| A Love Supreme Big band [Score and Parts] - Advanced Jazz Lines Publications
Recorded by the Lincoln Center Jazz Orchestra. Arranged by Wynton Marsali...(+)
Recorded by the Lincoln Center Jazz Orchestra. Arranged by Wynton Marsalis. Jazz, Swing. Score and parts. Published by Jazz Lines Publications (JL.JLP-7420).
$150.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Hortus Musicae Piano solo University Of York Music Press
Piano SKU: BT.MUSM570364459 Composed by Robert Saxton. Classical. Book On...(+)
Piano SKU: BT.MUSM570364459 Composed by Robert Saxton. Classical. Book Only. 24 pages. University of York Music Press #MUSM570364459. Published by University of York Music Press (BT.MUSM570364459). English. Robert Saxton 's Hortus Musicae , Book 1 was commissioned by Ian Richie for the 2013 City of London Festival with funds provided by the John S. Cohen Foundation. The first performance was given by Clare Hammond on June 24th 2013 at the church of St Mary Le Bow. The title, less 'literal' in Latin than in the vernacular, refers to the idea of an allegorical/metaphysical garden (reference to a 'real', or existing, garden might be implied by Hortus Musicus) with various facets. The titles of the individual pieces/movements, with their respective garden image, are as follows: 1) Hortus Somniorum: a fleeting vision of a 'magical' garden 2) Hortus Temporis: a reflection of/on the floralclock described by Andrew Marvell (1621-1678) in his [metaphysical] poem The Garden: How well the skilful gardener drew Of flowers and herbs this dial new Where from above the milder sun Does through a fragrant zodiac run; And, as it works, the industrious bee Computes its time as well as we. How could such sweet and wholesome hours Be reckoned but with herbs and flowers! 3) Hortus Cantus: A garden in which nature 'sings' (praises), in the manner of a 'chorale prelude' and ending with the cantus firmus transformed into bells. 4) Hortus Infinitatis: A meditative/formal garden representing Time suspended, in the form of a palindromic prolation canon combined with a harmonic ground (chaconne). 5) Saltatio Hortensis: A (summer) garden of dancing, celebratory nature. Its essence (and that of the entire cycle, both metaphorically and structurally/formally) is summed up in words spoken by Miranda in WH Auden's 1944 Tempest [Shakespeare]-inspired poem The Sea And The Mirror; So, to remember our changing garden, we Are linked as children in a circle dancing. Duration: 15 minutes. $15.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Now thank we all our God (Nun danket alle Gott) Choral SATB [Score and Parts] Carus Verlag
Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Vl, Va, Bc SKU: CA.3119209 Church...(+)
Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Vl, Va, Bc SKU: CA.3119209 Church cantata. Composed by Johann Sebastian Bach. Edited by Christine Blanken. Arranged by Christine Blanken. 1x 31.192/21 flute 1, 1x 31.192/22 flute 2, 1x 31.192/23 oboe 1, 1x 31.192/24 oboe 2. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, Praise and thanks. Set of Orchestra Parts. Composed ca. 1730. BWV 192. Duration 15 minutes. Carus Verlag #CV 31.192/09. Published by Carus Verlag (CA.3119209). ISBN 9790007210236. Language: German/English. The cantata Nun danket alle Gott (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poetic texts. Correspondingly, there are no recitatives either. It has only recently been assumed that this three-movement work was not intended for Leipzig, but was actually written in 1730 for Bach's prestigious position as Kapellmeister of Saxe-Weissenfels. The court of Duke Christian enjoyed the its sojourn in the newly-renovated castle of its secondary residence in Sangerhausen and, at Trinity, in the court church, celebrated the anniversary of its consecration with festive music. Bach evidently occasionally contributed to this. The work does not survive complete. Even in the 18th century a full score evidently no longer existed, just a set of parts, the tenor part of which is entirely missing. For the new edition the missing part has been reconstructed by Detlev Schulten (Leipzig). Score and parts available separately - see item CA.3119200. $22.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Now thank we all our God (Nun danket alle Gott) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo...(+)
