| Chandos Anthem No. 9, Psalm 135 O Praise the Lord with One Consent (Silas) Soli, Mixted choir and accompaniment Lucks Music Library
(2.2.2.2/2.2.3.0,timp,str ,SATB soli,SATB chorus) SKU: TM.10814SET Compos...(+)
(2.2.2.2/2.2.3.0,timp,str,SATB soli,SATB chorus) SKU: TM.10814SET Composed by George Frideric Handel. Set Type: A. Set of parts. Lucks Music Library #A5139. Published by Lucks Music Library (TM.10814SET). Sc:Chrysander; prts:Novello (V.S. sold separately). $78.25 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Joshua, Complete Soli, Mixted choir and accompaniment [Score] Lucks Music Library
(2.2.0.1/2.3.0.0,timp,org ,str,SAT soli,SATB chorus) SKU: TM.07160SC Comp...(+)
(2.2.0.1/2.3.0.0,timp,org,str,SAT soli,SATB chorus) SKU: TM.07160SC Composed by George Frideric Handel. Score. Lucks Music Library #A2619. Published by Lucks Music Library (TM.07160SC). Sc is Chrysander edition - words in German only. Score with words in German AND English available on special request. $110.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Concerto Grosso, Op. 3 No. 4 (Redlich/Hudson) Soli, Mixted choir and accompaniment Lucks Music Library
(0.2.0.0/0.0.0.0,cont,str ) SKU: TM.07044SET Composed by George Frideric ...(+)
(0.2.0.0/0.0.0.0,cont,str) SKU: TM.07044SET Composed by George Frideric Handel. Set Type: D. Set of parts. Published by Lucks Music Library (TM.07044SET). 1-Largo 2-Allegro 3-Largo 4-Allegro. Cem in set. Matches the Concerto No. IV in Opera Terza, included in Walsh's Select Harmony 3rd edition in 1734, and reprinted as Balfour 145 No. IV. See #05308 for popular edition published by Chrysander Vol. 21 of Handel's Complete Works, and reprinted as Balfour 146. $55.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Jephtha, Complete Soli, Mixted choir and accompaniment [Score] Lucks Music Library
(2.2.0.2/2.0.0.0,org,str, SATB soli,chorus) SKU: TM.01870SC Composed by G...(+)
(2.2.0.2/2.0.0.0,org,str,SATB soli,chorus) SKU: TM.01870SC Composed by George Frideric Handel. Score. Lucks Music Library #A3295. Published by Lucks Music Library (TM.01870SC). Organ in score. Score = Chrysander edition; Parts = Novello edition. $140.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Eden: Out of Time and Out of Space [Score] Theodore Presser Co.
Chamber Music Clarinet, Flute, Guitar, Horn, Viola, Violin, Violoncello SKU: ...(+)
Chamber Music Clarinet, Flute, Guitar, Horn, Viola, Violin, Violoncello SKU: PR.11442041S Chamber Concerto for Guitar and Ensemble. Composed by George Rochberg. Full score. 30 pages. Duration 20 minutes. Theodore Presser Company #114-42041S. Published by Theodore Presser Company (PR.11442041S). UPC: 680160687022. In one of the dedicatory poems to his verse play The Shadowy Waters (1906), William Butler Yeats asks: Is Eden far away...? Do our woods and winds and verponds cover more quiet woods, More shining winds, more star-glimmering ponds? Is Eden out of time and out of space? How do you answer such questions? We have only the vague elusive promptings of our own mysterious, troubled hearts to tell us that the Eden we long for is there, somewhere beyond the physical world which frames our existence, in another realm of different dimensions. And - what is most painful to admit - that it is closed to us in the form in which we live and breathe, even if at times we do have intimations..., Yeats is telling us that this paradise, this Eden we yearn for is here - present even if invisible, palpable even if intangible. In his Second Symphony, Mahler meets an angel who tells him he can't get into heaven, he's locked out. The news is shattering. What follows is an inconsolable sorrowing, the same sorrowing that comes when we wake to the realization that we too are locked out of Eden. Eden is the heaven of our longing and desire for release from pain and suffering. Eden is the image in our restive minds that reflects the reconciled, resolved, quiescent state of soul we hunger for. But Eden eludes -because it is not a place. It is a state of soul which answers none of the illusory, hampering conditions that shape and bind us to the real world of our bodies, our appetites, our passions, and our beliefs. I have turned Yeats' question Is Eden out of time and out of space? into its own answering. However near we may sense its presence at times, Eden remains unreachable, ungraspable, unknowable, unthinkable. It forever eludes us. I wrote this music the way I did to shut out -with quietness and otherworldliness - the clamor and clang of the raucous Garish Day, to turn away its tumult and noise, to negate its stridency and chaos. Perhaps in the cleansing stillness and blessing of this emptied-out state of soul, Eden, through still hidden, may not be so far way; though still unreachable, may be close enough almost to touch. In one of the dedicatory poems to his verse play “The Shadowy Waters†(1906), William Butler Yeats asks:“Is Eden far away…?Do our woods and windsand verponds cover morequiet woods,More shining winds,more star-glimmeringponds?Is Eden out of timeand out of space?