Orchestra STB vocal soli, SATB choir, 2 recorders f1, 2 oboes, trumpet, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3112712

Cantata for the Sunday of Estomihi. Composed by Johann Sebastian Bach. Edited by Hans Grischkat, Felix Loy. Stuttgart Urtext Edition: Bach vocal. German title: Herr Jesu Christ. Sacred vocal music, Cantatas, Special days, Lent and Passiontide, Holy Week, Mourning, death. Single Part, Violin 2. Composed 1725. BWV 127. 8 pages. Duration 21 minutes. Carus Verlag #CV 31.127/12. Published by Carus Verlag (CA.3112712).

ISBN 9790007048877. Key: F major. Language: German/English. Text: Eber, Paul. Text: Paul Eber.

Cantata BWV 127 belongs to the cycle of chorale cantatas which Bach performed in 1724/25 in Leipzig. It bears close links to the St John Passion, which was performed on Good Friday 1725 in its second version. In formal terms and in the interpretation of the text and its orchestration, it is one of the most astonishing vocal works by Bach. The opening chorus, with its multi-layered construction, is nothing less than a preliminary version for the chorale fantasia O Mensch bewein dein Sunde gross. The aria Die Seele ruht in Jesu Handen is distinguished by its exquisite scoring: a solo oboe and the soprano form a duet, whilst the background comprises delicate chords on recorders and continuo, intended to symbolize funeral bells. A solo trumpet gives the following movement particular brilliance. The words Ich breche mit starker und helfender Hand unmistakably anticipate the chorus Sind Blitze, sind Donner in Wolken verschwunden from the St Matthew Passion. New revised edition. Score and part available separately - see item CA.3112700.

Orchestra STB vocal soli, SATB choir, 2 recorders f1, 2 oboes, trumpet, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3112713

Cantata for the Sunday of Estomihi. Composed by Johann Sebastian Bach. Edited by Hans Grischkat, Felix Loy. Stuttgart Urtext Edition: Bach vocal. German title: Herr Jesu Christ. Sacred vocal music, Cantatas, Special days, Lent and Passiontide, Holy Week, Mourning, death. Single Part, Viola. Composed 1725. BWV 127. 8 pages. Duration 21 minutes. Carus Verlag #CV 31.127/13. Published by Carus Verlag (CA.3112713).

ISBN 9790007048884. Key: F major. Language: German/English. Text: Eber, Paul. Text: Paul Eber.

Cantata BWV 127 belongs to the cycle of chorale cantatas which Bach performed in 1724/25 in Leipzig. It bears close links to the St John Passion, which was performed on Good Friday 1725 in its second version. In formal terms and in the interpretation of the text and its orchestration, it is one of the most astonishing vocal works by Bach. The opening chorus, with its multi-layered construction, is nothing less than a preliminary version for the chorale fantasia O Mensch bewein dein Sunde gross. The aria Die Seele ruht in Jesu Handen is distinguished by its exquisite scoring: a solo oboe and the soprano form a duet, whilst the background comprises delicate chords on recorders and continuo, intended to symbolize funeral bells. A solo trumpet gives the following movement particular brilliance. The words Ich breche mit starker und helfender Hand unmistakably anticipate the chorus Sind Blitze, sind Donner in Wolken verschwunden from the St Matthew Passion. New revised edition. Score and part available separately - see item CA.3112700.

Composed by Daniel Kallman. Building Dedication, Memorial, 21st Century, Hope/Assurance. Published by MorningStar Music Publishers (MN.50-7079).

(Steal Away, City Called Heaven, Balm in Gilead). Arranged by Brandon Waddles. For SATB Choir with Mezzo Soprano Voice Solo and Tenor Voice Solo, Piano Reduction. Evoking Sound Series. Music Education. Medium/Difficult. Octavo. 32 pages. Published by GIA Publications

By Judith Snowdon. For SATB choir. General, Christian Life, Sacred. Sacred Anthem. Published by Canadian International Music.

SATB choir

SKU: CA.9178400

Graduale am Grundonnerstag. Composed by Giovanni Battista Casali. Coppenrath Series. German title: Christus Factus Est (Graduale) 3501201. Sacred vocal music, Lent and Passiontide, Holy Week. Full score. 2 pages. Carus Verlag #CV 91.784/00. Published by Carus Verlag (CA.9178400).

ISBN 9790007117061. Key: C major. Language: German.

SATB choir, 2 violins, viola, basso continuo - Level 3

SKU: CA.4000412

Composed by Antonio Vivaldi. This edition: urtext. Stuttgart Urtext Edition: Vivaldi-Archiv. German title: Credo. Innovative practice aids, Sacred vocal music, Mass sections. Single Part, Violin 2. RV 591. 8 pages. Duration 10 minutes. Carus Verlag #CV 40.004/12. Published by Carus Verlag (CA.4000412).

ISBN 9790007057398. Key: E minor. Language: Latin/English.

The Credo belongs to that large group of church works which Vivaldi composed in Venice between 1713 and 1717 for the Ospedale della Pieta, then his primary place of employment. The composition, conceived solely for choir and strings, is characterized by a two-layered formal design: a continuous, basic motivic idea, i.e., a constant rhythmic impulse with rapid tone repetition builds an instrumental layer, while on the other hand the writing for choir renders the text in a blocklike structure in chordal declamation. This structure will only be abandoned briefly in the concluding section of work, where the text Et vitam venturi saeculi is embedded in a concise fugue. Score and part available separately - see item CA.4000400.

