Trombone

SKU: HL.48182521

Composed by Sigismond Stojowski. Leduc. Classical. Softcover. 12 pages. Alphonse Leduc #AL23839. Published by Alphonse Leduc (HL.48182521).

UPC: 888680840914. 9.0x12.0x0.054 inches.

Composed by Sigismond Stojowski, Fantasy, Op.38 is a piece for Bass Trombone and Piano. This lyrical piece, published in 1912, is very melodic and would require advanced skills and technique to perform it perfectly. This piece is one of the first he wrote after moving to the USA. Comparable to Chopin's 'Fantasy', even though Stojowski's seems better-written and more virtuous. A transcription exists for Viola and other instruments. Sigismond Stojowski is a Polish pianist, composer and conductor who studied at the Paris Conservatoire. He was a good friend of Tchaikovsky and worked as a Piano soloist in the USA with the Boston and the San Francisco Symphony, as well as the New York Philharmonic, among others.

(violin 1). By Peter Ilyich Tchaikovsky (1840-1893). For Piano, Orchestra (violin 1). Orchester-Bibliothek (Orchestral Library). Individual part. 8 pages. Published by Breitkopf and Haertel

Eulenburg Audio Score Series. By Peter Ilyich Tchaikovsky. This edition: EAS147. Eulenburg Audio Score (Pocket Scores CD). Study score and CD. 115 pages. Published by Eulenburg.

SKU: SA.92179-FSC

Composed by Peter Ilich Tchaikovsky. Full score. Serenissima #92179-FSC. Published by Serenissima (SA.92179-FSC).

9.5 x 12.5 inches.

Study Score. By Peter Ilyich Tchaikovsky. Arranged by Gerald Abraham. (Study Score). Schott. Size 5.25x7.5 inches. 186 pages. Published by Eulenburg.

Fingersatz und spielpraktische Einrichtung von Lev Vinocour. Composed by Peter Ilyich Tchaikovsky (1840-1893). Edited by Ljudmila Korabel'nikova and Polina E. Vajdman. Arranged by Lev Vinocour. This edition: Saddle stitching. Sheet music. Piano. Classical. Composed 1878. Op. 40. 78 pages. Schott Music #ED20095. Published by Schott Music

Double bass (3(picc).2.cor ang.2.2. - 4.2.2CaP.3.1. - timp.perc - hp - str)

SKU: BR.OB-5394-27

Urtext. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Polina Vajdman. This edition: double bass part. Stapled. Orchester-Bibliothek (Orchestral Library).

The Russian musicologist Polina Vajdman has consulted all relevant sources.

Romantic period. Part. 8 pages. Duration 15'. Breitkopf and Haertel #OB 5394-27. Published by Breitkopf and Haertel (BR.OB-5394-27).

ISBN 9790004338612. 10 x 12.5 inches.

The present edition is based on all relevant sources. The preface sketches the work's genesis from the moment of its conception in Rome in late December 1879 (Yesterday, out in the streets, I heard a wonderful folksong that I will most certainly make use of.) to the first reviews, in which Tchaikovsky was accused of triviality and of having made an extremely unfortunate choice of themes. Yet this did nothing to hamper the worldwide success of the work, and Tchaikovsky's composer colleagues also culled ideas from it: a few years later, Tchaikovsky himself was the dedicatee of Nikolay Rimsky-Korsakov's Capriccio espagnol.Mit seinen Urtext-Studienpartituren setzt Breitkopf nicht nur auf eine bewahrte Tradition, sondern blickt offenbar auch guten Mutes in die Zukunft. (Michael Kube, Schweizer Musikzeitung)Mit bemerkenswerter Konsequenz wird die Neuherausgabe von Studienpartituren fortgesetzt. Fast unnotig, zu erwahnen, dass die uberdurchschnittliche Seitenaufteilung, der vorbildlich klarer Druck das Studium auch eines so bekannten Werkes zu einer genussreichen Freude machen. (Das Liebhaberorchester).

Metamorphoses on a Theme by Tchaikovsky for Wind Orchestra. By Johan De Meij. (Score). Amstel Concert Bands. 72 pages. Published by Amstel Music.

Violoncello

SKU: BR.EOS-20897-23

Suite in Olden Style. Composed by Edvard Grieg. Edited by Richard Clarke. Orchestra; stapled. Eulenburg Orchestral Series.

Breitkopf is currently preparing the release of new and complete performance material in the framework of its cooperation with Eulenburg.

Romantic period. Part. 8 pages. Duration 20'. Breitkopf and Haertel #EOS 20897-23. Published by Breitkopf and Haertel (BR.EOS-20897-23).

ISBN 9790004780091. 10 x 12.5 inches.

In 1884 the Norwegian city of Bergen celebrated the 200th birthday of Ludvig Holberg, one of its most famous sons and a symbolic figure of the late Baroque era. For this occasion Grieg wrote the piano suite Aus Holbergs Zeit , which he orchestrated for string orchestra. To this day, the Suite - particularly in this arrangement - ranks among Grieg's most popular works. By using the romantic string sound, Grieg brings the late Baroque orchestral suite and its various dance forms to life again. Along with the string serenades of Dvorak and Tchaikovsky, Aus Holbergs Zeit is regarded as the third great late-romantic work for string orchestra. Breitkopf is currently preparing the release of new and complete performance material in the framework of its cooperation with Eulenburg.

Breitkopf is currently preparing the release of new and complete performance material in the framework of its cooperation with Eulenburg.

