant conclusion based on an augmented version of the whimsical theme. Live On was commissioned by Diplomat Middle School's staff, faculty and students, in Cape Coral, Florida, and is dedicated to the memory of their Director of Bands, Linda Mann. Director of Orchestras, Roland Forti, championed the commissioning of this piece to honor the life of Linda after her untimely passing in February of 2017. Linda Mann’s impact on the field of music education was profound and wide-reaching. She was a beloved member of the staff at Diplomat Middle School, as well as the music community of Cape Coral and the state of Florida. Linda was highly respected throughout the state, serving as recent past-president of the Florida Bandmasters Association.In discussing the type of piece the school wanted to honor Ms. Mann, they indicated the piece should “depict Linda’s personality: dynamic, sassy, yet thoughtful and almost mentor-like.†They wanted a piece that was upbeat, yet still had moments that were thoughtful, portraying the grief that the Diplomat Middle School community has suffered from the sudden loss of such a beloved teacher.After contemplating their thoughts, I did some research to find inspiration for the piece. This led me to poetry about grief and loss. In time, I stumbled upon a short, yet poignant poem that I felt perfectly depicted the sentiment that I wanted the piece to convey. That poem is entitled Live On by Chrissie Pinney.Live OnNow as I live onWithout youI hope to keepThe pieces of youThat I loved so dearlyYour mannerismsAnd compassionate characterAnd smiles through struggleSo that youMay live on too -Chrissie PinneyI reached out to Ms. Pinney, and she graciously agreed to allow me to quote her powerful poem in these notes. She expressed that she was deeply touched that her work would inspire me to write a piece in honor of Linda Mann.The piece begins with a poignant, pensive opening section. The use of the musical interval of a tritone between the first two openly voiced chords are used to represent the sadness we all feel from this type of loss. When I sat in front of my piano and started to work on this piece, my hands seemed to naturally and immediately play these first two chords, which set the process in motion of composing the piece.After the somber opening, the piece shifts to a whimsical theme that I hope brings about happy thoughts of Linda and her personality. It was also my intent, however, to include some musical dissonance in the theme that still reflected the bittersweet loss at the same time. The piece develops into a secondary theme that is a quasi inversion of the main fast theme. This section is followed by a return of the opening material, with snippets of the fast theme intertwined, before the piece builds to a triumphant, augmented presentation of the main theme in a lush form to complete the work.It is my hope that in some small way, this piece will bring comfort to those affected by the loss of Linda Mann, and that the music will allow her memory to Live On.–Larry ClarkLakeland, FL 2017. $11.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Romanze for violin and piano Violin and Piano Fennica Gehrman
Violin, piano SKU: FG.55011-466-1 Composed by Armas Jarnefelt. Fennica Ge...(+)
Violin, piano SKU: FG.55011-466-1 Composed by Armas Jarnefelt. Fennica Gehrman #55011-466-1. Published by Fennica Gehrman (FG.55011-466-1). ISBN 9790550114661. Armas Jarnefelt (1869-1958) was a Finnish composer and conductor. Jarnefelt studied in Berlin in 1890-91 with Albert Becker as his teacher. In addition to composing studies, Jarnefelt fully enjoyed the life that a bustling metropolis could offer to a young man - concerts, operas, cafe life etc. Romanze, composed for Geraldine Morgan, was premiered in Helsinki in February 1892. According to critics (notably Bis Wasenius) the work was un-Finnish, perhaps echoing the continental winds Jarnefelt had experienced in Berlin. That aside, Jarnefelt's future brother-in-law, Jean Sibelius, analyzed the Romanze in a letter to his fiancee, Aino, sister of Armas: I think Romanze is a fine technical accomplishment, even the structure works well, given the theme as it is. But Armas certainly can do better than this, he should not waste his efforts in small-scale [salon] music. - Armas will find his own way and will be hailed as the greatest musician of this country.. $26.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Joseph Horovitz: String Quartet No.5 (Score) String Quartet: 2 violins, viola, cello Music Sales
Horovitz composed this work during February and March 1969 as a tribute to E. H....(+)
Horovitz composed this work during February and March 1969 as a tribute to E. H. Gombrich on his 60th birthday. In this one-movement quartet the opening thematic material is deliberately based on the decadent chromatic gestures prevalent in early twentieth century Viennese music. Healthier diatonic discords tear into these themes during a long development section, and, in a way, finally cleanse them. The melodies of the first section are entirely based on the intervals of the third and sixth, but with garish appendages of extra chromaticism (produced by means of bi-tonality between the upper and lower instruments). After the conflict these intervals emerge in their true and elemental role as essential pillars of a major key
