SKU: BR.EB-6713
ISBN 9790004169162. 9 x 12 inches.
The present series of easy piano music for teaching provides pupils in the lower and lower-middle grades with a careful selection of well-known and little-lmown compositions by important masters. Each book has intentionally been kept small in extent, since it is more stimulating for children to change the teaching material frequently. In the course of his brief creative life, Schubert wrote more than 200 dances and waltzes for piano, which he grouped together and published in sets. The technical difficulties, which are sometimes considerable, are greatly reduced by dividing the music up between four hands; a process which has been carried out without necessitating any major alterations to the original versions for piano solo. Ten of the most beautiful waltzes from different opus numbers have been selected for the present book. Heinz Walter, Salzburg, Fall 1974.
SKU: BA.BA05558
ISBN 9790006497232. 33 x 26 cm inches.
Urtext der Neuen Schubert-Ausgabe.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: HL.49004006
ISBN 9790001040204. UPC: 073999762341. 9.0x12.0x0.192 inches.
The edition is part of the Trinity syllabus 2007 (grade intermediate recital).
SKU: BA.BA05563
ISBN 9790006497348. 33 x 25.8 cm inches. Language: German. Preface: Werner Aderhold/Walburga Litschauer.
SKU: HL.49043954
ISBN 9783795748265. UPC: 841886021105. 9.25x12.0x0.386 inches.
This 'treasure chest' contains - in chronological order - easy original piano pieces by classical composers, some of them arranged as duets by well-known contemporaries. The earliest pieces are from the 18th Century, stylistically they range from Classical to Romantic, through to Jazz, Rock and Pop. The collection also features an improvisatory piece with partly graphic notation. All of the pieces are approachable and even the sometimes more demanding Secondo parts are well within the range of piano students and amateur players.
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