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo SKU: CA.3119211 Church cantata. Composed by Johann Sebastian Bach. Edited by Christine Blanken. Arranged by Christine Blanken. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Praise and thanks. Single Part, Violin 1. Composed ca. 1730. BWV 192. 8 pages. Duration 15 minutes. Carus Verlag #CV 31.192/11. Published by Carus Verlag (CA.3119211). ISBN 9790007210243. Text language: German/English. The cantata Nun danket alle Gott (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poetic texts. Correspondingly, there are no recitatives either. It has only recently been assumed that this three-movement work was not intended for Leipzig, but was actually written in 1730 for Bach's prestigious position as Kapellmeister of Saxe-Weissenfels. The court of Duke Christian enjoyed the its sojourn in the newly-renovated castle of its secondary residence in Sangerhausen and, at Trinity, in the court church, celebrated the anniversary of its consecration with festive music. Bach evidently occasionally contributed to this. The work does not survive complete. Even in the 18th century a full score evidently no longer existed, just a set of parts, the tenor part of which is entirely missing. For the new edition the missing part has been reconstructed by Detlev Schulten (Leipzig). Score and part available separately - see item CA.3119200. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Christmas Prophecy [Score] Deutscher Verlag für Musik
Voice(s) with various inst. SKU: BR.DV-9515-01 The people that walked ...(+)
Voice(s) with various inst. SKU: BR.DV-9515-01 The people that walked in darkness. Composed by Johann Georg Reichard. Edited by Wolfram Steude. Voice; stapled. Deutscher Verlag. Baroque period. Full Score. 24 pages. Deutscher Verlag fur Musik #DV 9515-01. Published by Deutscher Verlag fur Musik (BR.DV-9515-01). ISBN 9790200490596. 9 x 12 inches. German / English. In the latter half of the 18th and in the 19th century the Old Preface Testament Christmas prophecy (Isaiah 9, 1-6) formed the basis for numerous motetto- and cantata-like compositions originating from the Erzgebirge and the Vogtland of Saxony. From very early times, this text was included in Matins for Christmas day, hut until the period specified it was usually intoned on a reciting note. The present cantata is one of the few surviving testimonies to musical activity in the small Thuringian town of Schleiz. The prophecy Das Volk, so im Finstern wandelt was written - probably for performance at court services - in all likelihood by Johann Georg Reichard, a magistrate in the Grafschaft (County) of Reuss who later held higher judicial appointments. Reichard was born at Oels (Olefoica) in Silesia in 1710 and studied law at Leipzig from 1732. He then went to Schleiz and rose from the position of archivist to high legal office, at the same time succeeding Gottfried Siegmund Liebich (d. 1736) as director of the court chapel. He died in Schleiz on 2 June 1782. A few of his church cantatas and other pieces (serenades etc) written for the court at Schleiz once belonged to the Fursten- and Landesschule of St Augustine at Grimma whose music holdings are now preserved in Dresden. Some of Reichard's compositions are autograph, some in copies made by his son Heinrich Gottfried Reichard (1742-1801) who pursued an active career at Grimma both in