$19.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| New Hymns Inspired by General Conference Addresses, Oct 2018 & Apr 2019 Jackman Music Corporation
Choir - Medium / medium acc. SKU: JK.19970 Composed by Janice Kapp Perry....(+)
Choir - Medium / medium acc. SKU: JK.19970 Composed by Janice Kapp Perry. Difficulty Medium. Christian, Inspirational. Jackman Music Corporation #19970. Published by Jackman Music Corporation (JK.19970). Hymn singing is an important part of our heritage as members of The Church of Jesus Christ of Latter-day Saints. Elder Boyd K. Packer, in October 1991 General Conference, said: If we will listen, [hymns] are teaching the gospel, for the hymns of the Restoration are, in fact, a course in doctrine! In his landmark speech entitled The Arts and the Spirit of the Lord, Elder Packer stated:
Our hymns speak the truth as far as they go. They could speak more of it if we had more of them specifically teaching the principles of the restored gospel of Jesus Christ. If I had my way there would be many new hymns with lyrics near scriptural in their power, bonded to music that would inspire people to worship. Think about how much we could be helped by another inspired anthem or hymn of the Restoration. (BYU, February 1, 1976)
In response to Elder Packer's invitation, we have been writing new hymns during the past decade based on favorite general conference sermons. Our hope was that once the central theme of each address was set to music it might serve as another witness of the inspired message, and would be sung in homes, in choirs, and in conjunction with the Teachings For Our Time lessons in Relief Society and Priesthood meetings.
Janice Kapp Perry David B. Larsen
This songbook contains a Topical Index
The hymns offered by Prime Recordings Inc. are neither made, provided, approved nor endorsed by Intellectual Reserve, Inc., The Church of Jesus Christ of Latter-day Saints or its leaders. Any content or opinions expressed, implied or included in, or with this book from Prime Recordings Inc., are solely those of David B. Larsen and Janice Kapp Perry, and not those of Intellectual Reserve, Inc., The Church of Jesus Christ of Latter-day Saints or its leaders. *** Some Janice Kapp Perry products may require a few days additional shipping time. Thank you! $6.98 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Esa-Pekka Salonen: Second Meeting for Oboe and Piano Oboe, Piano (duet) Chester
Oboe, Piano Accompaniment SKU: HL.14028681 Composed by Esa-Pekka Salonen....(+)
Oboe, Piano Accompaniment SKU: HL.14028681 Composed by Esa-Pekka Salonen. Music Sales America. Post-1900. Sheet Music, Instrumental Work. With Text language: English. 32 pages. Chester Music #CH60917. Published by Chester Music (HL.14028681). UPC: 884088810481. 8.5x11.0x0.094 inches. Composer's Note Second Meeting was written in January 1992. The first performance took place in Stockholm in February (Bengt Rosengren, oboe and Stefan Bojsten, piano). The work belongs to a planned series of virtuoso duos, ââ¬Åmeetingsââ¬Â. The first one (from 1982) is written for clarinet and harpsichord. Formally, Second Meeting is very close to a familiar ââ¬Åtheme and variationsââ¬Â category, although there are seven themes, or melodies, all quite closely related. In the autumn of the same year I decided to write a version of the piece for oboe and a small orchestra, trying to remain reasonably faithful to the original (a la Ravel, perhaps). The orchestral version is called Mimo 1). Esa-Pekka Salonen. $38.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Symphony in D minor Breitkopf & Härtel
Woodwinds (2.2.cor ang.2.B-clar.2 - 4.2.2flhn.3.1 - timp - hp - str) SKU: BR....(+)
Woodwinds (2.2.cor ang.2.B-clar.2 - 4.2.2flhn.3.1 - timp - hp - str) SKU: BR.OB-5328-30 Urtext. Composed by Cesar Auguste Franck. Edited by Peter Jost. Folder. Orchester-Bibliothek (Orchestral Library). A major work of the late-romantic repertoire, Cesar Franck's only symphony joins the ranks of Breitkopf & Hartel's new orchestral editions which follow the principles of Source Criticism for Practical Use. Symphony; Romantic. Set of parts. 232 pages. Duration 37'. Breitkopf and Haertel #OB 5328-30. Published by Breitkopf and Haertel (BR.OB-5328-30). ISBN 9790004333877. 10 x 12.5 inches. Cesar Franck wrote his Symphony in D minor in 1887/88; in spite of the work's lukewarm reception at its world premiere on 17 February 1889, the work was published during his lifetime. It was not until a few years later that the established conductors dared perform this work more frequently . It marked the inevitable triumph of a work which had once caused such a furor and whose individuality of conception burst the framework of the genre (double tonality of D and F minor in the opening movement; the combination of Andante and Scherzo in the central one; the recapitulation of the main themes and motifs of the previous movements in the finale). The work was finally accepted into the concert repertoire for good around the turn of the century, not least through the good offices of influential critics and composers.Just as with the previously published Carnival of the Animals (PB/OB 5321) by Saint-Saens, Franck's work also raises many questions concerning its origin and history. Peter Jost based his work on the first edition (the autograph was destroyed in a fire in 1935) as well as on the piano reduction (four-handed) by the composer.
