SKU: BT.AMP-158-010
9x12 inches. English-German-French-Dutch.
The Battell was written during the late 14th Century when England was in a mood of national celebration after victory over the Spanish and French Armadas.The movement which Byrd called Marche Before The Battell became known as The Earl of Oxford?s Marchand it appears with that title in an early manuscript copy of the Fitzwilliam Virginal Book.Written while Byrd was at the height of his powers, it still stirs the soul to this day. A perfect opener for your concert performances.My Lady Nevells Book uit 1591 bevat een aantal werken van William Byrd die waarschijnlijk waren gecomponeerd in de 25 jaren daarvoor, inclusief de verhalende suite The Battell. De programmatische muziek van The Battellis zeldzaam in Byrds oeuvre, dat vooral bestaat uit vaste muzikale vormen, zoals gaillardes en pavanes. Het werk is vermoedelijk geschreven na 1588, toen Engeland in een overwinningsroes verkeerde na de zege op de Spaanseen Franse Armada’s. Het deel dat Byrd Marche Before The Battell noemde, werd bekend als The Earl of Oxford’s March, hoewel het niet geheel duidelijk is waarom. Deze muziek, die Byrd schreef in zijn hoogtijdagen, isnog altijd treffend.Der Notendruck kam spät nach England. Viele Spieler kopierten die Musik von Hand, wohlhabende Familien ließen sie sich von einem Schreiber kopieren. Solch eine frühe Ausgabe war My Lady Nevells Book, das u.a. die deskriptive Suite The Battell enthält. Der Satz, den Byrd mit Marche Before the Battel überschrieb wurde als The Earl of Oxford’s March bekannt. Das Stück, das zur Blütezeit von Byrds Schaffenskraft entstand, bewegt noch heute die Gemüter. Eine perfekte Eröffnung für Ihr Konzert.Questo brano di musica a programma è unico nella produzione di William Byrd che comprende soprattutto grounds, gagliarde e pavane. The Battell - dal quale è tratto The Earl of Oxford’s March (o Marche Before the Battle), fu composto probabilmente dopo il 1588, ai tempi in cui l’Inghilterra era particolarmente incline ai festeggiamenti nazionali dopo la vittoria sulle flotte spagnole e francesi. Questo brano, scritto quando William Bryd era all’apice della gloria, continua a commuovere.
SKU: HL.14030040
ISBN 9788774552147. UPC: 884088572952. 8.5x11.75x0.065 inches.
Violin/Piano reduction of the work for Violin and String Orchestra.
SKU: HL.14018168
ISBN 9788759868843.
Parts available: WH46342.
SKU: BR.OB-5589-23
ISBN 9790004344224. 10 x 12.5 inches.
Prelude to Mastery The Missa Sanctissimae Trinitatis was probably composed within a few weeks in the late fall of 1736, an occasion for the composition is not recorded. With this mass, the first in a series of five late masses, Jan Dismas Zelenka entered upon the phase of his masterful late works. Its spacious conception abundant in numbers, stylistic and compositional wealth, as well as its vehement, musical expressive power clearly differentiate this work from Zelenka's previous masses. This new edition is based on the corresponding volume of the series Das Erbe deutscher Musik, from which the preface and critical report also derive.Have a look into the piano vocal score. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).
SKU: HL.50487825
ISBN 9790080017777. A/4 inches.
Pal Jardanyi (1920 - 1966) was one of the most distinguished figures in Hungarian music during the years following the Second World War. He was an innovative researcher in the field of folk music, an eminent music critic, and a multifaceted teacher. Throughout a short creative life he pursued his own artistic and political beliefs, founded on the musical ideas of Bartok and Kodaly.
SKU: BT.LCM9790570121502
English.
These Piano Anthologies contain pieces which have been carefully selected from previous piano exam lists dating from 1988 to 2006. All of the pieces in these volumes have proved popular with piano students, teachers and listeners, and we are pleased to be able to make them available again in these new collections. Pieces from these anthologies may be chosen as List B and C pieces, allowing students to increase their choice of repertoire beyond the already extensive selection offered in the LCM piano repertoire lists for grade, recital grade and leisure play options. It is hoped that these anthologies will also be of interest to piano students generally. The range of styles broadlycovers the late 18th century to the present. Some familiar pieces are present in these volumes, but they include pieces additionally from composers who have had a distinguished career in the role of teacher or student at LCM. Amongst the former are William Lloyd Webber and Martyn Williams, and amongst the latter are Nicholas Grace and John Guilfoyle, who now have eminent academic and professional musical careers.
SKU: LM.29300
ISBN 9790230993005.
SKU: BR.OB-4066-04
ISBN 9790004303559. 10 x 12.5 inches.
The aim of this combined scholarly and practical edition of the Brandenburg Concertos is to offer a state of the art performance material of these standard works of Baroque music literature, which satisfies the practical needs of performing artists.These new editions were based on surviving autographic source material - some of which, for the Fifth Concerto for example, has been taken into account for the first time - and the 'Neue Bach-Ausgabe' (NBA). Moreover, they also make use of relevant 18th-century theoretical writings for editorial additions and observations on performance practice.(from the joint preface to the Six Brandenburg Concertos by the Bach scholars Werner Felix, Winfried Hoffmann and Armin Schneiderheinze)The aim of this combined scholarly and practical edition of the Brandenburg Concerto is to offer a state of the art performance material of this standard work of Baroque music literature, which satisfies the practical needs of performing artists.
