SKU: M7.SMP-224
English.
As commissioned (and recorded) by the SWR Big Band of Stuttgart, Germany, this is an extended arrangement based on a gorgeous melody by Pat Metheny. The saxophone players double on flute (sax 1), clarinets (sax 2-4) and bass clarinet (sax 5). There is solo space for piano, tenor sax and trombone, as the chart moves from a rubato ballad, to a bossa feel, to a rock ballad feel, and back to the rubato again. This is a highly, emotionally charged piece which makes a wonderful addition to any program. Limited brass ranges. The chart also includes an interweaving of Metheny's pensive melody Tell Her You Saw Me. The CD on which this piece is recorded is Towednack, Bob Curnow and the SWR Big Band (available from Sierra Music). 5-4-4-4.
SKU: M7.SMP-989
As recorded on Libertango ! Hommage to Astor Piazzolla by the HR Big Band (Germany), this arrangement will surely lift your audiences out of their seats. It features a main soloist of your choice (originally recorded with bandoneon solo) and another solo for tenor saxophone. Various parts are included for different soloists to use. This marvelous arrangement opens with warm sounds in clarinets, muted trombones and flugelhorns behind the beautiful melody stated by the primary soloist. The setting is a medium tango, with a short, exciting swing section near the end of the chart. Once the piece moves into a strong, rock-fusion feel, there is no turning back. You and your band will love this chart. This requires clarinet doubles on the top 3 saxophone parts and bass clarinet on the baritone part. There is also a mallet part (marimba, vibes and xylophone). 5-4-4-5.
SKU: M7.SMP-632
One of the great pieces written for the Los Angeles Neophonic Orchestra, founded and conducted by Stan Kenton. Four french horns are essential, along with 4 trumpets, 5 trombones and woodwinds. Exciting and challenging music. Recorded on the L.A. Neophonic Orchestra LP. Woodwinds require 2 piccolo, 2 clarinets and bass saxophone (baritone saxophone opt. part included). This is a new, updated Finale version.
SKU: M7.SMP-1260
Every once in a while a melody is written that words cannot convey and only the soul understands. Master-of-melodies, Pat Metheny, did just that in his composition of Tell Her You Saw Me, and Bob Curnow magnificently transformed it into a majestic big band arrangement. A ballad throughout that slowly builds in intensity; this piece utilizes woodwind doubles and flugelhorns with a short, written-out piano solo up front. If you are looking to provide a moving ballad for your audiences, then this is it. 5-4-4-4.
SKU: M7.SMP-390
There may not be a more beautiful ballad anywhere in jazz ensemble literature. This is an alto saxophone feature throughout and was recorded on the Full Nelson album and also included in the Verve Jazz Masters collection CD. This is a stunning piece, which has a decidedly orchestral/classical sound to it. The possibility of using the original clarinet, flute oboe, bass clarinet and celeste parts makes this a most interesting and special piece. Regular saxophone parts are also included if doubles are not available. 5-4-4-4.
SKU: M7.SMP-352
A monumental piece of big band jazz. This was written for Les' fantastic Chicago band. It is an extensive work (about 12 minutes) which features trumpet (or flugelhorn) throughout in various settings and styles, based on one of the most beautiful melodies Les has ever written. There are also piano solos. Woodwind players must be good doublers and it is well worth the effort. This is certainly one of Hooper's most dynamic and interesting creations (among a great many)! As recorded on the Dorian Blue LP. 5-4-4-3.
SKU: M7.SMP-1150
This arrangement by Oliver Nelson is a gorgeous alto saxophone feature of Cole Porter's I Worship You. The alto player can either perform the solo part (completely written out) as originally played and recorded by Cannonball Adderley on his album Domination, or can choose to read the basic melody and improvise. There is also short solo space for piano. Clarinet doubles are required, but the ensemble writing is very playable. This is a great alto feature on a beautiful melody! 5-4-4-3.
