SKU: M7.SMP-395

English.

Also known as Patterns For Orchestra (as recorded on the Verve jazz masters 48 CD), this is one of Nelson's very interesting charts. It has a very angular, exciting melody in a brisk swing tempo, and lots of solo space for trombone (as recorded by J.J. Johnson). The solo space could be filled by piano or any other instrument as well. The instrumentation has been converted to 5-4-4-4, a standard big band.

SKU: M7.SMP-1199

English.

This is a lovely, cool, easy-swing chart that explores linear material as written for and recorded by the North Texas One O'clock Lab Band (Lab 2013). Flute and bass clarinet doubles are required, and the drummer is featured throughout with brushes. This piece has the feel of a theme and variations, and contains very rich harmonies and voicings. 5-4-4-4.

SKU: M7.SMP-352

English.

A monumental piece of big band jazz. This was written for Les' fantastic Chicago band. It is an extensive work (about 12 minutes) which features trumpet (or flugelhorn) throughout in various settings and styles, based on one of the most beautiful melodies Les has ever written. There are also piano solos. Woodwind players must be good doublers and it is well worth the effort. This is certainly one of Hooper's most dynamic and interesting creations (among a great many)! As recorded on the Dorian Blue LP. 5-4-4-3.

SKU: M7.SMP-320

English.

This amazing work was commissioned by the I.A.J.E, ASCAP and the Dizzy Gillespie Commissions and was premiered at the IAJE Conference in New York City. It is a piece approximately 12 minutes in length, with solos for trombone, baritone saxophone, piano and others. This is Holman's newest work, and it should stand as one of his most interesting, creative and exciting works to date. 5-4-4-3.

SKU: M7.SMP-326

English.

Recorded on the A View From the Side CD by the Bill Holman Band, this chart is a slow blues, with Willis taking a VERY different approach. There are doubles in all the saxophone parts, group improvisation, solo for trumpet, piano and tenor saxophone. Lots of double-time swing feel which is so refreshing. 5-4-4-4.

SKU: M7.SMP-1117

English.

This is a lovely, straight-eighth waltz that starts simply and quietly with the rhythm section. There are flute doubles in the alto saxophone parts and a flugelhorn solo. Brass ranges are very limited. This is a great piece to program to contrast the more demanding charts you are performing. 5-4-4-4.

SKU: M7.SMP-1218

English.

Arranged by Bill Holman and originally recorded by the Woody Herman Orchestra, featuring Stan Getz, on their album Live at the Concord Jazz Festival, The Dolphin (El Delfrin) is written in a beautiful Bossa Nova setting and features tenor saxophone throughout. With lush harmonies and flowing ensemble backgrounds, there is ample space for your tenor saxophonist to improvise and explore this wonderful melody and arrangement. If you have a tenor player you want to feature, this chart will stun your audiences! 5-4-4-3.

SKU: M7.SMP-1202

English.

Here is a free swinging, remarkable chart from a new writer for Sierra. Allan Ganley's reputation and legacy in England drew our attention to this marvelous arrangement of One Morning in May. The arrangement is recorded on the CD June Time (Vocalion), and stands among the best versions out there. Starting with a soft, swinging ensemble, the chart moves into space for blowing for tenor saxophone and trumpet, returning to the initial feel with a wonderful, warm ending. All brass ranges are very moderate. This will be a great addition to any jazz band library. 5-4-4-4.

SKU: M7.SMP-237

English.

This chart is from the I REMEMBER BILL - a tribute to Bill Evans CD arranged and conducted by Don Sebesky! All of these incredible pieces require a mature band, soloists and woodwind doublers. Although these charts are not for the faint-of-heart, they are well worth the time and effort to perform. There has never been a more interesting or musical arrangement of this immortal Jerome Kern standard. From the I Remember Bill - a tribute to Bill Evans CD (RCA Victor). Give it a listen. A truly amazing and extensive excursion. Features alto saxophone. 5-4-4-3 (plus French horn).

Alto Sax 1 (Flute, Soprano Sax), Alto Sax 2 (Clarinet, Soprano Sax), Flute (Soprano Sax), Tenor Sax (Soprano Sax), Bass Clarinet (Soprano Sax), Flugelhorn (Trumpet) 1-4, French Horn, Baritone Horn 1 (Trombone), Baritone Horn 2 (Trombone), Baritone Horn 3 (Trombone), Baritone Horn 4 (Tuba), Guitar, Bass, Drums.

SKU: M7.SMP-1236

Originally recorded by the Count Basie Orchestra on their album Afrique, 'Kilimanjaro' is a mesmerizing, easy-feeling Latin composition which pulses along by the constant tumbao bass groove and infectious percussion. Featuring flute and trumpet on the melody, Oliver Nelson's composition has a very bluesy touch and allows for solos as you choose. Moderate brass ranges (highest note for trumpet is a written D), a written out bass line throughout, and flexible solos makes this outstanding piece playable by most any band. 5-4-4-4 (opt. Latin percussion).

SKU: M7.SMP-383

English.

Here is a terrific medium-tempo shuffle chart that the Buddy Rich Band played all the time. It was recorded on the Swingin' New Big Band album (CD available from Sierra Music), and has wide open blowing space in the blues format. A great shout chorus finishes off this exciting, swinging chart from Oliver Nelson. 5-4-4-3.