music and ancient philology, first as cantor, finally as co-rector. The 'Prophecy' cantata survives anonymously in a score copied by Heinrich Gottfried Reichard who may well have sung it himself when he was fourteen, before bis voice broke - as the date Anno 17 56 suggests. He probably prepared the score in bis later years from the original parts, now no langer existent, as he did in the case of other works of his father's. Whether he revised the musical text, and to what extent, cannot now be established. This short and attractive work has all the lightness and exuberance of the rococo as well as genuine emotional depth. In addition, it is easy to perform and should prove very popular. Liturgically, it still occupies a place in Christmas matins or vespers. Permission for this publication was kindly given by Dr. Wolfgang Reich of the Sachsische Landesbibliothek Dresden, Musikabteilung. Wolfram Steude, Dresden, January 1972. $21.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Missa in g. Hasse-Werkausgabe IV/3 Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Score and Parts] Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 bassoons, 3 oboe, 2 horns, 2 trumpets, ...(+)
SATB vocal soli, SATB choir, 2 flutes, 2 bassoons, 3 oboe, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.5070509 Composed by Johann Adolf Hasse. Edited by Wolfgang Hochstein. Arranged by Paul Horn. 1x 50.705/21 flute 1, 1x 50.705/22 flute 2, 1x 50.705/23 oboe 1, 1x 50.705/24 oboe 2, 2x 50.705/25 bassoon 1, 1x 50.705/31 horn 1, 1x 50.705/32 horn 2, 1x 50.705/33 trumpet 1, 1x 50.705/34 trumpet 2, 1x 50.705/41 timpani. Complete editions / Selected works: Johann Adolf Hasse. Selected Works. Missa In G (1783). Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Duration 63 minutes. Carus Verlag #CV 50.705/09. Published by Carus Verlag (CA.5070509). ISBN 9790007224424. Text language: Latin. After Johann Adolf Hasse had ended his career as a composer for the opera stage and finally settled down in Venice, he wrote a number of sacred works. Since he had long been obligated to the Saxon Court, where he served as a composer for three decades until 1763, these works were originally intended for the Catholic Court Church in Dresden. The solemn-pathetic Missa in G minor (1783), with the inserted movement Ad te levavi, is Hasse's final work: a crowning conclusion to an oeuvre whose significance in music history has only recently begun to be recognized and has now received the fitting acknowledgement it deserves. Score and parts available separately - see item CA.5070500. $136.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Instrumental Movements from the Oratorio "Saul" Concert band - Intermediate Schott
Orchestra (Condensed Score) - intermediate SKU: HL.49012045 Condensed ...(+)
Orchestra (Condensed Score) - intermediate SKU: HL.49012045 Condensed Score. Composed by George Frideric Handel. Arranged by Norbert Studnitzky. This edition: Saddle stitching. Sheet music. Schott Harmonie Serie (Concert Band). Classical. Condensed Score. 40 pages. Duration 13'. Schott Music #SHS1006-10. Published by Schott Music (HL.49012045). ISBN 9790001113205. UPC: 073999296280. 8.25x11.75x0.202 inches. Handel's Oralorio Saul, composed in 1739, contains a series of instrumental movements which provide commentary on the action. Composers have often written works in the form of suites from these movements. Handel's blocks of polyphonic music are also particularly suitable for wind band. His orchestral suites were usually performed in Ihe open air. Many of his themes rank among the great inventions of musical history. They give his music dignity and greatness and at the same time they remain popular in character. The instrumental movements from 'Saul' are suitable for concerts, including those in churches, for serenades and for contests from intermediate to advanced level.