A major work of the late-romantic repertoire, Cesar Franck's only symphony joins the ranks of Breitkopf & Hartel's new orchestral editions which follow the principles of Source Criticism for Practical Use. $198.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Symphony in D minor Breitkopf & Härtel
Viola (2.2.cor ang.2.B-clar.2 - 4.2.2flhn.3.1 - timp - hp - str) SKU: BR.OB-5...(+)
Viola (2.2.cor ang.2.B-clar.2 - 4.2.2flhn.3.1 - timp - hp - str) SKU: BR.OB-5328-19 Urtext. Composed by Cesar Auguste Franck. Edited by Peter Jost. Stapled. Orchester-Bibliothek (Orchestral Library). A major work of the late-romantic repertoire, Cesar Franck's only symphony joins the ranks of Breitkopf & Hartel's new orchestral editions which follow the principles of Source Criticism for Practical Use. Symphony; Romantic. Part. 16 pages. Duration 37'. Breitkopf and Haertel #OB 5328-19. Published by Breitkopf and Haertel (BR.OB-5328-19). ISBN 9790004333846. 10 x 12.5 inches. Cesar Franck wrote his Symphony in D minor in 1887/88; in spite of the work's lukewarm reception at its world premiere on 17 February 1889, the work was published during his lifetime. It was not until a few years later that the established conductors dared perform this work more frequently . It marked the inevitable triumph of a work which had once caused such a furor and whose individuality of conception burst the framework of the genre (double tonality of D and F minor in the opening movement; the combination of Andante and Scherzo in the central one; the recapitulation of the main themes and motifs of the previous movements in the finale). The work was finally accepted into the concert repertoire for good around the turn of the century, not least through the good offices of influential critics and composers.Just as with the previously published Carnival of the Animals (PB/OB 5321) by Saint-Saens, Franck's work also raises many questions concerning its origin and history. Peter Jost based his work on the first edition (the autograph was destroyed in a fire in 1935) as well as on the piano reduction (four-handed) by the composer.
A major work of the late-romantic repertoire, Cesar Franck's only symphony joins the ranks of Breitkopf & Hartel's new orchestral editions which follow the principles of Source Criticism for Practical Use. $10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Symphony in D minor Breitkopf & Härtel
Double bass (2.2.cor ang.2.B-clar.2 - 4.2.2flhn.3.1 - timp - hp - str) SKU: B...(+)
Double bass (2.2.cor ang.2.B-clar.2 - 4.2.2flhn.3.1 - timp - hp - str) SKU: BR.OB-5328-27 Urtext. Composed by Cesar Auguste Franck. Edited by Peter Jost. Stapled. Orchester-Bibliothek (Orchestral Library). A major work of the late-romantic repertoire, Cesar Franck's only symphony joins the ranks of Breitkopf & Hartel's new orchestral editions which follow the principles of Source Criticism for Practical Use. Symphony; Romantic. Part. 12 pages. Duration 37'. Breitkopf and Haertel #OB 5328-27. Published by Breitkopf and Haertel (BR.OB-5328-27). ISBN 9790004333860. 10 x 12.5 inches. Cesar Franck wrote his Symphony in D minor in 1887/88; in spite of the work's lukewarm reception at its world premiere on 17 February 1889, the work was published during his lifetime. It was not until a few years later that the established conductors dared perform this work more frequently . It marked the inevitable triumph of a work which had once caused such a furor and whose individuality of conception burst the framework of the genre (double tonality of D and F minor in the opening movement; the combination of Andante and Scherzo in the central one; the recapitulation of the main themes and motifs of the previous movements in the finale). The work was finally accepted into the concert repertoire for good around the turn of the century, not least through the good offices of influential critics and composers.Just as with the previously published Carnival of the Animals (PB/OB 5321) by Saint-Saens, Franck's work also raises many questions concerning its origin and history. Peter Jost based his work on the first edition (the autograph was destroyed in a fire in 1935) as well as on the piano reduction (four-handed) by the composer.
