SKU: BR.OB-5235-27
The conductor's score contains only a shortened version of the extensive Critical Report that was published separately in book form: Brown: A New Appraisal of the Sources of Beethoven's Fifth SymphonyISBN 9790004332344. 10 x 12.5 inches.
The present Urtext edition is based on the known surviving primary sources, and also incorporates two further, previously ignored sources, including a copy of the score made presumably in Vienna around 1820.The score contains a summarizing Critical Report in which the annotations and divergences from familiar editions that seem to be particularly important are brought out through bold print. In the separately published study Die Neubewertung der Quellen von Beethovens Funfter Symphonie (Wiesbaden: Breitkopf & Hartel, 1996), there is an extensive discussion of the source dependencies as well as facts on the origin and transmission of the work.Words are not enough to praise this exemplary edition, resulting from many years of systematic editorial work on the sources. Breitkopfs source-critical, practice-oriented edition by Clive Brown and Peter Hauschild will provide valuable new impulses in the interpretation of Beethovens music. (Kurt Masur)The conductor's score contains only a shortened version of the extensive Critical Report that was published separately in book form: Brown: A New Appraisal of the Sources of Beethoven's Fifth Symphony.
SKU: BR.OB-5235-30
The conductor's score contains only a shortened version of the extensive Critical Report that was published separately in book form: Brown: A New Appraisal of the Sources of Beethoven's Fifth SymphonyISBN 9790004332351. 10 x 12.5 inches.
SKU: SU.80603120
Sixth SymphonyOrchestra Composed: 1998 Published by: E.B. Marks.
SKU: HL.49001674
ISBN 9790001023030. 9.0x12.0x0.128 inches.
Mozart wrote this symphony in 1768 at the age of 12 dedicating it to the Benedictine monastery of Lambach. The structure of this score follows the rediscovered parts * the autograph has disappeared.
SKU: PR.816600040
UPC: 680160600045. 5.5x5 inches.
This disk contains study scores of all 41 of Mozart's Symphonies, as well as Concertos for Winds and Strings (Piano Concertos are on a companion CD-ROM), Serenades, Opera Overtures, Divertimentos, and other works.
About CD Sheet Music (Version 1)
CD Sheet Music (Version 1) was the initial CD Sheet Music series distributed by Theodore Presser. The CDs include thousands of pages of music that are viewable and printable on Mac or PC. Version 1 titles are a great value at 40% off, as we make room in our warehouse for the newly enhanced CD Sheet Music (Version 2.0) series.
SKU: HL.48016562
UPC: 073999656831. 8.5x11.0x0.234 inches.
Contents: Andante from Symphony No. 104 (Haydn) * Larghetto from Concerto Grosso No. 12 (Handel) * Adagio from Symphony No. 3 (Mendelssohn) * Andante from Symphony No. 5 (Schubert) * Largo from New World Symphony (Dvorak) * Songs My Mother Taught Me (Dvorak) * Andante from Symphony No. 4 (Schubert) * Largo from Symphony No. 88 (Haydn) * Silent Woods (Dvorak) * Melody from Violoncello Concerto (Dvorak) * Andante from Violin Concerto (Mendelssohn) * Adagio from Symphony No. 97 (Haydn) * Finale from Symphony No. 5 (Dvorak) * Andante Cantabile from Symphony No. 5 (Tchaikovsky).
SKU: BT.ALHE31721
French.
2ème Symphonie, “Le Double” is a symphonic piece for Orchestra and chamber orchestra composed by Henri Dutilleux. It was commissioned for the 75th birthday of the BostonSymphony Orchestra in 1959. The piece features three movements, which consists in dialogues between the Orchestra and the Chamber Orchestra: I. Animato, ma misterioso II. Andantino sostenuto III.Allegro fuocoso — Calmato This is the conductor's score which also includes all parts. Henri Dutilleux was internationally acclaimed for his work winning prizes such as the Gold Medalofthe Royal Philharmonic Society and the UNESCO's International Rostrum of Composers, amongst many others. His work also includes a Piano sonata, two symphonies, the Cello concerto 'Tout un monde lointain' (A whole distant world),the Violin concerto 'L'arbre des songes' (The tree of dreams) and the string quartet 'Ainsi la nuit' (Thus the night).
SKU: BT.AMP-403-010
English-German-French-Dutch.