â€How do you answer such questions? We have only the vague elusive promptings of our own mysterious, troubled hearts to tell us that the Eden we long for is there, somewhere beyond the physical world which frames our existence, in another realm of different dimensions. And – what is most painful to admit – that it is closed to us in the form in which we live and breathe, even if at times we do have intimations…, Yeats is telling us that this paradise, this Eden we yearn for is here – present even if invisible, palpable even if intangible.In his Second Symphony, Mahler meets an angel who tells him he can’t get into heaven, he’s locked out. The news is shattering. What follows is an inconsolable sorrowing, the same sorrowing that comes when we wake to the realization that we too are locked out of Eden.Eden is the heaven of our longing and desire for release from pain and suffering. Eden is the image in our restive minds that reflects the reconciled, resolved, quiescent state of soul we hunger for. But Eden eludes –because it is not a place. It is a state of soul which answers none of the illusory, hampering conditions that shape and bind us to the real world of our bodies, our appetites, our passions, and our beliefs.I have turned Yeats’ question “Is Eden out of time and out of space?†into its own answering. However near we may sense its presence at times, Eden remains unreachable, ungraspable, unknowable, unthinkable. It forever eludes us.I wrote this music the way I did to shut out –with quietness and otherworldliness – the clamor and clang of the raucous “Garish Day,†to turn away its tumult and noise, to negate its stridency and chaos. Perhaps in the cleansing stillness and blessing of this emptied-out state of soul, Eden, through still hidden, may not be so far way; though still unreachable, may be close enough almost to touch. $29.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| 6 Fugues HWV 605-610 Organ [Score] Breitkopf & Härtel
Organ SKU: BR.EB-6310 In G minor, G major, B major, B minor, A minor, ...(+)
Organ SKU: BR.EB-6310 In G minor, G major, B major, B minor, A minor, C minor. Composed by George Frideric Handel. Edited by Diethard Hellmann. Solo instruments; Softcover. Edition Breitkopf. Baroque period. Score. 36 pages. Breitkopf and Haertel #EB 6310. Published by Breitkopf and Haertel (BR.EB-6310). ISBN 9790004166444. 12 x 9 inches. Im Gegensatz zu seinem Zeitgenossen Joh. Seb. Bach hinterliess Georg Friedrich Handel kaum Werke fur die Orgel. Ausser den bekannten Konzerten fur Orgel und Orchester schrieb er 6 Fugen, die diese Ausgabe der Praxis erschliessen mochte. Der Grund, dass Handel sich in seinem kompositorischen Schaffen in so geringem Masse der Orgel zuwandte, ist nicht in erster Linie in seinem kunstlerischen Aufgabenkreis zu suchen, sondern liegt wohl hauptsachlich an der primitiven Beschaffenheit der englischen Orgeln seiner Zeit. Weithin fand man das Pedal entbehrlich und liess es weg. Fr. Chrysander berichtet: (,,G. Fr. Handel III, S. 218) ,,Handel, dessen Ohr an die deutschen Orgelbasse gewohnt war, nahm zu einem Stuck Blei Zuflucht, um einen tiefen Ton fortklingen zu lassen und beide Hande frei zu haben.. $26.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Ezio, Complete Soli, Mixted choir and accompaniment [Score] Lucks Music Library
(2.2.0.1/2.2.1.0,hpschd,s tr=1-1-1.1.1.1) SKU: TM.04693SC Composed by Geo...(+)
(2.2.0.1/2.2.1.0,hpschd,str=1-1-1.1.1.1) SKU: TM.04693SC Composed by George Frideric Handel. Score. Lucks Music Library #A7887. Published by Lucks Music Library (TM.04693SC). Chrysander. $70.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Art of Hymn Playing Vol. II Organ - Easy MorningStar Music Publishers
Composed by Charles E. Callahan Jr. (1951-). Minimal Pedal, Bestseller, Preludes...(+)
Composed by Charles E. Callahan Jr. (1951-). Minimal Pedal, Bestseller, Preludes, Hymn Intros/Reharmonizations. Reformation, Lent, Easter, Christmas, Ash Wednesday. Published by MorningStar Music Publishers
(1)$37.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Samson, Complete (Prout) Soli, Mixted choir and accompaniment Lucks Music Library
(2.2.2.2+1/4.2.2+1.0,timp ,org,str) SKU: TM.07212SET Composed by George F...(+)
(2.2.2.2+1/4.2.2+1.0,timp,org,str) SKU: TM.07212SET Composed by George Frideric Handel. Set Type: A. Set of parts. Lucks Music Library #A2303. Published by Lucks Music Library (TM.07212SET). Score = Chrysander edition ; Parts = Novello edition. Org in set. $175.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Chandos Anthem No. 9, Psalm 135 O Praise the Lord with One Consent (Silas) Soli, Mixted choir and accompaniment [Score] Lucks Music Library
(2.2.2.2/2.2.3.0,timp,str ,SATB soli,SATB chorus) SKU: TM.10814SC Compose...(+)
(2.2.2.2/2.2.3.0,timp,str,SATB soli,SATB chorus) SKU: TM.10814SC Composed by George Frideric Handel. Score. Lucks Music Library #A5139. Published by Lucks Music Library (TM.10814SC). Sc:Chrysander; prts:Novello (V.S. sold separately). $30.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| DEBORAH, Complete Soli, Mixted choir and accompaniment [Score] Lucks Music Library
(2.2.0.2/3.3.0.0,timp,str ) SKU: TM.01868SC Composed by George Frideric H...(+)
(2.2.0.2/3.3.0.0,timp,str) SKU: TM.01868SC Composed by George Frideric Handel. Score. Lucks Music Library #A2622. Published by Lucks Music Library (TM.01868SC). Sc and prts Chrysander edition. $140.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Greatest Hits -- The 1970s for Piano Piano, Vocal and Guitar Alfred Publishing
Over 50 Pop Music Favorites (Piano/Vocal/Guitar). Composed by various artist...(+)
Over 50 Pop Music Favorites
(Piano/Vocal/Guitar).