(Cantata for the 1st Sunday after Trinity). Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For ATB vocal soli, SATB choir, 3 oboes, tromba da tirarsi, 2 violins, viola, basso continuo. This edition: Paperbound. F-Dur (F major). Stuttgart Urtext Edition. German title: O Ewigkeit, du Donnerwort. Cantatas, Trinity. Level 3. Vocal score. Language: German/English. Composed 1724. BWV 20. 36 pages. Duration 31 minutes. Published by Carus Verlag

SATB choir, 2 violins, viola, basso continuo - Level 3

SKU: CA.4000411

Composed by Antonio Vivaldi. This edition: urtext. Stuttgart Urtext Edition: Vivaldi-Archiv. German title: Credo. Innovative practice aids, Sacred vocal music, Mass sections. Single Part, Violin 1. RV 591. 8 pages. Duration 10 minutes. Carus Verlag #CV 40.004/11. Published by Carus Verlag (CA.4000411).

ISBN 9790007057381. Key: E minor. Language: Latin/English.

The Credo belongs to that large group of church works which Vivaldi composed in Venice between 1713 and 1717 for the Ospedale della Pieta, then his primary place of employment. The composition, conceived solely for choir and strings, is characterized by a two-layered formal design: a continuous, basic motivic idea, i.e., a constant rhythmic impulse with rapid tone repetition builds an instrumental layer, while on the other hand the writing for choir renders the text in a blocklike structure in chordal declamation. This structure will only be abandoned briefly in the concluding section of work, where the text Et vitam venturi saeculi is embedded in a concise fugue. Score and part available separately - see item CA.4000400.

SATB choir and organ

SKU: PL.1233

Composed by Richard Busch. Sacred. Paraclete Press #1233. Published by Paraclete Press (PL.1233).

Composed by Christy Nockels & Brandon Heath. Arranged by Cliff Duren. For SATB choir. Anthems. Praise & Worship and Sacred. Accompaniment CD. Published by Lillenas Publishing Company

SATB choir, voice solo, assembly, keyboard accompaniment, C instrument, guitar - Beginning

SKU: GI.G-7562

Composed by Liam Lawton. Arranged by Paul Tate. Ordinary Time 14 A, Sacred Heart A. Celebration Series. Sacred. Octavo. With guitar chord names. 16 pages. GIA Publications #7562. Published by GIA Publications (GI.G-7562).

UPC: 785147756200. English. Text by Liam Lawton. Scripture: Matthew 11:28–29.

One of Liam Lawton's latest compositions, this piece will provide solace to singers and to those who hear its powerful message: Jesus' love for us will not die, and he will never abandon us. What more do we need to know?

Orchestra STB vocal soli, SATB choir, 2 recorders f1, 2 oboes, trumpet, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3112719

Cantata for the Sunday of Estomihi. Composed by Johann Sebastian Bach. Edited by Hans Grischkat, Felix Loy. Stuttgart Urtext Edition: Bach vocal. German title: Herr Jesu Christ, wahr' Mensch und Gott. Sacred vocal music, Cantatas, Special days, Lent and Passiontide, Holy Week, Mourning, death. Set of Orchestra Parts. Composed 1725. BWV 127. Duration 21 minutes. Carus Verlag #CV 31.127/19. Published by Carus Verlag (CA.3112719).

ISBN 9790007136703. Key: F major. Language: German/English. Text: Eber, Paul. Text: Paul Eber.

Cantata BWV 127 belongs to the cycle of chorale cantatas which Bach performed in 1724/25 in Leipzig. It bears close links to the St John Passion, which was performed on Good Friday 1725 in its second version. In formal terms and in the interpretation of the text and its orchestration, it is one of the most astonishing vocal works by Bach. The opening chorus, with its multi-layered construction, is nothing less than a preliminary version for the chorale fantasia O Mensch bewein dein Sunde gross. The aria Die Seele ruht in Jesu Handen is distinguished by its exquisite scoring: a solo oboe and the soprano form a duet, whilst the background comprises delicate chords on recorders and continuo, intended to symbolize funeral bells. A solo trumpet gives the following movement particular brilliance. The words Ich breche mit starker und helfender Hand unmistakably anticipate the chorus Sind Blitze, sind Donner in Wolken verschwunden from the St Matthew Passion. New revised edition. Score and parts available separately - see item CA.3112700.

SATTBarB vocal soli, SATB choir, congregation, 2 violins, viola, cello/contrabass, armo, organ

SKU: CA.4019748

Oratorium fur Grundonnerstag und Karfreitag. Composed by Heinrich von Herzogenberg. This edition: Paperbound. Harmonium. Sacred vocal music, Oratorios, Passions, Lent and Passiontide, Holy Week. Single Part, Harmonium. Op. 93. Duration 150 minutes. Carus Verlag #CV 40.197/48. Published by Carus Verlag (CA.4019748).

ISBN 9790007132552. Language: German.

There are two main innovations: firstly the inclusion of the congregation through communal songs, and secondly, the frequent use of the main organ - as accompaniment to the congregational hymns as well as during the important preludes and postludes of the two parts 'Maundy Thursday' and 'Good Friday,' of which the Passion consists. (Kirchenmusik im Bistum Limburg 1/1990). Score and part available separately - see item CA.4019700.