Philip Sparke’s third symphony, A Colour Symphony, was commissioned by “sinfonischen blasorchester wehdel†conducted by Thomas Ratzek. In the five movements (white, yellow, blue, red and green) the composer creates links betweenthe instrumentation and harmonic elements and the actual colour of the spectrum the movement stands for. In order to create the greatest richness possible, Philip Sparke used a very large instrumentation including low woodwinds, harp, piano andcelli. A Colour Symphony is an impressive and iconic addition to the standard repertoire for large symphonic bands.De derde symfonie van Philip Sparke, A Colour Symphony, is geschreven in opdracht van het ‘sinfonischen blasorchester wehdel’, dat onder leiding staat van dirigent Thomas Ratzek. In de vijf delen (white, yellow, blue, red andgreen) legt de componist verbanden tussen de instrumentatie en harmonische elementen en de kleur waar het betreffende deel voor staat. Om een grote klankrijkdom te creëren heeft Sparke een omvangrijk palet aan instrumentatie gebruikt,waaronder het lage houtregister, een harp, piano en cello’s. A Colour Symphony is een indrukwekkende en iconische aanvulling op het standaardrepertoire van het grote symfonische blaasorkest.Philip Sparkes dritte Sinfonie, A Colour Symphony, wurde vom Sinfonischen Blasorchester Wehdel, das von Thomas Ratzek geleitet wird, in Auftrag gegeben. In den fünf Sätzen (white, yellow, blue, red and green) stellt der Komponisteine Verbindung zwischen der Instrumentierung und den harmonischen Elementen sowie der jeweiligen Farbe, für die der Satz steht, her. Um eine möglichst große Bandbreite zu erzeugen, verwendete Philip Sparke eine sehr umfangreiche Instrumentierung mittiefen Holzbläsern, Harfe, Klavier und Celli. A Colour Symphony ist eine eindrucksvolle und hervorragende Ergänzung zum Standardrepertoire für sinfonisches Blasorchester.La troisième symphonie de Philip Sparke, A Colour Symphony, fut commandée par le Sinfonisches Blasorchester Wehdel, dont le chef d’orchestre est Thomas Ratzek. Dans chacun des cinq mouvements (white, yellow, blue, red and green),le compositeur établit un rapport entre l’instrumentation et les éléments harmoniques, et la couleur réelle attribuée au mouvement spécifique. Pour créer autant de richesse que possible, Philip Sparke utilise une instrumentation variée qui comprendles bois de registre grave, harpe, piano et violoncelles. A Colour Symphony est un ajout impressif et iconique au répertoire de norme des grands orchestres d’harmonie.La terza sinfonia di Philip Sparke, è stata commissionata dalla Sinfonischen Blasorchester Wehdel di Thomas Ratzek. Ciascuno dei quattro movimenti corrisponde a un colore (bianco, giallo, blu e rosso), in un inarrestabile sinestetico rincorrersi di suoni e visioni. L’orchestrazione è di quelle imponenti: legni, arpa, pianoforte e violoncello svolgono una parte fondamentale nell’opera di conferimento di ulteriore rigoglio arrangiativo alla sinfonia sparkiana.
SKU: HL.48187646
UPC: 888680845186. 5.5x7.5x0.568 inches.
Interestingly, Schumann?s Third Symphony was in fact his last symphony, as the fourth symphony was actually composed after the first. The Symphony No.3 in E flat Op.97 was written 1850 during the composer?s tenure as conductor at Dusseldorf on the famous river Rhine. Schumann claimed that the history and spirit surrounding the noble river inspired him when writing the symphony, hence it being called the ?Rhenish? symphony. The symphony was less successful at its premiere in February 1851 (conducted by Schumann himself) than his previous two symphonic premiers had been.This symphony is in five movements, with the ?extra? fourth movement, originally subtitled ?In the style of an accompaniment to a solemn ceremony?, was inspired by a visit to Cologne Cathedral.Available here is a study score of Schumann?s Symphony No.3 in E flat ?Rhenish? Op.97 , which is ideal for study and perusal usage..
SKU: HL.14032192
ISBN 9788759858394. 12.0x16.5x0.78 inches. International (more than one language).
Symphony No. 6 for orchestra, 1997-99. Preface / Program Note:... with the Lord a day is like a thousand years, and a thousand years is like a day(New Testament, 2 Peter 3:8)My SYMPHONY NO. 6 was commissioned by the Danish National Radio Symphony Orchestra, the Gteborg Symphony Orchestra and the Oslo Philharmonic Orchestra, to be premiered at the millenium 2000.The subtitle AT THE END OF THE DAY can be understood literally or it can mean when all is added up. However, in my opinion, nothing ever quite adds up, there is always something missing, any ending will be provisional ...This symphony appears to end only a few minutes into the first movement, the first passage, as the music fades away to almost-silence, after a start of flying colours. But then there is still something, a small motive (first heard in the initial sound-waves) which reappears, hesitant, but persistent, and this embryo is what leads on the musical progression. An agitated section of many instrumental voices comes next, until all the voices become obsessed with the same phrase, a see-saw motive based on thirds. This section evolves into almost martial ferocity, when broken off by a tutti descent into an extreme bass-world (a bass-world which actually permeates the whole symphony, emplyoing instruments that I have never used before: double-bass tuba, double-bass trombone, double-bass clarinet, and bass flute).The second movement, the second passage, apparently takes off where the first passage ended, but now the events are more ambiguous, and the same music may be perceived as fast-moving one moment and slow-moving the next. This section is a kind of passacaglia, the characteristic baroque bass-variation.Without a break follows the third and last passage, in a contrasting high register. The music is rhythmically knotty as well as freely flowing. As in the beginning of the symphony, a never-ending descent or fall breaks off the events, and at the very end a delta of new beginnings, of other worlds, is revealed ....The symphony is dedicated to Helle, my wife. - Per Norgard.