A major work of the late-romantic repertoire, Cesar Franck's only symphony joins the ranks of Breitkopf & Hartel's new orchestral editions which follow the principles of Source Criticism for Practical Use. $10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Symphony in D minor Breitkopf & Härtel
Violoncello (2.2.cor ang.2.B-clar.2 - 4.2.2flhn.3.1 - timp - hp - str) SKU: B...(+)
Violoncello (2.2.cor ang.2.B-clar.2 - 4.2.2flhn.3.1 - timp - hp - str) SKU: BR.OB-5328-23 Urtext. Composed by Cesar Auguste Franck. Edited by Peter Jost. Stapled. Orchester-Bibliothek (Orchestral Library). A major work of the late-romantic repertoire, Cesar Franck's only symphony joins the ranks of Breitkopf & Hartel's new orchestral editions which follow the principles of Source Criticism for Practical Use. Symphony; Romantic. Part. 16 pages. Duration 37'. Breitkopf and Haertel #OB 5328-23. Published by Breitkopf and Haertel (BR.OB-5328-23). ISBN 9790004333853. 10 x 12.5 inches. Cesar Franck wrote his Symphony in D minor in 1887/88; in spite of the work's lukewarm reception at its world premiere on 17 February 1889, the work was published during his lifetime. It was not until a few years later that the established conductors dared perform this work more frequently . It marked the inevitable triumph of a work which had once caused such a furor and whose individuality of conception burst the framework of the genre (double tonality of D and F minor in the opening movement; the combination of Andante and Scherzo in the central one; the recapitulation of the main themes and motifs of the previous movements in the finale). The work was finally accepted into the concert repertoire for good around the turn of the century, not least through the good offices of influential critics and composers.Just as with the previously published Carnival of the Animals (PB/OB 5321) by Saint-Saens, Franck's work also raises many questions concerning its origin and history. Peter Jost based his work on the first edition (the autograph was destroyed in a fire in 1935) as well as on the piano reduction (four-handed) by the composer.
A major work of the late-romantic repertoire, Cesar Franck's only symphony joins the ranks of Breitkopf & Hartel's new orchestral editions which follow the principles of Source Criticism for Practical Use. $10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Norgard P Two Nocturner Satb Chor Book Choral SATB SATB A Cappella Music Sales
SATB Choir a Cappella SKU: HL.14023340 Composed by Per Norgard. Music Sal...(+)
SATB Choir a Cappella SKU: HL.14023340 Composed by Per Norgard. Music Sales America. Classical. Vocal Score. 26 pages. Music Sales #KP01444. Published by Music Sales (HL.14023340). ISBN 9788759871911. 8.25x11.75x0.115 inches. English. To Nocturner (2001) - for Chamber Choir (12 or 24 Voices). Texts by Ole Sarvig and Ib Michael. English version available: KP01444E Programme note: These two choral pieces for 12 voices consists of radical recompositions on of earlier themes: in Summer's Sleep we hear new combinations of two 'Sarvig melodies' from the 1970s (one of which is now in the Danish Hymnbook under the title aret, The Year): Michael's Night is based on an earlier, simple choral song (Star Mirror,1987), now for 12 voices and composed such that an original idea of simultaneously displaced, opposite motions cf. the poem) comes out as desired. Of the Nocturnes Norgard writes: Summer's Sleep wascomposed to stanzas of Ole Sarvig's poem The Year (from the collection Forstadsdigte ('Suburban Poems')) and forms the picture of the summer of life, which is asleep - while the heaven seed waits for the summer wind (invisible to every mind). The many layers of text are expressed musically in a multilayered choral texture with 'looks' up and down through the various tempo and time-worlds: summer sleep, summer dream. The second nocturne, Michael's Night, takes