SKU: BT.GOB-000257-020
The Innocent Condemned tells of the so-called buck riders (bokkerijders) who, in the middle of the 18th Century caused mayhem in the area around Limburg. Calmer passages in the music depict the fear of the locals, while a vivo furioso describes a night raid, and powerful drum sounds together with emotional musical lines illustrate the execution of an innocent. A gripping piece of history caught in music! Deze indrukwekkende compositie vertelt het verhaal van de ‘Bokkenrijders’, een bende rovers die in de helft van de 18e eeuw de streek rond Limburg onveilig maakten. Vele burgers werden nadien valselijk beschuldigd bokkenrijders te zijn geweest. Ze werden ten onrechte veroordeeld en brutaal terechtgesteld. In deze programmamuziek van Rob Goorhuis kun je de gebeurtenissen terughoren. The Innocent Condemned (Der unschuldig Verurteilte) erzählt von den so genannten Bokkerijders“ (Bockreitern), die Mitte des 18. Jahrhundert die Gegend um Limburg unsicher machten. Ruhige Passagen im Werk zeugen von der Angst der Bürger, ein Vivo furioso beschreibt einen nächtlichen Überfall und vehemente Schlagzeugklänge sowie emotionale musikalische Linien illustrieren die Hinrichtung eines Unschuldigen. Ein packendes Stück Geschichte in Musik gefasst!Selon la légende, les Buckriders étaient un gang de voleurs sans scrupules qui dévalisaient les fermes et les presbytères lors de leur passage. Il a été dit que les membres avaient fait un pacte avec Satan et chevauchaient dans le ciel dos de chèvres. Les passages calmes dans l’œuvre témoignent de la crainte des citoyens, un Vivo furioso décrit un raid de nuit et les sons véhéments des percussions suivis de lignes musicales lyriques illustrent l’exécution d’un innocent. Cette histoire de légende reprend vie gr ce la musique de Rob Goorhuis.The Innocent Condemned narra la storia dei “Bokkerijders”, briganti che nel XVIII secolo terrorizzavano con le loro gesta la regione olandese intorno a Limburg. I passaggi calmi proposti nel brano evocano la paura dei cittadini, un Vivo furioso descrive un’incursione notturna, mentre i suoni veementi delle percussioni seguiti da una linea melodica lirica traspogono in musica l’esecuzione di un innocente. Un brano coinvolgente che riassume la storia in musica!
SKU: LM.29437
ISBN 9790230994378.
SKU: HL.50487511
ISBN 9790080132272. K/4 (23,5x31) inches. Italian. Endre Szekely.
SKU: P2.30124
Composer Lori F. Ardovino says, Sessionography: A description of various musical sessions. This piece for solo bass clarinet is in three movements. The first movement, King Super 20, is inspired by the artistry of Charlie Parker. The fast improvisatory runs represent his virtuosic technique. A quasi 'walking bass' can be heard between the sudden bursts of notes. The title of this work is the brand of saxophone that Parker mainly played. Composition No. 2 is inspired by the free jazz style of Anthony Braxton. His music is free improvisation based and named by Braxton 'creative music'. Extended techniques such as flutter tonguing and singing while playing add to the creative process and the flavor of Braxton's style. The name comes from similar titles for works by Braxton. The final movement, Just Groovin', is what Miles Davis' composition Move was dubbed by jazz critics. This movement is inspired by the rhythmic style and free improvisation style of this bebop tune..
SKU: BA.BA06417
ISBN 9790006504534. 30 x 23 cm inches.
This volume contains arrangements of popular themes by the great composers, thereby filling a gap in the recorder literature between the Baroque and modern periods. Drawing on the large body of 19'â?? century arrangements (mainly for flute), the volume is more than entertaining in its own right. For the first time it enables the expressivity, phrasing and modulatory richness of Classic and Romantic music to be transferred to the recorder.
SKU: AP.12-0571563503
ISBN 9780571563500. English.
SKU: MN.50-9206
UPC: 688670592065.
Short, quiet piece for adult treble voices with early 19th century English text. Romanticandante espressivo choral writing.
SKU: XC.WB2018
ISBN 9781644020517. 9 x 12 inches.
Adaptable Quartets contains 21 newly-composed or arranged quartets that can be flexibly used with any combination of wind and percussion instruments, making them an invaluable resource in the modern band room! Written at an accessible 1.5-3 grade level, Adaptable Adaptable Quartets contains 21 newly-composed or arranged quartets that can be flexibly used with any combination of wind and percussion instruments, making them an invaluable resource in the modern band room! Written at an accessible 1.5-3 grade level, Adaptable Quartets follow the popular Adaptable Duets and Adaptable Trios books by the same composers. Tyler Arcari and Matthew R. Putnam bring with them a wealth of educational experience as music educators to craft quartets that are fun to play and musically stimulating. Adaptable Quartets are sure to become an instant favorite.Table of ContentsBiographies, Abide with me, Agincourt Carol, The Barber of Seville, Be Thou My Vision, Capstone March, Chorale - From Jupiter, Country Gardens, Curse of Tortuga, Dawn of the Century March, Fortune Favors the Bold, Gesu Bambino, Go Tell it on the Mountain, Greensleeves, Home on the Range, In the Hall of the Mountain King, Les Toreadors, Scimitar!, Sea Shanty, Song Without Words, The Emperor Waltz, When Johnny Comes Marching Home.
SKU: HL.50489666
ISBN 9790080087886. UPC: 73999896633. K/4 (23,5x31) inches. Hungarian, English. Attila Jozsef.
SKU: LM.29190
ISBN 9790230991902.