A Ballet in Two Acts. Composed by Peter Ilyich Tchaikovsky (1840-1893). Masterworks; Piano Solo; Solo; Solo Small Ensembles. Kalmus Edition. Christmas; Masterwork; Romantic; Winter. Book. 168 pages. Kalmus Classic Edition #00-K04067. Published by Kalmus Classic Edition

Composed by Peter Ilyich Tchaikovsky (1840-1893). Duet or Duo; Masterworks; Piano Duet (1 Piano, 4 Hands); Solo Small Ensembles. Kalmus Edition. Form: Suite. Masterwork; Romantic. Book. 80 pages. Kalmus Classic Edition #00-K04054. Published by Kalmus Classic Edition

Percussion solo

SKU: BR.DV-8173

Composed by Karl Ottomar Treibmann. Solo instruments; Softcover. Deutscher Verlag. World premiere Leipzig, 1980. Music post-1945. Score. Composed 1979. 30 pages. Duration 10'. Deutscher Verlag fur Musik #DV 8173. Published by Deutscher Verlag fur Musik (BR.DV-8173).

ISBN 9790200480832. 9 x 12 inches.

World premiere Leipzig, 1980

Tschaikowskys letzte Oper - auf ein Libretto seines Bruders Modest nach der Dramenvorlage des danischen Schriftstellers Henrik Hertz - lebt von den poetischen Momenten und den symbolbeladenen Charakterportrats der Hauptfiguren: Die junge blinde Jolanthe wird von ihrem Vater aus Sorge um ihren Makel und zum Schutz ihrer Jungfraulichkeit und vor den Widrigkeiten der Welt in einen paradiesischen Garten gesperrt. Er befielt zu ihrem Schutz sie um ihre Blindheit unwissend zu lassen. Ein Arzt warnt sehen werde sie nur konnen wenn sie es selbst wolle gleich welche Angste aus der vollstandigen Erkenntnis der Welt erwachsen. Als der junge Vaudemont in ihre Abgeschiedenheit einbricht und sich beide ineinander verlieben befreit er sie von ihrer Unwissenheit erklart was Farbe und Licht bedeuten. Erst die Liebe zu ihm macht sie sehend.

Die dunkle Welt der Jolanthe zeichnet Tschaikowsky zu Beginn musikalisch durch eine Introduktion ausschliesslich fur Blaser. Erst mit dem Eintritt in die unbekannte Welt der Liebe und des Sehens verwendet Tschaikowsky einen warmen Streicherklang. Gerade dadurch stiess die Oper wohl bei Zeitgenossen auf Verstorung. Tschaikowskys ,,Jolanthe nimmt in seinem Opernschaffen eine Sonderstellung ein: neben dem glucklichen Ende einer Apotheose des Lichts und der Liebe mit einem religios gepragten Schlusschoral ist es eines der wenigen Buhnenwerke Tschaikowskys ohne Bezug zur russischen Geschichte. Der ausgepragte Lyrismus des Werks verweist stattdessen auf Tschaikowskys Nahe zur franzosischen Kultur die im 19. Jahrhundert einen starken Einfluss auf Russland hatte. Die Oper wurde 1892 am Mariinsky-Theater in Sankt Petersburg als Auftragswerk zusammen mit seinem Ballett ,,Der Nussknacker uraufgefuhrt.

Neben der Produktion des Munchner Rundfunkorchesters wurde ,,Jolanthe szenisch erfolgreich bei den Festspielen Baden-Baden mit Anna Netrebko und Piotr Beczala als Liebespaar rehabilitiert. Ausserhalb Deutschlands lief die Opernraritat in Toulouse Tokyo San Sebastian und Monte Carlo. Zuletzt erneut die ,,Suddeutsche Zeitung: ,,Jolanthe ist eine Opernausgrabung die ,,wirklich zu Unrecht vergessen ist. Tchaikovsky's last opera - on a libretto by the composer's brother Modest based on the drama by the Danish author Henrik Hertz - derives its life-blood from its poetic moments and the symbol-laden portraits of the leading characters: the blind young Yolanta is kept prisoner in a paradisiacal garden by her father who fears for her purity and her virginity and seeks to protect her from the adversities of the world. To do so he orders everyone to keep her ignorant of the fact that she is blind. A doctor warns that she will only be able to see when she is ready to do so herself no matter what fears might result from a complete experience of the world. When the young Vaudemont breaks into her secluded world and the two fall in love he frees her from her ignorance and explains the significance of color and light. It is through her love for him that she is finally able to see. At the beginning of the work Tchaikovsky depicts Yolanta's dark world with an introduction scored exclusively for winds. It is not until her discovery of the unknown world of love and sight that Tchaikovsky uses a warm string sound. This is what many of the composer's contemporaries found disturbing about the opera.

Tchaikovsky's Yolanta occupies a special place in the composer's operatic oeuvre: for one it has a happy ending an apotheosis of light and love with a religiously stamped closing chorale; for another it is one of Tchaikovsky's few stage works without any reference to Russian history. Instead the work's pronounced lyricism points to the composer's closeness to French culture. which exerted a strong influence on Russia in the 19th century.

The opera was given its world premiere at the Mariinsky Theater in St. Petersburg in 1892. It had been commissioned along with the ballet The Nutcracker. Next to the production by the Munchner Rundfunkorchester Yolanta was also successfully rehabilitated in a recent staged production at the Baden-Baden Festival with Anna Netrebko and Piotr Beczala as the lovers. Outside of Germany the operatic rarity was performed in Toulouse Tokyo San Sebastian and Monte Carlo.

In closing another quote from the Suddeutsche Zeitung: 'Yolanta' is an operatic rediscovery of a work that was truly 'wrongly forgotten'.