Composed by various artists
and composers. This edition:
Piano/Vocal/Guitar. Book;
P/V/C Mixed Folio;
Piano/Vocal/Chords. Greatest
Hits. Pop; Rock. 280 pages.
Published by Alfred Music
$22.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Hercules, HWV 60 The Complete Soli, Mixted choir and accompaniment [Score] Lucks Music Library
(0.2.0.2/0.2.0.0,timp,str ) SKU: TM.01872SC Composed by George Frideric H...(+)
(0.2.0.2/0.2.0.0,timp,str) SKU: TM.01872SC Composed by George Frideric Handel. Score. Lucks Music Library #A2621. Published by Lucks Music Library (TM.01872SC). Score (Abridged) = Chrysander; Parts = Peters edition (Abridged). Score has more movements than the parts; some differences between score and parts, especially the recitatives. $140.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| L'Allegro, il Pensieroso ed il Moderato Choral SATB [Score] Carus Verlag
(Oratorium in drei Teilen). Composed by George Frideric Handel (1685-1759). Edit...(+)
(Oratorium in drei Teilen). Composed by George Frideric Handel (1685-1759). Edited by Helmut Bornefeld / Matthias Wamser / Friedrich Chrysander. For S(A)TB vocal soli, SATB choir, flute, 2 oboes, 2 bassoons, horns, 2 trumpets, timpani, basso continuo. German title: L'Allegro il Penseroso /arr. Bornefeld. Oratorios. Full score. Language: German/English. Composed 1740. HWV 55. Published by Carus Verlag
$113.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Museum Masterpieces, Book 2 Piano solo - Intermediate Alfred Publishing
(10 Piano Solos Inspired by Great Works of Art). Composed by Catherine Rollin...(+)
(10 Piano Solos Inspired by
Great Works of Art).
Composed by Catherine
Rollin. For Piano. Book;
Graded Standard Repertoire;
Piano Collection; Piano
Supplemental. Museum
Masterpieces. Early
Intermediate; Intermediate.
28 pages. Published by
Alfred Music
$8.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2 Piano solo [Score] - Intermediate Musik Fabrik
Piano - Grade 5 SKU: FA.MFCD017B By Nicolas Horvath. By Claude Debussy an...(+)
Piano - Grade 5 SKU: FA.MFCD017B By Nicolas Horvath. By Claude Debussy and Robert Orledge. Rediscoverd Debussy. Christmas. Score. Musik Fabrik #MFCD017B. Published by Musik Fabrik (FA.MFCD017B). 8.27 x 11.69 inches. Contains Le Roi Lear: Prelude,Premiere Fanfare, and La Mort de Cordelia,Toomai des elephants, Rodrigue et Chimene: Prelude a l'acte 1p. Le Martyre de Saint Sebastien: La Passion , and No-ja-li ou Le Palais du Silence
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelleas et Melisande in 1893-1902 and the ballet Jeux for Diaghilev's Ballets Russes in 1912-13). Of the rest, many were never started musically (like Siddartha and Orphee-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902-03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908-17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912-13; or Le Martyre de Saint Sebastien and La Boite a joujoux by his 'angel of corrections' ['l'ange des Corrections'] Andre Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy's 'compulsive achievement' could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure's 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to 'write a ballet for him that he would sign' on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with Andre Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy's lost potential masterpieces from his existing sketches and drafts--then orchestrating them in Debussy's style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher. $48.69 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1 Piano solo [Score] Musik Fabrik
By Nicolas Horvath. By Robert Orledge and Claude Debussy (1862-1918). Redi...(+)
By Nicolas Horvath. By
Robert Orledge and Claude
Debussy (1862-1918).
Rediscoverd Debussy.
Christmas. Score. Musik
Fabrik #MFCD017A. Published
by Musik Fabrik
$48.69 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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