SKU: M7.SMP-1134
This arrangement continues the Radiohead Jazz Project and adds another wonderful talent to the list of outstanding RJP writers. Omar Thomas has arranged this emotional heavy-rock ballad, focusing on the solo voice of the trombone. There is also solo space for piano. There are flute, clarinet and bass clarinet doubles. This piece has limited brass ranges (written B in the trumpet). 5-4-4-4.
SKU: M7.SMP-369
SKU: M7.SMP-1234
Rich DeRosa, Professor of Jazz Composition at the University of North Texas, has composed a fascinating, brooding, and pensive melody of 'Mixed Emotions.' Set in a very contemporary feel with lush harmonies and reasonable brass ranges (highest note for trumpet is a written B), this flugelhorn feature also includes wonderfully written ensemble passages and will enchant your band and audiences alike. Originally recorded by the UNT One O'Clock Lab Band on their album Lab 2014, this piece requires woodwind doubles (clarinet). 5-4-4-4.
SKU: M7.SMP-1123
Omar Thomas has written a stunning, contemporary piece reminiscent of the style of the Pat Metheny Group. It has a straight-eighths feel with solos for piano and trombone. This chart requires soprano saxophone and clarinet (with optional bass clarinet). There are meter changes throughout. This piece moves jazz ensemble composition forward. 5-4-4-4 (w/ opt. voice part).
SKU: M7.SMP-171
This chart is destined to become a best-seller because of its unique and exciting format ... an orchestration of Jelly Roll Morton's original recording of one of his most famous compositions. The arranger has successfully captured the spirit of the '20's with the modern big band. Scored for 5 woodwinds (incl. clarinet and 2 soprano saxes) 6 brass and 4 rhythm, this is one piece that your band and audiences will ask for again and again. 5-3-3-4.
SKU: M7.SMP-326
Recorded on the A View From the Side CD by the Bill Holman Band, this chart is a slow blues, with Willis taking a VERY different approach. There are doubles in all the saxophone parts, group improvisation, solo for trumpet, piano and tenor saxophone. Lots of double-time swing feel which is so refreshing. 5-4-4-4.
SKU: M7.SMP-1199
This is a lovely, cool, easy-swing chart that explores linear material as written for and recorded by the North Texas One O'clock Lab Band (Lab 2013). Flute and bass clarinet doubles are required, and the drummer is featured throughout with brushes. This piece has the feel of a theme and variations, and contains very rich harmonies and voicings. 5-4-4-4.
SKU: M7.SMP-237
This chart is from the I REMEMBER BILL - a tribute to Bill Evans CD arranged and conducted by Don Sebesky! All of these incredible pieces require a mature band, soloists and woodwind doublers. Although these charts are not for the faint-of-heart, they are well worth the time and effort to perform. There has never been a more interesting or musical arrangement of this immortal Jerome Kern standard. From the I Remember Bill - a tribute to Bill Evans CD (RCA Victor). Give it a listen. A truly amazing and extensive excursion. Features alto saxophone. 5-4-4-3 (plus French horn).Alto Sax 1 (Flute, Soprano Sax), Alto Sax 2 (Clarinet, Soprano Sax), Flute (Soprano Sax), Tenor Sax (Soprano Sax), Bass Clarinet (Soprano Sax), Flugelhorn (Trumpet) 1-4, French Horn, Baritone Horn 1 (Trombone), Baritone Horn 2 (Trombone), Baritone Horn 3 (Trombone), Baritone Horn 4 (Tuba), Guitar, Bass, Drums.
SKU: M7.SMP-1233
If you are looking for a modern arrangement with a classic feel, Drew Zaremba has done just that with Dave Brubeck's 'Cassandra.' Recorded by the University of North Texas One O'Clock Lab Band on their CD Lab 2014, Drew uses theme and variation to take this marvelous, swinging melody into challenging, extensive and exciting places. In addition to featuring the depth of your ensemble, including woodwind doubles, lots of counterpoint, and tempo and style changes, there is also solo space for alto saxophone and trumpet. This chart is the real deal! 5-4-4-4.
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