its name from the author Ib Michael, whose poem Star Mirror (from the collection Himmelbegravelse ('Sky Funeral') (1986) I pushed/coaxed him to expand from one to nine stanzas. The four selected stanzas set in the nocturne focus on the pan-erotic elements of the moonlit, starlit night. With the titles I have chosen I have stressed the mythic layer of the text, the summer night not as a dream but as sensual reality. The two nocturnes are dedicated to Ivan Hansen on the occasion of his fiftieth birthday on 25th February 2003, out of gratitude for over a quarter of a century of inspiring collaboration. $11.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Bassoon Concerto in F major Op. 75 Breitkopf & Härtel
Violin 2 (solo: bsn - 2.2.0.2 - 2.2.0.0 - timp - str) SKU: BR.OB-4867-16 ...(+)
Violin 2 (solo: bsn - 2.2.0.2 - 2.2.0.0 - timp - str) SKU: BR.OB-4867-16 Composed by Carl Maria von Weber. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Along with Mozart's B-flat major Concerto K. 191 (186e), Weber's bassoon concerto is one of the most popular and frequently played concertos for this low woodwind instrument. Solo concerto; Romantic. Part. 8 pages. Duration 20'. Breitkopf and Haertel #OB 4867-16. Published by Breitkopf and Haertel (BR.OB-4867-16). ISBN 9790004323304. 10 x 12.5 inches. Carl Maria von Weber wrote the present concerto in 1811 for the Munich bassoon player Georg Friedrich Brandt. The date of the world premiere is not known; what is ascertained, however, is a performance in Prague on 19 February 1813 by Brandt, to whom the work was dedicated.Along with Mozarts B-flat major Concerto K. 191 (186e), Webers bassoon concerto is one of the most popular and frequently played concertos for this low woodwind instrument. Weber illustrates the instruments qualities by using a different form in each movement, as we can see in its primary themes: the opening movement is dominated by a rhythmically striking theme; cantabile passages set the tone for the more lightly scored Adagio; and in the closing Rondo. Allegro, the soloist can demonstrate his virtuosity from the very beginning through large intervallic leaps and rapid runs.
Along with Mozart's B-flat major Concerto K. 191 (186e), Weber's bassoon concerto is one of the most popular and frequently played concertos for this low woodwind instrument. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Bassoon Concerto in F major Op. 75 Breitkopf & Härtel
Cello/double bass (solo: bsn - 2.2.0.2 - 2.2.0.0 - timp - str) SKU: BR.OB-486...(+)
Cello/double bass (solo: bsn - 2.2.0.2 - 2.2.0.0 - timp - str) SKU: BR.OB-4867-26 Composed by Carl Maria von Weber. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Along with Mozart's B-flat major Concerto K. 191 (186e), Weber's bassoon concerto is one of the most popular and frequently played concertos for this low woodwind instrument. Solo concerto; Romantic. Part. 8 pages. Duration 20'. Breitkopf and Haertel #OB 4867-26. Published by Breitkopf and Haertel (BR.OB-4867-26). ISBN 9790004323328. 10 x 12.5 inches. Carl Maria von Weber wrote the present concerto in 1811 for the Munich bassoon player Georg Friedrich Brandt. The date of the world premiere is not known; what is ascertained, however, is a performance in Prague on 19 February 1813 by Brandt, to whom the work was dedicated.Along with Mozarts B-flat major Concerto K. 191 (186e), Webers bassoon concerto is one of the most popular and frequently played concertos for this low woodwind instrument. Weber illustrates the instruments qualities by using a different form in each movement, as we can see in its primary themes: the opening movement is dominated by a rhythmically striking theme; cantabile passages set the tone for the more lightly scored Adagio; and in the closing Rondo. Allegro, the soloist can demonstrate his virtuosity from the very beginning through large intervallic leaps and rapid runs.
