SKU: CF.FPS124
ISBN 9781491140314. UPC: 680160628377. 9 x 12 inches.
A very nice original march from popular composer Joseph Compello, Guardians of the Banner contains many aspects of a traditional American march but with the developing student in mind. It has an extended introduction, a first strain, second strain, and a break strain followed by a return of the first strain to end the march. There is not the typical modulation to a trio section, making this march much more playable for this level of band. The march is at a more moderate march tempo and contains some really nice melodies, making it a great way to introduce this important style to younger students.
SKU: PR.16400276S
UPC: 680160590438.
Schickele's new piano quartet was written for the Orcas Island Chamber Music Festival (northwest of Seattle), and would have been his very first piano quartet - except that he had forgotten an earlier, unfinished composition. Happily, an unrelated search uncovered the earlier quartet, and Schickele set about cutting, reworking, and re-composing to create Music for Orcas Island. The quartet consists of four complementary movements: I. Spring Sunshine; II. Rainy, with Fog; III. Lively; and IV. Low-lying Clouds. For intermediate to advanced performers. Duration: 13'.
SKU: BT.MUSAM982740
ISBN 9781846090257. English.
Created with young players in mind, this enjoyable introduction to harmonica enables you to get started, and get playing straight away. Listen to the professionally recorded, live band demonstrations on the CD, practice the piecesfrom the music book and then play-along with the backing tracks! A clear presentation, fun pieces and intuitive learning, all combine to make a complete learning tool. As you gradually become familiar with different harptechniques, you'll progress from playing single note and chords to performing proper blues pieces, bends and all! Dozens of pictures and diagrams help make learning fun and progress fast. So, if you are a young blues musician,Starting Blues Harmonica is the method for you!
SKU: BA.BA07569
ISBN 9790006523375. 32.9 x 23.9 cm inches. Text Language: French/German. Preface: Soury, Thomas. Louis de Cahusac.
Rameau's “Les Fêtes de l'Hymen et de l'Amour†was long considered second-rate because its première was associated with a political event. Yet this ballet abounds in novel dramaturgical effects that foreshadow his later operas, such as “Zaïsâ€, “Zoroastre†and “Les Boradesâ€. Working together with his librettist Cahusac, Rameau sought to weave the dance numbers, choruses and stage machinery more tightly into the main plot. He also experimented with stylistic devices unique to this work, the most famous being unquestionably the scene in which the Nile overflows its banks (an impressive ten-voice double chorus with solo voices and orchestra) and the sextet from “Arurisâ€, a scoring found nowhere else in his uvre.For the first time, this scholarly-critical edition of “Les Fêtes de l'Hymen et de l'Amour†presents a reference version of the work that is based on all the major sources for both the libretto and the music, including two recent musical discoveries. As most of the performance material for the première has vanished, our edition is based on the version prepared for the Acadmie Royale de Musique in 1748.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: HL.9971239
ISBN 9781423461845. UPC: 884088270995. 8.5x11 inches. Patrick Bolek/Norma Freeman/Linda Rann.
We are pleased to announce the launch of the Leonard Bernstein Young People's Classics, a new series for the music classroom that presents essential selections from the Leonard Bernstein recorded library with units of study built around them. The first in this series features some of the more popular works of Aaron Copland, including Fanfare for the Common Man, and his ballets Billy the Kid, Appalachian Spring and Rodeo.Make music listening engaging and active with beautifully-designed full-color listening maps, easy-to-follow lesson plans and full-length recorded orchestral versions of Copland's music. Included in the Classroom Kit is the Bernstein Century Copland CD featuring Leonard Bernstein conducting the New York Philharmonic. The Enhanced CD in the Teacher book contains audio folksong recordings, full-color PDFs of the student booklet, student handouts and bonus materials, all for duplication or projection.Part II features an in-depth study of Copland's ballet Rodeo, specifically “Hoe-down,” based on the Artful Learning transformative learning system inspired by Leonard Bernstein. Working together in learning centers, students engage in cross-curricular activities that are incorporated into the music lessons. Available separately: Teacher Book/Enhanced CD, Student Book 5-Pak, the Bernstein Century Copland CD, and a Classroom Kit (1 Teacher Edition/Enhanced CD, 20 Student Books, 1 Copland CD). Suggested for Grades 5-9.
SKU: HL.48011697
UPC: 073999862683.
SKU: HL.14017938
SKU: HL.49006325
ISBN 9790001068543. UPC: 888680790974. 17.75x21.75x0.689 inches. German - English.
The making of El Cimarron began in about 1986, with a conversation I had with Hans Magnus Enzensberger about the difficulties of writing political songs today that would go beyond the achievements of Eisler, Weill and Dessau in this field. It seemed to me that I might try to tackle the problem by writing a cycle with a variety of musical materials out of which perhaps something novel might emerge in a new and different context, almost by chance. Enzensberger told me of the recent publication of a biography by Esteban Montejo, an old Afrocuban who lived in Havana and who recalled his adolescence as a slave, and suggested that I should set episodes from this book that he, Enzensberger, would select for my experimentation.El Cimarron, however, did not turn into a cycle of songs and was, indeed, not even intended as such - what came out of the work is a new form of theatrical music making.Singer, flautist and guitarist are occasionally required to play percussion instruments.- Hans Werner HenzeMitwirkende: Bariton - Flotist (Picc. * Fl. * Altfl. * Bassfl. * Ryuteki [oder Picc.] * Mundharm. [Harmonetta] * Trillerpf. * Maultrommel) - Gitarrist - Schlagzeuger (3 Fingerzimb. * Vibr. * Marimba * 3 Herdengl. * 3 hg. Beck. * 2 Tamt. * 13 Tomt. [chrom.] * 3 Bong. * kl. Tr. * 8 Boo-bams * 4 Log Drums * Cong. [Tumba] * Trinidad Steel Drum * gr. Tr. [mit Ped.] * Mar. * Guiro * Kette auf Holz * Kette auf Metallplatte * 3 Dobaci * Clav. * Matraca * hg. Bambusstabe * hg. Glasstabe [Glasspiel] * Shell Chimes * Vogellockrufe * Marimbula * 2 Donnerbleche).
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