(2 Floten, 1 Oboe ad lib., 1 Fagott ad lib., 1 Klarinette in Es ad lib., 3 Klarinetten in B, 2 Alt-Saxophone in Es, 1 Tenor-Saxophon in B, 3 Horner in F, 3 Trompeten in B, 3 Posaunen, 2 Flugelhorner (Kornette) in B, 1 Tenorhorn in B, 1 Bariton, 2 Tuben, Pauken, Schlagzeug: Glockenspiel, kleine Trommel, grosse Trommel, Becken). $43.00 - See more - Buy online | | |
| Missa in g. Hasse-Werkausgabe IV/3 Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 flute, 2 bassoon, 3 oboe, 2 horn, 2 trumpet, timp...(+)
SATB vocal soli, SATB choir, 2 flute, 2 bassoon, 3 oboe, 2 horn, 2 trumpet, timpani, 2 violin, viola, basso continuo SKU: CA.5070511 Composed by Johann Adolf Hasse. Edited by Wolfgang Hochstein. Arranged by Paul Horn. This edition: Complete edition. Complete editions / Selected works: Johann Adolf Hasse. Selected Works. Missa In G (1783). Sacred vocal music, Masses, Latin. Single Part, Violin 1. 32 pages. Duration 63 minutes. Carus Verlag #CV 50.705/11. Published by Carus Verlag (CA.5070511). ISBN 9790007224431. Language: Latin. After Johann Adolf Hasse had ended his career as a composer for the opera stage and finally settled down in Venice, he wrote a number of sacred works. Since he had long been obligated to the Saxon Court, where he served as a composer for three decades until 1763, these works were originally intended for the Catholic Court Church in Dresden. The solemn-pathetic Missa in G minor (1783), with the inserted movement Ad te levavi, is Hasse's final work: a crowning conclusion to an oeuvre whose significance in music history has only recently begun to be recognized and has now received the fitting acknowledgement it deserves. Score and part available separately - see item CA.5070500. $22.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Laudate pueri Choral SATB [Score and Parts] Carus Verlag
SSA vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo ...(+)
SSA vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo SKU: CA.4097009 Vesperpsalm. Composed by Johann Adolf Hasse. Edited by Wolfgang Hochstein. Arranged by Wolfgang Hochstein. 1x 40.970/21 flute, 1x 40.970/22 oboe 1, 1x 40.970/23 oboe 2. Laudate Pueri (Gem. Chor) (Psalm 112). Sacred vocal music, Cantatas, Psalms, Daily hours. Set of Orchestra Parts. Composed circa 1737-1756. 18 pages. Duration 25 minutes. Carus Verlag #CV 40.970/09. Published by Carus Verlag (CA.4097009). ISBN 9790007221676. Key: A major. Language: Latin. Venezian version The Laudate pueri was composed between 1735 and 1749 for the Ospedale degl'Incurabili in Venice. Since the Ospedale was an institution for the musical training of gifted girls and young women, the vocal parts are scored for female voices. As Director of Music at the Saxon-Polish Court of Dresden, Hasse was also responsible for church music, and therefore he arranged works which were originally written for the Ospedale.. Now that the Dresden version has already been published in the Hasse-Werk-Ausgabe, the original composition is printed here for the first time. Score and parts available separately - see item CA.4097000. $14.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Instrumental Movements-saul Set Concert band - Intermediate Schott
Concert band (ST KPL) - intermediate SKU: HL.49012046 From the Oratori...(+)
Concert band (ST KPL) - intermediate SKU: HL.49012046 From the Oratorio Saul. Composed by George Frideric Handel. Arranged by Norbert Studnitzky. This edition: Folding. Sheet music. Schott Harmonie Serie (Concert Band). Classical. Set of Parts. Duration 13'. Schott Music #SHS 1006-70. Published by Schott Music (HL.49012046). ISBN 9790001100793. 8.25x11.75x0.692 inches. Handel's Oralorio Saul, composed in 1739, contains a series of instrumental movements which provide commentary on the action. Composers have often written works in the form of suites from these movements. Handel's blocks of polyphonic music are also particularly suitable for wind band. His orchestral suites were usually performed in Ihe open air. Many of his themes rank among the great inventions of musical history. They give his music dignity and greatness and at the same time they remain popular in character. The instrumental movements from 'Saul' are suitable for concerts, including those in churches, for serenades and for contests from intermediate to advanced level.
(2 Floten, 1 Oboe ad lib., 1 Fagott ad lib., 1 Klarinette in Es ad lib., 3 Klarinetten in B, 2 Alt-Saxophone in Es, 1 Tenor-Saxophon in B, 3 Horner in F, 3 Trompeten in B, 3 Posaunen, 2 Flugelhorner (Kornette) in B, 1 Tenorhorn in B, 1 Bariton, 2 Tuben, Pauken, Schlagzeug: Glockenspiel, kleine Trommel, grosse Trommel, Becken). $194.00 - See more - Buy online | | |
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