Along with Mozart's B-flat major Concerto K. 191 (186e), Weber's bassoon concerto is one of the most popular and frequently played concertos for this low woodwind instrument. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Bassoon Concerto in F major Op. 75 Breitkopf & Härtel
Viola 1 (solo: bsn - 2.2.0.2 - 2.2.0.0 - timp - str) SKU: BR.OB-4867-19 C...(+)
Viola 1 (solo: bsn - 2.2.0.2 - 2.2.0.0 - timp - str) SKU: BR.OB-4867-19 Composed by Carl Maria von Weber. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Along with Mozart's B-flat major Concerto K. 191 (186e), Weber's bassoon concerto is one of the most popular and frequently played concertos for this low woodwind instrument. Solo concerto; Romantic. Part. 8 pages. Duration 20'. Breitkopf and Haertel #OB 4867-19. Published by Breitkopf and Haertel (BR.OB-4867-19). ISBN 9790004323311. 10 x 12.5 inches. Carl Maria von Weber wrote the present concerto in 1811 for the Munich bassoon player Georg Friedrich Brandt. The date of the world premiere is not known; what is ascertained, however, is a performance in Prague on 19 February 1813 by Brandt, to whom the work was dedicated.Along with Mozarts B-flat major Concerto K. 191 (186e), Webers bassoon concerto is one of the most popular and frequently played concertos for this low woodwind instrument. Weber illustrates the instruments qualities by using a different form in each movement, as we can see in its primary themes: the opening movement is dominated by a rhythmically striking theme; cantabile passages set the tone for the more lightly scored Adagio; and in the closing Rondo. Allegro, the soloist can demonstrate his virtuosity from the very beginning through large intervallic leaps and rapid runs.
Along with Mozart's B-flat major Concerto K. 191 (186e), Weber's bassoon concerto is one of the most popular and frequently played concertos for this low woodwind instrument. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Lowell Liebermann : Variations On A Theme by Mozart 2 Pianos, 4 hands [Score] Theodore Presser Co.
For Two Pianos. By Lowell Liebermann. 2 pianos, 4-hands. For Piano I, Piano II. ...(+)
For Two Pianos. By Lowell Liebermann. 2 pianos, 4-hands. For Piano I, Piano II. Premiered by the Bradshaw and Buono Duo, February 27, 1996. Performance score. Composed 1993. Opus 42. 41 pages. Duration 20:00. Published by Theodore Presser Company
$34.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Music Games for Every Month [Flash Cards & Games] Heritage Music Press
(A Year's Worth of Themed Worksheets). By Jeanette Morgan. General Music. Level ...(+)
(A Year's Worth of Themed Worksheets). By Jeanette Morgan. General Music. Level 1-6. Games. Published by Heritage Music Press
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| My Other Song Piano solo Schirmer
Piano SKU: HL.50600925 For Piano. Composed by Bright Sheng. Piano....(+)
Piano SKU: HL.50600925 For Piano. Composed by Bright Sheng. Piano. Classical. Softcover. 32 pages. G. Schirmer #ED4625. Published by G. Schirmer (HL.50600925). ISBN 9781495095320. UPC: 888680688592. 9x12 inches. Composer Note: In 1990, after eight years in the United States, I wrote my first work for solo piano, titled My Song, commissioned for Peter Serkin. At the time, my primary compositional concentration was to develop a melodic and harmonic style within the boundaries of Chinese folk music, which are mostly in pentatonic modes, and contemporary Western Classical music. As a result, all the four movements in My Song were either based on existing Chinese folk tunes or written in their style. I was asked recently by another virtuoso pianist friend, Yefim Bronfman, to write a work for solo piano. After the passing of 17 years, I wonder if there is any change in my writing. I therefore titled the new suite My Other Song.
There are four movements in the composition, the first three of which are brief and provide contrast in character. The theme of the last movement, the longest, is based on a Buddhist chant heard at the wake for my mother in February 2005.–Bright Sheng. $12.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Zwei Elegien op. 8-b Piano solo EMB (Editio Musica Budapest)
Piano SKU: BT.EMBZ2128 Composed by Bela Bartok. Book Only. Composed 1955....(+)
Piano SKU: BT.EMBZ2128 Composed by Bela Bartok. Book Only. Composed 1955. 20 pages. Editio Musica Budapest #EMBZ2128. Published by Editio Musica Budapest (BT.EMBZ2128). German-Hungarian. 'The Two Elegies are typified by Romantically exuberant, orchestral and full piano writing. Elegy No.1 was written in February 1908. The ternary reprise form is concealed by the voices in Bartók's varied piano writing that proliferate like luxuriant foliage. In the 'Grave' theme of the first section an important role is given to jumps of open fourths (presumably based on his recent folk music experiences), and these are also to be found in the fugato reprise of the theme. Elegy No.2 was written almost two years later, in December 1909. The entire composition is defined by the five falling notes that Bartók fashioned by inverting the Stefi Geyer motif also found in ElegyNo.1. Paired with this motivic unity is a harmonic world reflecting Debussy's influence, and piano writing reminiscent of the Romantic repertoire.' (HCD 32524 Bartók New Series Vol. 24, István G. Németh). $11.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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